Mary Poppins RECORD CHECKLIST
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NYSTA January-February 2013.Pmd
1 VOICEPrints JOURNAL OF THE NEW YORK SINGING TEACHERS’ ASSOCIATION January-- February 2013 TABLE OF CONTENTS: FEATURED EVENT and COURSE............................................................................................................. .........Page 1 Message from President David Sabella-Mills....................................................................................................Page 2 Message from Editor Matthew Hoch.............................................................................................................. Page 2 NYSTA 2013 Calendar of Events................................................................................................................. .Page 3 FEATURE ARTICLE: Getting to Know Marni Nixon by NYSTA Member Sarah Adams Hoover, DMA..........Pages 4--5 FEATURE ARTICLE: VOCEVISTA: Using Visual Real-Time Feedback by NYSTA Member Deborah Popham, DMA............................................................................Pages 6--7 NYSTA New Member..................................................................................................................................... .Page 8 Dean Williamson Master Class: October 25, 2012............................................................................................Page 8 NYSTA Board of Directors ...............................................................................................................................Page 8 OREN LATHROP BROWN PROFESSIONAL DEVELOPMENT PROGRAM FEATURED EVENT: FEATURED COURSE: WINTER 2013 ONLINE -
Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J
Bridgewater Review Volume 1 | Issue 2 Article 9 Dec-1982 Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J. Liggera Bridgewater State College Recommended Citation Liggera, Joseph J. (1982). Cultural Commentary: Affectional Preference on Film: Giggle and Lib. Bridgewater Review, 1(2), 21-22. Available at: http://vc.bridgew.edu/br_rev/vol1/iss2/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CULTURAL COMMENTARY Affectional Preference on Film: Giggle and Lib omantic attachments on screen the romantic man whose passionate desire With the great artist abandoning R these days require at least a hint of is for a person unquestionably of the romantic love--Bergman has lately something kinky to draw the pop audience opposite sex. So straight are his lusts that announced that his next two films will be his which in the days of yesteryear thrilled to no one seemed to notice the dilemma posed last--leaving the field to an oddity like Allen Bogart and Bacall, but which now winks in Manhattan of a man in his mid-forties or television's "Love Boat", the pop knowingly at Julie Andrews in drag. having physical congress with a fifteen year audience, which never warmed to Bergman Something equally aberrant, in fact moreso, old. This year, A -Midsummer Night's Sex or his like anyway, might find solace in Blake more blatant and proselytizing, quickens Comedy renders two points of sexual Edwards, an intriguing director whose last the mental loins of the liberal film-going metaphysics for those still lost in memories three films and his wife's, Julie Andrews, mind; anything less denies the backbone of a gender-differentiated past, the first changing image in them illustrate a syn upon which liberal sentiments are oddly enough insisted upon by the women: if thesis of audience demands with a structured. -
State Visit of Queen Elizabeth II and Prince Phillip (Great Britain) (4)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 51, folder “7/7-10/76 - State Visit of Queen Elizabeth II and Prince Phillip (Great Britain) (4)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON Proposed guest list for the dinner to be given by the President and Mrs. Ford in honor of Her Majesty Queen Elizabeth II and His Royal Highness The Prince Philip, Duke of Edinburgh, on Wednesday, July 7, 1976 at eight 0 1 clock, The White House. White tie. The President and Mrs. Ford Her Majesty Queen Elizabeth II and The Prince Philip Balance of official party - 16 Miss Susan Ford Mr. Jack Ford The Vice President and Mrs. Rockefeller The Secretary of State and Mrs. Kissinger The Secretary of the Treasury and Mrs. Simon The Secretary of Defense and Mrs. Rumsfeld The Chief Justice and Mrs. Burger General and Mrs. -
Hollywood Icon Julie Andrews Fights Against Huntington's Disease
MARCH/APRIL 2007 BY LINDA CHILDERS Hollywood Icon Julie Andrews Fights Against Huntington’s Disease Andrews is receiving our Public Leadership in Neurology Award for playing a starring role in the fight against Huntington’s disease. She's a Hollywood legend, a Dame of the British Empire, and one of the most beloved actresses in the world. During the course of a career spanning more than 50 years, Julie Andrews has been a star of the stage and screen, mesmerizing audiences in My Fair Lady, The Sound of Music, Mary Poppins—the list goes on. This year, Andrews is also the recipient of a number of special accolades. She was presented with a Lifetime Achievement Award by the Screen Actor's Guild in January, and in May, she will accept the 2007 Public Leadership in Neurology Award from the American Academy of Neurology. The Academy is honoring Andrews, 71, for being a stalwart advocate in the fight against Huntington's disease. She has served on the board of trustees of the Hereditary Disease Foundation with her husband, film director Blake Edwards, for over 30 years. The HDF funds cutting-edge research and is committed to finding treatments and cures for Huntington's disease and other hereditary illnesses. Andrews was first approached to serve as a board member by Milton Wexler, Ph.D., the chairman and founder of the Foundation, and his daughter, Nancy S. Wexler, Ph.D., who became the Foundation's President in 1983. Milton, who died on March 16 at 98, created the HDF in 1968 after learning that his wife, Leonore Wexler, had Huntington's disease. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
TV Report: Sharon Told of Killings
Some miss it, jYankee magazine Allied wins others not at all uses him a lot Bendix battle ... page 3 ... page 11 ... page 20 Manchester, Conn. Cloudy today, rain tomorrow. Saturday, Sept. 25, 1982 Single copy 25c — See page 2 Ipralft TV report: Sharon told of killings TEL AVIV, Israel (UPI) - Israel Yishai and Sharon occurred last television, in .one of the most Friday, the start of the Jewish New detailed accounts of Israeli Year celebration of Rosh Hashanah, knowledge of the massacre in and nearly a day after the massacre Beirut, said Friday night its of as many as 1,000 men, women and reporter told Defense Minister Ariel children began in the Chatila and Sharon about the killings but Sharon Sabra refugee camps. wished him a happy new year and Sharon previously has admitted hung up after five minutes. the Israelis ordered and helped its The report by Ron Ben Yishai, the Christian Phalange allies plan an en television’s military correspondent, try into the camps. But Sharon in also said Prime Minister Menachem sisted the Phalange were given Begin may^ave been the last person direct orders not to touch women to learn about the massacre. and children and only to “purge” the It said Begin heard about the camps of any remaining PLO killings at 5 p.m, last Saturday, “ap fighters. parently on the radio news.” The report said the Christian The conversation bet\veen Ben Phalangists who entered the refugee camps were led by Eli Bekha, chief information officer for the Phalange and dressed in uniforms resembling those used in renegade Lebanese At least Major Saad Haddad’s army. -
Resonare 1, No. 1
A Study in Violin Pedagogy: Teaching Techniques from Selected Works by Rachmaninoff, Prokofiev, Bartók, and Delerue Layne Vanderbeek This article is an outline and analysis of a few specific methods of composition used by the composers Sergei Rachmaninoff, Sergei Prokofiev, Béla Bartók, and Georges Delerue for the purpose of reproducing the styles and techniques for an intermediate level violinist. This will be accomplished by gathering information concerning each composer and their style and then reproducing that style in an original composition at the intermediate level. Each composer will be dealt with in a section divided into several parts: relevant biographical and historical information, stylistic analysis, and methods employed to incorporate these stylistic characteristics into the intermediate level composition. The biographical and historical information will consist of pertinent historic, social, and political events that influenced compositional style and growth of each composer. Stylistic analysis will be based upon general historical information and analysis of the specific composition in consideration. Scalar resources, chord and harmony use, texture and rhythm will be discussed and illustrated. The incorporation of these stylistic elements into an intermediate level composition will be a direct conclusion to the previous section. The information gained in the stylistic analysis will be utilized in original intermediate compositions, and it will be illustrated how this is accomplished and how these twentieth-century techniques are being employed and incorporated. Within the section titled “Methods of Stylistic Incorporation,” portions of the intermediate compositions will be used to demonstrate aspects of the composers' styles that were included. Each complete intermediate composition will be placed at the end of each section to demonstrate the results of the analysis. -
Jolly Holiday Script V3
JOLLY HOLIDAY by Kira Prince DRAFT © 2017 Kira Prince 2. QUEUE: The queue for Jolly Holiday combines several queuing ideas under one roof. The queue starts and ends as a traditional queue but the main portion is a thoroughly modern "virtual queue" with activities and distractions. It takes much inspiration from the world of immersive theatre with several live characters populating the micro-land and interacting with each other as well as the guests. EXT. EDWARDIAN LONDON TOWN - ENTRANCE / TRADITIONAL QUEUE 1 A quaint town on the outskirts of London sits proudly awaiting its visitors. The buildings are close together and sit helter-skelter. A variety of chimneys stick up charmingly at odd angles. Underscore of The Life I Lead and the Overture plays. At night silhouettes of chimney sweeps mulling about are seen on this skyline. Occasionally underscore of Step in Time breaks out and the sweeps dance about the rooftop. A large archway sits in the center of the facade leading us to the street that curves away beneath it. ALLEY - TRADITIONAL QUEUE 1 As we venture onto this street/alleyway the slim facades of various slightly grimy businesses and residences are seen. Signs in the windows advertise their wares and various doors and staircases hint at the residents living above. If you listen closely you might hear the LAUGH of UNCLE ALBERT echoing inside his wood-paneled walls. Some row homes can be seen through gaps in the buildings on the next street over (the exit queue). As we approach another bend the buildings pull away to reveal the gate to Cherry Tree Lane. -
Kids Classics
SAT/SUN AUG SAT/SUN AUG Launch Party Friday July 24th 11:30PM 1ST & 2ND, 4PM 8TH & 9TH, 4PM WITH FOLLOWING SESSIONS ON SATURDAY & SUNDAY 25 & 26TH AT 4PM Come in Fancy dress and win prizes for best dressed . First prize winner gets to take home a GOLD PASS valued at over $5000 granting unlimited free movies for a year. The runner up will walk away with a six month membership for Snap Fitness and various other door prizes will be available. Don’t miss out! Bring your own props (Please don’t bring rice or confetti) TICKETS ON SALE NOW SAT/SUN AUG SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT 15TH & 16TH, 4PM 22ND & 23RD, 4PM 29TH & 30TH, 4PM 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 4PM 26TH & 27TH, 4PM SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV 3RD & 4TH, 4PM 10TH & 11TH, 4PM 17TH & 18TH, 4PM 24TH & 25TH, 4PM 31ST & NOV 1ST, 4PM 7TH & 8TH, 4PM 14TH & 15TH, 4PM IN 3D SAT/SUN NOV DOUBLE FEATURE (INCLUDING INTERMISSION) DOUBLE FEATURE (INCLUDING INTERMISSION) SAT/SUN DEC SAT/SUN DEC 21ST & 22ND, 4PM SAT/SUN NOV 28TH & 29TH, 4PM SAT/SUN DEC 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 3PM KIDS CLASSICS SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV SAT/SUN DEC 8TH & 9TH 22ND & 23RD 5TH & 6TH 10TH & 11TH 24TH & 25TH 7TH & 8TH 21ST & 22ND 5TH & 6TH IN 3D IN 3D TICKET PRICES LIKE OUR CULT CLASSICS? HOW TO FIND US Adults: 2D $12.50/3D $15.50 WHY NOT TRY: Concession/Child: 2D $9.50/3D $12.50 3-5 Hewish Rd, Seniors:2D $7.50/3D $10.50 Family: -
Swinmin^Tbdm AD!OA^^
major studios have determined filmed within a few miles of each THE EVENING BTAR, Washington, D. C. The Passing Show on the same procedure in an other in a comparatively isolated MONDAY. JUNK 21, 1864 ** effort to speed up out-of-Holly- section of Canada. When the B-9 wood shooting. It is pointed out tourists flocked in and began asking questions, New Broadway Hit Looms yip,¦H 111 ijm&M that more companies than ever company offi- MTIORH w | BSii i inHrowr before are traveling to distant cials decided it would be a fine TRANS-LUX Jpl ERICA'S points—not only abroad, but to sporting gesture of good will for 4lf F/RSr THEATRE In California's Climate locales throughout the United the movie business at large to (Pgjjjr 14*1. at H N.W, Prompt Cnftam Evss g.SO Mats »:S0 By Joy Carmody Btatea. print up brochures answering the OPEN 10:48 AJC. instances, obvious questions and outlining \ Air Conditioned For California, nothing In certain extreme Your Comfort which needs else to be haughty about, by plans of the two companies. Peo- . may turning such as those experienced ple yet find another reason for pride. ... It is into a shooting for hundreds of miles around origination, they say the trade, Broadway 20tb-Fox In “River of point of as in for hits. No Return”, in Jasper National took this gesture as an invitation . may popular, And, come autumn, it produce one twice as celebrities to come out and get acquainted times more artistic, “Kismet,” Part, with such as a and several than the current Marilyn Monroe, Robert Mit- with the stars—and within California-bred winner in New York. -
A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo
Unsung Heroes? A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo Who are these unsung heroes? They are the voice-dubbers in Hollywood film. Throughout the history of Hollywood, actors and actresses have resorted to voice-dubbing in films in which they have had singing numbers. However, in American music performance practices, especially in the popular music and film industries, lip-syncing is often criticized, leading to debate over the technique. In comparison, Bollywood films also feature voice- dubbing, and although there is hostility towards this technique in Hollywood, it is perfectly acceptable in the Indian film industry. The majority of Bollywood films feature singing, and in all, it is the role of the voice-dubbers, also known as playback singers, to provide voices for the film stars. In addition, many of Bollywood’s playback singers have become as popular as, if not more than, the actors and actresses for whom they sing. Much of the reason for this stark difference in acceptance of voice-dubbers is found in the different ideologies of authenticity surrounding the use of lip-syncing. In North America, listeners expect perfection in the performances, yet are disappointed when discovering that there are elements of inauthenticity in them. Yet in India, both film producers and audiences have accepted the need for the talents of multiple people to become involved in the film production. In this paper, I will first discuss ideologies surrounding musical authenticity, then compare how these discourses have shaped and influenced the acceptance or rejection of voice-dubbers in Hollywood and Bollywood films.