Liberon VOC Content

Total Page:16

File Type:pdf, Size:1020Kb

Liberon VOC Content Page 1 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter Naphtha ( petroleum ) 111FC ALL Wax & Polish Remover 737 92.9 Hydrotreated Heavy + 1 N- Butoxy-propanol-2 121FWS ALL Fine Wood Stripper 757 84.7 120WB ALL Wood Bleacher 182 19.1 191SS ALL Sanding Sealer 629 71.1 125FE/250 Fullers Earth 0 0 151 ALL Wood Stopping 152 ALL Wood Filler 155W ALL Wax Filler Sticks 0 0 161 ALL Retouch Crayons 0 0 130KN ALL Knotting 700 80 115BC ALL Burnishing Cream 562 61.7 Naphtha ( petroleum ) Hydrotreated Heavy 118FR/500 French Polish Reviver 352 39.7 495LP Liquid Paraffin 0 0 127RR/125 Ring Remover 562 61.7 Naphtha ( petroleum ) Hydrotreated Heavy 175SF ALL Shellac sticks 0 0 211 ALL Palette Wood Dyes 0 0 208CD Conc. Water Based Dyes 0 0 210TK/250 Spirit Wood Dyes Tudor Oak 763 94.8 21OEB/250 Spirit Wood Dyes Ebony 751 92.6 210LK/250 Spirit Wood Dyes Light Oak 773 96.5 Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] Page 2 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter 210GP/250 Spirit Wood Dyes Golden Pine 773 96.4 210AP/250 Spirit Wood Dyes Antique Pine 759 94.1 210TE/250 Spirit Wood Dyes Teak 768 95.5 210YW/250 Spirit Wood Dyes Yew 767 95.7 210MK/250 Spirit Wood Dyes Medium Oak 751 93.4 210DK/250 Spirit Wood Dyes Dark Oak 761 94.4 210WN/250 Spirit Wood Dyes Walnut 751 93.4 210GM/250 Spirit Wood Dyes Geor. Mah. 760 94.6 210VM/250 Spirit Wood Dyes Vict. Mah. 768 95.5 215CD Conc. Spirit Based Dyes Yell. 730 88.5 Conc. Spirit Based Dyes 215CD 713 85.4 Brown 215CD Conc. Spirit Based Dyes Red 707 85.1 215CD Conc. Spirit Based Dyes Oran. 726 87.8 215CD Conc. Spirit Based Dyes Blue 691 82.9 215CD Conc. Spirit Based Dyes Black 721 87.4 Naphtha ( petroleum ) 354BW/250 Special Effects Wax Black Pat 482 46.1 Hydrotreated Heavy + Gum Turpentine Naphtha ( petroleum ) 374BL/250 Special Effects Wax Blue 393 38.8 Hydrotreated Heavy + Gum Turpentine Naphtha ( petroleum ) 384TC/250 Special Effects Wax Terracotta 409 38.3 Hydrotreated Heavy + Gum Turpentine Naphtha ( petroleum ) 364VW/250 Special Effects Wax Verdi Gris 396 35.5 Hydrotreated Heavy + Gum Turpentine Naphtha ( petroleum ) 344LW ALL Liming Wax 542 52.3 Hydrotreated Heavy + Gum Turpentine Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] Page 3 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter Designer Metallic Varnish 26 2.5 305 ALL Tint & Wax 13 1.3 225VD ALL Van Dyck Crystals 0 0 760VCS ALL Natural Finish Varnish 21 2 Hardwood Varnish 521 60.7 750HV ALL Hardwearing Varnish 484 54.7 322 ALL Liquid Beeswax 681 83.8 321/ ALL Beeswax Paste 601 73.1 310FSW/400 Fine Spray Wax 311 ALL Black Bison Fine Paste Wax 569 70.3 Naphtha ( petroleum ) Hydrotreated Heavy 315 ALL Black Bison Liquid Wax 689 87.2 435BP ALL Black Polish 700 80 424BP ALL Button Polish 700 80 420CL ALL Easy French Polish 736 84 431GP ALL Garnet Polish 700 80 415FP ALL Special Pale French Polish 707 82 422WP ALL White Polish 700 80 441LS ALL Lemon Shellac Flakes 0 0 451BS ALL Blonde Shellac Flakes 0 0 461GF ALL Garnet Shellac Flake 0 0 Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] Page 4 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter 390WL ALL Woodturner’s Lathe Polish 660 73.7 391WS Woodturning Stick 0 0 475TG ALL Tung Oil 0 0 485FO ALL Finishing Oil 520 62.2 465TK ALL Teak Oil 239 26.8 490BL ALL Boiled Linseed Oil 0 0 492RL ALL Raw Linseed Oil 0 0 745DO ALL Decking Oil 634 73.7 735GO ALL Garden Furniture Oil 411 47 735GO/SP Garden Furniture Oil Aerosol 725GC ALL Garden Furniture Cleaner <1 <0.1 Natural Finish Floor Varnish 98 9.4 Traditional Floor Varn. Gloss 519 59.2 Traditional Floor Varnish Satin 484 55.4 790FO ALL Floor Maintenance Oil 627 74.6 608FC ALL Floor Cleaner 737 92.9 Naphtha ( petroleum ) 609FS ALL Floor Sealer 520 62.2 Hydrotreated Heavy + 1 N- Butoxy-propanol-2 610FW ALL Floor Wax 703 89.4 792FP ALL Floor Protector 751 92.3 784CL ALL Stone Floor Cleaner 287 29.5 Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] Page 5 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter 780SE ALL Stone Floor Sealer 711 89.6 782SH ALL Stone Floor Shine 30 2.9 770LC/1L Laminate Floor Cleaner <1 <0.1 770LC/1L Laminate Floor Sealer 30 2.7 779FS Laminate Repair Sticks 0 0 615 ALL Gesso 0 0 621 ALL Gilt Cream 410 39 641 ALL Gilt Varnish 642 57.1 631GL ALL Gilt Finishing Liquid 700 80 651 ALL Gilt Filler Sticks 0 0 661 ALL Gilt Patina Pencils 0 0 165R ALL Retouch Cream 498 46.1 611 ALL Fontenay Base 443 37 671 ALL Frame Filler 0 0 571 ALL Antiquing Fluid Brown/Black <1 <0.1 557BC/500 Brass & Copper Cleaner 120 10.1 Brass Polish <1 <0.1 Silver Polish 31 2.5 560CP/500 Cold Patination Pre-Treatment 78 7 575HM/500 Hematite 3 0.3 Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] Page 6 of 6 VOC CONTENT OF ALL LIBERON FINE FINISHING MATERIALS VOC Content VOC % VOC TYPE SLP Item # Liberon Product Name g/Liter 550IP/250 Iron Paste 454 49.2 581JD/500 Jade Oil 520RR ALL Rust Remover 78 7 590 ALL Leather Cream 78 8 SW ALL Steel Wool 0 0 Naphtha ( petroleum ) 795HO/250 Honing Oil 737 92.9 Hydrotreated Heavy + 1 N- Butoxy-propanol-2 785LW/500 Lubricating Wax 690 88.5 241 ALL Earth Pigments 0 0 334PW Paraffin Wax 0 0 741TP ALL Pure Turpentine 860 100 325PB ALL Purified Beeswax 0 0 714RS/250 Rabbit Skin Glue 0 0 717WH/500 Whiting 0 0 331CW/500 Carnauba Wax 0 0 791SG ALL Super Wood Glue 711PG ALL Pearl Glue 0 0 Naphtha ( petroleum ) 112GC/L General Purpose Cleaner 737 92.9 Hydrotreated Heavy + 1 N- Butoxy-propanol-2 487DO ALL Superior Danish Oil 593 71 Naphtha ( petroleum ) Hydrotreated Heavy Sepp Leaf Products, Inc., 381 Park Avenue South Suite 1301, New York, NY 10016 Tel: 212-683-2840 Fax: 212-725-0308 E-Mail: [email protected] .
Recommended publications
  • Watco® Danish Oil
    TECHNICAL DATA WAT-02 WATCO® DANISH OIL .DESCRIPTION AND USES . PRODUCT APPLICATION (cont.) . Watco® Danish Oil is a unique blend of penetrating oil & varnish, TESTING COLOR which hardens in the wood, not on the wood. Watco Danish Oil Be sure to test your stain to verify the desired color. To test, apply penetrates deep into wood pores to protect from within and to the stain in an inconspicuous area. enhance the natural look and feel of the wood. It creates the rich, warm glow of a traditional hand-rubbed finish. Many projects can OPTIONAL STEPS be completed in less than an hour - simply brush or wipe on and wipe off. Pre-treat soft woods, such as pine, by lightly wiping the wood surface with a cloth moistened with Watco Danish Oil Natural .PRODUCTS . finish. Immediately wipe the surface completely dry and proceed with application. Gallon Quart Pint Description 65131 65141 6515H Golden Oak APPLICATION 65231 65241 65251 Cherry Use only when air (ambient) temperature is between 60-90°F 65331 65341 65351 Black Walnut (16-32°C) and relative humidity is below 85%. Allow for longer 65431 65441 65451H Fruit Wood dry times during damp and humid conditions. Mix or shake 65531 65541 65551 Light Walnut material thoroughly to ensure that any settled pigment is re- --- 214380 214381 Red Mahogany dispersed before application. Stir occasionally during use. Apply 65731 A65741 65751/303302 Natural a test sample on a small inconspicuous area before proceeding 65831 A65841 65851/303240 Dark Walnut with the entire job. Apply one coat of stain liberally with a brush or 65931 A65941 65951/303239 Medium Walnut clean lint free rag.
    [Show full text]
  • Understanding Wipe-On Finishes
    Understanding Wipe-on Finishes he moment of truth for many projects comes T and smooth, you have a thinned, or true, wiping long after the shop is cleaned, the tools are put varnish. If the puddle dries wrinkled and soft, itʼs away and the work is sanded. Applying a finish an oil/varnish blend. stops many woodworkers dead in their tracks. Why is it important to know what kind of wip- Finishing is the chore almost all woodworkers ing finish you have? When it comes to protecting fear most because it has the greatest potential the wood, varnish wins because it dries hard. for spoiling the project. So itʼs only natural that The reason has to do with the way the products woodworkers would seek a risk-free finish. For are manufactured. A typical oil-based varnish is this reason, many choose a finish thatʼs wiped on. made by cooking alkyd resins with an oil (usually Finishing manufacturers have capitalized on this modified soybean oil). To make a wiping varnish, fear and have developed rag-on finishes – thatʼs the finish is simply thinned with paint thinner or the good news about many products today. mineral spirits. Oil/varnish blends go further, The bad news is that the finishes you find on adding more oil and thereby further reducing the the shelves at your home centers have similar quantity of varnish in the finish. names but arenʼt alike – and you canʼt figure out Still confused about what to do? Well, the what each one does by simply reading the can. sure-fire way to get what you want is to make This is what they all have in common: You your own wiping varnish.
    [Show full text]
  • Arborite Postforming & General Purpose Laminate
    ARBORITE POSTFORMING & GENERAL PURPOSE LAMINATES TECHNICAL DATA Manufacturer Arborite 385 Lafleur, Lasalle (Québec), H8R 3H7 Web site : www.arborite.com - Phone: 1-800-996-0366 Alternate manufacturing facility – Fletcher, NC Product Description Arborite decorative laminates are a high pressure thermoset plastic surfacing material. It consists of multi layers of kraft (core) papers impregnated with phenolic resins, covered by a melamine impregnated decorative surface. These layers are then consolidated into a solid sheet under the effect of high temperature and pressure. 0.045" / 1.14 mm Basic Decorative High Pressure Laminates – for horizontal and vertical applications Arborite decorative laminates are engineered to improve the product life cycle for wear, chemical and stain resistance under normal use and conditions. Available in 3 grades, Arborite laminates offer 4 exceptional performance features, and are available in Arborite’s expressive range of colors. Arborite Flex 4 grades: . 0.025" / (0.63 mm) - Arborite laminate type A3 . 0.034" / (0.86 mm) - Arborite laminate type A4 . 0.045" / (1.14 mm) - Arborite laminate type A5 Usage For all types of flatwork applications: work surfaces, counters, cabinets, furniture, equipment, food service, displays, caseworks, doors, walls, ceilings, window sills and frames, partition systems, enclosures, shelving and trims. suitable for most commercial, institutional and residential applications. Typical uses by grade: A3 (0.025") for light duty applications - most vertical surfaces such as interior doors, cabinet fronts, wall paneling and similar surfaces. A4 (0.034") & A5 (0.045") for heavier duty applications – work surfaces, counters, table tops, cabinets, furniture, wall paneling, doors, window sills and similar surfaces. Arborite Postforming & General Purpose Laminates 1 Revised: September 2015 Arborite – Features .
    [Show full text]
  • Dyes Can Do It All Color Bare Wood Without Blotching, Tint Topcoats, and Touch up Blemishes
    Dyes Can Do It All Color bare wood without blotching, tint topcoats, and touch up blemishes BY TERI MASASCHI oloring wood strikes terror in the hearts of most woodworkers. After spending six months build- Cing a piece, potentially ruining it in an hour is a definite cause for anxiety. Much of this caution stems from bad experiences applying typical hardware-store wood stains to bare wood. These mostly pigmented stains can cause results that are too dark, blotchy, and muddy. Far from enhancing the wood, the effect is to ruin the appearance. Rather than throw out the baby with the bathwater and forswear ever coloring wood, switch to dyes. Like pigments, dyes also are called stains, but instead of lying on top of the wood like a pigment stain, they penetrate the wood. This ability enhances wood by TYPES OF DYES Dyes come in three main groups: as powders to be mixed with water, alcohol or mineral spirits; in ready-to-use form as a non-grain-raising liquid; or as concentrates to be added to clear finishes. Each group has different uses and characteristics. POWDERED DYE NON-GRAIN-RAISING DYE 44 FINE WOODWORKING Photos: Mark Schofield COPYRIGHT 2006 by The Taunton Press, Inc. Copying and distribution of this article is not permitted. offering figure-revealing transparency. Dyes come in a range of colors from subtle wood tones to brilliant primaries, and they can be applied to bare wood, combined with clear coats, or used as touch-ups. Dyes come in powdered form, concentrates, and ready-to-use liq- uids.
    [Show full text]
  • Finishing Techniques.Pdf
    Finishing Techniques Al Miotke Sept 8, 2020 Share your ideas Agenda 1. Preparing the surface 2. Types of Finishes 3. Goals of the final finish 4. Pro’s/Con’s of each finish option 5. Filling the grain 6. Finish the finish 7. Applying a Gloss finish Good Reference materials Three stages of finishing 1. Surface preparation 2. Selecting and applying the finish 3. Finishing the finish Select the best finish for each piece Surface Preparation 1. Cut as clean as possible. 2. Go thru the grits to at least 320 or 400. • Depends on type of wood and finish you plan to apply and sheen you want. 3. Sand with the grain with last grit. 4. Don’t overheat the wood. Keep speed low. 5. Don’t over sand especially on soft or open grain woods. What are the common Finishes? 1) Oil • Natural product extracted from walnut, linseed, Tung, soy bean, etc. • Polymerized oil is heated to about 500 degrees in absence of oxygen, dryers sometimes added. Goal is to dry faster • Provided a natural looking finish but limited protection 2) Shellac • Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand. • Friction Polish – Shellac, Alcohol, Boiled Linseed Oil, Beeswax optional 3) Varnish • Synthetic product made by cooking a drying oil and add resin like urethane or Alkalyd. • Wiping Varnish – Varnish/thinner blend 4) Lacquer • Nitrocellulose lacquer is mostly solvent-based and comprised of plant-based substances like cotton, mixed nitric and sulfuric acids. 5) Wax • Beeswax, carnuba • Provides little protection but adds sheen and maintains natural color • Used as both a finish and a polish.
    [Show full text]
  • Cheery Cherry Toy Chest Download
    Cheery Cherry Toy Chest A challenging classic that will last a lifetime We call this a toy chest—but it’s a book case, a knickknack box and a fun place to sit and read. And when your kids are grown, it makes one heck of a fne entry bench. Tis is one of the more challenging projects in the book. It involves biscuit joints, sunken panels and cutting tight curves. Plus, it’s made from cherry— a mistake in this material costs three times as much as a mistake in pine! So, if you’re a beginner, consider sharpening your chops on a couple of other projects before digging into this one. We show two versions of the fnished chest. One with cherry plywood panels; another with panels 18 | building unique and useful kids’ furniture 36" 1/4" 2 1/2" M 15" P R 11 1/4" 1 1/2" Q 15" 36" Top Side 1 1/4" 33" 1 1/2" 36" 9" E 1/4" 36" 1/4" 2 1/2" M F 2 1/2" M 1 1/2" D X 4 3/4" M 3/4" 15" H 15" 5 1/2" 3 1/2" 11 1/4" P R P 11 1/4" B 2 1/2" 24 1/2" R 11 1/4" 1 1/2" 24 1/2" Q 1 1/2" Q Seat T C 18 1/2" 12" U 9" U 16" W 10 1/8" V J K S 9" Front 15" 36" A 3 1/2" D 3 1/2" 15" 36" 1 1/4" 33" G 1 1/2" 1 1/4" 9" 33" E 1 1/2" 4" 9" O 1 1/2" E 1 1/2" 1" 1 1/2" 3/4" N L 3/4" 36" 33" F 1 1/2" F 37 1/2" 1 1/2" D X 4 3/4" D X 4 3/4" M 3/4" H 3/4" M 5 1/2" 36" H 3 1/2" 5 1/2" 3 1/2" 1/4" 11 1/4" B 2 1/2" 24 1/2" 11 1/4" B 2 1/2" 24 1/2" 24 1/2" 24 1/2" Seat 2 1/2" M T C 18 1/2" Seat 12" T C 18 1/2" 12" U 9" U 16" W 10 1/8" V J U 9" U 16" W 10 1/8" K V J S 9" K 15" S 9" P R 11 1/4" 1 1/2" Q A 3 1/2" D 3 1/2" A 3 1/2" D 3 1/2" G G 4" O 1 1/2" 1 1/2" 1" 4" 1 1/2" 3/4" O 1 1/2" 1
    [Show full text]
  • SHAKERWORKBENCH Design, Construction Notes and Techniques
    BENCHCRAFTED · SHAKER BENCH PLANS SHAKERWORKBENCH Design, Construction Notes and Techniques “Don't make something unless it is both necessary and useful; but if it is both neces- sary and useful, don't hesitate to make it beautiful." –Shaker Dictum Introduction and Design: Ron Brese Construction Notes and Techniques: Jameel Abraham Measured Drawings: Louis Bois Copyright Benchcrafted 2011·2014 No unauthorized reproduction or distribution. You may print copies for your own personal use only. 1 BENCHCRAFTED · SHAKER BENCH PLANS · INTRODUCTION & DESIGN · “Whatever perfections you may have, be assured people will find them out, but whether they do or not, nobody will take them on your word” Canterbury, New Hampshire, 1844 When I first laid eyes on the workbench at the Hancock Shaker Museum in Pittsfield, Massachusetts I had a pretty good idea of the configuration of my next workbench. I think it would be safe to say that I was inspired. However, designing a workbench that is inspired by a Shaker icon can be intimidating as well. I had to do justice to the original and keep in mind what might be considered acceptable. Luckily, most are aware that the Shakers were quite accepting of new technologies that could be practically applied, so this did allow a fair amount of leeway in regards to using more recent workholding devices on this bench. In the end, I did want the look to be very representative of the Shaker Ideal. “‘Tis a Gift to Be Simple” is an over used Shaker pronouncement, however I often think it’s meaning is misinterpreted. I believe it means having freedom from making things unnecessarily complicated.
    [Show full text]
  • Oil Finishes for Wood by James Vincent Doody, Jr
    Thoughts on Oil Finishes for Wood by James Vincent Doody, Jr. Downloaded from Badger Pond On Surface Preparation: ♦ Getting a "glass-smooth" finish isn't especially tricky, but it has much less to do with finishing materials and technique than with adequate surface preparation. Plane, scrape, and sand (but do not burnish) the wood until it is perfectly flat and smooth. When not to use an Oil Finish: ♦ Open-pored woods like mahogany and oak need to be sealed, sanded, resealed, and then filled with a (possibly colored) paste or liquid filler to support a glass-smooth finish. I don't see people even try with oak but mahogany can look lovely and glossy with proper scraping, sealing, sanding, filling, resanding and then coating with shellac, French Polish, or lacquer. It's a lot of painstaking work! On Applying an Oil Finish: ♦ Closed-pore, tight-grained woods like cherry, birch, and maple don't need the sanding sealer and filler step at all and will let you just work up to 320 grit sandpaper before applying any finishing material. Contrary to common myth, an oil finish can produce just as high a luster as lacquer, shellac, or [shudder] varnish. Apply a coat of thinned "Danish Oil" liberally and wipe dry after 30 minutes. You'll cringe when you notice that your painstakingly sanded surface is no longer smooth because the liquid has raised the grain a bit. ♦ Take 0000 steel wool lubricated with mineral spirit or even some of the thinned oil and smooth it back down. Use some elbow grease! Wipe dry.
    [Show full text]
  • Green Oak in Construction
    Green oak in construction Green oak in construction by Peter Ross, ARUP Christopher Mettem, TRADA Technology Andrew Holloway, The Green Oak Carpentry Company 2007 TRADA Technology Ltd Chiltern House Stocking Lane Hughenden Valley High Wycombe Buckinghamshire HP14 4ND t: +44 (0)1494 569600 f: +44 (0)1494 565487 e: [email protected] w: www.trada.co.uk Green oak in construction First published in Great Britain by TRADA Technology Ltd. 2007 Copyright of the contents of this document is owned by TRADA Technology Ltd, Ove Arup and Partners (International) Ltd, and The Green Oak Carpentry Company Ltd. © 2007 TRADA Technology Ltd, Ove Arup and Partners (International) Ltd, and The Green Oak Carpentry Company Ltd. All rights reserved. No copying or reproduction of the contents is permitted without the consent of TRADA Technology Ltd. ISBN 978-1900510-45-5 TRADA Technology and the Consortium of authoring organisations wish to thank the Forestry Commission, in partnership with Scottish Enterprise, for their support in the preparation of this book. The views expressed in this publication are those of the authors and do not necessarily represent those of the Forestry Commission or Scottish Enterprise. Building work involving green oak must comply with the relevant national Building Regulations and Standards. Whilst every effort has been made to ensure the accuracy of the advice given, the Publisher and the Authors, the Forestry Commission and Scottish Enterprise cannot accept liability for loss or damage arising from the information supplied. The assistance of Patrick Hislop, BA (Hons), RIBA, consultant architect, TRADA Technology Ltd as specialist contributor is also acknowledged.
    [Show full text]
  • Preserving Your Project
    Polyurethane, Danish oil, and paste wax Preserving are all excellent sealers for either wood or gourd Your Project projects. Apply the proper finish so you can enjoy your woodburning for years to come By Lora S. Irish Careful consideration of what finish to apply to your final piece is essential. You want the burned texture to show through the finish, not be covered up by it. If you rub your hand across the finished burning, Oil Finish you will feel the coarseness of the burned fibers that Oil finishes give a durable finish to any woodburning were raised during the burning process. Using very work and bring out the natural grain in wood. Tung fine-grit sandpaper, lightly go over the entire work to oil and Danish oil are two common types of oil remove this roughness. I use foam-core emery boards. finishes. Follow the directions on the can or jar. Most They can be laid flat against the wooden board and oils are applied by brushing one coat of oil finish on gently moved across the wood without disturbing the the entire project. Allow that coat to set for ten to burned design. Foam-core emery boards come in a fifteen minutes. Then, with a clean lint-free cloth, wipe variety of grits. They are readily available at your local the excess oil from the wood. Allow the first coat to drug store and are inexpensive. dry overnight, and then apply a second coat in the After the emery board, I use a white artist’s eraser same manner.
    [Show full text]
  • Common Wood Species How to Identify Them, Where You’Ll Find Them—And How to (Re)Finish Them
    34 THE FURNITURE BIBLE common wood species How to identify them, where you’ll find them—and how to (re)finish them. WOOD COLOR CHARACTERISTICS SEEN ON USED FOR RECOMMENDED TREATMENTS almond Rich reddish blond Fine grain Louis XIV Rare cabinetry Fine finishes; polishes applewood Pinkish blond Sinuous grain American Colonial; William and Mary Rich inlay; marquetry Polishes; oil ash White to pale brown Sinuous, open grain American Colonial; Biedermeier Rustic furniture Wax; ceruse beech Blond Fine, linear grain Louis XV; Gustavian; Biedermeier Frames Paint; bleaching; staining; oil birch Pale blond with reddish streaks Hardwood with a fine, sinuous grain Gustavian; Shaker; Biedermeier Almost all furniture Staining; oil rub and wax boxwood Blond Very dense; no grain Louis XIV; Second Empire Precious carvings; turning; inlay Clear wax; oil rub Walnut burl: contrasted browns; Highly figured Louis XIV; Art Deco Precious veneer High-gloss finishes; French polish burls Elm and Circassian walnut burl: blond (burls are knots and roots) Lightweight and resinous; “Syrian” furniture; Spanish Colonial; Light reddish brown Trunks and wardrobes Avoid finishing! cedar and cypress insect-repellent American Colonial American Colonial; Queen Anne; Uniform, straight, fine grain with a Large furniture such as armoires, Rich reddish brown Louis XV; Chippendale; Shaker; Oil and wax; shellac smooth texture; darkens with age tables, and buffets cherry Federal; Biedermeier Large furniture such as armoires, Warm brown with a hint of red Rustic texture and grain Rustic
    [Show full text]
  • Portland Daily Press: April 15,1867
    DAILY x APRIL Dollars MOIlNING, 15, 18(J7. Terms Eight per annum, in advance. UK POET! A N 11 DAILY PRESS ia j nblu&ed BWSNESS CARDS. COrA KTNEKS1I1P. REMOVALS. MERCHANDISE. COGS. ev. v day, (Sunday excepted,) at No. I Printers* MISCELLAN The Resolution in Ham. Exchange, Commercial Street, Portland. ®K- A. J. DAILY The nmiors of the overthrow of the N. A. FOSTER, PROPRIETOR. LOCKE, REMOVAL : THE PRESS Getf Limited LUMBER, in I er ms : —Eight Dollar? a year in advance. Partnership. rard administration Hayti are confirmed.— DENTIST, U. S. CLAIM AGENCY of W. II. Wholesale and KetalL PORTLAND. rpiIE FESSEN- On the 13th of March, President at the I undersigned, George Burnham, Jr., Charles X DEN has been removed to No. 1>*J (jou- Gelfrard 1 IIP MATES STATE PRESS, D published No. 301 1.2 tongrc.M Nln'Pl. Plank, Shingles and Scantling oi all sizes DOMESTIC OIL COMPANY THES. Morrill and John E. Burnham, all of Portland, fin ** Street, corner near Hall. his onboard a s nuc place at *2.00a >eai, Chestnut, City constantly on hand. sailed with family Fret.cbman- every Thursday morning (13m Cumberland that they have BOARDS, in advance. AprUl,JH67. Counity, hereby certily. apr8dlw* Building material sawed to order. now offer to Monday invariably this first of constituted a the public Morning, April 15, 1867. for Jamaica. The late President is day March, A. li. 1867, part- ISAAC DYER. of-war, CHARLES PEARCE, nership in accordance with (he Statutes of Maine re- tm-ii oi si ace,in I No. Union Wharf.
    [Show full text]