STRATOS TZORTZOGLOU Resume Word

Total Page:16

File Type:pdf, Size:1020Kb

STRATOS TZORTZOGLOU Resume Word Stratos Tzortzoglou (George O’Glou). ACTOR-PRODUCER USA mob:(1) 917.579 - 3707 GREECE mob:+30 6932.40.7777 http://stratostzo.com/ Known for his breakthrough starring role as Orestes in the films Landscape in the Mist and Ulysses’s Gaze with Harvey Keitel both directed by Palm d ‘ Or Award in Cannes film festival Theo Angelopoulos -described by Martin Scorsese as that of “a masterful filmmaker”,who“talked of Stratos as someone who can absorb everything, turning this to an advantage”. Also St. Holden wrote in his New York times – review :”Orestes, whom Stratos Tzortzoglou imbues with a winning sweetness, works for an itinerant theater company that has been traveling around Greece. Landscape in the Mist has already won many honors, and was the Greek entry for best foreign film in the Academy Awards. A 126-minute work of exceptional beauty”. Stratos starred opposite Lena Endre (The Girl with the Dragon Tattoo - Faithless) in Den ena kärleken och den andra by Eva Bergman in which film the nine- time Academy Award nominee Ingmar Bergman (Fanny and Alexander) compared Stratos to "a Stradivarius violin," adding that "the great actors are great instruments”. After that, he had a starring role in the film Pano, kato kai plagios opposite to Irene Pappas (Electra, Z,Captain Corelli’s Mandolin) under the direction of the five- times Academy Award nominee Michael Cacoyannis (Zorba the Greek- Trojan Women-Iphigenia) who described Stratos as “that rare phenomenon, a natural who combines striking good looks with that special brand of talent which blends a fiery temperament with easy personal charm”. Stratos reached a summit of his profession with his performance as (Stavros) in the above film which garnered him an Award as Best Actor at the Greek National Awards. His theatrical experience includes classical ancient tragedies such as:Euripides’ The Bacchae (Dionysus), Euripides’ Phoenician Women (Polynices), Aeschylus’ Prometheus Bound (Prometheus). He also played (Dionysus) in the film The Bacchae directed by Bruno Coppola. He also worked on stage with directors such as Jules Dassin (Academy Award Nominated - Never on Sunday ) and (Winner Cannes Film Festival for Rififi ) in Arthur Miller’s Death of a salesman as (Biff Loman). He co-starred as (Agamemnon) with Sarah Douglas (Conan the Destroyer - Falcon Crest - Superman ) in Leah Vitali’s Roast Beef at Riverside Studios UK, London. In a TV movie 365 days of birth worked with the Academy Award for Best Actress for Indochine,Catherine Deneuve. The chairman and CEO of Paramount Pictures Jim Gianopulos said about him that“Stratos is destined for great things, he has a unique way of capturing the audiences with his charm, his authenticity and has truly mastered his art form.He is bound to succeed in the American entertainment industry”, while the Oscar winning actress for Moonstruck Olympia Dukakis said that “Stratos has a lot to offer to the American film industry in his unique sense of acting, combing talent, intuition, passion and determination”. PROFESSIONAL ARTISTS TALENT AGENCY, Marilyn Scott Murphy, Agent, 321 West, 44 street, New York, N.Y. 10036 Phone:(1)212.247-8770 [email protected] PHOTO GALLERY THEATER ART (2018) by the playwright Yasmina Reza role Marc, directed by Loukas Skipitaris. / photo album I LOVE YOU BUT (2017) by the playwright George Valaris role :Thanasis, directed by George Valaris. / Photo Album VENUS IN FUR (2016 – 2017) by the playwright David Ives role: Thomas Novachek , directed by Kostas Athiridis. / photo album ROBERTO ZUCCO (2016-2017) by the playwright Bernard-Marie Koltès role: Brother, directed by Angela Brouskou at the The Greek Art Theater - Karolos Koun . / Photo Album PROMETHEUS BOUND Προµηθεὺς Δεσµώτης (2016) by Aeschylus, role: Prometheus, directed by G. Falkonis at the Cultural and Tourism Hoard Municipality of Lamia (Thermopylae). / Photo Album TRYST -MYSTERIOUS MR LOVE (2015-2016) by playwright Karoline Leach, role: George , directed by Stratos Tzortzoglou at the Stathakion Cultural Center- Federation of Hellenic societies of greater NY. / photo album ALL IS ONE (2015) adaptation by Stratos Tzortzoglou, based on texts by: Emmanuel Schmitt, Antoine de Saint-Exupéry, Angelos Spartalis, and Rainer Maria Rilke – role: Oscar, directed by Stratos Tzortzoglou. THE SHOUT-Report to my son (2015) adaptation by Stratos Tzortzoglou, a musical oratorio based on Nikos Kazantzakis “ The Saviors of God - Askitiki / Report to Greco directed by Stratos Tzortzoglou at The Greek Cultural Centre of New York. / Photo album Mazonakis;s Song Shout TV Spot Shout dream Natalia's Song Shout clip Stratos -Papadopoulos music tv interview Stratos - Stavroulidakis Shout clip 2 Shout clip 3 Shout Tv Spot 2 MISS MISERY (2014) by the playwright Tsimaras Tzanatos – role: X, directed by Aspa Tompouli at The Greek Art Theater - Karolos Koun press 1 press 2 Photo Album ELLE (2014) by the playwright: Jean Genet – role: Pope, directed by Yiannis Skourletis / Bijoux de kant at The French Institute of Greece – Michael Cacoyannis Foundation Photo Album press 1 press 2 EKKENOSIS- EVACUATION (2013) by the playwright Dimitris Dimitriades – role: Aegisthus, directed by Yannis Kokkos at Stegi Grammaton kai Texnon Photo Album TREE (2013) by the playwright: Maria Laina – role: B, directed by Chryssa Capsouli at National Theatre of Greece / Photo Album GABRIELLA (2013) by the playwright Polina Gionaki, directed by Stratos Tzortzoglou. YOU ARE PURPOSE AND SHEEPDOGS DANCING AROUND YOU (2012-2013)by the playwright: Giorgos Ioannou – role: Big Arktos, directed by Bijoux De Kant at Michael Cacoyannis Foundation (Director Michael Cacoyannis) related Video photo album Reviews TRAINSPOTTING (2011) by the playwright: Irvine Wells – roles: Begby & Swany, directed by Phaidra Soutou / related Video Photo Album HUNGRY ANYONE ? (2011) by the playwright: Athena Pappa – role: Narrator, directed by Athena Pappa at Michael Cacoyannis Foundation (Director Michael Cacoyannis) clip 1 clip 2 clip 3 press Photo Album TALES OF MYSTERY (2011) by the playwright: E. A. Poe – role: Narrator, directed by Stratos Tzortzoglou. BRIEF ENCOUNTER (2011) by the playwright: Noel Coward – role: Dr. George, directed by Stratos Tzortzoglou. OSCAR AND THE LADY IN PINK (2011) by the playwright: E. Schmitt – role: Oscar, directed by Stratos Tzortzoglou. INSIDE THE MIND OF A MAN (2011) musical performance adaptated by Stratos Tzortzoglou – role: Narrator, directed by Stratos Tzortzoglou. Photo Album TALENTS READY FOR ALL (2010) musical performance adaptation by Stratos Tzortzoglou – role: Petros, directed by Stratos Tzortzoglou. Photo album WISHES (2010) by the playwright: Angelos Spartalis – role: Man, directed by Angelos Spartalis / Photo Album MRS WARREN ‘S PROFESSION (2009) by the playwright: G.B. Shaw – role: Frank, directed by Andreas Voutsinas / related Video Photo Album BRIEF ENCOUNTER (2009) by the playwright: Noel Coward -role: Dr George, directed by Mimi Denisi. A GAME OF CHESS (2007) by the playwright: A. Doriadis – role: Architect, directed by Evi Dimitropoulou at National Theatre of Northern Greece related Video Photo Album BACCHAE (2007-2008 ) by the playwright: Euripides – role: Dionysus, directed by Tasos Ratzos at National Theatre of Northern Greece / Photo Album / imdb Bacchae 1 Bacchae 2 Bacchae 3 Bacchae 4 clip 1 clip 2 clip 3 clip 4 clip 5 clip 6 / Bacchae Tv Spot SALOME (2007) by the playwright Oscar Wilde – role: Oscar Wilde, directed by Gregory Apostolopoulos / related Video Photo Album THE GOVERNMENT INSPECTOR (2006) by the playwright Nikolai Gogol – role: Inspector, directed by Vassilis Nikolaidis at National Theatre of Northern Greece / related Video Photo Album MISS PEPSI (2006) by the playwright: Pierrette Bruno – role: John, directed by B. Malfa / Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Photo Album ORPHEUS DESCENDING (2005) by the playwright: Tennessee Williams – role: Val, directed by Korais Damatis. / Photo Album CHRIST RECRUCIFIED (2005) by the playwright: Nikos Kazantzakis role: Manolios, directed by Korais Damatis. / Photo Album MILK TRAIN DOESN’T STOP HERE ANYMORE (2004) by the playwright: Tennessee Williams – role: Chris Flanders , directed by Petros Zoulias. / Photo Album ROAST BEEF (2004) by the playwright: Lia Vitali – role: Agamemnon, directed by A. Kritikos at Riverside Studios, London – co starring with Sarah Douglas. / photo album ACCOMPLICES (2003) by the playwright: Rupert Holmes – role: James, directed by V. Kiriakidis. / Photo Album PREMIERE NIGHTS (2002) by the playwright: Angelos Pyriochos – role: The Singer, directed by Nikos Soulis. THE OWL AND THE PUSSYCAT (2001) by the playwright: Bill Manhoff – role: Owl, directed by Gregory Valtinos. / Photo Album THE IDIOT (2000) by the playwright: F. Dostoyevsky role: Prince Mishkin, directed by Roula Pateraki. / Photo Album PICTURE OF DORIAN GRAY (1999 - 2000) by the playwright Oscar Wilde – role: Dorian Gray, directed by Vassilis Anastasiou. / Photo Album LITURGY OF ORPHEUS (1998) oratorio based on Orphic hymns by Yannis Markopoulos – role: Orpheus, directed by Elias Malandris POPCORN (1997) by the playwright: Ben Elton – role: Gangster, directed by Elias Logothetis / Photo Album Pop Corn 1 Pop Corn 2 Pop Corn 3 Pop Corn 4 PHOENICIAN WOMEN (1997) by the playwright: Euripides role: Polynices, directed by Giannis Karachisaridis at Epidaurus Ancient Theater Part 1 Part 2 Part 3 Part 4 Part 5 Photo Album Interview ORPHEUS’ HYMNS (1997) oratorio based on Orphic hymns - Orpheus by Yannis Markopoulos - role:
Recommended publications
  • Scandinavian Cinema from the Silent Era Prof
    © Lynn R. Wilkinson UGS302 (64115): Nordic Light: Scandinavian Cinema from the Silent Era Prof. Lynn Wilkinson to the 2000s COURSE DESCRIPTION: Ingmar Bergman is perhaps the best known Scandinavian filmmaker, but Northern Europe has a remarkable tradition of filmmakers and filmmaking. Including films from Sweden, Denmark, and Iceland, this course will provide an introduction to some of the masterpieces of Scandinavian film from the Golden Age of silent film through the 2000s and to the culture of Scandinavia. ASSIGNMENTS AND GRADING: One two-page paper (5%); one five-page paper which may be rewritten (20%); one storyboard (10%) accompanied by a five-page essay (20%); five quizzes (20%; you may drop the lowest grade); one class presentation (5%). Class participation will count 20%. REQUIRED TEXTS: Bordwell and Thompson: Film Art: An Introduction. 10th edition (2009) McGraw Hill: ISBN 10: 0073386162 Earlier editions on reserve: PN 1995 B617 2004 TEXT; PN1995 B617 2001 TEXT Recommended: Tytti Soila et al.: Nordic National Cinemas Routledge: ISBN-10: 0415081955 On Reserve: PN 1993.5 s2 s65 1998; also available as an electronic resource Braudy and Cohen: Film Theory and Criticism. 6th edition (FTC on syllabus) Oxford Univ. Press: ISBN 10 0195158172 On reserve: PN 1994 M364 2004 Mette Hjort: Purity and Provocation: Dogme 95 British Film Institute On reserve: PN1995.9 E96 P87 2003 Mette Hjort: Italian for Beginners University of Washington Press, 2010 PN 1997 I51555 H56 2010 Björn Norðfjörð: Dagur Kári’s Nói the Albino University of Washington
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • VIDEOSALAS - JULIO - 2017 CAAV | Lerdo De Tejada 2071, Colonia Americana Ex Convento Del Carmen | Av
    VIDEOSALAS - JULIO - 2017 CAAV | Lerdo de Tejada 2071, Colonia Americana Ex Convento del Carmen | Av. Juárez 638, Zona Centro 1 al 7 2 JULIO Sábado 1 | Domingo 2 | Funciones: 4:00, 6:00 y 8:00 HILARY Y JACKIE Dir. Anand Tucker | Con: Emily Watson, Rachel Griffiths, James Frain | Reino Unido | 1998 | 120 min. 1998: 2 Nominaciones al Oscar: Mejor actriz (Emily Watson), actriz de reparto (Griffiths). Nominada al Globo de Oro: Mejor actriz drama (Emily Watson). 5 Nominaciones BAFTA, incluyendo mejor actriz (Watson), guión adaptado y sonido. Cuando eran niñas, las hermanas Hilary y Jackie estudiaron música; pero, mientras que Jackie, la menor, adquirió pronto fama como concertista de violoncello, Hilary no tuvo tanto éxito con la flauta. Martes 4 | Funciones: 4:00, 6:00 y 8:00 LA LLAMA ETERNA Dir. Sidney Franklin | Con: Norma Shearer, Fredric March, Leslie Howard | USA | 1932 | 98 min. 1933: Nominada al Oscar: Mejor película. John ha llevado una vida solitaria durante treinta años desde la muerte de Moonyeen Clara. Pero ahora Owens, un amigo cercano, insiste en que cuide de su sobrina, Kathleen, huérfana desde que sus padres se perdieron en el mar. Los años pasan, y la niña Kathleen se convierte en una bella joven que es la viva imagen de Moonyeen. Miércoles 5 | Funciones: 4:00, 6:00 y 8:00 PASIÓN DE LIBERTAD Dir. Frank Lloyd | Con: Cary Grant, Martha Scott, Cedric Hardwicke | USA | 1940 | 116 min. 1940: 2 nominaciones al Oscar: Mejor Música Original, sonido. Guerra de Independencia norteamericana (1775-1783). Una joven virginiana reniega de sus orígenes aristocráticos y se casa con un plebeyo con ideas democráticas.
    [Show full text]
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
    through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma.
    [Show full text]
  • Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
    Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
    WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P.
    [Show full text]
  • El Documental Se Asoma a La Ficción
    Pag 01 OK.qxd 18/01/2019 13:53 PÆgina 1 EL CULTURAL1E. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 25-31 de enero de 2019 www.elcultural.com El documental se asoma alaficción Celebramos el buen momento que vive el género con los nominados a los Goya Restauradores Los cirujanos del Prado organiza organised by 27 03 Feb Mar Abierto al público 01, 02 y 03 de 12 a 20 h 19 Pag 03ok.qxd 18/01/2019 16:38 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Alicia Framis aromada por el perfume atónito del suicidio robablemente es la máxi- mental. Bracean en ella la pro- crito palabras que deslumbran bajo cánones de belleza, cul- ma representante inter- fundidad de Dan Graham, la para entender el alma de Ali- pabilizándose por ser autoges- Pnacional del arte español soledad de John Hejduck, el cia Framis. “La artista –afir- tionados, constreñidos, a lo lar- actual. A Alicia Framis “le hie- grito de Munch, los delirios de ma– interrelaciona diversos go de la historia y hasta ahora ren las lágrimas en la oquedad Kuleshow, la lluvia que se abra- campos como el diseño, la ar- mismo en multitud de culturas de Dios”. Me emociona la con- za a los cuerpos andróginos de quitectura o la moda, pero y sociedades”. fusión de sus párpados, los cas- David Delfín. también la manifestación acti- Alicia Framis, en fin, reac- cos ázimos de Guantánamo, el Ciertamente los filos de su vista, los espacios de encuen- ciona ante todo ese convencio- rojo corazón desmenuzado.
    [Show full text]
  • Proposed 13-Weeksemesternow Underinvestigation Committeef;Onnedto Analyzeprosandcons
    .'-:;),)1 \'.~ 0.:'· ... '...... '..t:» '~... ~ ~, ....: -_.- - ' . .. 1932 * The Students' Voice for 50 Years ·1982 .. Volume 83 No.4 Baruch College, CUNY October 25, 1982 Proposed 13-WeekSemesterNow UnderInvestigation CommitteeF;onnedto AnalyzeProsandCons. Committee members are con­ 198~. .By S~ven Appenzeller of Bragen pointed out that, tacting their colleagues at the in­ to compensate for the shorter se­ stitutions operating under the new A committee of faculty mem­ mester, class length and!or class schedule, and will present their bers and administration officials meeting frequency may be in­ findings at a committee meeting at is considering a proposal that creased. Classes presently meet­ the end of this month. A vote will would shorten the academic se­ ing twice a week may meet three be taken to decide the matter on mester at Baruch from 14 to 13 or four times a week.: January 6th. The committee is weeks. The 13-week semester is Dr. Ronald Aaron, Associate presently in use at four responsible for deciding whether Dean of Students, is concerned CUNY schools-Hostos Com­ to proceed with the plan, but not that, "presently some students munity, Kingsborough Communi­ for the actual implementation. have all their classes scheduled < 'Student input is important in ty, Manhattan Community, and for two days. As an educator. I deciding this issue," Dr. Henry Hunter Colleges. The impetus for don't think that is ideal." Wilson, Dean of Students, said at the change came from the CUNY At Hunter College where the Council of Faculty Senate a meeting of student representa­ program has already been in ef­ tives, where faculty and adminis­ Presidents, which recommended fect for a year, the students are ProfessorTracy Bragen will chair committee which will decide whetber to im­ tration representatives were also plement a 13-week semester.
    [Show full text]
  • Four Star Films, Box Office Hits, Indies and Imports, Movies A
    Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of April 25 - May 1, 2021 Alien (1979) Freeform Mon. 5:10 p.m. Aliens (1986) Freeform Mon. 7:50 p.m. Forrest Gump (1994) VH1 Fri. 9 p.m. VH1 Sat. 5 p.m. The Godfather, Part II (1974) TMC Sun. 2 p.m. Showtime Tues. 2:50 p.m. The Godfather (1972) TMC Sun. 11 a.m. Halloween (1978) AMC Fri. 7 p.m. AMC Sat. 4 p.m. The Little Mermaid (1989) Freeform Tues. 8 p.m. Mary Poppins (1964) Freeform Sun. 7 a.m. Freeform Sun. 5 p.m. Mrs. Miniver (1942) TCM Sun. 3:45 a.m. Platoon (1986) AXS Mon. 6 p.m. AXS Mon. 8:45 p.m. AXS Tues. 6 a.m. EPIX Tues. 6 p.m. Pulp Fiction (1994) IFC Sun. 5:30 p.m. IFC Sun. 9 p.m. AMC Thur. 9 a.m. The Shawshank Redemption (1994) FX Sun. 5 p.m. The Shining (1980) AMC Sat. 8:30 a.m. The Silence of the Lambs (1991) Showtime Sat. 2 p.m. Singin' in the Rain (1952) TCM Sun. 3 p.m. Sounder (1972) TCM Sun. 9 p.m. The Spirit of St. Louis (1957) TCM Mon. 2:30 a.m. Stagecoach (1939) TCM Mon. 11:15 a.m. A Star Is Born (1937) TCM Mon. 3 p.m. A Star Is Born (1954) TCM Mon. 5 p.m. Strangers on a Train (1951) TCM Tues.
    [Show full text]