Serena Malfi, Mezzosoprano Il Mezzosoprano Serena Malfi

Total Page：16

File Type：pdf, Size：1020Kb

Serena Malfi, mezzosoprano Il mezzosoprano Serena Malfi originaria di Pomigliano d'Arco ha studiato al conservatorio e all'Accademia Santa Cecilia di Roma. Fa il suo debutto nel 2009 con l'Opera "La Grotta di Trofonio" di Antonio Salieri in una produzione dell'Opernhaus di Zurigo. Da allora si è esibita all' Opernhaus di Zurigo, Teatro Comunale di Firenze, Teatro dell'Opera di Roma, Concertegebouw di Amsterdam, Palau de les Arts di Valencia, Teatro Real di Madrid, Opera de Oviedo, Opéra National de Paris, Theatre des Champs Elysees ,Teatro Colon di Buenos Aires, Wiener Staatsoper, Staatsoper Berlin, Teatro alla Scala di Milano, Royal Opera House (Covent Garden) di Londra, Bayerische Staatsoper a Monaco di Baviera, Metropolitan Opera House di New York, Canadian Opera Company (Toronto), Opéra de Lausanne, Teatro San Carlo (Napoli), Staatsoper Dresden. Ha lavorato con direttori come Daniel Barenboim, Silvain Cambreling, Louis Langrée, Riccardo Frizza, Michele Mariotti, Ottavio Dantone, Alan Curtis, Corrado Rovaris, Alain Altinoglu, Jeremy Rohrer, Thomas Hengelbrock, Sir Mark Elder, Evelino Pidó, Marc Minkowski e Fabio Luisi. I primi contratti includono "La Cenerentola" al festival rossiniano di Wildbad. In seguito intepretata a Valencia , Tchaikovsky Hall Moscow, Teatro Colon di Buenos Aires, Opéra de Paris, Teatro San Carlo (Napoli), Opéra de Lausanne, Wiener Staatsoper e Teatro dell'Opera di Roma nel 2016 con la regia di Emma Dante. Fa il suo debutto al Teatro Real di Madrid come Annio ne "La Clemenza di Tito" e ripete il ruolo alla Wiener Staatsoper e alla Bayerische Staatsoper . A Vienna canta il suo primo Cherubino in "Le Nozze di Figaro" e ripete il ruolo al Teatro Colon di Buenos Aires, alla Royal Opera House di Muscat in Oman con la Wiener Staatsoper e al Metropolitan Opera House di New York. Un altro ruolo importante nella sua carriera è Rosina ne "Il Barbiere di Siviglia". Debutta il ruolo all'Opernhaus di Zurigo nella stagione 2009/10 e lo ripete al Teatro Real di Madrid, alla Staatsoper di Berlino, alla Royal Opera House di Londra e alla Canadian Opera Company di Toronto. Per quest'ultima interpretazione ha ricevuto una nomination ai Dora Mavor Moore Awards come migliore performance femminile nella stagione 2014/15. Nel 2014 fa il suo debutto al teatro Alla Scala di Milano nel "Così fan Tutte" diretta da Daniel Barenboim. Nel 2016 fa il suo debutto alla Staatoper di Dresda cantando il ruolo di Ruggiero nell'Alcina di Haendel e canta il suo primo Bellini come Romeo ne "I Capuleti e i Montecchi" all'Opera de Oviedo diretta da Giacomo Sagripanti. Ha partecipato due volte al Festival Pergolesi di Jesi. Nel 2010 canta ne "Il Flaminio" e nel 2011 è la protagonista ne "La Salustia". Entrambe le opere disponibili in DVD. Prossimi impegni includono il suo ritorno al Teatro alla Scala per “La Gazza Ladra” diretta da Riccardo Chailly con la regia del premio Oscar Gabriele Salvatores e al Metropolitan Opera di New York ne "le Nozze di Figaro e nel "Cosí fan tutte" .

Copy Link

Recommended publications

02-27-2020 Cosi Fan Tutte Eve.Indd
WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Thursday, February 27, 2020 PM set designer 7:30–11:05 Tom Pye costume designer Laura Hopkins lighting designer Paule Constable The production of Così fan tutte was revival stage director made possible by generous gifts from Sara Erde William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts general manager Peter Gelb Co-production of the Metropolitan Opera and jeanette lerman-neubauer English National Opera music director Yannick Nézet-Séguin In collaboration with Improbable 2019–20 SEASON The 203rd Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord This performance Jonathan C. Kelly is being broadcast cello David Heiss live on Metropolitan Opera Radio on SiriusXM channel 75 and streamed at metopera.org. Thursday, February 27, 2020, 7:30–11:05PM RICHARD TERMINE / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen,
[Show full text]
Don Giovanni Was Made Possible by a Generous Gift from the Richard and Susan Braddock Family Foundation, and Sarah and Howard Solomon
donWOLFGANG AMADEUS MOZARTgiovanni conductor Opera in two acts Fabio Luisi Libretto by Lorenzo Da Ponte production Michael Grandage Saturday, October 22, 2016 PM set and costume designer 1:00–4:30 Christopher Oram lighting designer Paule Constable choreographer Ben Wright revival stage director Louisa Muller The production of Don Giovanni was made possible by a generous gift from the Richard and Susan Braddock Family Foundation, and Sarah and Howard Solomon Additional funding was received from Jane and Jerry del Missier and Mr. and Mrs. Ezra K. Zilkha general manager Peter Gelb The revival of this production is made possible music director emeritus by a gift from Rolex James Levine principal conductor Fabio Luisi 2016–17 SEASON The 556th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S don giovanni conductor Fabio Luisi in order of vocal appearance leporello maset to Adam Plachetka Matthew Rose donna anna Hibla Gerzmava continuo David Heiss, cello don giovanni Howard Watkins*, Simon Keenlyside harpsichord the commendatore mandolin solo Kwangchul Youn Joyce Rasmussen Balint don ot tavio Paul Appleby* donna elvir a Malin Byström zerlina Serena Malfi Saturday, October 22, 2016, 1:00–4:30PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Global sponsorship of The Met: Live in HD is also provided by Bloomberg Philanthropies. Chorus Master Donald Palumbo Musical
[Show full text]
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
[Show full text]
Così Fan Tutte
WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Tuesday, February 18, 2020 PM set designer 7:30–11:05 Tom Pye costume designer Laura Hopkins lighting designer Paule Constable revival stage director Sara Erde The production of Così fan tutte was made possible by generous gifts from William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts general manager Peter Gelb Co-production of the Metropolitan Opera and jeanette lerman-neubauer English National Opera music director Yannick Nézet-Séguin In collaboration with Improbable 2019–20 SEASON The 200th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord This performance Jonathan C. Kelly is being broadcast cello David Heiss live on Metropolitan Opera Radio on SiriusXM channel 75 and streamed at metopera.org. Tuesday, February 18, 2020, 7:30–11:05PM JONATHAN TICHLER / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen,
[Show full text]
Così Fan Tutte Cycle Musique Et Amour(S)
17 30 mai musique 18 Così fan tutte cycle musique et amour(s) Les Musiciens du Louvre Marc Minkowski, direction Così fan tutte Wolfgang Amadeus Mozart (1756-1791) Les Musiciens du Louvre Marc Minkowski, direction musicale Chœur des Musiciens du Louvre Luca Oberti, chef de chant Romain Gilbert, mise en espace Ana Maria Labin, Fiordiligi Serena Malfi, Dorabella Anicio Zorzi Giustiniani, Ferrando Robert Gleadow, Guglielmo Giulia Semenzato, Despina Jean-Sébastien Bou, Don Alfonso Les Musiciens du Louvre sont subventionnés par le Département de l’Isère, la Région Auvergne-Rhône-Alpes, le Ministère de la Culture et de la Communication (DRAC Auvergne-Rhône-Alpes). mer 30 mai 19h30 Auditorium durée 3h20 re 1 partie 1h30 entracte 2e partie 1h30 Les Musiciens du Louvre Marc Minkowski, direction musicale premiers violons contrebasses Thibault Noally Christian Staude Claire Sottovia Gautier Blondel Bérénice Lavigne Davide Vittone Alexandrine Caravassilis Geneviève Staley-Bois flûtes Martin Lissola Annie Laflamme Laurent Lagresle Jean Brégnac Sayaka Ohira hautbois Elias Gammelgard Emmanuel Laporte seconds violons Claire Sirjacobs Nicolas Mazzoleni clarinettes Pablo Gutiérrez Ruiz Isaac Rodriguez Mario Konaka François Miquel Agnieszka Rychlik Alexandra Delcroix Vulcan bassons Maria Papuzinska-Uss Jani Sunnarborg Paula Waisman Thomas Quinquenel altos cors David Glidden Stefan Blonk Herbert Lindsberger Alessandro Denabian Cécile Brossard Joël Oechslin trompettes Marco Massera Philippe Genestier Nadine Davin Adrien Ramon violoncelles timbales Frédéric
[Show full text]
|What to Expect from Così Fan Tutte
| WHAT TO EXPECT FROM COSÌ FAN TUTTE ON THE SURFACE, MOZART’S COSÌ FAN TUTTE HAS ALL THE MARKINGS OF THE WORK: a typical comic opera: tender lovers, a crafty maidservant, deceptions and COSÌ FAN TUTTE pranks, trials and confessions, and a wedding at the conclusion. But on closer An opera in two acts, sung in Italian study, Così fan tutte is a paradox. It explores depths of emotion previously Music by Wolfgang Amadeus Mozart untapped in opera buffa while moving between high farce and profound Libretto by Lorenzo Da Ponte beauty. That the work could be both accused of irony, cynicism, and triviality First performed January 26, 1790 and celebrated for communicating deep emotional truth and philosophical at the Burgtheater, Vienna, Austria import is a testament to this opera’s complex identity. Written barely two years before Mozart’s early death, Così fan tutte stands as his final, multi- PRODUCTION layered statement in the Italian opera buffa genre. Amid the opera’s quick-fire David Robertson, Conductor comedy and ravishing melodies, the drama offers an examination of the battle Phelim McDermott, Production between love and reason and a closer understanding of human fallibility. Tom Pye, Set Designer This new Met production, previously presented at the English National Opera, is by the inventive director Phelim McDermott, whose work in opera Laura Hopkins, Costume Designer ranges from Philip Glass’s Satyagraha to The Enchanted Island, an original Paule Constable, Lighting Designer Baroque pastiche opera. In Così fan tutte, McDermott transforms the opera’s original setting but maintains its characters’ isolation: The drama unfolds STARRING in a surprisingly closed environment in which the characters’ only seeming Amanda Majeski occupation is the business of love.
[Show full text]
Hansel Gretel
NOVEMBER 15–DECEMBER 7, 2019 HANSEL GRETEL BY ENGELBERT HUMPERDINCK ENGELBERT BY SFOPERA.COM November/December 2019 | Volume 15, No. 3 Vol. 97, No. 3 • 2019–20 Season • November/December 2019 Adam Snellings, Art Direction Susan L. Wells, Design Consultant Cover illustration: Bigstock FEATURES ENGELBERT HUMPERDINCK’S HANSEL & GRETEL BY PAUL THOMASON 37 Often considered a one-hit wonder, Humperdinck accomplished in Hansel and Gretel what few others in opera history could: a work that perfectly balances innocence and sophistication. PAUL HEPPNER President MIKE HATHAWAY Senior Vice President THE POLITICS OF CHILDHOOD BY KIRSTEN PAIGE KAJSA PUCKETT Vice President, Sales & Marketing In Hansel and Gretel, Engelbert Humperdinck and Adelheid GENAY GENEREUX Accounting & 40 Wette offered a critique, in music and text, of 1890s social Office Manager and political tensions surrounding childhood, labor, gender, Production SUSAN PETERSON Vice President, Production and domesticity. JENNIFER SUGDEN Assistant Production Manager REWRITING THE TALE BY MELISSA NGAN ANA ALVIRA, STEVIE VANBRONKHORST Production Artists and Graphic Designers Just as Hansel and Gretel confronts themes of poverty and Sales survival, Compass Family Services and Community Housing MARILYN KALLINS, TERRI REED 42 San Francisco/Bay Area Account Executives Partnership are working to confront homelessness in the BRIEANNA HANSEN, AMELIA HEPPNER, Bay Area. SHERRI JARVEY, ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Brand & Creative Manager CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] LEARN ABOUT encoremediagroup.com 8 San Francisco Opera Association 44 Artist Profiles Encore Arts Programs and Encore Stages are published 12 Welcome Message from the Board 49 In Memoriam monthly by Encore Media Group to serve performing arts events in the San Francisco Bay Area and Greater Seattle 15 San Francisco Opera News 60 San Francisco Opera Donors Area.
[Show full text]
Tak Czynią Wszystkie Albo Szkoła Kochanków
TAK CZYNIĄ WSZYSTKIE ALBO SZKOŁA KOCHANKÓW WOLFGANG AMADEUSZ MOZART dyrektor naczelny Tomasz Bęben dyrektor artystyczny Paweł Przytocki chórmistrz, szef chóru Dawid Ber dyrektor generalny Peter Gelb honorowy dyrektor muzyczny James Levine dyrektor muzyczny Yannick Nézet-Séguin główny dyrygent Fabio Luisi 2. Kelli O'Hara jako Despina w Così fan tutte W.A. Mozarta. Fot. Marty Sohl/Metropolitan Opera Prapremiera w Burgtheater w Paryżu – 26 stycznia 1790 roku Premiera niniejszej inscenizacji w The Metropolitan Opera w Nowym Jorku – 15 marca 2018 roku Transmisja z The Metropolitan Opera w Nowym Jorku – 31 marca 2018 roku Retransmisja w Filharmonii Łódzkiej – 26 maja 2018 Przedstawienie w języku włoskim z napisami w języku polskim Wolfgang Amadeusz Mozart Tak czynią wszystkie albo Szkoła kochanków 3. TAK CZYNIĄ WSZYSTKIE ALBO SZKOŁA KOCHANKÓW (COSÌ FAN TUTTE, OSSIA LA SCUOLA DEGLI AMANTI) OPERA BUFFA W DWÓCH AKTACH KV 588 LIBRETTO: LORENZO DA PONTE OSOBY Fiordiligi sopran Dorabella sopran Despina sopran Ferrando tenor Guglielmo bas Don Alfonso bas REALIZATORZY reżyseria Phelim McDermott scenografia Tom Pye kostiumy Laura Hopkins światło Paule Constable OBSADA Fiordiligi Amanda Majeski Dorabella Serena Malfi Despina Kelli O’Hara Ferrando Ben Bliss Guglielmo Adam Plachetka Don Alfonso Christopher Maltman Chór i orkiestra The Metropolitan Opera dyrygent – David Robertson AKCJA ROZGRYWA SIĘ W STANACH ZJEDNOCZONYCH W LATACH PIĘĆDZIESIĄTYCH XX W. 4. DAVID ROBERTSON DYRYGENT Pełnił funkcje dyrektora artystycznego St. Louis mi, jak New York Philharmonic, Los Angeles Symphony, pierwszego dyrygenta gościnnego Philharmonic, Boston Symphony Orchestra, BBC Symphony Orchestra, dyrektora artystycz- Chicago Symphony Orchestra, Berlin Philhar- nego Orchestre National de Lyon, dyrygenta monic, Staatskapelle Dresden czy Hong Kong gościnnego Jerusalem Symphony Orchestra Philharmonic Orchestra.
[Show full text]
Don Giovanni Opéra De Wolfgang Amadeus Mozart
Don Giovanni opéra de Wolfgang Amadeus Mozart NOUVELLE PRODUCTION 25, 27, 30 avril, 3, 7 mai 2013 19h30 5 mai 2013 17h Jérémie Rhorer direction Stéphane Braunschweig mise en scène, scénographie Anne-Françoise Benhamou dramaturgie Thibault Vancraenenbroeck costumes Marion Hewlett lumières Markus Werba, Miah Persson, Daniel Behle, Myrto Papatanasiu, Robert Gleadow, Serena Malfi, Nahuel Di Pierro, Steven Humes Le Cercle de l’Harmonie Chœur du Théâtre des Champs-Elysées Production Théâtre des Champs-Elysées Réservations T. 01 49 52 50 50 theatrechampselysees.fr 3 Don Giovanni Pour cette troisième production proposée dans le cadre du festival Mozart, Wolfgang Amadeus Mozart Jérémie Rhorer retrouve son complice d’Idomeneo, le metteur en scène et scénographe Stéphane Braunschweig. Dramma giocoso en deux actes (1787) « C’est le drame humain qui m’intéresse avant tout. Un drame humain qui Livret de Lorenzo Da Ponte puisse résonner pour nos consciences contemporaines » déclarait l’homme de théâtre il y a deux saisons à l’occasion d’Idomeneo. Gageons que cette SAISON CENTENAIRE quête de la « liberté suprême » que revendique fièrement le licencieux Don NOUVELLE PRODUCTION Giovanni, trouve ce printemps encore tout son sens... Don Giovanni s’annonce fièrement comme un dramma giocoso. L’expression semble difficilement traduisible en français tant l’alliance des termes y est forte Jérémie Rhorer direction musicale mais dès que l’on cherche à y pénétrer, on est précipité au cœur d’un délicieux Stéphane Braunschweig mise en scène et scénographie tourbillon d’ambiguïtés. Rien dans cet ouvrage n’est assuré : le libertinage y Anne-Françoise Benhamou dramaturgie est exalté mais les couples se croisent et se perdent.
[Show full text]
“Met in the Parks” Celebrates 40Th Season of Free Summer Opera
The Met’s 2014-15 Season Will Feature 26 Operas, Including Three Met Premieres, In Six New Productions and 18 Revivals The season includes the first-ever Met performances of John Adams’s The Death of Klinghoffer, Rossini’s La Donna del Lago, and Tchaikovsky’s Iolanta Met Music Director James Levine leads six operas this season, including the opening night new production of Mozart’s Le Nozze di Figaro, directed by Richard Eyre, premiering on September 22 On New Year’s Eve, Susan Stroman makes her Met debut directing a new production of Lehár’s The Merry Widow, with Renée Fleming in the title role and Andrew Davis conducting Two double bills of one-act operas receive new productions this season: Iolanta, with Anna Netrebko in the title role, and Bartók’s Duke Bluebeard’s Castle, conducted by Valery Gergiev and directed by Mariusz Treliński, premieres January 26, 2015 Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, conducted by Met Principal Conductor Fabio Luisi and directed by David McVicar, receives its first new Met production in 45 years on April 14, 2015 The ninth season of The Met: Live in HD will feature 10 live transmissions, beginning October 11 with Verdi’s Macbeth, starring Anna Netrebko as Lady Macbeth New York, NY (February 12, 2014)—The Metropolitan Opera’s 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world’s leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances,
[Show full text]
The Marriage of Figaro Cast Biography
The Marriage of Figaro Cast Biography Bass-baritone Michael Sumuel has most recently been seen on the War Memorial Opera House stage as Masetto in Don Giovanni and Escamillo in Carmen. He made his Company debut in the 2011 world premiere of Heart of a Soldier and returned later that season as Elviro in Xerxes. The Texas native is an alumnus of the Merola Opera Program, Houston Grand Opera Studio, and the Filene Young Artist program at Wolf Trap Opera. Recent and upcoming roles include Marcello in La Bohème at Houston Grand Opera, Alidoro in La Cenerentola at Norwegian National Opera, Sharpless in Madama Butterflyat Glyndebourne Festival Opera, and his debut at Teatro Massimo di Palermo as Theseus in A Midsummer Night’s Dream. His performances on the concert stage have included the BBC Proms, singing Kate Whitley’s “I am I say” with the Multi-Story Orchestra at Eastgate Centre Rooftop Car Park; Mozart’s Mass in C minor with the Orchestra of St. Luke’s led by Pablo Heras-Casado at Carnegie Hall; Beethoven’s Symphony No. 9 with the Seattle Symphony; Handel’s Messiah with the New Jersey Symphony Orchestra; Bach’s St. John Passion with Music of the Baroque conducted by Jane Glover; and Bach’s St. Matthew Passion with Mercury Houston. Hailing from Trinidad and Tobago, soprano Jeanine De Bique makes her San Francisco Opera debut as Susanna in the Company’s new production of The Marriage of Figaro. Recent highlights include the title role of Rodelinda at Opéra de Lille and the Théâtre des Champs-Elysées, debuts at the Salzburg Festival as Annio in Peter Sellars’ new production of La Clemenza di Tito and at the BBC PROMS with the Chineke! Orchestra in works by Handel, concerts of La Clemenza di Tito in Paris, Geneva and Bremen with MusicAeterna, and reprising Annio at Dutch National Opera.
[Show full text]
Così Fan Tutte Ossia La Scuola Degli Amanti
Così fan tutte ossia La scuola degli amanti Opera buffa i två akter | in two acts Wolfgang Amadeus Mozart/Lorenzo Da Ponte Drottningholms Slottsteater 5-19 augusti 2017 Ana Maria Labin, sopran - Fiordiligi Den rumänskfödda sopranen Ana Maria Labin växte upp i Zürich. Hon debuterade på La Scala och på Parisoperan som Valencienne i Pier Luigi Pizzis iscensättning av Glada änkan under ledning av Asher Fisch. Bland Mozartrollerna kan nämnas Grevinnan i Figaros bröllop och Donna Anna i Don Giovanni på Drottningholms Slottsteater och Opéra Royal i Versailles med Les Musiciens du Louvre under Marc Minkowski, Konstanze i David McVicars produktion av Enleveringen ur Seraljen för Glyndebourne Tour och Arminda i La finta giardiniera i Aix-en-Provence. Övriga roller: Armida i Robert Carsens produktion av Händels Rinaldo med Laurence Cummings, Manto i Steffani's Niobe under Thomas Hengelbrock vid Schwetzinger Festspielen och Giulietta i Bellinis I Capuletti e Montechi. Bland konsertengagemang kan nämnas Haydns Scena di Berenice, Beethovens Ah, perfido med Boston Baroque och Telemanns Ino (inspelad för deutsche harmonia mundi). The Romanian born soprano Ana Maria Labin grew up in Zurich. She made her débuts at the Teatro alla Scala Milan and at the Opéra de Paris as Valencienne in Pier Luigi Pizzi’s staging of The Merry Widow under the baton of Asher Fisch. Established in the Mozartian repertoire, roles include La Contessa in Le nozze di Figaro, Donna Anna in Don Giovanni in Drottningholm and at the Opéra Royal de Versailles with Les Musiciens du Louvre under Marc Minkowski, Konstanze in David McVicar’s production of Die Entführung aus dem Serail for Glyndebourne Tour and Arminda in La finta giardiniera at the Aix-en-Provence Festival.
[Show full text]