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Realist Magic in the Fiction of William Dean Howells STEPHANIE C
Realist Magic in the Fiction of William Dean Howells STEPHANIE C. PALMER 14LHEN the character Bartley Hubbard in William Dean Howells's A Modern In stance (1882) brags that the ideal newspaper would solicit "an account of suicide, or an elopement, or a murder, or an acci dent" from "every fellow that could spell, in any part of the country," he voices Howells's own misgivings about the sensa tional aspect of communication through mass culture.1 Rather than fostering cognitive and emotional connections between diverse social groups for the purpose of preventing further suf fering, newspaper accounts of personal calamities or large- scale industrial accidents in the late nineteenth century tried to thrill readers solely for the purposes of prestige and circula tion. Howells was not committed to determining how to pre vent suicide, murder, or industrial accidents, but he had a deep interest in determining what—if not sensational tales of for tune and disaster—would inspire people from different eco nomic, political, and religious backgrounds to see each other as respected members of a human community. Howells's key Nineteenth-Century Literature, Vol. 57, No. 2, pp. 210-236. ISSN: 0891-9356. © 2002 by The Regents of the University of California/Society. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. 1 William Dean Howells, A Modern Instance, ed. George N. Bennett, David J. Nord- loh, and David Kleinman, vol. 10 of A Selected Edition of W. D. -
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GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
John Dewey, Maria Montessori, and Objectivist Educational Philosophy During the Postwar Years
73 Historical Studies in Education / Revue d’histoire de l’éducation ARTICLES / ARTICLES “The Ayn Rand School for Tots”: John Dewey, Maria Montessori, and Objectivist Educational Philosophy during the Postwar Years Jason Reid ABSTRACT Objectivism, the libertarian philosophy established by Ayn Rand during the postwar years, has attracted a great deal of attention from philosophers, political scientists, economists, and English professors alike in recent years, but has not received much notice from historians with an interest in education. This article will address that problem by discussing how Rand and her followers established a philosophy of education during the 1960s and 1970s that was based, in part, on vilifying the so-called collectivist ideas of John Dewey and lionizing the so-called individualist ideas of Maria Montessori. Unfortunately, the narrative that emerged during this time seriously misrepresented the ideas of both Dewey and Montessori, resulting in a some- what distorted view of both educators. RÉSUMÉ L’objectivisme, philosophie libertaire conçue par Ayn Rand dans la période de l’après-guerre, a suscitée beaucoup d’attention de la part des philosophes, politologues, économistes et profes- seurs de littérature anglaise, mais rien de tel chez les historiens de l’éducation. Cet article cor- rige cette lacune, en montrant comment durant les années 1960 et 1970 Rand et ses partisans ont établi une philosophie de l’éducation qui s’appuyait, en partie, sur la diffamation des idées prétendues collectivistes de John Dewey et l’idolâtrie de l’individualisme de Maria Montessori. Malheureusement, leurs travaux ont donné une fausse image des idées de Dewey et Montessori et conséquemment ont déformé les théories ces deux éducateurs. -
William Dean Howells (1837-1920) Was Born in Martinsville (Now Martins Ferry), Ohio
William Dean Howells Topic Guide for Chronicling America (http://chroniclingamerica.loc.gov) Introduction William Dean Howells (1837-1920) was born in Martinsville (now Martins Ferry), Ohio. Howells worked at the Ohio State Journal in Columbus before becoming an editor at the Atlantic Monthly. With the publication of his novel, A Modern Instance, in 1882, Howells became known for realism, a writing style he promoted through his work at the Atlantic Monthly and Harper’s Magazine. His reputation continued to grow through the 1885 publication of The Rise of Silas Lapham. Howells also wrote much in support of American writers, encouraging writers such as Stephen Crane, Frank Norris, Sarah Orne Jewett and Paul Laurence Dunbar. His varied Christian Socialist involvement led him to embrace social justice and to critique industrial capitalism, viewpoints which can be seen in his 1890 novel, A Hazard of New Fortunes, which was inspired by the Haymarket riots. Important Dates . March 1, 1837: William Dean Howells is born in Martinsville (now Martins Ferry), Ohio. 1852: Howells’ father secretly has one of Howells’ poems published in the Ohio State Journal. 1858: Howells begins work at the Ohio State Journal writing poems and short stories, and translating works from French, Spanish, and German into English. December 24, 1862: Howells marries Elinor Mead at the American Embassy in Paris. 1865: Howells returns to America and begins writing for the Atlantic Monthly and Harper’s Magazine. January 1866: Howells becomes assistant editor at the Atlantic Monthly. 1871-1881: Howells serves as Atlantic Monthly’s full editor. 1872: Howells begins publishing novels. -
Comprachicos John Boynton Kaiser
Journal of Criminal Law and Criminology Volume 4 | Issue 2 Article 8 1913 Comprachicos John Boynton Kaiser Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation John Boynton Kaiser, Comprachicos, 4 J. Am. Inst. Crim. L. & Criminology 247 (May 1913 to March 1914) This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. THE COMPRACHICOS. JVOE BOYNTON KAISER.' The fertile brain of Victor Hugo-novelist, dramatist, poet, states- man, and sociologist-has given the world numerous studies in criminal sociology which, for human interest, will ever remain classic. Less classic and less well known than many of these studies, yet strangely combining fact and fiction is the second of the two preliminary chapters to L'Homma. Qui Bit wherein Hugo describes at length a people whom he calls by the Spanish compound word Comprachicos, signifying child-buyers. It is a chronicle of crimes and punishments in which strange history is written and cruel and forgotten laws recall to mind ages long since past. Much condensed, though freely employing his own language, Hugo's description of the Comprachicos is given here; the language of no other will suffice. The Comprachicos, or Comprapequefios, were a hideous and nondescript association of wanderers, famous in the 17th century, forgotten in the 18th, unheard of in the 19th. -
Victor Hugo's the Man Who Laughs
Come to a Weekend Conference in Beautiful Guernsey: Victor Hugo’s The Man who Laughs The Victor Hugo In Guernsey Society Victor Hugo in Guernsey Conference 28th to 30th June 2019 Join leading international Victor Hugo experts for a weekend about Victor Hugo’s life and work, particularly while in exile in Guernsey. The Conference will be themed to celebrate the 150th Anniversary of the publication of Hugo’s L’Homme qui rit - The Man who Laughs. th Victor Hugo Saturday 29 June In Guernsey 9:00 CONFERENCE registration in the Harry Bound Room at Les Côtils Centre. 2019 9:30 BEAUTIFUL INSIDE & OUT, by GÉRARD AUDINET ‘Beautiful inside and out.’ Does the soul have a face? We are all familiar A with the concept of ‘inner beauty,’ but how do artists approach the problem of Conference with L’Homme Qui Rit depicting it? This illustrated talk will reflect on the representations of ugliness Supported by the Guernsey 28th to 30th June and beauty in later arts and media of Victor Hugo’s ‘The Man who Laughs.’ Arts The Victor Hugo In Guernsey Society Commission 10:30 Break for discussion, Coffee or tea. The Victor Hugo In Guernsey Society 11:00 JUSTICE IN THE MAN WHO LAUGHS, by MYRIAM ROMAN Victor Hugo in Guernsey 2019 Conference The representation of justice in ‘The Man who Laughs’ passes through a series of 28th to 30th June 2019 images and myths. The singularity of this novel seems to be to ask the last question of a possible divine injustice through a series of metaphors that project, on the PROGRAMME cosmos, terrifying images of the process and the punishment. -
A Hazard of New Professions: Mrs. Mandel and the Business of Class
A Hazard of New Professions: Mrs. Mandel and the Business of Class LI Hsin-ying National Taiwan University1 When asked to explain Mrs. Mandel in A Hazard of New Fortunes (1890), Fulkerson proudly claims to have invented her (143). Her placement in the Dryfoos family must have been a novelty at the time for William Dean Howells to endorse his boast. To the parvenu Dryfooses she serves the function of surrogate mistress of the household—hostess, guardian of the daughters, chaperone, housekeeper, governess, social secretary, travel companion, personal assistant. More than the sum of her duties, she, in Fulkerson’s words, “runs the whole concern socially and economically” (144). The idea perhaps never really caught on, because her profession lacks a proper name to this day. Yet the demand for her kind of talent was such that Edith Wharton found similar employment for two characters in The House of Mirth (1905)—Carry Fisher and Lily Bart—although she also shied from naming the profession.1 This paper studies the occupation of Mrs. Mandel, the first of her kind in American Literature, to examine the specific socio-cultural conditions that inspired her creation and her relevance to the discussion of these socio-cultural issues in Howells’ novel. The character satisfies an urgent need of the expanding upper class in late nineteenth-century America, where the nouveau riche, in their attempt to find social acceptance, created a prospective market for cultural guidance. Howells turns this potential commodification of class knowledge into a fictional career opportunity for destitute genteel women. The vocation offers the novelist a chance to dramatize the power relations between money and taste, adding another dimension to the novel’s major conflict between capital and labor. -
William Dean Howells Society
MEMBERSHIP The William Dean Howells Society To join, send your check for $10 payable Society Howells The William Dean to the William Dean Howells Society to Prof. Elsa Nettels William 211 Indian Springs Road Williamsb urg, VA 23185 Dean Name___________________________ Mailing Address___________________ Howells ________________________________ ________________________________ Society ________________________________ ________________________________ Optional Information: E-mail:__________________________ Phone: __________________________ Fax: ____________________________ Institutional Affiliation________________________ © 2005, The William Dean Howells Society Membership William Dean Howells at 75 (1912) Information http://www.howellssociety.org About W. D. Howells About the Society Howells's Principal Works William Dean Howells The William Dean Howells Society is a non- One of the most influential literary figures of 1860 Poems of Two Friends (with John J. Piatt) profit scholarly organization dedicated to the nineteenth-century America, William Dean Lives and Speeches of Abraham Lincoln study of the nineteenth-century editor, author, Howells (1837-1920) rose to prominence as edi- 1866 Venetian Life and critic W. D. Howells. tor of the Atlantic Monthly (1871-1881), becom- 1867 Italian Journeys ing one of the foremost propo- 1871 Suburban Sketches Founded by Jesse Crisler and a group of inter- nents of literary realism. 1872 Their Wedding Journey ested scholars at the ALA in 1997, the Society 1873 A Chance Acquaintance; Poems sponsors two -
Conflicts of Values Between Traditional and Modern Cultures in William Dean Howells a Modern Instance: a Sociological Approach
CONFLICTS OF VALUES BETWEEN TRADITIONAL AND MODERN CULTURES IN WILLIAM DEAN HOWELLS A MODERN INSTANCE: A SOCIOLOGICAL APPROACH RESEARCH PAPER Submitted as Partial Fulfillment of the Requirements for Getting Bachelor Degree in English Department by NIKA YULANDA A320 040 379 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 1 CHAPTER I INTRODUCTION A. Background of the Study A Modern Instance is the third novel of William Dean Howell’s. The compilation novel book entitled William Dean Howells: Novels 1875-1886: A Foregone Conclusion, A Modern Instance, Indian Summer, The Rise of Silas Lapham (Library of America) publishing on November, 1982 by Library of America, consists of four novels, namely, A Foregone Conclusion, A Modern Instance, Indian Summer, The Rise of Silas Lapham. It consists of 1217 pages. In this book A Modern Instance is in the second order. A Modern Instance consists of 41 chapters and 415 pages. It is one of William Dean Howells novels which describes the real condition in that time. William Dean Howells is a famous novelist from realism era. He was born on first, March 1837 in Martin Ferry, Belmont Country, Ohio (http://en.wikipedia.org/wiki/William_Dean_howells). Howells was the most productive and versatile writer of his time. His works include short stories, poems, drama, travelogues, volumes of critics and autobiography. For the last thirty years of his life he was the dominant figure in American letters. He received many honors and was chosen as the first president of the American Academy of Arts letters. His literary works are Their Wedding Journey (1872); The Lady of the Aroostook (1879); A Modern Instance (1882); The Rise of Silas Lapham (1885); The Minister's Charge (1886); A Hazard of New Fortunes (1889); The Quality of Mercy (1892); The Landlord at Lion's Head (1897). -
George Eliot 2019 Paper Abstracts
Francois d'Albert-Durade, ‘Mary Ann Evans’ (1880-81), courtesy of the Herbert Art Gallery and Museum, Coventry GEORGE ELIOT 2019: AN INTERNATIONAL BICENTENARY CONFERENCE 17-19 July 2019, College Court, University of Leicester ABSTRACTS @ge2019conf #ge2019conf PANEL ABSTRACTS WEDNESDAY 17 JULY PANEL A (14.30-16.00) A1: George Eliot’s Philosophical Practices (Oak 1) Panel Abstract: This panel will consider the practices through which Eliot engaged with philosophy over the course of her career. It will investigate the ways in which Eliot explored philosophical texts and ideas. It will also investigate how she approached philosophical problems, as a philosophical thinker in her own right. Our focus will be on her habits, methods, and modes of inquiry. We will ask how Eliot’s particular approaches to thinking, reading, translating, notetaking, reviewing, fiction writing, and verse writing shaped how she understood and undertook philosophy. We will explore the significance of her experiments with form, style, and genre for her philosophical thinking. And we will consider how she drew upon all these practices of engagement to enable her readers to think philosophically too. Our three papers will address different aspects of Eliot’s philosophical practices, focusing on her dialectical thinking, her translating, and her notetaking respectively, but they also will be complementary, and we will begin the panel with a brief introduction, in which we will suggest why thinking about practice is key to thinking about Eliot’s engagement with philosophy more broadly. Isobel Armstrong (Birkbeck), ‘George Eliot: Hegel Internalised’ It is clear, when we see the early and quite clumsy attempts of G H Lewes to assimilate Hegelian thinking in the 1840s, that Hegel represented to him a new form of knowledge, comparable to the way people grappled with the new knowledges of the twentieth century, Freud and Marx. -
Akron1312396256.Pdf (290.92
THROUGH A SELECTIVE LENS: DARWINIAN ANALYSIS OF CLASS STRUGGLES IN GILDED AGE LITERATURE A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Amelia Ostrowski August, 2011 THROUGH A SELECTIVE LENS: DARWINIAN ANALYSIS OF CLASS STRUGGLES IN GILDED AGE LITERATURE Amelia Ostrowski Thesis Approved: Accepted: ________________________________ ___________________________________ Advisor Dean of the College Dr. Patrick Chura Dr. Chand Midha ______________________________ ___________________________________ Committee Member Dean of the Graduate School Dr. Hillary Nunn Dr. George R. Newkome _______________________________ ___________________________________ Committee Member Date Professor Robert Pope ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION..................................................................................................1 II. LITERARY THEORY, CULTURE, AND EVOLUTION: PUTTING THE HUMAN BACK IN HUMANITIES..................................................................10 “Like Confessing Murder”: Evolution’s Dangerous Reputation.................10 The Descent of Culture.................................................................................14 Industrial Evolution……………………………………………………………..22 III. SELECTIVE SOCIETY: MAINTAINING STANDARDS IN EDITH WHARTON’S THE HOUSE OF MIRTH AND THEODORE DREISER’S SISTER CARRIE…………………………………………………………………….27 Altruism and Self-Preservation…………………………................................27 Carrie Meeber’s