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322 • SAVInG LIVes Notes 1. Renata Flavia, Personal email exchange (September 10, 2006). 2. TAN, “Our Success Stories,” accessed March 2, 2014, http://tinyurl.com/mxjfpnk. 3. Institute of Medicine of the National Academies, “The Future of Nursing: Leading Change, Advancing Health” (October 5, 2010), http://tinyurl.com/2brrusk. 10 How We Can All Improve Understanding of Nursing • 323 4. TAN, “Nursing Representation on the Websites and Boards of Directors at the Top 17 Hospitals Ranked by U.S. News and World Report in 2012” (March 2012), http:// tinyurl.com/n8hp4kr. 5. Susan Reinhard and Susan Hassmiller, “The Future of Nursing: Transforming Health Care,” AARP International: The Journal (February 2012), http://tinyurl. com/lnavaja. 6. CVS MinuteClinic, “Management Team” (March 2, 2014), http://tinyurl.com/ k7qo834. 7. Lippincott Williams & Wilkins, “Nursing made Incredibly Easy,” accessed March 2, 2014, http://tinyurl.com/ycuntu7. 8. 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Donna Cardillo, “Donna Cardillo, RN, MA, Blog Posts,” The Dr. Oz Show website, accessed March 27, 2014, http://tinyurl.com/kamd7g4. 17. iVillage, “iVillage Live: Episode Info” (February 16, 2007), http://tinyurl.com/ kkydwv7; Barbara Dehn, “Entries by Barbara Dehn,” Huffington Post, accessed March 27, 2014, http://tinyurl.com/jww5zyh; Barbara Dehn, “Nurse Barb’s Daily Dose,” accessed March 27, 2014, http://www.nursebarb.com. 18. NBC Universal Archives, “iVillage Contributor Professor Nancy King Reame Discusses Getting Pregnant in the New Year” (January 5, 2007), http://tinyurl. com/pjmdg9k. 19. TAN, “Scrubbing Less” (November 16, 2013), http://tinyurl.com/k6otvht. 324 • SAVInG LIVes 20. TAN, “The Talk of the Town” (December 2011), http://tinyurl.com/mu88h9u. 21. Community Tissue Services, “Executive Officers and Boards,” accessed March 2, 2014 http://tinyurl.com/mab2rvl. 22. 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TAN, “Nursing Representation on the Websites and Boards of Directors at the Top 17 Hospitals Ranked by U.S. News and World Report in 2012” (March 2012), http://tinyurl.com/n8hp4kr. 30. Matthew McHugh, Lesly A. Kelly, Herbert L. Smith, Evan S. Wu, Jill M. Vanak, and Linda H. Aiken, “Lower Mortality in Magnet Hospitals,” Medical Care 51, no. 5 (May 2013): 382–388, http://tinyurl.com/n2a4cer. 31. Mayo Clinic, “Why Choose Mayo Clinic,” accessed March 3, 2014, http://tinyurl. com/ltbz7eo. 32. Mayo Clinic, “Medical Departments & Centers,” accessed March 3, 2014, http:// tinyurl.com/mlk7jle. 33. CFNA, “Quick Clinic NPs: Neos in the Health Care Matrix?,” TAN (July 18, 2004), http://tinyurl.com/lcsygyd. 34. Anne Pohnert, “Nurse Busts Top 5 Flu Myths,” WTVR (January 6, 2013), http:// tinyurl.com/lrr884t; TAN, “The Mythbuster” (January 6, 2013), http://tinyurl. com/kx7pzj3. 35. TAN, “I Am Your Registered Nurse” (April 2011), http://tinyurl.com/lhjaoyx. 36. TAN, “Wear the RN Patch! 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    Ellie White Writer/ Performer Ellie White is one of the UK’s most exciting young character comedians and comedy actors. She played the lead role of Cathy, alongside co-leads Siobhan Finneran, Lauren Socha and Rebecca Front, in Holly Walsh’s BBC New On Two pilot THE OTHER ONE, which led to a series commission. She recently reprised her role of Princess Beatrice in the upcoming THE WINDSORS WEDDING SPECIAL for Channel 4, which aired in 2018, and she plays the regular role of Katia in Jamie Demetriou’s 6 x 30’ series STATH LETS FLATS for Channel 4 which will aired last summer. She also had a role in BBC One’s six part series THIS TIME WITH ALAN PARTRIDGE. Last year, Ellie co-wrote and co-starred in a Sky Comedy Short with Vicki Pepperdine called ELLIE WHITE AND VICKI PEPPERDINE'S SUMMER. She also had a key guest role alongside Steve Pemberton and Reese Shearsmith in Series 3 of INSIDE NO. 9: THE BILL which recently won a BAFTA for Best Writing. She played various characters (including Cara Delevingne) in Series 2 & 3 of MURDER IN SUCCESSVILLE, a lead role in BBC3's 2016 pilot LIMBO and regular roles in two series of CBBC's CLASS DISMISSED. From February to June of 2017, Ellie played the role of Marianne in Sean Foley's production of THE MISER alongside Griff Rhys Jones, Lee Mack and Matthew Horne at The Garrick Theatre in London's West End. She received some lovely write-ups: 'Ellie White brilliantly channels the plummy vowels of the (very) upper classes as Marianne.' - Whats on Stage 'Fringe favourite Ellie White is memorable, too, as the super-privileged Marianne, poshly-spoken to the point of incomprehension.' - Chortle 'Ellie White as Marianne is a surprise highlight of the evening, with her overly refined enunciation making her almost incomprehensible to the other characters.' - British TheatreS She had regular roles in ITV2’s GLITCHY, with Ryan Sampson, and @ELEVENISH and BBC2’s HOUSE OF FOOLS Series 2, in which she starred alongside creators Vic and Bob, Matt Berry and Morgana Robinson.
  • 1 News and Comic Affairs the Audience Reception of British

    1 News and Comic Affairs the Audience Reception of British

    News and Comic Affairs The audience reception of British Television Political Comedy 1962-2012 Matthew Crowder Royal Holloway, University of London A thesis submitted for the degree of Doctor of Philosophy Department of Media Arts April 2015 1 Declaration of Authorship I, Matthew Crowder, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. This thesis has not been submitted for a degree, either in the same or different form, to this or any other University. Signed: ______________________ Date: ________________________ 2 Abstract This thesis researches the reception of British television political comedy from 1962 to 2012, exploring the continuities and contrasts in viewers’ definitions, interpretations and evaluations of the genre. Television comedy scholarship has privileged the text but this first in-depth study of British political comedy conceptualises television genre as a cultural category, and adopts the method of qualitative historical reception research to explore the different ways that viewers have written about the genre. Political comedy's reception is dominated by discourses of power, and the genre’s comedic references to news and current affairs are consistently invoked in accounts of its effects upon everyday life. The research highlights viewers’ emotive responses in four case studies that place pleasure and displeasure, cultural distinctions, and social affiliations in their historical contexts, arguing that judgments about political comedy’s value, meaning and social effects are related to hierarchies of aesthetics and taste, and their relationship to public issues defined as socially significant. The chapter on That Was The Week That Was discusses beliefs that irreverent comedy could affect British institutions.