Bafta Rocliffe New Writing Showcase – Tv Comedy 2020
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
'Game of Thrones,' 'Fleabag' Take Top Emmy Honors on Night of Upsets
14 TUESDAY, SEPTEMBER 24, 2019 Stars hit Emmy red carpet Jodie Maisie Comer Natasha Lyonne Williams Michelle Williams Naomi Watts Sophie Turner Kendall Jenner Vera Farmiga Julia Garner beats GoT stars to win ‘Game of Thrones,’ ‘Fleabag’ take top first Emmy Los Angeles Emmy honors on night of upsets ctress Julia Gar- Los Angeles Emmy for comedy writing. Aner beat “Game of “This is just getting ridiculous!,” Phoebe Waller-Bridge’s Thrones” stars, including edieval drama “Game Waller-Bridge said as she accept- ‘Fleabag’ wins big at Emmys Sophie Turner, Lena Head- of Thrones” closed ed the comedy series Emmy. Los Angeles ey, Maisie Williams, to win Mits run with a fourth “It’s really wonderful to know, her first Emmy in Support- Emmy award for best drama se- and reassuring, that a dirty, angry, ctress Phoebe Waller-Bridge won Lead ing Actress in a Drama Se- ries while British comedy “Flea- messed-up woman can make it Actress in a Comedy Series trophy at ries category at the 2019 bag” was the upset winner for to the Emmys,” Waller-Bridge Athe 71st Primetime Emmy Awards gala Emmy awards here. best comedy series on Sunday on added. here for her role in “Fleabag”, The first-time Emmy a night that rewarded newcom- Already the most- awarded which was also named as the nominee was in contention ers over old favorites. series in best comedy series. with Gwendoline Christie Billy Porter, the star of LGBTQ The Emmys are Hollywood’s Emmy “This is just getting ridicu- (“Game of Thrones”), Head- series “Pose,” won the best dra- top honors in television, and the history lous,” Waller-Bridge said as she ey (“Game of Thrones”), matic actor Emmy, while British night belonged to Phoebe Waller- with accepted the honour for best com- Fiona Shaw (“Killing newcomer Jodie Comer took the Bridge, the star and creator of 38 wins, edy series. -
Global Markets Institute a Survivor's Guide to Disruption
GLOBAL MARKETS A SURVIVOR’S GUIDE INSTITUTE July 2019 TO DISRUPTION Steve Strongin Amanda Hindlian Sandra Lawson Sonya Banerjee Dan Duggan, Ph.D. [email protected] [email protected] [email protected] [email protected] [email protected] The Goldman Sachs Group, Inc. Table of Contents Chapter 1: Survivor’s guide - the short form 3 Chapter 2: Disruption’s evolutionary roots 9 Chapter 3: Perfecting Platforms 19 Chapter 4: Niche after niche - Organizers 32 Chapter 5: The competitive value of data 44 Chapter 6: Concluding thoughts 56 Appendix A: Considering communities 59 Bibliography 61 Disclosure Appendix 62 The Global Markets Institute is the research think tank within Goldman Sachs Global Investment Research. For other important disclosures, see the Disclosure Appendix. 2 Survivor’s guide - the short form Chapter 1: Survivor’s guide - the short form We examine how companies can reshape themselves to better compete in today’s Everything-as-a-Service (EaaS) economy1. In this new economy, firms can use services provided by other businesses to grow faster, while using less capital and fewer people than would otherwise be possible. Industries are reorganizing in response to these dynamics, and companies must adapt or risk falling behind. EaaS can be thought of as an extreme form of outsourcing. In the past, firms would selectively outsource business functions to reduce costs, for example by outsourcing ancillary functions like operating a cafeteria within an office or by outsourcing labor-intensive but simple manufacturing processes. Over time, however, the high degree of standardization that has emerged across manufacturing, communications, data systems and user interfaces, among other areas, has made it possible to outsource virtually any business function. -
Festival at a Glance
FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
02 Gscene Feb2019
FEB 2019 CONTENTS GSCENE magazine ) www.gscene.com AFFINITY BAR t @gscene f GScene.Brighton PUBLISHER Peter Storrow TEL 01273 749 947 EDITORIAL [email protected] ADS+ARTWORK [email protected] EDITORIAL TEAM James Ledward, Graham Robson, Gary Hart, Alice Blezard, Ray A-J SPORTS EDITOR Paul Gustafson N ARTS EDITOR Michael Hootman R E SUB EDITOR Graham Robson V A T SOCIAL MEDIA EDITOR E N I Marina Marzotto R A DESIGN Michèle Allardyce M FRONT COVER MODEL Arkadius Arecki NEWS INSTAGRAM oi_boy89 SUBLINE POST-CHRISTMAS PARTY FOR SCENE STAFF PHOTOGRAPHER Simon Pepper, 6 News www.simonpepperphotography.com Instagram: simonpepperphotography f simonpepperphotographer SCENE LISTINGS CONTRIBUTORS 24 Gscene Out & About Simon Adams, Ray A-J, Jaq Bayles, Jo Bourne, Nick Boston, Brian Butler, 28 Brighton & Hove Suchi Chatterjee, Richard Jeneway, Craig Hanlon-Smith, Samuel Hall, Lee 42 Solent Henriques, Adam Mallaby, Enzo Marra, Eric Page, Del Sharp, Gay Socrates, Brian Stacey, Michael Steinhage, ARTS Sugar Swan, Glen Stevens, Duncan Stewart, Craig Storrie, Violet 46 Arts News Valentine (Zoe Anslow-Gwilliam), Mike Wall, Netty Wendt, Roger 47 Arts Matters Wheeler, Kate Wildblood ZONE 47 Arts Jazz PHOTOGRAPHERS Captain Cockroach, James Ledward, 48 Classical Notes Jack Lynn, Marina Marzotto 49 Page’s Pages REGULARS 26 Dance Music 26 DJ Profile: Lee Dagger 45 Shopping © GSCENE 2019 All work appearing in Gscene Ltd is 52 Craig’s Thoughts copyright. It is to be assumed that the copyright for material rests with the magazine unless otherwise stated on the 53 Wall’s Words page concerned. No part of this publication may be reproduced, stored in 53 Gay Socrates an electronic or other retrieval system, transmitted in any form or by any means, 54 Charlie Says electronic, mechanical, photocopying, FEATURES recording or otherwise without the prior 55 Hydes’ Hopes knowledge and consent of the publishers. -
Screenwriting CONOR Publish
King’s Research Portal DOI: 10.4324/9780203080771 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Conor, B. (2014). Screenwriting: Creative labor and professional practice. Taylor and Francis. https://doi.org/10.4324/9780203080771 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
BISHOP FAMILY PRG 1123 Series List
BISHOP FAMILY PRG 1123 Series List Photographs of the Bishop family (Series 1-43) Photographs of the Bishop family 1 ca.1855-1900. 13 photographs, 9 copies. [Daguerreotypes and 1 ambrotype of members of the Bishop family including Captain John Bishop and his wife Esther Elizabeth Bishop, and three of their children: Mary Vale Bishop, Amelia Helen Bishop and John Frederick Bishop, as well as two unidentified men. Also includes photographic copies of the daguerreotypes and ambrotype. Glass plated photograph of Captain John Bishop, and three opalotypes of Amy Helen Bishop, Ethel Mary Wollaston (nee Bishop) and Theodore Edwin Ekers]. Photograph album of Ethela Bishop 2 ca.1911-1912. 1 volume, 93 photographs. [Photograph album belonging to Ethela Bishop comprising 93 small black and white photographs, most of landscapes, of Mount Barker, landscapes and workers at Wellington Lodge, landscapes and workers at Koonamore Station near Yunta, various locations in Port Lincoln including Mill Cottage owned by Joseph Kemp Bishop, the Adelaide Hills, Adelaide including Glen Osmond and the zoo, and two of Ethela and Joseph’s grandchildren, Jack (John) and Mary Bishop, children of Sidney J.F. Bishop. See special list for Series 2 for details.] Photograph albums of the Bishop, Broadbent and Johnson families 3 ca.1912-1953. 5 volumes. 1. Port Lincoln landscapes, including Mill Cottage, ca.1912. 2. Broadbent and Claxton families of Port Lincoln. Marjorie Broadbent married Myles Kemp Bishop in 1923. Most photographs include captions. ca.1917-1918. Includes loose sheet of photographs of Esther and Ann Bishop ca.1926, 1940. 3. Family holiday in Victoria and South Australia, including commercial photographs and postcards, ca.1935. -
SUMMER 2010 ASSEMBLY REPORTS District Assemblies Were Held Over the Weekend 12Th-15Th March in Morley and Paisley
CHURCH OF THE NAZARENE Together “Since we are all one body in Christ, we belong to each other and each of us needs all the others” (Romans 12:5) British Isles – – – SUMMER 2010 ASSEMBLY REPORTS District Assemblies were held over the weekend 12th-15th March in Morley and Paisley. South District Superintendent, Rev David Montgomery, brought his first report to the Assembly with the challenge to “…remain in Christ”. As Jesus said, “…if a man remains in me and I in him, he will bear much fruit…” (John 15:5). Special features of the assembly were the times of prayer for each pastor, and a question and answer session with members of the District Advisory Board. A weekend of Conventions and Rallies characterised the North Assembly, Times of Prayer at the South Assembly which followed the theme, The Church in Community, Evangelism, Worship, & Mission. Rev Colin H. Wood, brought his 18th report as District Superintendent and recognised the great need for God’s Spirit to move in the land and across the district, and that God’s Call would come to many to offer themselves for the pastoral ministry. General Superintendent, Dr Jesse C. Middendorf, presided at both assemblies, Ordination group Morley (l.to r.) Rev and both assemblies David Montgomery, Rev Margaret concluded with ordination Brown (Ordinand – Atherton), Dr Jesse C. Ordination group Paisley standing (l.to r.): Rev Jonny & services. Middendorf. Pamela Gios (Carlisle), Rev Derrick & Dayna Thames (Perth), Rev Rosemary Davidson (Edinburgh), Rev Michelle Sowerby (Parkhead), Rev Jennifer & Pastor Jonny Blake (Carlisle), JoAnne & Rev Nathan Payne (Erskine). -
Rts Announces Winners for the Programme Awards 2009
P R E S S R E L E A S E Tuesday16 March 2010 RTS ANNOUNCES WINNERS FOR THE PROGRAMME AWARDS 2009 The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for the RTS Programme Awards 2009. The ceremony, held at Grosvenor House on Tuesday 16 March, was hosted by actor, comedian and radio presenter Rob Brydon and the awards were presented by RTS Chair, Wayne Garvie. The RTS Programme Awards celebrate all genres of television programming, from history to soaps, children's fiction to comedy performance. Covering both national and regional output, as well honouring the programmes themselves, they aim to recognise the work of exceptional actors, presenters, writers and production teams. The Winners: Scripted Comedy The Thick of It BBC Productions for BBC Two “An acerbic, intelligent and sweeping comedy which attained new heights. Faultless ensemble acting, meticulous writing and intricately contrived comedy climaxes combined to make this a series we didn‟t want to end.” Nominees Miranda BBC Productions for BBC Two The Inbetweeners A Bwark Production for E4 Entertainment Newswipe with Charlie Brooker Zeppotron for BBC Four “Right on the money... Refreshingly polemical and with real authenticity.” Nominees Britain's Got Talent A talkbackTHAMES and SYCO TV Production for ITV1 The X Factor A talkbackTHAMES and SYCO TV Production for ITV1 2-6 Northburgh Street, London EC1V 0AY +44 (0) 20 7490 4050 www.franklinrae.com Daytime and Early Peak Programme Come Dine With Me ITV Studios for -
Benidorm Spain Travel Guide
Benidorm Costa Blanca - Spain Travel Guide by Doreen A. Denecker and Hubert Keil www.Alicante-Spain.com Free Benidorm Travel Guide This is a FREE ebook! Please feel free to : • Reprint this ebook • Copy this PDF File • Pass it on to your friends • Give it away to visitors of your website*) • or distribute it in anyway. The only restriction is that you are not allowed to modify, add or extract all or parts of this ebook in any way (that’s it). *) Webmaster! If you have your own website and/or newsletter, we offer further Costa Blanca and Spain material which you can use on your website for free. Please check our special Webmaster Info Page here for further information. DISCLAIMER AND/OR LEGAL NOTICES: The information presented herein represents the view of the author as of the date of publication. Be- cause of the rate with which conditions change, the author reserves the right to alter and update his opinion based on the new conditions. The report is for informational purposes only. While every at- tempt has been made to verify the information provided in this report, neither the author nor his affili- ates/partners assume any responsibility for errors, inaccuracies or omissions. Any slights of people or organizations are unintentional. If advice concerning legal or related matters is needed, the services of a fully qualified professional should be sought. This report is not intended for use as a source of legal or accounting advice. You should be aware of any laws which govern business transactions or other business practices in your country and state.