The Maidstone Sector of Buckingham's Rebellion Act, Oct
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Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England
ABSTRACT “She Should Have More if She Were Ruled and Guided by Them”: Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England Laura Christine Oliver, M.A. Thesis Advisor: Beth Allison Barr, Ph.D. This thesis argues that while patriarchy was certainly present in England during the late medieval period, women of the middle and upper classes were able to exercise agency to a certain degree through using both the patriarchal bargain and an economy of makeshifts. While the methods used by women differed due to the resources available to them, the agency afforded women by the patriarchal bargain and economy of makeshifts was not limited to the aristocracy. Using Elizabeth Woodville and Margery Kempe as cases studies, this thesis examines how these women exercised at least a limited form of agency. Additionally, this thesis examines whether ordinary women have access to the same agency as elite women. Although both were exceptional women during this period, they still serve as ideal case studies because of the sources available about them and their status as role models among their contemporaries. “She Should Have More if She Were Ruled and Guided By Them”: Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England by Laura Christine Oliver, B.A. A Thesis Approved by the Department of History ___________________________________ Jeffrey S. Hamilton, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Beth Allison Barr, Ph.D., Chairperson ___________________________________ Julie A. -
Alaris Capture Pro Software
Sir John Fogge of Ashford. SARAH BOLTON Sm JOHN Focce, well known for his refusal to be reconciled to Richard III in 1483, is worthy of closer study. Not only does his career illustrate the extent to which the fortunes of the gentry could be affected by the political changes of the fifteenth century, but also the increasing use made of their services in royal government, and the réle they could play in local affairs. The Fogge family originated in Lancashire, but one Otho moved to Kent in the reign of Edward 1. Through judicious marriages his descendants acquired sizeable properties in East Kent. Sir Francis Fogge, grandson of Otho, married the co-heiress of Waretius de Valoyns and thereby acquired Cheriton, Repton Manor in Ashford, which became the family’s principal residence, Beechborough, and Sene Farm. Sir Francis’ great-grandson, Sir William, in his turn, married as his second wife the only daughter and heiress of Sir William Septvans, through whom he acquired the manor of Milton.1 Our Sir John was born, according to Wedgwood, in 1425, but there seems some debate over his immediate antecedents. In a lawsuit in 1460 he called himself son and heir of John; this John was, according to Wedgwood, a younger brother of William, or, according to another source, an older brother. Sir John’s mother was Jane Catton, and through this marriage the family gained the manor of Crixall.2 Debate over the Fogge pedigree does not stop here. Sir John himself married 'twice: unfortunately to two ladies named Alice. One was Alice Kiriell, daughter and co-heiress of Sir Thomas Kiriell, who died in the second battle of St Albans fighting for the cause of York. -
THE ROSES ✥ 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36 37 38X
This content downloaded from 136.167.3.36 on Thu, 11 Jan 2018 18:42:15 UTC All use subject to http://about.jstor.org/terms 1 2 3 4 5 6 7 8 ✥ THE WARS OF THE ROSES ✥ 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36 37 38x This content downloaded from 136.167.3.36 on Thu, 11 Jan 2018 18:42:15 UTC All use subject to http://about.jstor.org/terms 1 2 3 4 5 6 7 THE WARS OF 8 9 ✥ ✥ 10 THE ROSES 1 2 3 MICHAEL HICKS 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36 YALE UNIVERSITY PRESS 37 NEW HAVEN AND LONDON 38x This content downloaded from 136.167.3.36 on Thu, 11 Jan 2018 18:42:15 UTC All use subject to http://about.jstor.org/terms 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 Copyright © 2010 Michael Hicks 8 9 All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and 20 except by reviewers for the public press) without written permission from the publishers. 1 For information about this and other Yale University Press publications, please contact: 2 U.S. Office: [email protected] www.yalebooks.com 3 Europe Office: sales @yaleup.co.uk www.yaleup.co.uk 4 Set in Minion Pro by IDSUK (DataConnection) Ltd 5 Printed in Great Britain by TJ International Ltd, Padstow, Cornwall 6 Library of Congress Cataloging-in-Publication Data 7 8 Hicks, M. -
Fifteenth Century Literary Culture with Particular
FIFTEENTH CENTURY LITERARY CULTURE WITH PARTICULAR* REFERENCE TO THE PATTERNS OF PATRONAGE, **FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY Elizabeth Ann Urquhart Submitted for the Degree of Ph.!)., September, 1985. Department of English Language, University of Sheffield. .1 ''CONTENTS page SUMMARY ACKNOWLEDGEMENTS ill INTRODUCTION 1 CHAPTER 1 The Stafford Family 1066-1521 12 CHAPTER 2 How the Staffords could Afford Patronage 34 CHAPTER 3 The PrIce of Patronage 46 CHAPTER 4 The Staffords 1 Ownership of Books: (a) The Nature of the Evidence 56 (b) The Scope of the Survey 64 (c) Survey of the Staffords' Book Ownership, c. 1372-1521 66 (d) Survey of the Bourgchiers' Book Ownership, c. 1420-1523 209 CHAPTER 5 Considerations Arising from the Study of Stafford and Bourgchier Books 235 CHAPTER 6 A Brief Discussion of Book Ownership and Patronage Patterns amongst some of the Staffords' and Bourgchiers' Contemporaries 252 CONCLUSION A Piece in the Jigsaw 293 APPENDIX Duke Edward's Purchases of Printed Books and Manuscripts: Books Mentioned in some Surviving Accounts. 302 NOTES 306 TABLES 367 BIBLIOGRAPHY 379 FIFTEENTR CENTURY LITERARY CULTURE WITH PARTICULAR REFERENCE TO THE PATTERNS OF PATRONAGE, FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY. Elizabeth Ann Urquhart. Submitted for the Degree of Ph.D., September, 1985. Department of English Language, University of Sheffield. SUMMARY The aim of this study is to investigate the nature of the r61e played by literary patronage in fostering fifteenth century English literature. The topic is approached by means of a detailed exam- ination of the books and patronage of the Stafford family. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk i UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of History The Wydeviles 1066-1503 A Re-assessment by Lynda J. Pidgeon Thesis for the degree of Doctor of Philosophy 15 December 2011 ii iii ABSTRACT Who were the Wydeviles? The family arrived with the Conqueror in 1066. As followers in the Conqueror’s army the Wydeviles rose through service with the Mowbray family. If we accept the definition given by Crouch and Turner for a brief period of time the Wydeviles qualified as barons in the twelfth century. This position was not maintained. By the thirteenth century the family had split into two distinct branches. The senior line settled in Yorkshire while the junior branch settled in Northamptonshire. The junior branch of the family gradually rose to prominence in the county through service as escheator, sheriff and knight of the shire. -
Robert De STAFFORD Born
Robert De STAFFORD Born: 1216, Stafford Castle, Staffordshire, England Died: 4 Jun 1261 / 1282 / AFT 15 Jul 1287Notes: summoned to serve in Wales in 1260. Cokayne's "Complete Peerage" (STAFFORD, p.171-172) Father: Henry De STAFFORD Mother: Pernell De FERRERS Married: Alice CORBET (dau. of Thomas De Corbet and Isabel De Valletort) ABT 1240, Shropshire, England Children: 1. Alice De STAFFORD 2. Nicholas De STAFFORD 3. Isabella De STAFFORD 4. Amabil De STAFFORD Alice De STAFFORD Born: ABT 1240, Stafford, England Father: Robert De STAFFORD Mother: Alice CORBET Married: John De HOTHAM (Sir) Children: 1. John De HOTHAM 2. Peter De HOTHAM Isabella De STAFFORD Born: 1265 Father: Robert De STAFFORD Mother: Alice CORBET Married: William STAFFORD Children: 1. John STAFFORD Amabil De STAFFORD Father: Robert De STAFFORD Mother: Alice CORBET Married: Richard (Robert) RADCLIFFE Nicholas De STAFFORD Born: 1246, Stafford, England Died: 1 Aug 1287, Siege of Droselan Castle Notes: actively engaged against the Welsh, in the reign of King Edward I, and was killed before Droselan Castle. His manors included Offley, Schelbedon and Bradley, Staffordshire Father: Robert De STAFFORD Mother: Alice CORBET Married 1: Anne De LANGLEY Married 2: Eleanor De CLINTON Children: 1. Richard De STAFFORD 2. Edmund STAFFORD (1º B. Stafford) Edmund STAFFORD (1º B. Stafford) Born: 15 Jul 1272/3, Clifton, Staffordshire, England Died: 26 Aug 1308 Father: Nicholas De STAFFORD Mother: Eleanor De CLINTON Married: Margaret BASSETT (B. Stafford) BEF 1298, Drayton, Staffordshire, England Children: 1. Ralph STAFFORD (1º E. Stafford) 2. Richard STAFFORD (Sir Knight) 3. Margaret STAFFORD 4. William STAFFORD 5. -
Battles and Warfare
BATTLES AND WARFARE GENERAL Le Jeu de la Hache: A Fifteenth-century Treatise on the Technique of Chivalric Axe Combat ANGLO Sydney Description: From Archaeologia, Vol. 109 Date of publication: 1991 Synopsis: Text and commentary on Le Jeu de la Hache (Bibliothèque Nationale, manuscrit français 1996), the only surviving treatise devoted exclusively to medieval axe combat. [LIBRARY NOTE: Filed under Fine and Applied Arts] The Times Guide to Battlefields of Britain ANON Description: From The Times Dates of publication: 3rd & 4th August, 1994 Synopsis: Articles on some of the battles included in English Heritage’s official new battlefields list (The Complete Guide to the Battlefields of Britain by David Smurthwaite), viz. Bannockburn, Shrewsbury, Blore Heath, Tewkesbury and Bosworth. The Wars of the Roses ANON Description: From Military History Monthly, Issue 50 Date of publication: November 2014 Synopsis: Well illustrated twenty-page editorial feature on the English civil conflicts of the fifteenth century. Includes an overview of the dynastic struggles and military campaigns, a discussion of military equipment and tactics, a longer feature on the Battle of Barnet and a brief revisionist analysis of Richard III. The strongest sections are those dealing with military matters. The brief historical explanations are, however, generally reliable, the most obvious error being the inclusion of a portrait of Elizabeth of York labelled ‘Elizabeth Woodville, Edward’s queen.’ The Wars of the Roses 1455-87 COATES Dr. J. I. Description: Typescript Date of publication: N/A Synopsis: Outline of the causes and main events of the wars. Heraldic Banners of the Wars of the Roses: Counties of Anglesey to Hampshire COVENEY Thomas Description: Freezywater Publications booklet, ed. -
MA Dissertatio
Durham E-Theses Northumberland at War BROAD, WILLIAM,ERNEST How to cite: BROAD, WILLIAM,ERNEST (2016) Northumberland at War, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11494/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ABSTRACT W.E.L. Broad: ‘Northumberland at War’. At the Battle of Towton in 1461 the Lancastrian forces of Henry VI were defeated by the Yorkist forces of Edward IV. However Henry VI, with his wife, son and a few knights, fled north and found sanctuary in Scotland, where, in exchange for the town of Berwick, the Scots granted them finance, housing and troops. Henry was therefore able to maintain a presence in Northumberland and his supporters were able to claim that he was in fact as well as in theory sovereign resident in Northumberland. -
Play Book • December 2013
Living Play Book • December 2013 PLAY BOOK Table of Contents PB 1.0 Optional Rules ....................................................... 2 PB 5.0 Example of Play .................................................. 13 PB 2.0 Game Setup ........................................................... 4 PB 6.0 Historical Notes ................................................... 19 PB 3.0 Scenarios ............................................................... 4 PB 7.0 Expanded Sequence of Play ................................ 28 PB 4.0 Designer Notes .................................................... 11 This is the “Living Play Book” document for the game. It includes errata and clarifications to the original rules. To aid readability, errata is indicated in blue text. GMT Games, LLC • P.O. Box 1308, Hanford, CA 93232-1308 www.GMTGames.com 2 CROWN OF ROSES Play Book Example: On Turn 3, March is the Senior York Heir, but Rivers is currently not controlled by York; though York has influence placed on him, as well as Warwick. As such, York loses one Popular Support at the beginning of the King Phase but the IPs placed on Warwick are subject to no negative modifier. On Turn 4, assuming Rivers is still controlled by York, York will have to place at least one (1) IP on Warwick or lose him during the Parliament Phase (3 pro-York Roses – 4 [Game Turn] equals negative 1). PB 1.3 Distrustful Margaret Rule (Historical Rule) Queen Margaret was very distrustful of Henry Holland, the Duke of Exeter (Exeter Block), especially early in the conflict, as Exeter was Henry VI’s immediate Heir at the time. Because of this mistrust (which turned out to be misplaced), Exeter can- not Lead any non-Office Blocks for Movement or Combat while Margaret is In-Play in England (i.e., not in Exile). -
0 1472 the Evidence of John Stone's Chronicle
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society THE POLITICAL ALLEGIANCES OF CHRIST CHURCH PRIORY 1400-1472: THE EVIDENCE OF JOHN STONE'S CHRONICLE MERIEL CONNOR In the Parker Library of Corpus Christi College, Cambridge, is to be found a fifteenth-century manuscript, CCCC MS417. A Latin edition of this manuscript, transcribed by W.G. Searle, was published by the Cambridge Antiquarian Society in 1902, and this edition is well known to many historians of the fifteenth c e n t u r y . The preface of the manuscript declares it to be the 'book of brother John Stone, a monk of Christ Church Canterbury, composed as a result of his great work in the year 1467 in his fiftieth year as a monk'.1 Stone's name first occurs in the Christ Church records on 13 December 1417, when he was about eighteen years old.2 He was born in Kent and lived as a monk at the priory for some sixty years. The surviving manuscript is a copy of that 'great work', which has been described as 'an extremely curious and interesting memorandum book of most miscellaneous character'.3 Over the years, scholars have frequently cited Searle's edition to provide evidence for some aspect of their research. However, little attention lias been given to the original manuscript or to the composition of the work as a whole. Closer examination of the text shows it to be more than a chronological account of the internal life of this important medieval religious house. -
Or, Why Did Henry VIII's Queens and Children Patronize Travelling
Early Theatre 16.2 (2013), 59–90 DOI: http://dx.doi.org/10.12745/et.16.2.4 James H. Forse Advertising Status and Legitimacy: or, Why Did Henry VIII’s Queens and Children Patronize Travelling Performers? Patronage of travelling performers by English kings seems to have been one way of displaying royal power, prestige, and status. Beginning with Edward IV and continuing through Henry VIII, queens and royal offspring also gave their names to travelling performance troupes. Chronologies of the travelling troupes of queens and royal offspring suggest that during the reign of Henry VIII, as queens and heirs presumptive changed, one likely purpose of these troupes was to advertise and legitimize the status of their royal patrons. To date, the volumes published in the University of Toronto’s Records of Early English Drama project provide performance data from over half of Tudor England: sixteen counties, nine municipalities, and Wales. Informa- tion found in Ian Lancashire’s Dramatic Texts and Records of Britain, the Malone Society’s Plays and Players in Norfolk and Suffolk, and a few other sources augments this data.1 Taken together, these printed sources provide thousands of entries detailing locale-specific performance activities for large and small communities.2 More will appear as further volumes of the reed series appear. The superb editorial apparatus for reed volumes provides information about the historical background and performance activities of the locale, lists of documents consulted with descriptions, statements of editorial procedure, notes and appendices, translations of entries in Latin, and glossaries of Latin and English. When perusing the actual entries transcribed from the original sources, however, readers may find the vast amount of data daunting at first glance. -
Libeling Painting: Exploring the Gap Between Text and Image in the Critical Discourse on George Villiers, the First Duke of Buckingham
Libeling Painting: Exploring the Gap between Text and Image in the Critical Discourse on George Villiers, the First Duke of Buckingham THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Ivana May Rosenblatt Graduate Program in History of Art The Ohio State University 2009 Master's Examination Committee: Barbara Haeger, Advisor Christian Kleinbub Copyright by Ivana May Rosenblatt 2009 Abstract This paper investigates the imagery of George Villiers, the first Duke of Buckingham, by reinserting it into the visual and material culture of the Stuart court and by considering the role that medium and style played in its interpretation. Recent scholarship on Buckingham‘s imagery has highlighted the oppositional figures in both Rubens‘ and Honthorst‘s allegorical paintings of the Duke, and, picking up on the existence of ―Felton Commended,‖ a libel which references these allegories in relation to illusion, argued dually that Buckingham‘s imagery is generally defensive, a result of his unstable position as royal favorite, and that these paintings consciously presented images of the Duke which explicitly and topically responded to verse libels criticizing him. However, in so doing, this scholarship ignores the gap between written libels and pictorial images and creates a direct dialogue between two media that did not speak directly to each other. In this thesis I strive to rectify these errors by examining a range of pictorial images of Buckingham, considering the different audiences of painting and verse libel and addressing the seventeenth-century understanding of the medium of painting, which defended painterly illusionism and positioned painting as a ritualized language.