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Perspectives on the American Concert March in Music Education Robert Clark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Perspectives on the American Concert March in Music Education Robert Clark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERSPECTIVES ON THE AMERICAN CONCERT MARCH IN MUSIC EDUCATION By ROBERT CLARK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Education Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Robert Henry Clark defended on March 30, 2009. __________________________ Steven Kelly Professor Directing Thesis __________________________ Patrick Dunnigan Committee Member __________________________ Christopher Moore Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Bobby Adams, Jack Crew, Dr. James Croft, Joe Kreines, and Paula Thornton, who freely gave of their time, opinions, teaching methods, and wisdom to make the completion of this research study possible. They were as genuine, engaging, inspiring and generous as I had hoped…and more. It was my pleasure to get to know them all better. I would also like to thank my thesis committee, Dr. Steven Kelly, Dr. Patrick Dunnigan and Dr. Christopher Moore for dedicating the time and effort to review my research. I would especially like to thank Dr. Steven Kelly for his work in helping me refine this study, and am further appreciative to him for the guidance he has provided me throughout my undergraduate and graduate studies. -
LETIZIA BATTAGLIA.Just for Passion
LETIZIA BATTAGLIA .Just for passion MAXXI is dedicating an anthological exhibition to the great Sicilian artist with over 250 photographs testifying to 40 years of Italian life and society 24 November 2016 – 17 April 2017 #LetiziaBattaglia | #PerPuraPassione www.fondazionemaxxi.it Born in Palermo in 1935 and known throughout the world for her photos of the mafia, Letizia Battaglia has provided and continues to provide one of the most extraordinary and acute visual testimonies to Italian life and society, in particular that of Sicily.Recognised as one of the most important figures in contemporary photography for the civic and ethical value of her work, Letizia Battaglia is not only the “photographer of the mafia” but also, through her artistic work and as a photo reporter for the daily newspaper L’Ora , the first woman and in 1985 in New York she became the first European photographer to receive the prestigious international W. Eugene Smith Award , the international prize commemorating the Life photographer . Shortly after the celebrations for her 80 th birthday, MAXXI is organizing LETIZIA BATTAGLIA.Just for passion , a major exhibition curated by Paolo Falcone, Margherita Guccione and Bartolomeo Pietromarchi , that from 24 November 2016 through to 17 April 2017 brings to MAXXI over 250 photographs, contact sheets and previously unseen vintage prints from the archive of this great artist, along with magazines, publications, films and interviews. Visual testimony to the bloodiest mafia atrocities and and social and political reality of Italy, a number of her shots are firmly embedded in the collective consiousness: Giovanni Falcone at the funeral of the General Dalla Chiesa ; Piersanti Mattarella asassinated in the arms of his brother Sergio; the widow of Vito Schifano ; the boss Leoluca Bagarella following his arrest; Giulio Andreotti with Nino Salvo . -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
Inventario Collocazione Titolo 007 : Al Servizio Segreto Di Sua Maestà / Directed by Peter Hunt ; Music by John Barry
Inventario Collocazione Titolo 007 : Al servizio segreto di Sua Maestà / directed by Peter Hunt ; music by John Barry. - Milano : Twentieth Century Fox home 0/11392/0 M 791.437 2 ZER entertainment [distributore], c2013. - 1 DVD (ca. 136 min.) : sonoro (Dolby digital 5.1, DTS), color 1: Aeronautica, agricoltura, alimentazione / [di Georges Bastien ... et 0/12005/0 R 030 QUI al.]. - Gorle : I Quindici, 2001. - 165 p. : ill. ; 31 cm [1] I viaggi di Egg : in fuga da Mortaria / Geoff Rodkey ; 0/10156/0 R 813.6 ROD [Traduzione di Stefania De Franco]. - Firenze ; Milano : Giunti junior, 2013. - 284 p. ; 23 cm 10 cose che odio di me / Randa Abdel-Fattah ; traduzione di 0/8798/0 R 813.6 ABD Alessandra Orcese. - Milano : Mondadori, 2009. - 356 p. ; 21 cm 10 cose da fare prima di compiere 16 anni / Caroline Plaisted ; 0/11786/0 R 823.914 PLA traduzione di Francesca Manzoni. - Milano : Piemme, 2016. - 161 p. ; 20 cm. 10 + : il mio mondo in un numero / Alessandro Del Piero. - Milano : 0/6397/0 G 853.9 DEL A. Mondadori, 2007. - 164 p. : ill. ; 22 cm 10: Metodi di allevamento, minerali e metalli, musica e danza, poste e 0/12014/0 R 030 QUI telecomunicazioni, pubblicita, radio e televisione / [autori: Jean-Louis Barraud ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill.; 31 cm 100 esercizi di stretching per il tennis / [testi: Guillermo Seijas ; G 796.342 077 0/11813/0 SEI illustrazioni: Myriam Ferron]. - Cesena : Elika, ©2017. - 152 p. : ill. ; 28 cm 100 grandi personaggi d'Europa : 3000 anni di storia d'Europa attraverso 100 grandi personaggi / Stefano Varanelli ; illustrazioni di 0/10516/0 R 920.04 VAR Riccardo Guasco. -
Understanding the Mafia. Session 2
Understanding the Mafia. Session 2. Women. Evolutions. The role of women. A fundamental, yet secondary role. “The woman never has, and never will be affiliated, but she has always had a fundamental role” (Suraci 9, Graziosi, Pieroni, Giannini 16). - goods exchanged for alliances and to end faidas, through marriages - passive role: - 1) guaranteeing husband’s reputation - must be a virgin before marriage and must not commit adultery - 2) raising the children, transmitting the values mafiosi - seeking vengeance for males, being submissive for females Let’s talk. Because the children get indoctrinated from a young age with what is just and what is wrong under the principles and values mafiosi, alienated from the civil society that surrounds them, to what extent are they responsible for their actions? When is it that these young individuals realize (if ever) that what they are doing is inhumane? Are these women always conscious of the role they are playing and are they aware of their options and ability to denounce or change life? What could be the main obstacles inhibiting the women and children from denouncing and changing life? What role can and should the State have in informing mafiosi on their rights, their options and guarantee them protection if they decide to denounce and collaborate with the law? An evolving role. - never be affiliated, but have taken more active roles - they have become the brains of the husbands’ and sons’ actions (Suraci 8, 18, Pieroni, Saviano 158, 163) - in parallel there is transgression of the “code of honor” stating that women cannot be assassinated (Saviano 160). -
Grille Horaire 2015
: 2-1026272, 3-1026273 icences l raphic / g : Média mprimeur i : www.erwanlemoigne.com / / Conception graphique immermans t Bruno © an+ 23 / 24 / 25 mai 2015 s ung- a Icons, ew n : Visuel 1 PaLaIs Du GranD LarGE ProGraMME Et LIEuX Retrouvez tout le programme, jour par jour, lieu par lieu Quai Duguay-Trouin et heure par heure. Toutes les modifications de dernière minute seront relayées par les réseaux Café littéraire (400 places). Salle Maupertuis : grands débats (200 places). sociaux du festival. Retrouvez-nous sur twitter @FestivalEV et sur notre page Facebook. Rotonde Surcouf : espace Radio France et rencontres (80 places). Auditorium : rencontres et films (1 000 places). Expositions : rotonde Jacques Cartier : Métier : créateur d’images Plan de saInt-MaLo (illustrations jeunesse), salle Bouvet : Du noir haut en couleurs (BD) et Série Noire, salle Charcot : Aventures maritimes (BD), salle Vauban : Marie Dorigny, Main basse sur la Terre (photographies), rotonde Surcouf : Présences arabo-orientales en France. 2 BILLEttErIE Du FEstIVaL 1, quai Duguay-Trouin 150 m LE SILLON DIGUE DE ROCHEBONNE 3 L’ÎLE auX trÉsors CHAUSSÉE DU SILLON Quai de Saint-Malo. Ateliers pour les 3-12 ans (inscription sur place), 5 espace de lecture, espace Mange-Livres (garderie et nurserie). CHAUSSÉE DU SILLON RUE HYPPOLITE DE LA MORVENNAIS 1 R. DE L'INDUSTRIE 4 LE saLon Du LIVrE QUAI DUGUAY TROUIN MOKA DE AV. R. R. VERCEL R. R. AI ST-VINCENT CALVAIRE DU R. Quai de Saint-Malo. Un demi-hectare de stands éditeurs. U 2 3 BD THÉODORE BOTREL Q 4 Restauration assurée par la maison MIESCH, au fond du Salon du livre. -
The Palermo Crucible
chapter 1 The Palermo Crucible The Piazza Marina is situated behind a row of antique palazzi facing the gulf in Palermo’s historic center. In the middle is an acre of garden called the Villa Garibaldi, which is surrounded by a handsome Art Nouveau, wrought iron fence depicting animals of the hunt. A gigantic Ficus mag- noloides tree dominates one quadrant of the garden, each enormous branch sending shoots to the ground like elephants’ trunks, creating a labyrinth of arched chambers underneath. The Piazza Marina was the center of elegance in eighteenth- and early nineteenth-century Palermo. Here men and women of baronial and princely pedigree gathered nightly, clothes and carriages on display, to eat jasmine petal ices and gossip (Eberstadt 1991: 48). After the unification of Italy in 1860, how- ever, the city’s northward expansion diminished the importance of this luxurious scene, creating new piazzas and boulevards as places for the elite to be seen. That the Piazza Marina was the scene of the 1909 mur- der of New York City police officer Joe Petrosino, sent to Palermo to pursue mafiosi, did nothing to enhance its reputation. Near the end of World War II, Allied bombers destroyed many of the waterfront palazzi, and by the mid-1960s the Piazza Marina was some- where to avoid, a place where you had to step over garbage, be vigilant against pickpockets and purse snatchers, and wonder whether the mag- nolia tree, abandoned to the surrounding patch of weeds, hid something sinister in its gothic roots. In a 1991 New Yorker article describing the neighborhood around the piazza, Fernanda Eberstadt vividly captured 1 2 The Palermo Crucible its degraded yet vibrant quality: “a row of bombed out buildings inhab- ited by cavernous little bodegas outfitted with altars to the Madonna and posters of local football stars; and a fishmonger’s outdoor stall, auto re- pair shops, and a stand selling semenza (lentils and seeds) served in brown paper cones.” Her hosts warned her about being robbed on the streets. -
43E Le Sur La
10 •11•12 sept 2021 Nancy Place de la Carrière 43e LeLivre édition sur la 1er salon place national Programme de la rentrée complet littéraire nki Bilal : E Mélanie Kochert : La Grèce pays invité d’honneur lelivresurlaplace.fr 1 Illustration Graphisme LE MOT S'OUVRIR DU MAIRE AU MONDE La lecture, une porte ouverte sur un monde enchanté, écrivait François Comment résister à une crise qui invite au repli sur soi ? En allant Mauriac. C’est avec cet espoir que le Livre sur la Place a été pensé et à la rencontre de l’altérité ! Les livres, bien sûr, nous offrent construit cette année. L’espoir d’une respiration, d’un moment privilégié, cette possibilité même au cœur de l’isolement le plus austère. préservé. L’espoir d’un temps de rencontres et d’échanges. Mais aussi l’espoir, Avec la présence d’auteurs comme Christine Angot, Philippe pour la culture, que ses portes restent grandes ouvertes et que chacun puisse, Claudel, Jonathan Coe, Jean-Christophe Rufin, Lionel Shriver notamment à travers la lecture, s’enrichir, se divertir et partager. ou Delphine de Vigan, le monde ouvre ses frontières littéraires. Depuis plusieurs mois, la crise sanitaire et ses rebondissements persistants nous Mais pour aller encore plus loin, Le Livre sur la Place fait le choix mettent à l’épreuve. Économiques, sociales et culturelles…, ses conséquences désormais, en plus de l’incontournable rentrée littéraire, de mettre en lumière les auteurs d’un pays invité. Et c’est avec la Grèce, berceau de la démocratie, du théâtre sont colossales. Les dommages sont grands et la reconstruction sera longue. -
7Pm Apexart:291 Church Street, New York, NY
Come Together (NYC) Apexart asked me to be a part of a show called Maurizio Couldn’t Be Here. For five weeks in February and March the gallery is hosting a different performance related project each week. I came up with an idea for the first week. What I decided to do is organize an all day lecture program com- posed of 26 people who will each lecture for ten minutes a piece. The entire event will be video taped and shown as a projection in the gallery the following week. I asked 26 people who I knew or who knew someone I knew to select someone else to do one of the ten minute lectures. The selectors supplied info about the lectures for this publica- tion and will introduce their lecturers at the event. The only requirements I had for the people doing lectures was that they didn’t ordinarily go to Apexart and that the topic that they chose to lecture on was not directly related to contem- porary visual art. Otherwise the lecturer could be anyone in the NYC area and the lecture topics were totally open. The lectures will be presented in the following order beginning at 11 am and ending at 7 pm on Saturday, February 12th at the gallery. There will be periodic breaks and snacks pro- vided. The public is invited to attend the entire eight hour event, but can feel free to come and go between lectures. – Harrell Fletcher 26 ten minute lectures by 26 different people Saturday, February 12, 2005 11am – 7pm Apexart: 291 Church Street, New York, NY 2 Presentation On The Kemetic Orthodox Religion Josh Kline will lecture about The Kemetic Orthodox Church which he feels is one of the most interesting new religions in America today. -
2 ,3 Et 4 Décembre 2011
« ECRITURES MEDITERRANEENNES » 3éme Edition 2 ,3 et 4 décembre 2011 Association Ecrimed 5, rue Bourre 13008 Marseille www.salonecrimed.fr Attachée de Presse Crystelle Merriaux-Hardelin Tel. : 06 42 00 26 67 Mail : [email protected] EcriMed2011 Dossier de Presse - 1/29 - Le projet 2011 L’association « Ecrimed » et Elsa Charbit, commissaire du salon « Ecritures Méditerranéennes », après le succès des précédentes éditions, ont le plaisir de vous annoncer l’édition 2011 qui se tiendra à l’Espace Bargemon les 3 et 4 décembre prochains. Notre ambition, créer des liens entre les littératures des pays de méditerranée, et organiser un moment de rencontre annuel à Marseille, pour un moment fort d’échange et de partage et ainsi prouver la pertinence de sa démarche. Dès le départ Euroméditerranée a été notre partenaire principal. Il continue de nous soutenir. Cette année le Forum Mondial de l’eau sera à nos côtés. Nous partageons cette problématique, l’eau est omniprésente dans la littérature méditerranéenne. « Ecritures Méditerranéennes » accueille à Marseille les écrivains des pays de la Méditerranée. Ce mode de fonctionnement nous positionne directement sur l’activité littéraire de chaque pays et nous assure, année après année, d’être au plus près de l’évolution des écrits. L’édition 2011, reprenant des deux premières éditions les rencontres avec les écrivains présents lors de tables rondes, cafés littéraires et dédicaces, s’enrichira de nouveaux événements : - Les « Bistrot Picouly », cafés littéraires nouvelle formule, seront animés par l’écrivain et animateur de télévision Daniel Picouly. - La thématique de l’Eau . Une exposition photographique proposée par le Forum de l’Eau accueillera les visiteurs dès la Place Bargemon, un stand expliquera à l’intérieur du salon, ce temps fort de la vie marseillaise (mars 2012) . -
1968 Soit Le Troisième Concours Eurovision Organisé Par La B.B
Lieu : Royal Albert Hall de Londres Orchestre : Norrie Paramor’s ( Royaume-Uni ). Orchestra. Présentation : Katie Boyle. Date : Samedi 6 Avril. Réalisateur : Stewart Morris. Durée : 1h 37. Bien que 1968 soit le troisième concours Eurovision organisé par la B.B. C., c’est en fait la première fois qu’elle l’accueille après une victoire. Comme en 1960 et 1962 c’est Catherine Boyle qui anime la soirée. Le Royal Albert Hall est aménagé pour la circonstance et c’est à travers une immense réplique du logo étoilé de l’Eurovision que les 17 concurrents pénètrent sur scène. Une caméra placée en coulisses permet de suivre les quelques secondes qui précèdent leur entrée dans la salle. Mais la grande invitée de la soirée est la couleur. Détail curieux, si le spectacle est relayé dans tous les pays d’Europe en couleurs, les britanniques devront se contenter du noir et blanc et attendre la rediffusion du lendemain pour apprécier le concours en polychromie. On s’était bien aperçu dans les dernières années que les tenues des participants se faisaient plus brillantes, les jupes des chanteuses plus courtes, mais ce progrès technique permet de découvrir des roses, des bleus et des jaunes que l’on aurait eu du mal à imaginer. Aurait-on autant apprécié les costumes médiévaux de l’ensemble yougoslave Dubrovacki Trubadori ( recomposé en un duo et trois choristes, le règlement n’autorisant que deux interprètes ) sans la couleur ? Parmi les 65 chansons présentées au comité de sélection français, c’est “La source” qui a été retenue. Le titre, dont le texte est signé Guy Bonnet et Henri Djian et la musique Daniel Faure, avait déjà été présenté en 1967 en sélection française. -
SESSION 2. WOMEN. EVOLUTIONS. an Evolving Role
SESSION 2. WOMEN. EVOLUTIONS. An evolving role. While it is true that a woman will never be accepted as being an affiliate of the mafia, with years, women have become ever so THE ROLE OF WOMEN. important within the cosca, and have taken on more active roles, to the point that they have become the brains of the husbands’ and sons’ actions A fundamental, yet secondary role. “The woman never has, and (Suraci 8, 18, Pieroni, Saviano 158, 163). never will be affiliated, but she has always had a fundamental role” (Suraci 9, Graziosi, Pieroni, Giannini 16). Angela Russo. An important component of cosa nostra, she got renamed “Nonna eroina”, heroine grandmother, as she played an important role in Let’s talk. Because the children get indoctrinated from a young age with narcotrafficking (Suraci 19). what is just and what is wrong under the principles and values mafiosi, alienated from the civil society that surrounds them, to what extent are Anna Mazza. She they responsible for their actions? When is it that these young individuals was an important realize (if ever) that what they are doing is inhumane? component of the camorra. When her Are these women always conscious of the role they are playing and are they husband Gennaro aware of their options and ability to denounce or change life? What could Moccia dies, she be the main obstacles inhibiting the women and children from denouncing takes over his clan and changing life? and gets renamed “vedova nera”, black What role can and should the State have in informing mafiosi on their widow.