Media Pack | 2019

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Media Pack | 2019 required reading MEDIA PACK | 2019 “Packed with information and reviews from music producers with a track record MC, Spain ” REPORT REVIEWS REVEALED / Wimbledon 2018: AoIP with NEP & Calrec / DPA 6060: how tiny can you tackle? / Nick Ryan: interactive sound reaches millions / Lawo: remote production for World Games / Antelope Discrete 8: mic modelling bundle / Bigger, faster, stronger: game audio QC / audio@ibc special / Sennheiser Memory Mic: roving reporter / Foley across oceans: Source-Connect in effect V17.6 | September 2018 | £5.50 The Interview XxxxxKate Hopkins Xxxxxxxx Xxx Resolution V17.6 September 2018.indd 1 04/09/2018 13:20 HELLOHELLO MEDIA PACK | 2019 The voice of pro audio In 2019, Resolution is the greatest opportunity for editorial and marketing, across print, online and social media or over 16 years, Resolution has new editorial opinions, and, goddammit, been the discerning pro-audio a sans serif font on the editorial pages! practitioner’s magazine of choice Resolution now has a twice-monthly Fbecause it is unique. And, newsletter which regularly has an open although you can’t technically have levels rate of 33.7%. But we can do more! of uniqueness — last year, Resolution In April, for the first time, we became more unique. introduced an online NINTH issue sent A new publisher — Dave Robinson, to the entire database, covering events the longest-serving editor of Pro Sound and launches from NAB and Prolight + News Europe/PSNEurope to date — Sound. It had an incredible uptake: acquired Resolution, knowing it was a 9,000 views on hosting platform issuu. fantastic opportunity to build on the com, and hundreds of hours of read- title’s history: to update and improve it, time. We’re doing that again! both in print and online, while respecting For 2019? We’re planning to increase the superlative reputation and loyal the reach of the magazine into following built up over years of essential educational establishments, grow our “Resolution: WOW! A big job to take on. But, we’ve done great things for the title reading. readership in the USA, and reveal an in 2018: smarter design, regular The year 2018 saw a refreshed and exciting addition to the Resolution newsletter, refreshed format, sharper renewed Resolution: a high level of portfolio later in the year… writing, social media defibrillation... technical expertise; features and reports Resolution, printed eight times a year, there’s plenty more to do. Bring on 2019!” on cutting edge technology; is trusted, read from cover-to-cover, and Dave Robinson, publisher/owner supercharged editorial writing. Not only retains its shelf-life for months after [email protected] that, but a clearer and sharper design; publication. Key strengths of Resolution International bright young thing AWA R DS 2019 Distributed to 75 countries! REWARDING QUALITY AND INNOVATION Resolution Awards 2019 Generic.indd 1 10/12/2018 12:03 Musclebound Resolution Awards 2019 Writing that is read, rated and retained by the readership. We cover the broadcast, The prestigious Resolution Awards recognise quality and innovation in professional audio music, post, recording and media production sectors, providing analysis, technology equipment. Products are nominated in profiles, interviews, reviews, news and opinion from the practitioners. categories by a panel of experts across disciplines and are voted for exclusively by the readership of Resolution magazine. All over the world The Resolution Creative Awards recognise the Reaching the markets of Europe, the Middle East, South America and the USA. achievements of individuals in music recording, Bolstering the education readership and encouraging new talent. broadcast and post. Nominations are, again, drawn up by a panel of experts across disciplines and are voted for exclusively by the readership All we hear is... of Resolution magazine. The definitive route to broadcast sound practitioners. Only Resolution is dedicated to Nominees and winners always receive strong putting audio in focus at the biggest broadcast convention with: (September) editorial support. Nominations are announced in the JUNE issue and the winners announced in OCTOBER. Winners achieve the accolade of Resolution Awards 2019 inclusion in the Resolution Awards Winners Rewarding quality and innovation in products and creativity in end-users and facilities. Supplement in the October issue. Both awards are judged exclusively by Resolution readers. Winners are announced in a supplement in the October issue. THE TEAM MEDIA PACK | 2019 You should be reading this esolution editor Nigel Jopson heads up a team of appointments. The products section serves up a slice of current highly-regarded writers and commentators, equipment releases and updates. consistently creating an outstanding editorial mix every Sections you can expect to see in the redesign: Rissue, in print and online. Craft — Craft articles concern themselves with the ‘how to’ Resolution writers have amassed a unique perspective and aspect of what readers do for a living. depth of product experience over the years — in the recording Reviews — The Resolution reviewers have amassed a wealth studio, in broadcast, in post-production — so we can always pair of experience that is unmatched anywhere in the industry. Our the right reviewer with the most appropriate piece of kit. people know our stuff! Resolution is targeted at people who buy and use your Technology — Resolution is ahead of the pack in its approach to equipment for a living. It satisfies the information requirement of new and existing technologies. modern practitioners with a uniquely focused package of Broadcast — We remain a definitive route to broadcast sound content. News and analysis cover industry sales, contracts and practitioners! Tim Oliver Phil Ward Nigel Jopson, editor Tim’s been a freelance Phil Ward has been As a record producer and recording engineer, Nigel worked with engineer/producer for editor of both Pro artists including Bryan Adams, Bauhaus, Jack Bruce, Paul Carrack, over 35 years, starting Sound News (PSN) Joe Cocker, Julian Cope, The Cult, Marianne Faithfull, The his career in the heady Europe and Music Trade Go-Betweens, Cyndi Lauper, John Mayall, Joni Mitchell, Van days of Manchester in News, and is now Morrison, The Scorpions and Roger Waters … he took up the pen the 1980s working with a freelance writer for for Resolution magazine in 2002. the Stone Roses, Happy Lighting & Sound International, AV Mondays and New Order. He’s had a Magazine, Installation, Pro Audio Asia Russell Cottier Dennis Baxter base at Real World for ten years and for and Pro Audio Middle East. Russell is a record A multi Emmy the last three has been involved in the producer and mixer as Award-winner, Dennis management of the commercial studios. Erica Basnicki well as a pro-audio has worked in the Erica stumbled into the journalist. He’s worked broadcast industry for John Broomhall world of writing for the with chart-topping and over 30 years as a John has worked in a pro audio industry after award-winning acts including the Royal sound designer and sound mixer. He variety of roles completing her audio Philharmonic Orchestra and Sly & has engineered the sound for the (composer, sound engineering education, Robbie. Russell is primarily based at Commonwealth Games, World Cup, designer, producer, and hasn’t looked back. Parr Street Studios, Liverpool. NASCAR, and hundreds of other music supervisor and She writes extensively about live and sporting events around the world head of audio) on studio sound, and has a keen interest in Dan Daley including the Atlanta, Sydney, Salt dozens of videogames including F1 GP, emerging audio applications such as Dan — hit song Lake, Athens, Beijing, Vancouver and Guitar Hero, American Idol, and Forza AR/VR and spatial audio. composer and a former London Games. Motorsport. pedal-steel punk, Mike Aiton recording studio owner George Shilling Simon Clark Mike Aiton was weaned and engineer — lives in George is a producer, Simon Clark is a at the BBC over 30 New York City and engineer and musician freelance location years ago. He is mainly Nashville, rendering him culturally with a CV including Yazz drama recordist and found in his enriched but politically conflicted. (The Only Way Is Up), head of location sound Twickenham dubbing The Soup Dragons (I’m recording at the suite, Mikerophonics, Gijs Friesen Free), Steve Winwood, National Film & TV thrashing gear to within Gijs is a sound engineer Mike Oldfield, James Brown, Frank School in the UK. an inch of its life. In his spare time he & sound designer with Turner and Tony Iommi (Black Sabbath). takes therapy for his poor jazz guitar an (online) audio post playing and his addiction to skiing and production studio. He David Kennedy Easier to read and Nikon lenses. works as a broadcast Ten years ago, David clearer design music engineer for all became a freelance / Review major Dutch radio stations, and has dubbing mixer and has mixed for artists like Jason Mraz, Jess mainly worked on Glynne and Joss Stone. broadcast docos ever since. His greatest Kevin Hilton achievement has to be making many Kevin trained as a radio hundreds of hours of factual NT SF1 journalist and worked in entertainment intelligible for the RØDE finds the new Soundfield mic has some reporting, technical viewing public. JON THORNTON operations, production innovative features and presentation before Jon Thornton rugged looking, but two of the pins hat the Freedman Group, owner are much thicker than the rest and becoming a magazine Jon is an engineer, of RØDE Microphones, engage first, ensuring that any acquired Soundfield in 2016 damage caused by not having writer. educator and writer. He didn’t come as a major them lined up exactly is extremely T unlikely. The supplied 3m cable surprise. The Australian company has been Head of Sound has been relentlessly expanding its breaks this out to four standard XLRs. Each of the four capsules requires its product range to include solutions and elevation views — very effective in Ed Lister Technology at The own phantom power via these XLRs, for audio capture beyond the studio visually showing where audio energy is so duly plugged up and gain- for some time, always looking for being recovered.
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