Robert Henryson: a Bibliography

Total Page:16

File Type:pdf, Size:1020Kb

Robert Henryson: a Bibliography Henryson.bib.htm file:///Macintosh%20HD/Users/kellerw/Documents/Academics/12... Robert Henryson: A Bibliography Compiled by Wolfram R. Keller This bibliography is still in progress. Several subdivisions are planned, eventually, some entries should be annotated. For links to online editions of primary works and other useful resources, please refer to the website of the Association for Scottish Literary Studies and the Robert Henryson Soiety. Please send additions, comments, and corrections to <[email protected]>. Download bibliography as pdf-file Editions Bibliographical General Fables Testament Orpheus and Shorter Poems Editions Elliott, Charles, ed. Robert Henryson: Poems. Clarendon Medieval and Tudor Series. Oxford: Clarendon, 1966. -----. Robert Henryson: Poems. 2nd ed. Clarendon Medieval and Tudor Series. Oxford: Clarendon, 1974. Fox, Denton, ed. The Poems of Robert Henryson. Oxford English Texts. Oxford: Clarendon, 1981. -----. Testament of Cresseid. Medieval and Renaissance Library Series. London: Nelson, 1968. Gopen, George D., ed. The Moral Fables of Aesop. Notre Dame: U of Notre Dame P, 1987. Kindrick, Robert L., ed. The Poems of Robert Henryson. Middle English Text Series. Kalamazoo, MI: Western Michigan U, 1997. MacDiarmid, Hugh, ed. Henryson: Selected by Hugh MacDiarmid. Baltimore, MD: Penguin, 1973. top of page Bibliographical Fradenburg, Louise O. "Henryson Scholarship: The Recent Decades." Fifteenth-Century Studies: Recent Essays. Ed. Robert F. Yeager. Hamden, CT: Archon, 1984. 65-92. Heidtmann, Peter. "A Bibliography of Henryson, Dunbar, and Douglas, 1912-1968." Chaucer Review 5 (1970): 75-82. Ridley, Florence H. "A Check List, 1956-1968, for the Study of The Kingis Quair, the Poetry of Robert Henryson, Gawin Douglas, and William Dunbar." Studies in Scottish Literature 8 (1970): 30-51. top of page General Baird, Gerald. The Poems of Robert Henryson. Scotnotes 11. Aberdeen: Association for Scottish Literary Studies, 1996. Bennett, J.A.W. The Humane Medievalist: Essays in English Literature and Learning from Chaucer to Eliot. Rome: Edizioni di Storia e Letteratura; Woodbridge, Suff.: Boydell and Brewer, 1982. Burrow, J.A. "Dunbar, Henryson, and Other Makars." Review 4 (1982): 113-27. Ellenberger, Bengt. The Latin Element in the Vocabulary of the Earlier Makars: Henryson and Dunbar. Lund Studies in English 51. Lund: 1 of 7 9/19/03 11:46 AM Henryson.bib.htm file:///Macintosh%20HD/Users/kellerw/Documents/Academics/12... Gleerup, 1977. Fox, Denton. "The Coherence of Henryson's Work." Fifteenth-Century Studies: Recent Essays. Ed. Robert F. Yeager. Hamden, CT: Archon, 1984. 275-81. -----. "Middle Scots Poems and Patrons." English Court Culture in the Later Middle Ages. Ed. V.J. Scattergood and J.W. Sherborne. New York: St. Martin's, 1983. 109-27. Fries, Maureen. "Besides Crisseid: Henryson's Other Women." Actes du 2e colloque de langue et de litterature ecossaises (Moyen Age et Renaissance). Univ. de Strasbourg 5-11 juillet 1978. Ed. Jean-Jacques Blanchot and Claude Graf. Strabourg: Univ. de Strasbourg, 1979. 250-67. Gray, Douglas. "'Pite for to Here? Pite for to Se': Some Scenes of Pathos in Late Medieval Literature." Proceedings of the British Academy 87 (1995): 67-99. -----. "Some Chaucerian Themes in Scottish Writers." Chaucer Traditions: Studies in Honour of Derek Brewer. Ed. Ruth Morse and Barry Windeatt. Cambridge: CUP, 1990. 81-90. Hanham, Alison and J.C. Eade. "Foxy Astrology in Henryson." Parergon 24 (1979): 25-29. Jamieson, I.W.A. "'To Preue Thare Preching Be a Poesye': Some Thoughts on Henryson's Poetics." Parergon 8 (1974): 24-36. Kindrick, Robert L. Henryson and the Medieval Arts of Rhetoric. Garland Library of Medieval Literature 8. New York: Garland, 1993. -----. "Henryson and the Rhetoricians: The Ars Praedicandi." Scottish Studies 4 (1984): 255-70. -----. "Lion or Cat: Henryson's Characterization of James III." Studies in Scottish Literature 14 (1979): 123-36. -----. "Monarchs and Monarchy in the Poetry of Henryson and Dunbar." Actes du 2e colloque de langue et de litterature ecossaises (Moyen Age et Renaissance). Univ. de Strasbourg 5-11 juillet 1978. Ed. Jean-Jacques Blanchot and Claude Graf. Strabourg: Univ. de Strasbourg, 1979. 307-25. -----. "Politics and Poetry at the Court of James III." Studies in Scottish Literature 19 (1984): 40-55. -----. Robert Henryson. Twayne's English Author Series 274. Boston: Twayne, 1979. King, Pamela M. "Chaucer, Chaucerians, and the Theme of Poetry." Chaucer and Fifteenth-Century Poetry. Ed. Julia Boffey and Janet Cowden. King's College London Medieval Studies 5. London: King's College Centre for Late Antiquity and Medieval Studies, 1991. 1-14. Kinghorn, A.M. "Death and the Makars: Timor Mortis in Scottish Poetry to 1600." English Studies 60 (1979): 2-13. Lyall, Roderick. "Complaint, Satire and Invective in Middle Scots Literature." Church, Politics, and Society: Scotland, 1408-1929. Ed. Norman MacDougall. Edinburgh: John Donald, 1983. 44-64. -----. "Henryson and Boccaccio: A Problem in the Study of Sources." Anglia 99.1-2 (1981): 38-59. MacDiarmid, Matthew P. Robert Henryson. Scottish Writers Series. Edinburgh: Scottish Academic P, 1981. Machan, Tim William. "Textual Authority and the Works of Hoccleve, Lydgate, and Henryson." Viator 23 (1992): 281-99. Rpt. in: Writing After Chaucer: Essential Readings in Chaucer and the Fifteenth Century. Ed. Daniel J. Pinti. Garland Reference Library of the Humanities 1. New York: Garland, 1998. 177-200. MacQueen, John. "From James I. to Henryson." The History of Scottish Literature, I: Origins to 1660 (Mediaeval to Renaissance). Ed. R.D.S. Jack and Cairns Craig. Aberdeen: AUP, 1988. 55-72. -----. Robert Henryson: A Study of the Major Narrative Poems. Oxford: Clarendon, 1967. MacQueen, John and Jennifer M. Brown. "The Literature of Fifteenth-Century Scotland." Scottish Society in the Fifteenth Century. Ed. Jennifer M. Brown. New York: St. Martin's, 1977. 184-208. McKenna, Steven R. Robert Henryson's Tragic Vision. American University Studies IV: English Language and Literature 171. New York: Lang, 1994. Minnis, Alastair J. "'Moral Gower' and Medieval Literary Theory." Gower's Confessio Amatis: Responses and Reassessments. Ed. Alastair J. Minnis. Woodbridge, Suff.: Brewer, 1983. 50-78. Payne, Robert O. "Late Medieval Images and Self-Images of the Poet: Chaucer, Gower, Lydgate, Henryson, Dunbar." Vernacular Poetics in the Middles Ages. Ed. Lois Ebin. Kalamazoo: Western Michigan UP, 1984. 249-61. Ramson, W.S. "'Lettres of gold written I fand': A Defense of Moral Verse." Parergon 23 (1979): 37-46. Ross, Thomas W. "Taboo-Words in Fifteenth-Century English." Fifteenth-Century Studies: Recent Essays. Ed. Robert F. Yeager. Hamden, CT: Archon, 1984. 137-60. Scheps, Walter and Anna J. Looney. Middle Scots Poets: A Reference Guide to James I of Scotland, Robert Henryson, William Dunbar, and Gavin Douglas. Reference Guides to Literature. Boston: Hall, 1986. Schrader, Richard J. "Henryson and Nominalism." Journal of Medieval and Renaissance Studies 8 (1978): 1-15. -----. "Some Backgrounds of Henryson." Studies in Scottish Literature 15 (1980): 124-38. 2 of 7 9/19/03 11:46 AM Henryson.bib.htm file:///Macintosh%20HD/Users/kellerw/Documents/Academics/12... Spearing, A.C. "Chaucerian Authority and Inheritance." Literature in Fourteenth-Century England. Ed. Piero Boitani and Anna Torti. Tuebingen: Narr; Cambridge: D.S. Brewer, 1983. 185-202. -----. Medieval to Renaissance in English Poetry. Cambridge: CUP, 1985. Strohm, Paul. "Fourteenth- and Fifteenth-Century Writers as Readers of Chaucer." Genres, Themes, and Images in English Literature from the Fourteenth to the Fifteenth Century. Ed. Piero Boitani and Anna Torti. Tuebingen: Narr, 1988. 90-104. Wood, H. Harvey. Two Scots Chaucerians: Robert Henryson, William Dunbar. Writers and Their Work 201. London: Longman, 1967. top of page The Fables Benson, C. David. "O Moral Henryson." Fifteenth-Century Studies: Recent Essays. Ed. Robert F. Yeager. Hamden, CT: Archon, 1984. 215-35. Bitterling, Klaus. "Robert Henryson, The Fables, Line 428." Notes and Queries 40 (238).1 (1993): 25-26. Bloomfield, Josephine and Marijane Osborn. "Rediscovering Henryson: An Exploration of Obstacles in Canon Formation." Bestia 1 (1989): 42-52. Bright, Philippa M. "Henryson's Figurative Technique in The Cock and the Jasp." Words and Wordsmiths: A Volume for H.L. Rogers. Ed. Geraldine Barnes et al. Sydney: Dept. of English, U of Sydney, 1989. 13-21. -----. "Medieval Concepts of the Figure and Henryson's Figurative Technique in The Fables." Studies in Scottish Literature 25 (1990): 134-53. Burrow, J.A. "Henryson: The Preaching of the Swallow." Essays in Criticism 25 (1975): 25-37. Carruthers, I. "Henryson's Use of Aristotle and Priscian in the Moral Fables." Actes du 2e colloque de langue et de litterature ecossaises (Moyen Age et Renaissance). Univ. de Strasbourg 5-11 juillet 1978. Ed. Jean-Jacques Blanchot and Claude Graf. Strabourg: Univ. de Strasbourg, 1979. 278-96. Clark, George. "Henryson and Aesop: The Fable Transformed." Journal of English Literary History 43 (1976): 1-18. Craig, T.W. "An Emendation in Henryson's Fables." Notes and Queries 16 (1969): 88-89. Ebin, I. "Henryson's Fenyeit Fabils: A Defense of Poetry." Actes du 2e colloque de langue et de litterature ecossaises (Moyen Age et Renaissance). Univ. de Strasbourg 5-11 juillet 1978. Ed. Jean-Jacques Blanchot and Claude Graf. Strabourg: Univ. de Strasbourg, 1979. 222-38. Fox, Denton. "A Scoto-Danish Stanza, Wyatt, Henryson, and The Two Mice."
Recommended publications
  • The Culture of Literature and Language in Medieval and Renaissance Scotland
    The Culture of Literature and Language in Medieval and Renaissance Scotland 15th International Conference on Medieval and Renaissance Scottish Literature and Language (ICMRSLL) University of Glasgow, Scotland, 25-28 July 2017 Draft list of speakers and abstracts Plenary Lectures: Prof. Alessandra Petrina (Università degli Studi di Padova), ‘From the Margins’ Prof. John J. McGavin (University of Southampton), ‘“Things Indifferent”? Performativity and Calderwood’s History of the Kirk’ Plenary Debate: ‘Literary Culture in Medieval and Renaissance Scotland: Perspectives and Patterns’ Speakers: Prof. Sally Mapstone (Principal and Vice-Chancellor of the University of St Andrews) and Prof. Roger Mason (University of St Andrews and President of the Scottish History Society) Plenary abstracts: Prof. Alessandra Petrina: ‘From the margins’ Sixteenth-century Scottish literature suffers from the superimposition of a European periodization that sorts ill with its historical circumstances, and from the centripetal force of the neighbouring Tudor culture. Thus, in the perception of literary historians, it is often reduced to a marginal phenomenon, that draws its force solely from its powers of receptivity and imitation. Yet, as Philip Sidney writes in his Apology for Poetry, imitation can be transformed into creative appropriation: ‘the diligent imitators of Tully and Demosthenes (most worthy to be imitated) did not so much keep Nizolian paper-books of their figures and phrases, as by attentive translation (as it were) devour them whole, and made them wholly theirs’. The often lamented marginal position of Scottish early modern literature was also the key to its insatiable exploration of continental models and its development of forms that had long exhausted their vitality in Italy or France.
    [Show full text]
  • Tradition and Transformation in the Poetry of Robert Henryson Evelyn S
    Studies in Scottish Literature Volume 18 | Issue 1 Article 4 1983 Tradition and Transformation in the Poetry of Robert Henryson Evelyn S. Newlyn Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Newlyn, Evelyn S. (1983) "Tradition and Transformation in the Poetry of Robert Henryson," Studies in Scottish Literature: Vol. 18: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol18/iss1/4 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Evelyn S. Newlyn Tradition and Transformation in the Poetry of Robert Henryson The predilection in the Middle Ages for a rigid structuring of reality appears in every aspect of medieval culture, including medieval poetry; poetic conventions exerted, in fact, an al­ most prescriptive power over the poet, so that one important measure of the truly distinctive medieval poem is its ability to transcend the limitations of traditional forms and sub­ jects. This ability to transform conventional poetic modes and themes is, for example, one of the principal bases of Chaucer's creative genius. Although Chaucer influenced very considerably the poetry which appeared in the century after his death, paradoxically that influence worked merely to pro­ vide a newer sort of prescription as poets frequently attempt­ ed not to emulate Chaucer's inventiveness in using tradition, but instead to mimic his very forms, subjects, and treatments.
    [Show full text]
  • The Dit Amoureux and the Makars: an Essay on the Kingis Quair and the Testament of Cresseid
    The dit amoureux and the Makars: An Essay on The Kingis Quair and The Testament of Cresseid William Calin Although less pervasive in Scotland than in England, and with major Scottish writ- ing coming under a strong English influence, French maintained its presence and its seminal impact on literature in the Scots vernacular, in both the Middle Ages and the Renaissance.1 This is especially true for what is, arguably, the most important single genre in late medieval Scotland, high courtly narrative — what C. S. Lewis called the allegory of love. Late medieval Scottish poetry can benefit from renewed scrutiny in light of the analogous French tradition of the dit amoureux (tale of love). In this article, I hope to situate Scottish books in a larger intertextual context, one that is international and European. Instead of the microanalysis of Scots texts and their French sources, this essay is concerned primarily with the broader issues of genre, mode, structure, and style. The first two major tales of love in the grand manner in Scots are The Kingis Quair, attributed to James Stewart (King James I), and The Tes- tament of Cresseid by Robert Henryson. These two poems relate to Chaucer, of course, but also to well-known works by Guillaume de Machaut, Jean Froissart, and, in Hen- ryson’s case, Alain Chartier. They are admirable test cases demonstrating how greater attention to the French can help situate James’s and Henryson’s texts in their cul- tural milieu and also help account for their extraordinary complexity and maturity as works of art.
    [Show full text]
  • Robert Henryson and the Roots of Reformation Robert L
    Studies in Scottish Literature Volume 35 | Issue 1 Article 22 2007 Robert Henryson and the Roots of Reformation Robert L. Kindrick Wichita State University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kindrick, Robert L. (2007) "Robert Henryson and the Roots of Reformation," Studies in Scottish Literature: Vol. 35: Iss. 1, 295–306. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/22 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Robert L. Kindrick Robert Henryson and the Roots of Reformation It has lately become a truism to attack the notion of "Reformation" as a single event in history occurring at multiple geographic locations at different times. 1 As an example of the earlier tradition, note the comments of Augustus Welby Pugin: The so-called Reformation is now regarded by many men of learning and of unprejudiced minds as a dreadful scourge, permitted by divine Providence in punishment for its decayed faith; and those by whom it was carried on are now con­ sidered in the true light of Church plunderers and crafty political intriguers, instead of holy martyrs and modem apostles. It is, indeed, almost impossible for any sin­ cere person to see all episcopal and ecclesiastical power completely controlled at the pleasure of a lay tribunal, without condenming the men who originally betrayed the Church, and feeling that in our present divided and distracted state, consequent on the Reformation, we are suffering severely for the sins of our fathers.
    [Show full text]
  • The Fables of Robert Henryson
    Mary Rowlands THE FABLES OF ROBERT HENRYSON MASTERROBERT HENRYSON BEGAN MAKING pointed comments in verse on Scottish society during the latter part of the reign of James 111, and continued to do so through the early part of the reign of James IV - from about 1450 to 1500. Henryson is perhaps best remembered as the author of that charming pastoral, Robene and Mukyne, and of The Testament of Cresseid, a continuation of Chaucer's Troilus and Criseyde, but the most interesting portion of his writings is a collection of medieval beast fables called The Morall Fabillis of Esope the Phrygian. The poet claimed this to be a translation from Latin of Aesop's fables, but it is really a gener- ous drawing from the mass of popular medieval literature. It is invaluable to the historian in that it is a commentary on Scottish life and affairs by an observant and fair-minded contemporary. Although the tales themselves are not Henryson's invention, his skilful pen has given life to the familiar beasts of medieval fable. Vividly clear, they are drawn with sympathy and understanding, revealing in the poet a shrewd knowledge of human nature and a keen sense of humour. Among them we find beasts such as that unprincipled rogue, the wolf, clothed upon occasion in the habit of a friar with "paill pietious face"; and his hungry partner in crime, Lowrence the Fox, leering at Chante- cleir as he declares with fervent admiration, 'Quhen I behald your ffedderis ffair and gent, Your beik, your breist, your hekill, and your kame, Schir, be my Saull, and the blissit Sacrament, My hart is warme.'l The period during which the fables were written was an exciting one in Scot- tish history, for although it stands in the Middle Ages, it saw the early stirrings of those great upheavals, the Renaissance and the Protestant Reformation.
    [Show full text]
  • A History of English Literature MICHAEL ALEXANDER
    A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting
    [Show full text]
  • The Human Presence in Robert Henryson's Fables and William Caxton's the History of Reynard the Fox
    Good, Julian Russell Peter (2012) The human presence in Robert Henryson's Fables and William Caxton's The History of Reynard the Fox. PhD thesis. http://theses.gla.ac.uk/3290/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE HUMAN PRESENCE IN ROBERT HENRYSON’S FABLES AND WILLIAM CAXTON’S THE HISTORY OF REYNARD THE FOX Dr. Julian Russell Peter Good Submitted for the degree of Ph.D. Department of Scottish Literature College of Arts University of Glasgow © Dr. Julian R.P. Good. March 2012 ABSTRACT This study is a comparison of the human presence in the text of Robert Henryson’s Fables1, and that of William Caxton’s 1481 edition of The History of Reynard the Fox (Blake:1970). The individual examples of Henryson’s Fables looked at are those that may be called the ‘Reynardian’ fables (Mann:2009); these are The Cock and the Fox; The Fox and the Wolf; The Trial of the Fox; The Fox, the Wolf, and the Cadger, and The Fox, the Wolf, and the Husbandman.2 These fables were selected to provide a parallel focus, through the main protagonists and sources, with the text of The History of Reynard the Fox.
    [Show full text]
  • Renaissance Texts, Medieval Subjectivities: Vernacular Genealogies of English Petrarchism from Wyatt to Wroth
    Renaissance Texts, Medieval Subjectivities: Vernacular Genealogies of English Petrarchism from Wyatt to Wroth by Danila A. Sokolov A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada 2012 © Danila A. Sokolov 2012 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation investigates the symbolic presence of medieval forms of textual selfhood in early modern English Petrarchan poetry. Seeking to problematize the notion of Petrarchism as a Ren- aissance discourse par excellence, as a radical departure from the medieval past marking the birth of the modern poetic voice, the thesis undertakes a systematic re-reading of a significant body of early modern English Petrarchan texts through the prism of late medieval English poetry. I argue that me- dieval poetic texts inscribe in the vernacular literary imaginary (i.e. a repository of discursive forms and identities available to early modern writers through antecedent and contemporaneous literary ut- terances) a network of recognizable and iterable discursive structures and associated subject posi- tions; and that various linguistic and ideological traces of these medieval discourses and selves can be discovered in early modern English Petrarchism. Methodologically, the dissertation’s engagement with poetic texts across the lines of periodization is at once genealogical and hermeneutic. The prin- cipal objective of the dissertation is to uncover a vernacular history behind the subjects of early mod- ern English Petrarchan poems and sonnet sequences.
    [Show full text]
  • A Reading of Robert Henryson's "Testament of Cresseid"
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1976 A Reading of Robert Henryson's "Testament of Cresseid" Craig McDonald College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation McDonald, Craig, "A Reading of Robert Henryson's "Testament of Cresseid"" (1976). Dissertations, Theses, and Masters Projects. Paper 1539624940. https://dx.doi.org/doi:10.21220/s2-wb2j-aq14 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A READING OF ROBERT HENRYSON'S TESTAMENT OF CRESSEID w A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by j p U Craig McDonald 1976 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Craig McDonald Approved, May 1976 UJ, (LfrvJUjL-. W* Conlee S’ € £ £ L Charles E* Dai'idson ft-, 1 5 5 ^ Frank B* Evans, III 6 4 5952 ii ACKNOWLEDGEMENTS I wish to express my appreciation to my thesis advisor Dr* John W* Conlee for his suggestions and criticisms in the preparation of this paper* iii ABSTRACT An interpretation of Robert Henryson's Testament of Cresseid must take into account three aspects of the poems the role of the narrator, the character of Cresseid, and the nature and function of the planet-gods.
    [Show full text]
  • Pastoral Poetry of the English Renaissance Religious
    Introduction Pastoral is one of the few literary modes whose genesis can be clearly traced. While poems reworking pristine rustic experience might have existed earlier, the pastoral mode as now recognized originated with the Greek poet Theocritus in the third century BCE. More correctly put, Theocritus provided a model that others followed to create the mode. There were few ‘others’ in Hellenistic Greece. A handful of poems, only one or two authentically pastoral, have been ascribed (often doubtfully) to two poets, Bion and Moschus. Of Theocritus’ own thirty idylls (‘little pictures’ or ‘sketches’, often of doubtful authorship), only twelve are pastoral. What set the seal on the mode was its adoption by Virgil in the first century BCE, in ten poems sometimes closely imitating Theocritus. These selections (eclogae) from his early work have lent the name ‘eclogue’ to the typical pastoral poem of moderate length and varied subject-matter, often incor- porating an inset song or song-contest. Virgil too had few followers in classical times – only two minor poets, Calpurnius and Nemesianus. But his immense stature as the pre-eminent Latin poet, continuing through the Middle Ages and the Renaissance, set before every aspiring poet the career-pattern of the ‘Virgilian cycle’, moving from pastoral to didactic poems on farming (the Georgics) and finally to martial and courtly epic in the Aeneid. This was also held to reflect the course of human civilization. From the late Middle Ages, the Virgilian eclogue became a dominant poetic genre. There was another reason for this. Theocritus’ idylls had presented, if in somewhat idealized and sometimes mythicized form, the life of actual shepherds in Cos and Sicily.
    [Show full text]
  • July 2019 John M. Ganim Vita Page 1
    July 2019 John M. Ganim Vita Page 1 VITA JOHN MICHAEL GANIM ADDRESS: Department of English University of California Riverside, CA 92521 Phone: (951) 827-1540 Electronic Mail: [email protected] FAX: (951) 827-3967 EDUCATION: B.A. Rutgers, 1967, magna cum laude M.A., Indiana University, 1969 Ph.D., Indiana University, 1974 ACADEMIC POSITION: Distinguished Professor of English (2014-present) Professor of English, University of California, Riverside (1988-2014) Associate Professor of English, University of California, Riverside (1982-1988) Assistant Professor of English, University of California, Riverside (1977-1981) Lecturer to Assistant Professor of English, University of California, Riverside (1974- 1977) GRANTS, HONORS AND AWARDS: President, New Chaucer Society, 2006-2008 President, Pacific Ancient and Modern Language Association, 2015-16 Vice President, Pacific Ancient and Modern Language Association, 2013-15 Fellow, John Simon Guggenheim, Jr. Memorial Foundation, 2001-2002 Distinguished Humanist Research Lecture Award, College of Humanities, Arts and So- cial Sciences, University of California, Riverside 2013-14 Member, Phi Beta Kappa Member, Weehawken Academic Hall of Fame Recipient, Junior Faculty Award, Center for Medieval and Renaissance Studies, 1977. Fellow, Humanities Institute, 1978 Fellow, Center for Ideas and Society, Spring 1991 Coordinator, Focussed Research Project on Architecture, Urbanism and Theory, Center for Ideas and Society and University of California Humanities Research Initiative, 1995- 1997. International Associate,
    [Show full text]
  • Medieval Scottish Poetry - British and Irish Literature - Oxford Bibliographies
    10/23/2017 Medieval Scottish Poetry - British and Irish Literature - Oxford Bibliographies Medieval Scottish Poetry Nicola Royan LAST MODIFIED: 27 SEPTEMBER 2017 DOI: 10.1093/OBO/9780199846719-0129 Introduction In the title “Medieval Scottish Poetry,” “poetry” is by far the least contentious term. The other two may each be defined in many different and incompatible ways, and together they pose different challenges. “Scottish” may refer to the geography, rather than to one specific language, while “medieval” can extend in Scottish contexts further into the 16th century than is usual in British or English accounts. This article will focus primarily on poetry written in Older Scots, between 1350 and 1513, but it will also gesture toward Scottish poetry in other languages, primarily Gaelic, and poetry written or transmitted before or after those dates. Most evidence for this poetry comes from the southeastern half of the country: poets can be associated with Moray, Aberdeen, Fife, Edinburgh and the Borders, and Ayrshire. Although some material is associated with the court, at least as much is associated with noble families. It is rare to find contemporary manuscripts for the poetry, for the main witnesses for many texts are 16th-century prints and miscellanies, such as the Asloan and Bannatyne Manuscripts. This suggests that the poetry retained its cultural value well into the early modern period and beyond. The earliest Older Scots poem surviving is John Barbour’s the Bruce, dated c. 1375, It narrates the exploits of Robert I and James Douglas during the First War of Independence (1295– 1314) for the benefit of the heroes’ descendants, Robert II and Archibald Douglas.
    [Show full text]