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Making Magic with Murray an Interview with the Illustrious Illustrator, Murray Tinkelman
designer The Official Publication of the University & College Designers Association / Vol. 32, No. 2 Making Magic with Murray An Interview with the Illustrious Illustrator, Murray Tinkelman 1 INSPIRATION Recently at New Jersey City University (NJCU) we were afforded the rare privilege of hosting a remarkable illustration show called The Artist and the Baseball Card curated by Illustration legend Murray Tinkelman. NJCU illustration faculty member, and illustrator of the baseball card Catfish Hunter, Dennis Dittrich introduced his long time friend, professor, and mentor by saying: “When someone reaches a point—and very few people do—but when someone reaches a point in their field where they are absolutely peerless—where whatever that person does cannot be duplicated, imitated, or replicated—they can go by one name. Prince. MacGyver. Santa. in my everyday work. I am even comfortable in the Above: Murray role of teaching those very same principles. I have Tinkelman with NJCU And in illustration circles it’s Murray. Go to any my degree in studio art with an emphasis in graphic illustration faculty illustration department, in just about any art school design, and therefore was taught an overview of member Dennis or university in the country, and you say: “Did visual arts with a broad brush stroke, and although Dittrich and Ella Rue. you work with Murray?” Nobody says: “Murray I can draw, and I can paint, I honed my skills in the who?”. (Nobody says: “Santa who?”) It’s just that area of design. I am fully confident in my ability Below: Mac Baldrige, everybody knows who he is. -
Annual Report 2O11–2O12
annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires. -
Les Livres D'harlin Quist Et François Ruy-Vidal
Les livres d’Harlin Quist et François Ruy-Vidal Catalogue bibliographique (1964-2003) Chez les libraires associés / Librairie Michèle Noret 2013 Couverture : N. Claveloux, original de la couverture des Contes n°4 de Ionesco (1976)* Ci-dessus : originaux de Couratin pour Les méfaits du tabac (1977)* et de Claveloux pour pour L’enfant de Gertrude (1974)* Les livres d’Harlin Quist et de François Ruy-Vidal (1964-2003) Catalogue bibliographique Exposition du 29 janvier au 2 mars 2013 3 rue Pierre l’Ermite - 75018 Paris (ouvert du mardi au samedi, 14-19 h, et sur rdv) Chez les libraires associés Librairie Michèle Noret Alban Caussé, Jacques Desse, 30 boulevard Exelmans Thibaut Brunessaux et Nicolas Codron 75016 Paris 3 rue Pierre l’Ermite - 75018 Paris 06 86 34 30 79 - [email protected] 01 42 57 20 24 - [email protected] www.michelenoret.com http://chezleslibrairesassocies.blogspot.com Sur rendez-vous Sommaire : - Repères bibliographiques - Introduction - Catalogues de l’éditeur - Albums, dans l’ordre chronologique - Index biographique des auteurs et illustrateurs Note sur le catalogue : Ce catalogue présente l’inventaire le plus complet et le plus précis possible des livres édités par Harlin Quist et François Ruy-Vidal (plus de 350 entrées). Il tente également d’inventorier les variantes d’édition, parfois surprenantes, en particulier entre les éditions françaises et américaines. Des titres que nous n’avons pu nous procurer sont décrits sommairement, sans illustration. Les autres sont exposés et en vente, de même que de nombreux dessins originaux (les dessins signalés par un * sont en vente). - Claude-Anne Parmegiani, "Pourquoi les livres d'images ont cessé d'être sages", in Revue des livres pour enfants, n° 163, été 1995, p. -
Low Residency MFA in Illustration
LOW RESIDENCY APPLICATION PROCESS & PORTFOLIO REQUIREMENTS DEADLINES & DATES Admission into the MFA Illustration program occurs on a rolling » Contact Shayna Cochefski, Program Manager at basis. Applications will be considered until the year’s cohort of 20 MFA IN ILLUSTRATION [email protected] to submit your initial inquiry. for the start of the summer semester is full, with a priority deadline Please include a link to your online portfolio/website of January 14. or an attachment containing at least 10 of your best commissioned and reproduced illustrations as MERIT SCHOLARSHIPS your portfolio. Some partial tuition scholarships are available for entering candidates. The awarding of scholarships is determined by » There will be a follow-up phone interview with the Illustration Committee and is based purely on the merit of Chris Payne, Program Director. professional work. Portfolios are reviewed prior to May 1 and » Upon the acceptance of your portfolio, complete the students are notified of awards by June 1. online application and submit your $50 application fee GRADUATE PRESIDENTIAL FELLOWSHIPS at hartford.edu/gradapp The goal of this merit-based program is to recruit the very best » Please request that one ofcial copy of your transcript applicants to the University’s graduate programs. The award from any college and/or postsecondary institution you defrays 25% of the student’s annual tuition, up to $5,000, for attended be forwarded to: each of the first two years after matriculation and is paid directly to the student’s Bursar’s account. No extensions of the award Center for Graduate and Adult Academic Services beyond two years are possible. -
Evaluating Illustration Aesthetically Points for Consideration for Those New to the Field
Evaluating Illustration Aesthetically Points for consideration for those new to the field By Jaleen Grove Image promoting illustration, from The Russell Patterson Course: The Last Word in Humorous Illustration, circa 1924. In recent years art historians have of early modern commerce, so too can themselves kept the memory of their been questioning the twentieth the commercial art of the high modern- star artists alive by saving their friends’ ist period be seen as a fascinating record estates, instituting History of Illustration century taboo against acknowl- of changing lifestyles and values. classes in their own art classes when Art edging the aesthetic attributes of History departments refused to offer it, illustration. People who have developed their ap- and establishing their own archives and preciation of fine art over a long period, museums at places like the 100-year-old As the theorization of visual culture has perhaps beginning before visual culture Society of Illustrators in New York. These progressed, the reticence to appreciate was a trendy catchphrase, may not have insiders have created semi-private net- drawings and paintings made for maga- ever looked at illustration art with pro- works and built impressive collections zines, advertisements, books and ephem- fessional understanding or detachment. that have recently begun to tour major era is increasingly being seen as symp- First, illustration really is out to get you museums. The 2001 Norman Rockwell tomatic of a historical moment, now (that’s why it’s interesting) and so it’s nat- retrospective at the Guggenheim nec- passing. That moment can be character- ural that a thinking person should view essarily had to draw from many private ized as when “fine art” was staking out it with suspicion. -
Robert Silverberg Market Paperback Companies, and I’Ve Known and Dealt with Virtually Every Editor Who Other Spaces, Other Times Played a Role in That Evolution
$29.95 “IN THE COURSE of my six decades of writing, I’ve witnessed the transition of science- other times other spaces, fiction publishing from being a pulp-magazine-centered field to one dominated by mass- Robert Silverberg market paperback companies, and I’ve known and dealt with virtually every editor who other spaces, other times played a role in that evolution. For much of that time I was close to the center of the field as writer and sometimes as editor, not only deeply involved in its commercial mutations but also privy to all the personal and professional gossip that it generated.All that special knowledge has left me with a sense of my responsibility to the field’s historians. I was there, I did this and did that, I worked with this great editor and that one, I knew all but a handful of the major writers on a first-name basis, and all of that will be lost if I don’t make some sort of record of it.Therefore it behooves me to set down an account of those experiences for those who will find them of value.” — From Silverberg’s introduction ROBERT SILVERBERG is one of the most important American science fiction writers of the 20th century. He rose to prominence during the 1950s at the end the pulp era and the dawning of a more sophisticated kind of science fiction. One of the most prolif- ic of writers, early on he would routinely crank out a story a day. By the late 1960s he was one of the small group of writers using science fiction as an art form and turning out award-winning stories and novels. -
Setting a Standard in LDS Art: Four Illustrators of the Mid- Twentieth Century
BYU Studies Quarterly Volume 44 Issue 2 Article 3 4-1-2005 Setting a Standard in LDS Art: Four Illustrators of the Mid- Twentieth Century Robert T. Barrett Susan Easton Black Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Barrett, Robert T. and Black, Susan Easton (2005) "Setting a Standard in LDS Art: Four Illustrators of the Mid-Twentieth Century," BYU Studies Quarterly: Vol. 44 : Iss. 2 , Article 3. Available at: https://scholarsarchive.byu.edu/byusq/vol44/iss2/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Barrett and Black: Setting a Standard in LDS Art: Four Illustrators of the Mid-Twent Harry Anderson, The Second Coming. Although Church members will likely recognize this painting and other works of art discussed in this article, they may not be familiar with the artists who created them. Published by BYU ScholarsArchive, 2005 1 BYU Studies Quarterly, Vol. 44, Iss. 2 [2005], Art. 3 Setting a Standard in LDS Art Four Illustrators of the Mid-Twentieth Century Robert T. Barrett and Susan Easton Black rints of paintings of Christ and other people from the scriptures and PChurch history are displayed in Latter-day Saint meetinghouses, visi tors' centers, and temples throughout the world and are used in Church magazines and manuals. Many of these artworks were created in the 1950s and 1960s by American illustrators Arnold Friberg, Harry Anderson, Tom Lovell, and Ken Riley. -
New Britain Museum of American Art Annual Report
New Britain Museum of American Art Annual Report 2013–2014 CHAIRMAN'S AND CONTENTS DIRECTOR'S REPORT 3 CHAIRMAN'S AND DIRECTOR’S REPORT A year of almost explosive activity including over 15 exhibitions visitors by specially conceived tours. The M.A.D. (Museum and 1,286 programs, culminated in the May 12th groundbreaking After Dark) quarterly celebrations are attended by thousands of 6 THE COLLECTION on the Museum’s new 17,346 sq. ft. addition. In the year, our participants in their twenties and thirties. Whereas the average attendance grew to a record 96,880 visitors. We purchased and age of our visitors was previously in their late fifties, with the 48 EXHIBITIONS AND INSTALLATIONS were given 555 paintings, sculptures, works on paper, videos, expanded preschool programs, high school inducements, and and photographs. In summary, by all yard sticks it was a banner M.A.D., we are very proud to announce that our audience is 50 MUSEUM PUBLICATIONS year, especially when you realize we concluded the year $30,958 dramatically younger. Furthermore, with the support of the better than the approved budget and raised $5.3 million towards American Savings Foundation, the free Saturday morning 53 EDUCATION AND PUBLIC PROGRAMS the expansion effort. A full listing of acquisitions, exhibitions, admissions have proven most popular and many thousands of programming, and financials are included elsewhere in this report. families with children take advantage of the opportunity to come 60 COMMUNITY PROGRAMMING AND THE VISITOR EXPERIENCE to the Museum without charge. In October 2013, after two years of decisive leadership, John 64 FINANCE/DEVELOPMENT/VISITOR SERVICES Rathgeber passed the gavel to Todd Stitzer and as chairman Todd We especially want to commend Claudia Thesing and the entire has proven to be both most generous and forceful. -
Harry Anderson, the Second Coming. Although
Courtesy Visual Resources Library © Intellectual Reserve, Inc. Harry Anderson, The Second Coming. Although Church members will likely recognize this painting and other works of art discussed in this article, they may not be familiar with the artists who created them. Setting a Standard in LDS Art Four Illustrators of the Mid-Twentieth Century Robert T. Barrett and Susan Easton Black rints of paintings of Christ and other people from the scriptures and PChurch history are displayed in Latter-day Saint meetinghouses, visi- tors’ centers, and temples throughout the world and are used in Church magazines and manuals. Many of these artworks were created in the 1950s and 1960s by American illustrators Arnold Friberg, Harry Anderson, Tom Lovell, and Ken Riley. While the religious works of these illustrators are familiar, less known are the career paths these artists took and the other works of art they created. This article aims to acquaint the reader with the lives of these illustrators and the circumstances surrounding their artwork commissioned by The Church of Jesus Christ of Latter-day Saints. Friberg, Anderson, Lovell, and Riley earned their reputations in the heyday of the national magazines Saturday Evening Post, Collier’s, McCalls, Liberty, Good Housekeeping, and Ladies’ Home Journal. These artists are a product of the golden age of illustration, a period from the 1880s to the 1930s1 which saw unprecedented growth in commercial art. Many talented artists in America were attracted to the field of illustration, and they competed for the chance to paint a page or cover for nationally distributed magazines. Whether the magazines featured factual articles, romantic stories, adventurous yarns, or murder mysteries, the illustrator was expected to interpret the text and work within limitations and deadlines.2 The variety and sheer volume of paintings in these magazines advanced the artists’ careers. -
Annual Report Fiscal Years 2014 & 2015
annual report fiscal years 2014 & 2015 PB 1 sharing, caring & connecting: fy15 accomplishments director’s report 5 6 sharing through pictures connecting learners 10 caring & preserving 12 growing through your support 14 exhibitions 18 Students petition for Rockwell! measures of success 20 Edward A. Reynolds West Side High School students from N.Y.C. visit NRM after a year- financial report long effort to petition the City of New York 22 to add a secondary street sign at 103rd Street, for Norman Rockwell’s birthplace. 24 acquisitions 30 art loans & lenders contributors & donors 32 staff 36 2 3 BOARd Of trusteeS OffiCeRS Robert Horvath, Chairman Alice Carter, President Jamie Williamson, 1st Vice President John V. Frank, Treasurer Peter Chase Williams, Clerk director’s report TRUSTeeS Brian J. Alberg Norman Rockwell Museum is both an art museum and a center for academic research in Dolf Berle the ever-popular field of American illustration art, the people’s art. What we do is unique Stephen Boyd among museums: sharing, caring and connecting Norman Rockwell’s legacy and the Ruby Bridges Alexander F. Brown art of visual storytelling, with the world. People of all ages and backgrounds express joy Anthony Consigli when visiting our Stockbridge Museum and its beautiful, nature-filled campus. Learners Walter & Mary Jo Engels Mary K. Grant, Ph. D. create meaning in their lives by connecting the images they see in our galleries with their Johnny Haney own stories and experience empathy for others. We create community and inspire civic William Hargreaves engagement wherever people experience Norman Rockwell’s art. -
MES Book List Report Generated on 5/27/2021 9:46 AM
MES Book List Report generated on 5/27/2021 9:46 AM Title/Subtitle Author Publication Year 1-2-3 draw cartoon faces : a step-by-step guide Barr, Steve, 1958- 2002 1-2-3 draw cartoon people : a step-by-step guide Barr, Steve, 1958- 2002 1-2-3 draw dinosaurs and other prehistoric Levin, Freddie. 2001 animals 1,000 miles in 12 days : pro cyclists on tour Hautzig, David. 1995 1,001 facts about dinosaurs Clark, Neil. 2002 1,001 facts about sharks Pope, Joyce. 2002 3-D ABC : a sculptural alpHabet Raczka, Bob. 2007 The 3 little dassies Brett, Jan, 1949- 2010 4 x 4 trucks Von Finn, Denny. 2009 5-minute Disney Pixar stories. 2012 5 nice mice Westerlund, Kate. 2007 The 6tH grade nickname game Korman, Gordon. 1998 7 x 9 = trouble! Mills, Claudia. 2002 8 class pets + one squirrel [divided by] one dog = Vande Velde, Vivian. 2012 chaos 9 from the Nine Worlds Riordan, Rick. 2018 10 little rubber ducks Carle, Eric. 2005 10 minutes till bedtime RatHmann, Peggy. 1998 13 American artists children should know Finger, Brad. 2010 The 13-story treeHouse GriffitHs, Andy, 1961- 2013 13 treasures Harrison, MicHelle, 1979- 2010 14 cows for America Deedy, Carmen Agra. 2009 The 14 fibs of Gregory K. Pincus, Gregory K. 2013 15 minutes Young, Steve, 1947- 2006 17 kings and 42 elephants MaHy, Margaret. 1987 21 : [the story of Roberto Clemente : a graphic Santiago, Wilfred. 2011 novel] 26 letters and 99 cents Hoban, Tana. 1987 The 26-story treeHouse GriffitHs, Andy, 1961- 2014 The 39 clues, book 1 : The maze of bones Riordan, Rick. -
Pin-Up & Glamour Art Pioneer
BERNIE WRIGHTSON THE MERCURY 7 URSULA ANDRESS SUmmeR / FALL 2009 $9.95 MAGAZINE FOR THE INTELLIGENT COLLECTOR PIN-UP & GLAMOUR ART PIONEER How Charles Martignette amassed the finest collection of American illustration art ever to be offered at public auction Lobby Living Room Luxe Accommodations The French Room 1321 Commerce Street ▪ Dallas, Texas 75202 Phone: 214.742.8200 ▪ Fax: 214.651.3588 ▪ Reservations: 800.221.9083 HotelAdolphus.com CONTENTS HIGHLIGHTS GLAMOUR ART PIONEER For decades, Charles Martignette 32 scoured the country amassing the finest collection of American illustration art ever to be offered at public auction COVER MASTER Storm Thorgerson and Hipgnosis 52 designed images synonymous with some of the most famous rock recordings of all time IN EVERY ISSUE 6 Staff & Contributors 8 Auction Calendar 10 Looking Back … 12 Auction News 65 Events Calendar 66 Experts 67 Consignment Deadlines On the cover: A Polished Performance, 1964, by Gil Elvgren from the Estate of Charles Martignette, featured in Glamour & Pop Art Signature® Auction #7015. Estimate: $30,000-$40,000 Bobby Jones (1902-1971) Signed Photograph, detail Estimate: $8,000-$10,000 Sports Memorabilia Signature® Auction #717 (page 50) HERITAGE MAGAZINE — SUMMER/FALL 2009 3 CONTENTS TREAsures 14 NATURAL HISTORY: Nearly intact saber‑tooth fossil found near Los Angeles’ famed La Brea Tar Pits 16 WORLD COINS: 1770 Pillar Dollar from Colombia’s Nuevo Reino mint not previously known 18 MOVIE POSTERS: Freaks insert from original 1932 release is one of hobby’s greatest rarities