BYU Studies Quarterly Volume 44 Issue 2 Article 3 4-1-2005 Setting a Standard in LDS Art: Four Illustrators of the Mid- Twentieth Century Robert T. Barrett Susan Easton Black Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Barrett, Robert T. and Black, Susan Easton (2005) "Setting a Standard in LDS Art: Four Illustrators of the Mid-Twentieth Century," BYU Studies Quarterly: Vol. 44 : Iss. 2 , Article 3. Available at: https://scholarsarchive.byu.edu/byusq/vol44/iss2/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact
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[email protected]. Barrett and Black: Setting a Standard in LDS Art: Four Illustrators of the Mid-Twent Harry Anderson, The Second Coming. Although Church members will likely recognize this painting and other works of art discussed in this article, they may not be familiar with the artists who created them. Published by BYU ScholarsArchive, 2005 1 BYU Studies Quarterly, Vol. 44, Iss. 2 [2005], Art. 3 Setting a Standard in LDS Art Four Illustrators of the Mid-Twentieth Century Robert T. Barrett and Susan Easton Black rints of paintings of Christ and other people from the scriptures and PChurch history are displayed in Latter-day Saint meetinghouses, visi tors' centers, and temples throughout the world and are used in Church magazines and manuals. Many of these artworks were created in the 1950s and 1960s by American illustrators Arnold Friberg, Harry Anderson, Tom Lovell, and Ken Riley.