Camille Turner CV Sept 7 2020
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Curriculum Vitae
Cole Swanson | Curriculum Vitae Education University of Toronto Masters of Art, Art History 2013 University of Guelph Bachelor of Arts, Honours: Studio Art 2004 Solo & Dual Exhibitions Spadina House Museum, Toronto Research Project and Solo Exhibition – TBA (forthcoming) 2020 Hamilton Artist Inc, Cannon Gallery, Hamilton Devil’s Colony (forthcoming) 2019 Rajasthan Lalit Kala Academy, Jaipur The Furrow, The Froth 2018 The Open Space Society, Jaipur िमटटी िसटी | Mitti City 2018 Unilever Factory & Design Exchange, Toronto Muzzle and Hoof, Horn and Bone 2017 Expo for Design, Innovation, and Technology Casa Na Ilha, Ilhabela, Brazil Lecanora Muralis 2017 Art Gallery of Guelph, Guelph Out of the Strong, Something Sweet 2016 Jawahar Kala Kendra, Jaipur, India Red Earth 2014 Museum of Northern History, Kirkland Lake Monuments & Melodramas 2012 Le Gallery, Toronto Next Exit (with Jennie Suddick) 2011 Ministry of Casual Living, Victoria, BC Mile Zero (with Jennie Suddick) 2011 Jawahar Kala Kendra, Jaipur, India of a feather 2007 Zero Four Art Space, Chung Li, Taiwan of a feather 2006 The Canadian Trade Office, Taipei, Taiwan of a feather 2006 Stirred a Bird Gallery, Guelph everybody in Flamingo 2005 Zavitz Hall Gallery, Guelph Shauchaalaya/Latrine 2003 Selected Group Exhibitions 2020 The Reach Glimmers of the Radiant Real (Forthcoming) Abbottsford, BC 2019 McIntosh Gallery, University of Western Ontario Glimmers of the Radiant Real (Forthcoming) London Gladstone Hotel Come Up to My Room, Terraflora (Solo) Toronto 2018 Paul Petro Contemporary Art -
Financial Reporting and Is Ultimately Responsible for Reviewing and Approving the Financial Statements
Treasury Board Secretariat ANNUAL REPORT OF ONTARIO Financial Statements of Government Organizations VOLUME 2B | 2015-2016 7$%/( 2)&217(176 9ROXPH% 3DJH *HQHUDO 5HVSRQVLEOH0LQLVWU\IRU*RYHUQPHQW$JHQFLHV LL $*XLGHWRWKHAnnual Report .. LY ),1$1&,$/ 67$7(0(176 6HFWLRQ ņ*RYHUQPHQW 2UJDQL]DWLRQV± &RQW¶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
Queer(Y)Ing Quaintness: Destabilizing Atlantic Canadian Identity Through Its Theatre
QUEER(Y)ING QUAINTNESS: DESTABILIZING ATLANTIC CANADIAN IDENTITY THROUGH ITS THEATRE LUKE BROWN Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Master of Arts degree in Theatre Theory & Dramaturgy Department of Theatre Faculty of Graduate Studies University of Ottawa © Luke Brown, Ottawa, Canada, 2019 Brown ii Abstract The Atlantic Canadian provinces (Newfoundland, New Brunswick, Prince Edward Island, and Nova Scotia) have long been associated with agricultural romanticism. Economically and culturally entrenched in a stereotype of quaintness (Anne of Green Gables is just one of many examples), the region continuously falls into a cycle of inferiority. In this thesis, I argue that queer theory can be infused into performance analysis to better situate local theatre practice as a site of mobilization. Using terms and concepts from queer geographers and other scholars, particularly those who address capitalism (Gibson-Graham, Massey), this research outlines a methodology of performance analysis that looks through a queer lens in order to destabilize normative assumptions about Atlantic Canada. Three contemporary performances are studied in detail: Christian Barry, Ben Caplan, and Hannah Moscovitch's Old Stock: A Refugee Love Story, Ryan Griffith's The Boat, and Xavier Gould‘s digital personality ―Jass-Sainte Bourque‖. Combining Ric Knowles' "dramaturgy of the perverse" (The Theatre of Form 1999) with Sara Ahmed's "queer phenomenology" (Queer Phenomenology 2006) allows for a thorough queer analysis of these three performances. I argue that such an approach positions new Atlantic Canadian performances and dramaturgies as sites of aesthetic and semantic disorientation. Building on Jill Dolan's "utopian performatives" (Utopia in Performance 2005), wherein the audiences experience a collective "lifting above" of normative dramaturgical structures, my use of "queer phenomenology" fosters a plurality of unique perspectives. -
Placenaming on Cape Breton Island 381 a Different View from The
Placenaming on Cape Breton Island A different view from the sea: placenaming on Cape Breton Island William Davey Cape Breton University Sydney NS Canada [email protected] ABSTRACT : George Story’s paper A view from the sea: Newfoundland place-naming suggests that there are other, complementary methods of collection and analysis than those used by his colleague E. R. Seary. Story examines the wealth of material found in travel accounts and the knowledge of fishers. This paper takes a different view from the sea as it considers the development of Cape Breton placenames using cartographic evidence from several influential historic maps from 1632 to 1878. The paper’s focus is on the shift names that were first given to water and coastal features and later shifted to designate settlements. As the seasonal fishing stations became permanent settlements, these new communities retained the names originally given to water and coastal features, so, for example, Glace Bay names a town and bay. By the 1870s, shift names account for a little more than 80% of the community names recorded on the Cape Breton county maps in the Atlas of the Maritime Provinces . Other patterns of naming also reflect a view from the sea. Landmarks and boundary markers appear on early maps and are consistently repeated, and perimeter naming occurs along the seacoasts, lakes, and rivers. This view from the sea is a distinctive quality of the island’s names. Keywords: Canada, Cape Breton, historical cartography, island toponymy, placenames © 2016 – Institute of Island Studies, University of Prince Edward Island, Canada Introduction George Story’s paper The view from the sea: Newfoundland place-naming “suggests other complementary methods of collection and analysis” (1990, p. -
OAC Grant Application • 3Rd Edition
OAC Grant Application • 3 rd Edition Tips and must-dos for preparing an application to the Ontario Arts Council Ontario Arts Council About the Ontario Arts Council 151 Bloor Street West, 5th Floor Toronto, Ontario, M5S 1T6 The Ontario Arts Council (OAC) is a publicly funded, 416-961-1660 independent agency of the government of Ontario. Toll-free in Ontario: 1-800-387-0058 We have been supporting Ontario-based artists and [email protected] / www.arts.on.ca not-for-profit arts organizations since 1963. OAC’s mission is to promote and assist the development of the arts for the benefit and enjoyment of all Ontarians. Over the years, OAC has fostered stability and growth in Ontario’s arts communities. The Ontario Arts Council welcomes all forms of artistic expression. We are committed to funding art from all the people and regions of Ontario. We offer full service in English and French. All OAC programs are open to Aboriginal artists or arts organizations and artists or arts organizations from diverse cultural communities. OAC Grant Application Survival Guide 4 Introduction ..................................................................................... 3 Grants for Individual Artists and Groups .................................. 3 What Kind of Projects Can You Do with an OAC Grant? ............. 4 Briefly, the process… Who Can Apply? ............................................................................. 5 • Eligibility—make sure you are eligible to apply • Find the right grant program • Read—make sure you understand the application and guidelines • Gather information and brainstorm Which Program Do I Choose? ..................................................... 7 OAC Contacts .................................................................................................7 • Writing—start with a draft What’s in an Application? ......................................................................... 8 • Ask for feedback on your draft How Do I Apply? ......................................................................................... -
Ontario Government Acronyms
ACSP COSINE Archaeology Customer Service Project Coordinated Survey Information Network Exchange ADP (MNR database) Assistive Devices Program EBR AGO Environmental Bill of Rights Art Gallery of Ontario EODC ARF Eastern Ontario Development Corporation Addiction Research Foundation EQAO ATOP Educational Quality and Accountability Office Access to Opportunities Program ERC BUC Education Relations Commission Biosolids Utilization Committee (Pronounced: BUCK, as in BUCboard) FCOISA Foreign Cultural Objects Immunity from Seizure CAATs Act Colleges of Applied Arts and Technology FIPPA Freedom of Information and Protection of Privacy CAMH Act Centre for Addiction and Mental Health FSCO CCAC Financial Services Commission of Ontario Community Care Access Centres GAINS CISO Guaranteed Annual Income System Criminal Intelligence Service Ontario GO CORPAY Government of Ontario Corporate Payroll. Maintained by (as in Go Transit or GO-NET) Human Resources System Branch GO-ITS LCBO Government of Ontario Information and Liquor Control Board of Ontario Technology Standards LEAP GTS Learning, Earning and Parenting (program) Government Translation Service LLBO HOP Liquor Licence Board of Ontario Home Oxygen Program (under ADP) LRIF Locked-in Retirement Income Fund IDO Investment and Development Office MAG Ministry of the Attorney General IESO Independent Electricity System Operator MBS Management Board Secretariat ILC Independent Learning Centre MCI Ministry of Citizenship and Immigration IMPAC Interministerial Provincial Advisory MCL Committee Ministry of -
Reader's Digest Canada
MOST READ MOST TRUSTED SEPTEMBER 2015 A ROYAL RECORD PAGE 56 HOW TO GREEK BOOST FERRY LEARNING DISASTER PAGE 70 PAGE 78 TIPS FOR A HEALTHY BEDROOM PAGE 102 WORRY: IT’S GOOD FOR YOU! PAGE 27 WHEN TO BUY ORGANIC PAGE 40 BE NICE TO YOUR KNEES .................................. 30 MIND-BENDING PUZZLES ................................ 129 LAUGHTER, THE BEST MEDICINE ..................... 68 ALL THE CRITICS SAY “YEAH!” THE REVIEWS ARE IN... “ SPECTACULAR CELEBRATION!” Richard Ouzounian, Toronto Star “FABULOUS, FUNNY “ONE OF THE BEST & FANTASTIC! MUSICALS I’VE EVER SEEN. DON’T MISS THIS ONE!” KINKYs crazy BOOTSgood.” i Jennifer Valentyne, Breakfast Television Steve Paikin, TVO A NEW MUSICAL BASED ON A TRUE STORY Tiedemann Von Cylla “A FEEL GOOD SHOW. by YOU LEAVE THE THEATRE WITH A BIG SMILE ON YOUR FACE Photos and a bounce in your high-heeled step!” Carolyn MacKenzie, Global TV NOWN STAGE O ROYAL ALEXANDRA THEATRE 260 KING STREET WEST, TORONTO 1-800-461-3333 MIRVISH.COM ALAN MINGO JR. AJ BRIDEL & GRAHAM SCOTT FLEMING Contents SEPTEMBER 2015 Cover Story 56 Mighty Monarch On September 9, Queen Elizabeth II becomes the longest-reigning ruler in British history. A Canadian look back. STÉPHANIE VERGE Society 62 Cash-Strapped Payday loans are a lifeline for low-income Canadians—but at what cost? CHRISTOPHER POLLON FROM THE WALRUS Science 70 Know Better New ways to improve your ability to learn. DANIELLE GROEN AND KATIE UNDERWOOD Drama in Real Life 78 Ship Down P. A Greek family fight to survive when their ferry | 70 goes up in flames. KATHERINE LAIDLAW Humour 86 The Endless Steps David Sedaris on becoming obsessed with Fitbit. -
The Heritage Gazette of the Trent Valley Volume 19, Number 4, February 2015
1 Heritage Gazette of the Trent Valley, vol 19, no 4 february 2015 ISSN 1206-4394 The heriTage gazeTTe of The TrenT Valley Volume 19, number 4, february 2015 President’s Corner: ….…………………………….…….…………..…………………..……… Guy Thompson 2 Samuel de Champlain and the Portage Road in 1615 …………………………………………… R. B. Fleming 3 Samuel de Champlain and the Portage Road in 1615, footnotes ………………………………… R. B. Fleming 43 Lieutenant Harold S. Matthews: Reflections on a family photo album …………………….… Elwood H. Jones 7 Mabel Nichols’ Science Note Book ……………………………………………..………………….. John Marsh 11 Thomas Morrow in World War I: Part 3 …………………………………………… Memoirs, Thomas Morrow 14 Hazelbrae Barnardo Home Memorial 1913 ………………………………………… Ivy Sucee and John Sayers 27 John Boyko and How Canada Fought the American Civil War ……………………………... Michael Peterman 30 World War I Nursing Sisters: Old Durham County ………………………...………………… Elwood H. Jones 32 Queries …………………………………………….………………… Heather Aiton Landry and Elwood Jones 33 Old Stone House, Hunter and Rubidge, 31; Peterborough’s Earliest Photographer? 33; PCVS Class 9-1 1943-44; A New Pulpit at St. John’s Anglican Church Peterborough 34; Wall Street or Bust (with Dianne Tedford) 35; Peter Lemoire, 36; The Market Hall 1913 37; P. G. Towns and the “Canadian Grocer”, 38; Trent Valley Archives Even new buildings are haunted: Trent Valley Archives downtown ghost walk October 2014 ( Jessica Nyznik) 36; Around Trent Valley Archives 31; Events 2015 29 Coming Events There and Back Again: Searching for Peterborough’s Irish Roots, February 17 …..…. Ruth Kuchinad 37 Workshop on Upper Canada & Canada West Research …………………………………..OGS Toronto 38 Books Entangled Roots, Bev Lundahl …………………..……………….. Keith Foster 39 and inside back cover Cornelius Crowley of Otonabee and His Descendants, Colum Diamond ………………………………. -
Free of Charge to Individual and Institutional Members of the Association
Jean Barman University of British Columbia Peter Waite Dalhousie University Margaret Conrad University of New Brunswick Alvin Finkel Athabasca University Jean-Francois Cardin Université Laval George Sioui Author, Activist Denis Vaugeois Historien, Auteur Victor Rabinovitch Canadian Museum of Civilization Ian E. Wilson Library and Archives Canada Serge Courville Université Laval Cecilia Morgan OISE/University of Toronto Desmond Morton McGill University Dawn Williams Author Gerald Friesen University of Manitoba Jack Jedwab Association for Canadian Studies Illustration Reid, George Agnew/ARCHIVES NATIONALES DU CANADA/C-011016 Presence of the Past $5.95 Présence du passé on display until November 1st, 2003 disponible jusqu’au 1er novembre 2003 Our Culture Notre culture Our Heritage Notre patrimoine Our Stories Nos histoires Our culture and heritage are the reflection of Notre patrimoine et notre culture sont le our dreams, our values and our way of life. reflet de ce que nous avons été, de ce que That’s how we see ourselves, and how we want nous sommes et de ce que nous voulons the world to see us. They connect us with our devenir. Ils sont le miroir de nos valeurs, de past, with our future — and with one another. nos rêves et de nos aspirations. Ils créent des liens qui nous unissent et qui célèbrent nos différences. Our culture, our heritage. That’s who we are. Notre culture, notre patrimoine. Le reflet de ce que nous sommes. For more information on Canadian Heritage programs and services Pour plus de renseignements sur les programmes www.canadianheritage.gc.ca -
Cv in Pdf Format
I N G R I D B A C H M A N N_______________________ 4003 rue Drolet , Montreal, QC H2W 2L3 514.496.0501 [email protected] www.ingridbachmann.com Born in London, Canada Lives in Montreal Represented by Art Mûr Gallery EDUCATION 1996-98 The School of The Art Institute of Chicago, Chicago, USA MA, Modern Art History, Theory and Criticism 1987-90 York University, Toronto, Canada Interdisciplinary Studies and Art History PROJECTS/SOLO EXHIBITIONS 2021 Galeria Tallerlolo, Manizales, (Cuba) 2017 Angry Work. Art Mûr Gallery, Montreal (Canada) 2015 Counterpoint. Art Mûr Gallery, Montreal (Canada) Survey exhibition that included The Portable Sublime, Pelt (Bestiary) and Symphony for 54 Shoes Pelt (Bestiary). Galerie Diagonale, Montreal (Canada) 2011 Institute of Everyday Life. La Cité internationale des arts, Paris (France) 2008 Symphony for 54 Shoes. Galerie des arts visuels, Université Laval, Quebec (Canada) 2007 Memo. Galerie D.V.O., Brussels (Belgium) Memo. La Vitrine, Montreal (Canada) 2006 Symphony for 54 Shoes. Kinetic Installation. Neutral Ground Gallery, Regina, (Canada) 2003 Digital Crustaceans. Installation and Web Project. Articule Gallery, Montreal, (Canada) The Portable Sublime. Optica Gallery, Montreal (Canada) 2001 Sonar. Site Specific Installation, with Lorraine Oades and Ana Rewakowicz, Bain St-Michel, Montreal (Canada) 2000 Fluid Exchanges and Twitching Automata. Three installation works - Interactive Still Lives, Knit One, Swim2, and Talking Walls. The Hearts Art Gallery, Oakland (USA) 1998 Interactive Still Lives. AKA Gallery, Saskatoon (Canada) 1997 Migration. Site Specific Installation, Franconia Sculpture Park, Minneapolis (USA) 1996 Talking Walls. Oboro Gallery, Montreal (Canada) 1995 Fault Lines: A Montreal and Los Angeles Link. Collaboration with Barbara Layne La Centrale Gallery, Montréal (Canada) and Side Street Projects, Los Angeles (USA) Talking Walls. -
Transcript of Conversation Between Deanna Bowen, Pamela Edmonds, Selina Mudavanhu Mcmaster Museum of Art February 6, 2020
Transcript of Conversation between Deanna Bowen, Pamela Edmonds, Selina Mudavanhu McMaster Museum of Art February 6, 2020 Pamela Edmonds: Hi, I'm Pamela Edmonds, the new curator here at the MMA can everyone hear me okay? I'm not mic’d, but seems so. Thank you for joining us tonight, coming out in the bitter cold for tonight's event You know it's truly representing Black History Month, right? The coldest day, coldest month, but we're here to delve into and unpack some of the ideas around Deanna Bowen's incredible exhibition here, a Harlem Nocturne, which was curated by Kimberly Phillips of the Contemporary Art Gallery in Vancouver. And very happy to have Dr. Selina Mudavanhu here from McMaster Communication and Media Studies also and delve into some of the ideas around the exhibition and further on. And so, this exhibition will be touring going to next to Montreal then Halifax maybe others ... and Banff, which is very exciting. Firstly, I'd also like to recognize that we're gathered on the traditional tour of territories of the Mississauga and the Haudenosaunee nations and within the lands protected by the dish with one spoon wampum agreement. And I think also given the current moment in this country it's important, and I say dare I say urgent, to think about the ways that each of us are connected to land and space and place, whether we're settlers or not and how we can think about making the reality of Truth and Reconciliation real in all of our communities. -
Audio Mobilité
LOCUS SONUS Symposium #8 Audio mobilité Proceedings www.locusonus.org [Author Name] UTC LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ LOCUS SONUS 8th International Symposium AUDIO MOBILITY 16-18th of April 2014 Aix en Provence http://locusonus.org/ Scientific committee: Richard Kronland-Martinet (LMA - CNRS), Samuel Bordreuil (AMU/CNRS-LAMES), Jean- Paul Thibaud (CRESSON- CNRS), Jacques Sapiega (AMU - ASTRAM), Angus Carlyle (CRISAP), Jean Cristofol (ESAA), Peter Sinclair (ESAA - Locus Sonus), Jérôme Joy (ENSAB - Locus Sonus), Anne Roquigny (Locus Sonus), Elena Biserna, Marie Muller, Laurent Di Biase, Fabrice Métais. 3 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ 4 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ PROGRAMME Mercredi 16 Avril 2014 @ AMU/LAMES MMSH - Salle Duby 8h30 : Accueil 9h00 : Discours de bienvenue SESSION 1 : GPS, Geolocalisation and Soundwalks. Modérateurs : Elena Biserna & Marie Muller 9h15 Placed Sound(s). The Sound of Locative Media, Frauke Behrendt 9h45 Walking with Ghosts, François Parra 10h15 Mediated Listening Paths: Breaking the Auditory Bubble, Elena Biserna 10h45 Walking, Telling, Listening. Audio Walks, Justin Bennett 11h15 Pause 11h35 Mapping the Iceberg: An Attempt to Model the City of Aix-en-Provence as 3D Sound Mapped on a Real Space, Marie Muller 11h45 Perspectives on Sound Based Augmented Reality Theatre, Joel Cahen 12h15 De l'oreille à l'oeil. Des conditions d'une écriture située, Emmanuel Guez & Xavier Boissarie 12h45 Pause déjeuner SESSION 2 : Mobile Microphones and Remote Listening.