A Spanish Culture & Cuisine CHRISTMAS SPECIAL

Total Page：16

File Type：pdf, Size：1020Kb

A Spanish Culture & Cuisine CHRISTMAS SPECIAL “A day trip to Alcoy – the Christmas Town” Friday 3rd December 2021 Alcoy is known as “The Town of the Bridges” as it has more than twenty and due to its wonderful Christmas celebrations and blankets of crispy snow in the winter, it has also adopted the name “The Christmas Town”. Alcoy boomed in the Industrial Revolution, specialising in the textile, metal and paper industry. It grew and developed into a wealthy area which is evident from its modern, architectural buildings. What makes Alcoy so unique and special for Christmas is that it was the first place in the world to celebrate the Cavalcade of Magi, a traditional parade for the Three King’s Day. Nowadays, practically every city in Spain and most in Mexico hold their own Cavalcade of Magi, a parade where the three kings, Melchior, Gaspar and Baltasar ride through the streets throwing sweets to the children. In the Plaza de España, a special nativity scene is erected in front of the Santa Maria Church and throughout December and early January Alcoy has a large Christmas market. Alcoy covered in snow (not guaranteed but you will need warm clothes!). On arrival in Alcoy we will meet our guides (we are going to have 2 guides to enable each group to be smaller) for a 2-hour tour, visiting the temporary Christmas exhibition at La Fundació Mutua de Levante, the Christmas Museum at the Casal del Nadal and finally the Belen exhibition in St Mary´s Church. The tour will be followed by a Spanish lunch in a very unique location, the Restaurante La Gruta, located in a natural cave next to an underground river. After lunch there will be time to visit the Christmas market at the nearby Plaza de España and to see the lights (sunset at 17.45 hrs latest). Or perhaps partake of a mug of hot chocolate or mulled wine in one of the café bars before re-boarding our coach for the return journey to Jávea! Programme 08.30 hrs: Departure from Interiors (opposite side of the road), Jávea port; 2nd pickup at Mas y Mas on the N332 (if required). refreshment break en-route. 11.15 hrs: Meet our 2 guides outside the Alcoy Tourist Office. 11.30 hrs: 2-hour “Christmas Tour”. 14.00 hrs: Lunch at Restaurant La Gruta. 16.15 hrs: Free time to visit the Christmas market in the Plaza de España. 18.15 hrs: Re-board our coach for return journey to Jávea. 20.00 hrs: Approx. arrival in Jávea port. PRICE: € 45 pp to include coach, guided tour and entry fees, 3-course lunch and gratuities). CANCELLATION: In case of subsequent cancellation of your booking, refunds can only be made if your place is sold on to another member/s. You are advised to let the group leaders know as soon as possible as they may have a reserve list of other members wishing to participate in the event/trip. Group leaders Angela & Tony [email protected] .

Copy Link

Recommended publications

Troubadour Tales
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES EDWARD- S- SULLIVAN Troubadour Tales Troubadour Tales By Evaleen Stein With Illustrations By Virginia Keep Maxfield Parrish B. Rosenmeyer &? Edward Edwards Indianapolis The Bobbs-Merrill Company Publishers Copyright 1903 The Bobbs-Merrill Company ~Jdy~ Printed in the United States of America PRESS OF RRAUNWORTH It CO. BOOK MANUFACTURER* BROOKLYN, N. Y. To My Mother 631959 Contents THE PAGE OF COUNT REYNAURD i THE LOST RUNE 27 COUNT HUGO'S SWORD 76 FELIX I3 2 Troubadour Tales THE PAGE OF COUNT REYNAURD HOW HE EARNED THE FAVOR OF KING RENE AND WON A SILVER CUP FOR CLEVERNESS IN THE LATIN TONGUE " PIERROT! Pierrot! are thy saddle-bags well fastened ? And how fare my lutestrings ? Have a care lest some of them snap with jog ging over this rough bit of road. And, Pierrot, next time we pass a fine periwinkle thou hadst best jump down and pluck a fresh bunch for my Barbo's ears." The speaker, Count Reynaurd of Poitiers, patted the fluffy black mane of his horse Barbo, and loosened the great nosegay of blue flowers 2 TROUBADOUR TALES tucked into his harness and nodding behind his ears. Barbo was gaily decked out; long sprays of myrtle dangled from his saddle-bow, and a wreath of periwinkle and violets hung round his neck for the Count was not ; Reynaurd only a noble lord, but also a famous troubadour. That is to say, he spent his time riding from castle to castle, playing on his lute or viol, and singing beautiful songs of his own making.
[Show full text]
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous ﬁnancial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography.........................................
[Show full text]
Animal Life in Italian Painting
UC-NRLF III' m\ B 3 S7M 7bS THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA PRESENTED BY PROF. CHARLES A. KOFOID AND MRS. PRUDENCE W. KOFOID ANIMAL LIFE IN ITALIAN PAINTING THt VISION OF ST EUSTACE Naiionai. GaM-KUV ANIMAL LIFE IN ITALIAN PAINTING BY WILLIAM NORTON HOWE, M.A. LONDON GEORGE ALLEN & COMPANY, LTD. 44 & 45 RATHBONE PLACE 1912 [All rights reserved] Printed by Ballantvne, Hanson 6* Co. At the Ballantyne Press, Edinburgh / VX-/ e3/^ H67 To ©. H. PREFACE I OWE to Mr. Bernhard Berenson the suggestion which led me to make the notes which are the foundation of this book. In the chapter on the Rudiments of Connoisseurship in the second series of his Study and Criticism of Italian Art, after speaking of the characteristic features in the painting of human beings by which authorship " may be determined, he says : We turn to the animals that the painters, of the Renaissance habitually intro- duced into pictures, the horse, the ox, the ass, and more rarely birds. They need not long detain us, because in questions of detail all that we have found to apply to the human figure can easily be made to apply by the reader to the various animals. I must, however, remind him that animals were rarely petted and therefore rarely observed in the Renaissance. Vasari, for instance, gets into a fury of contempt when describing Sodoma's devotion to pet birds and horses." Having from my schooldays been accustomed to keep animals and birds, to sketch them and to look vii ANIMAL LIFE IN ITALIAN PAINTING for them in painting, I had a general recollection which would not quite square with the statement that they were rarely petted and therefore rarely observed in the Renaissance.
[Show full text]
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 .
[Show full text]
Bishops Urge Catholics to Pray for Life, Marriage, Religious Liberty
Western Kentucky Catholic Graphic by Jennifer Farley Hunt Western Kentucky Catholic 600 Locust Street, Owensboro, Kentucky 42301 Volume 40, Number 1, January, 2013 Cardinal Dolan Offers Prayers For Families, Victims Of Connecticut School Shooting Violence shatters peace of all Prays that peace that passes understanding is with them All called to work for peace in homes, streets, world WASHINGTON—Cardinal Timothy Dolan of New York, president of the U.S. Conference of Catholic Bishops, offered prayers and sympathy for the victims of the shooting in the Sandy Hook Elemen- tary School in Newtown, Connecticut, Dec. 14. His statement follows. “The shoot- ing tragedy at the Sandy Hook Elemen- tary School in Newtown, Connecticut wrenches the hearts of all people. The tragedy of innocent people dying through violence shatters the peace of all. “At this time, we pledge especially our prayerful support to the Diocese of Requested Service Change Bishops Urge Catholics To Pray For Bridgeport and the community of New- Life, Marriage, Religious Liberty town as they cope with this almost un- WASHINGTON—The U.S. Catholic bishops have launched a pastoral strategy ad- bearable sorrow. We pray that the peace dressing critical life, marriage and religious liberty concerns. The five-part strategy that passes understanding be with them as or call to prayer was approved by the bishops in November and is set to begin after they deal with the injuries they have sus- Christmas. The overall focus is to invite Catholics to pray for rebuilding a culture fa- tained and with the deaths of their beauti- vorable to life and marriage and for increased protections of religious liberty.
[Show full text]
A Study of Hieronymus Bosch's Musical Instruments and Their Dissonant Revolution
Bard College Bard Digital Commons Senior Projects Spring 2011 Bard Undergraduate Senior Projects Spring 2011 The Rise of the Sentient Musical Instrument: A Study of Hieronymus Bosch's Musical Instruments and their Dissonant Revolution Liza Young Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2011 Part of the Art and Design Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Young, Liza, "The Rise of the Sentient Musical Instrument: A Study of Hieronymus Bosch's Musical Instruments and their Dissonant Revolution" (2011). Senior Projects Spring 2011. 229. https://digitalcommons.bard.edu/senproj_s2011/229 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 1 The Rise of the Sentient Musical Instrument A Study of Hieronymus Bosch’s Musical Instruments and their Dissonant Revolution Senior project submitted to The Division of the Arts Of Bard College By Liza Young Annandale-on-Hudson, NY May 2011 2 Acknowledgments This project could not have been completed without my family and friends’ support of my increasingly bizarre interests.
[Show full text]
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos
[Show full text]
Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo Permalink https://escholarship.org/uc/item/8zh4b6x4 Author Schwieterman, Patrick Joseph Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Maura Nolan, Chair Professor Jennifer Miller Professor John Lindow Fall 2010 Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo © 2010 by Patrick Joseph Schwieterman Abstract Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman Doctor of Philosophy in English University of California, Berkeley Professor Maura Nolan, Chair My dissertation focuses on two fairy narratives from medieval Britain: the tale of Herla in Walter Map’s twelfth-century De Nugis Curialium, and the early fourteenth-century romance Sir Orfeo. I contend that in both texts, fairies become intimately associated with conceptions of the ancient British past, and, more narrowly, with the idea of a specifically insular kingship that seeks its legitimization within that past. In Chapter One, I argue that Map’s longer version of the Herla narrative is his own synthesis of traditional materials, intended to highlight the continuity of a notion of British kingship that includes the pygmy king, Herla and Henry II.
[Show full text]
MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor
MUSIC IN THE RENAISSANCE Western Music in Context: A Norton History Walter Frisch series editor Music in the Medieval West, by Margot Fassler Music in the Renaissance, by Richard Freedman Music in the Baroque, by Wendy Heller Music in the Eighteenth Century, by John Rice Music in the Nineteenth Century, by Walter Frisch Music in the Twentieth and Twenty-First Centuries, by Joseph Auner MUSIC IN THE RENAISSANCE Richard Freedman Haverford College n W. W. NORTON AND COMPANY Ƌ ƋĐƋ W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By midcentury, the two major pillars of Norton’s publishing program—trade books and college texts— were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. Copyright © 2013 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America Editor: Maribeth Payne Associate Editor: Justin Hoffman Assistant Editor: Ariella Foss Developmental Editor: Harry Haskell Manuscript Editor: Bonnie Blackburn Project Editor: Jack Borrebach Electronic Media Editor: Steve Hoge Marketing Manager, Music: Amy Parkin Production Manager: Ashley Horna Photo Editor: Stephanie Romeo Permissions Manager: Megan Jackson Text Design: Jillian Burr Composition: CM Preparé Manufacturing: Quad/Graphics-Fairfield, PA A catalogue record is available from the Library of Congress ISBN 978-0-393-92916-4 W.
[Show full text]
College of Wooster Miscellaneous Materials: a Finding Tool
College of Wooster Miscellaneous Materials: A Finding Tool Denise Monbarren August 2021 Box 1 #GIVING TUESDAY Correspondence [about] #GIVINGWOODAY X-Refs. Correspondence [about] Flyers, Pamphlets See also Oversized location #J20 Flyers, Pamphlets #METOO X-Refs. #ONEWOO X-Refs #SCHOLARSTRIKE Correspondence [about] #WAYNECOUNTYFAIRFORALL Clippings [about] #WOOGIVING DAY X-Refs. #WOOSTERHOMEFORALL Correspondence [about] #WOOTALKS X-Refs. Flyers, Pamphlets See Oversized location A. H. GOULD COLLECTION OF NAVAJO WEAVINGS X-Refs. A. L. I. C. E. (ALERT LOCKDOWN INFORM COUNTER EVACUATE) X-Refs. Correspondence [about] ABATE, GREG X-Refs. Flyers, Pamphlets See Oversized location ABBEY, PAUL X-Refs. ABDO, JIM X-Refs. ABDUL-JABBAR, KAREEM X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets See Oversized location Press Releases ABHIRAMI See KUMAR, DIVYA ABLE/ESOL X-Refs. ABLOVATSKI, ELIZA X-Refs. ABM INDUSTRIES X-Refs. ABOLITIONISTS X-Refs. ABORTION X-Refs. ABRAHAM LINCOLN MEMORIAL SCHOLARSHIP See also: TRUSTEES—Kendall, Paul X-Refs. Photographs (Proof sheets) [of] ABRAHAM, NEAL B. X-Refs. ABRAHAM, SPENCER X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets ABRAHAMSON, EDWIN W. X-Refs. ABSMATERIALS X-Refs. Clippings [about] Press Releases Web Pages ABU AWWAD, SHADI X-Refs. Clippings [about] Correspondence [about] ABU-JAMAL, MUMIA X-Refs. Flyers, Pamphlets ABUSROUR, ABDELKATTAH Flyers, Pamphlets ACADEMIC AFFAIRS COMMITTEE X-Refs. ACADEMIC FREEDOM AND TENURE X-Refs. Statements ACADEMIC PROGRAMMING PLANNING COMMITTEE X-Refs. Correspondence [about] ACADEMIC STANDARDS COMMITTEE X-Refs. ACADEMIC STANDING X-Refs. ACADEMY OF AMERICAN POETRY PRIZE X-Refs. ACADEMY SINGERS X-Refs. ACCESS MEMORY Flyers, Pamphlets ACEY, TAALAM X-Refs. Flyers, Pamphlets ACKLEY, MARTY Flyers, Pamphlets ACLU Flyers, Pamphlets Web Pages ACRES, HENRY Clippings [about] ACT NOW TO STOP WAR AND END RACISM X-Refs.
[Show full text]
Craig Wilson
ISSUE 5 THE MYTH OF REVOLT Do you sense it—on the streets, in the dreamtime, by the shore? Like a great hand that glows in the dark, groping to strangle destiny, the myth of revolt is feeling its way into existence. Let’s go searching to assemble the scattered limbs of the black god. As a start, we propose three Domains of Revolt that will act as surrealist vehicles for our summoning. Published by Peculiar Mormyrid peculiarmormyrid.com All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher or author. Texts Copyright © The Authors Images Copyright © The Artists Direction: Jason Abdelhadi, Casi Cline, Steven Cline, Angel Therese Dionne, Patrik Sampler First Edition 2017 CONTRIBUTORS Jason Abdelhadi Tori Lion Armando Urias Anderson Michael Löwy Daphnée Azoulay Andrew Mendez Maurizio Brancaleoni Thomas Mordant Maria Brothers Luiz Morgadinho Miguel de Carvalho Steve Morrison Steven Cline David Nadeau Casi Cline Lucy Zae Porter Dominick Coppi John Richardson Laura Corsiglia Jose Manuel Rojo David Coulter Ody Saban Angel Therese Dionne Ron Sakolsky Vicente Gutiérrez Escudero Mark Sanders Mattias Forshage Andria Matta May Schaal Javier Gálvez Gregg Simpson Jesús García Rodríguez Ethan Snyder Joël Gayraud Maurice Spira Jan Gillam RW Spryszak Guy Girard Dan Stanciu Annalynn Hammond Michael Vandelaar Janice Hathaway Allan Vilu Dale Houstman John Welson Karl Howeth Tim White Joseph Jablonski Craig Wilson Bruno Jacobs Claire Wylde Ian Kappos Stephen Kirin Collective Submissions: Megan Leach Chimaera Surrealist Group (Ottawa) Lee Levinson CAPA Collective Rik Lina House of Mysticum Neko Linda Williams Roger Farr/Sheila Nopper/Ron Sakolsky CONTENTS INQUIRY ....................6 TIM WHITE...................8 STEVEN CLINE..................15 CEPHALOPODA JASON ABDELHADI .............
[Show full text]
Miklós Rózsa: the Film Music
MIKLÓS RÓZSA: THE FILM MUSIC DISCOGRAPHY FOR THE COMPACT DISC ERA Compiled by Doug Raynes PART 1 - CD BY RELEASE DATE CD Title Label/No. Performers Content Notes Cover (Country) 1985 1 BEN-HUR London National Ben-Hur Fanfare to Prelude, Star of Bethlehem and Reissued in 1986 MCPS 820 190-2 Philharmonic Adoration of the Magi; Friendship; The Burning with different cover (UK) Orch; MR, cond. Desert; Arrius’ Party; Rowing of the Galley Slaves; Parade of the Charioteers; The Mother’s Love; From 1977 LP Return to Judea; Ring for Freedom; Lepers’ Search (Decca PFS-4394) for the Christ; Procession to Calvary; Miracle & Finale (47:08) See also 2007 reissue, disc 106 2 DIGITAL SPACE Varèse Sarabande London Symphony Tribute to a Bad Man Suite (4:51) From 1979 LP VCD 47229 Orch; Morton (Varèse Sarabande (US) Gould, cond. That Hamilton Woman Love Theme (4:47) VCDM-10000.20) 2008 reissue titled Anthology with Morton Gould music by Newman, Conducts Film Walton, Copland et Score Classics al. and Rarities: Citadel Records STC 77140 (US) 3 THE MUSIC OF Varèse Sarabande The Utah The World, the Flesh and the Devil Overture Recorded in the MIKLÓS RÓZSA VCD 47226 Symphony Orch; (3:31) presence of the (US) Elmer Bernstein, composer. 8 page cond. Lydia New England Concerto (14:57) booklet with notes by Christopher Because of Him Overture (3:20) Palmer See also 1997 part Spellbound Concerto: Extended 1984 version for reissue, disc 63 and two pianos (22:42) 2007 complete reissue as part of disc 104 4 QUO VADIS London Royal Quo Vadis Prelude; Marcus & Lydia; Fertility Reissued in 1986 MCPS 820 200-2 Philharmonic Hymn; The Burning of Rome; Petronius’ Banquet, with different cover (UK) Orch; MR, cond.
[Show full text]