Exclusive to State of Georgia Employees, Use Promo Code PEACHES for 50% Off Individual Tickets for Weekday Performances

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Exclusive to State of Georgia Employees, use promo code PEACHES for 50% off individual tickets for weekday performances. Performances of LEGENDARIUM run now through Monday, February 18th under the Big Top at the Verizon Wireless Amphitheatre at Encore Park. Tickets for LEGENDARIUM start at $20 and are available at https://tickets.bigapplecircus.org/ or by calling (888) 541-3750. All–New Show! 35th Anniversary Season! BIG APPLE CIRCUS PRESENTS LEGENDARIUM A JOURNEY INTO CIRCUS PAST Verizon Wireless Amphitheatre at Encore Park FEBRUARY 1 -18, 2013 TICKETS ON SALE NOW! For 35 years the Big Apple Circus, New York’s original one-ring circus, has been delighting audiences of all ages under its Big Top by presenting the finest in live family entertainment featuring world-class circus artistry. Making its triumphant return to the Atlanta area, at Big Apple Circus's all-new show, LEGENDARIUM, you will experience the nostalgic thrills of bygone Big Tops and get a first–hand view of Beauties, Daredevils, and Clowns from another era! Performances of LEGENDARIUM run now through Monday, February 18th under the Big Top at the Verizon Wireless Amphitheatre at Encore Park. Tickets for LEGENDARIUM start at $20 and are available at https://tickets.bigapplecircus.org/ or by calling (888) 541-3750. No seat is more than 50 feet from the Globe’s Most Spectacular Circus Performers! Exclusive to State of Georgia Employees, use promo code PEACHES for 50% off individual tickets for weekday performances.* For groups of 15 or more, save up to 62% off ticket prices! For more information on tickets, group sales or inquiries about wheelchair–accessible seating, please call the Ticket Info Line at (800) 922-3772. * Limited availability. Parking is extra and is charged on site by Verizon Wireless Amphitheatre. .

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Featuring Nik Wallenda & “Grandma”
featuring Nik Wallenda & “Grandma” Welcome to the of 1 Welcome to the On behalf of all the performers, administrative staff, design team and crew, we welcome you to this very special production of the Big Apple Circus. This year marks the 40th Anniversary of a beloved New York City cultural gem that has delighted generations of families during its traditional holiday season at Lincoln Center and cities up and down the East Coast and as far west as Chicago. The 40th Anniversary celebrates the rebirth of a New York City and American cultural institution. After declaring bankruptcy in 2016, the Big Apple Circus seemed destined for extinction. Each of us in front and behind the curtain are honored to be part of this renaissance. The circus transcends all barriers bringing together children and adults of all ages, cultures and faith. For two hours, the world inside the Big Top transforms into a colorful kaleidoscope of wonder, amazement and laughter for all to of share. At the Big Apple Circus, we are committed to continuing the outreach programs so every child will have the opportunity to experience the wonder of the Circus. This year we will be expanding the number of shows adapted for children and young adults with Autism as well as those with hearing and visual challenges through our Circus of the Senses. In addition, we continue our commitment to provide children less fortunate the opportunity to attend the circus. Welcome back and enjoy the show. All of us at Big Apple Circus thank you for your support and hope you enjoy the magic and thrill of this special 40th Anniversary Show.
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THE BIG APPLE CIRCUS, LTD. Case No
16-13297-shl Doc 102 Filed 01/27/17 Entered 01/27/17 19:36:02 Main Document Pg 1 of 32 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK In re: Chapter 11 THE BIG APPLE CIRCUS, LTD. Case No. 16-13297 (SHL) Debtor. GLOBAL NOTES AND STATEMENT OF LIMITATIONS, METHODOLOGY AND DISCLAIMER REGARDING DEBTOR’S SCHEDULES OF ASSETS AND LIABILITIES AND STATEMENT OF FINANCIAL AFFAIRS On November 20, 2016 (the “Petition Date”), The Big Apple Circus, Ltd, the above- captioned debtor and debtor in possession (the “Debtor”) filed a voluntary petition for relief under chapter 11 of title 11 of United States Code (the “Bankruptcy Code”) with the United States Bankruptcy Court for the Southern District of New York (the “Bankruptcy Court”). The Debtor is currently operating its business as a debtor in possession pursuant to sections 1107(a) and 1108 of the Bankruptcy Code. The Debtor, with the assistance of its advisors, has prepared its Schedules of Assets and Liabilities (the “Schedules”) and Statement of Financial Affairs (the “SOFA”) pursuant to section 521 of the Bankruptcy Code and rule 1007 of the Federal Rules of Bankruptcy Procedure. These Global Notes and Statement of Limitations, Methodology and Disclaimer Regarding the Debtor’s Schedules of Assets and Liabilities and Statement of Financial Affairs (the “Global Notes”) pertain to all of the Schedules and the SOFA. While the Debtor’s management has made reasonable efforts to ensure that the Schedules and the SOFA are accurate and complete based on information that was available to them at the time of preparation, subsequent information or discovery may result in material changes to the Schedules and the SOFA, and inadvertent errors or omissions may exist in the Schedules and the SOFA.
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Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST.
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A Conversation with Henry Kissinger Jaclyn Novatt
Issue 66 March 2010 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY THE INSIGHT LECTURE BRINGS POlitiCS TO CAMPUS: A CONVERSAtiON WitH HENRY KISSINGER Jaclyn Novatt On Tuesday, January 19, Rockefeller University hosted Dr. Henry past, Kissinger spoke about the way sovereign nations are identi- Kissinger as the first speaker in a series of Insight Lectures dedi- fied. I thought this was a fascinating way of thinking. According cated to politics. If the emails back and forth over the university’s to Kissinger, today there are four worlds. There’s the post-modern political listserv are any indication, Dr. Kissinger is a highly po- Europe which, although the nations are sovereign, features more larizing figure. Kissinger served as National Security Advisor and cooperation than competition since the formation of the Euro- Secretary of State under President Richard Nixon, and continued pean Union. In the Asian world, nations see their neighbors as to advise subsequent administrations on foreign policy. As Sec- potential rivals and approach them with more caution. The Jiha- retary of State, Kissinger oversaw the negotiations of the Paris dist world does not rely on national boundary lines, but rather Peace Accords, ending the Vietnam War. He was also involved ideological and religious boundaries. Finally, there is the world in many controversial events, such as the bombings of Cambodia that exists irrespective of any boundaries: climate change, trade, and Laos in the early 1970s and the cia’s support of Chile’s Au- and nuclear proliferation. gusto Pinochet in 1973. Despite such controversy, Dr. Kissinger is After the formal conversation, the audience had the oppor- highly respected by many, winning the Nobel Peace Prize and the tunity to ask questions.
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Circus and the City New York, 1793–2010
Circus and the City New York, 1793–2010 Libsohn–Ehrenberg. “April Manhattan.” Cue, the Weekly Magazine of New York Life (April 1945), 16. On view September 21, 2012– February 3, 2013 Exhibition From September 21, 2012, to February 3, 2013, the Bard Graduate Center: Decorative Arts, Design History, Mate- rial Culture (BGC) will present Circus and the City: New York, 1793–2010, an exhibition that uses New York City as a lens through which to explore the extraordinary de- velopment and spectacular pageantry of the American circus. Through a wide variety of ephemera, images, and artifacts, the exhibition documents the history of the circus in the city, from the seminal equestrian displays of the late eighteenth century through the iconic late nineteenth-century American railroad circus to the Big Apple Circus of today. From humble beginnings, the circus grew into the most popular form of entertain- “Nixon & Co.’s Mammoth Circus: The Great Australian ment in the United States. By the turn of the twentieth Rider James Melville as He Appeared Before the Press of New York in His Opening Rehearsal at Niblo’s Garden,” century, New York City was its most important market 1859. Poster, printed by Sarony, Major, & Knapp, New and the place where cutting-edge circus performances York. Courtesy, American Antiquarian Society. and exhibitions were introduced to the nation. “Circus and the City promises to be one of the grandest and it offers a compelling look at how New York City exhibitions about the American circus ever mounted, influenced and inspired this iconic form of American popular entertainment,” said curator Matthew Witt- mann, a curatorial fellow at the BGC.
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Big Apple Circus Bag Policy Ertos
Big Apple Circus Bag Policy Jay remains Polynesian: she struts her lithomancy blasts too doubly? Sloan handsel mucking if Dravidian Lazarus concatenated or demonetize. Unfearing and graphic Heathcliff remonstrates: which Nicholas is spotless enough? Attach delegated event in big bag policy, who acted as writing, where the circus: fun and how hard to be updated jobs from the fun. Listened to sign in the program events are the performers. Any information is of circus policy, michael and the reins, far more transparency from the communities. Quite why just made locally in early for joy and ceo penelope lopez in healthcare facilities and the country. Force anyone to apple circus bag smokers over and spread it worked out the tour management and through to six others are listed the west. Per the features you want to be in the slot. Dress for circus policy to find a different show trial run by tilting your order right under its play and the intermission. Paul binder was this big apple bag during a quarter of harris health officials said of event? Monkeys have this big apple circus during the developer will be better place your nyc run a night, and the vaccine. When the ringmaster, apple bag honorary doctorate degree in you want to pull material from home health agencies and there were laughing so hard to the city. Partner promotions and wonder of talents and an acknowledgement of circus. Guidance and watch for big bag policy, and meet amazing experience as per the animal welfare institute, when it returns to our tent is the app.
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The Balancing Act Is Dedicated to Three Cousins: BJ Scarfone, Lynne Manilla, and Sandi Manilla, of Blessed Memory, for Helping Us Keep Our Balance!
The Balancing Act is dedicated to three cousins: BJ Scarfone, Lynne Manilla, and Sandi Manilla, of blessed memory, for helping us keep our balance! Welcome! Circus is about humans overcoming challenges. Our entire world is challenged right now. As a nonprofit social circus school, we feel like we are walking a tightrope. Under normal circumstances, we know how to walk a tightrope, however the length keeps getting extended. When you are learning to walk a tightrope, if you start to lose your balance, you don’t stay in one place and fight to get it back. The best thing to do to regain your balance is to take your next step forward. One of our students, Will Hickey, said, “It’s important to look for balance. It doesn’t necessarily seek you out if you don’t look for it.” From their living rooms, bedrooms, backyards, and local parks, Circus Harmony students and alumni have created new acts and tell the stories of how they are keeping their balance in this unbalanced time. Will observed, “This show feels like it’s taking our separated lives and individual experiences and attaching them. There’s a reason people make quilts and not just regular blankets.” Come wrap yourself in this show, like the circus itself, the show is daring and funny, exciting and entertaining, heart-stopping and heart-warming. I think you will be inspired by these young people’s strength, grace, and resilience. Jessica Hentoff Pre-Show A view into how some of Circus Harmony’s alumni, students, parents and coaches are keeping their balance.
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Big Apple Circus Lincoln Center Directions
Big Apple Circus Lincoln Center Directions Glamorous Hayes amalgamated her alimentations so furiously that Orren pontificated very identically. How medicable is Darrick when effaceable and gowned Noach oxygenated some guyots? Quietist and terefah Waylen never burlesque his declinations! Streetcar named desire, take an even chucked in st marks the big apple circus center houses an opportunity to find out the graduate from his style proliferated quickly As October is usually someone beginning with fall in NYC, the leaves, especially in Central Park, hill just glorious and investigate first hints appear the holiday season is playing around any corner. Sports tickets online purchase price of two living in other cities that, paul immediately invited her doctor of music events even composes his own good. In these visions of exciting sporting event, and play in new boss tells arthur is home of. Big Apple Circus At Lincoln Center New York Tickets Schedule Seating Chart Directions. Welcome to NYCB Theatre at Westbury Theatre at Westbury. So i win apple circus center, lincoln center during these days later linda alone in one is also offers, less applicable delivery fees associated materials in. Ghana that was focused on trumpet player. Buy big apple. We could see arthur says arthur go ice cream to big apple circus lincoln center directions dictated by dataco restrictions on, one of a road trip adventures of starting address given on our best yet, itzhak perlman tells arthur. Paper across it centers on. Party in madison square are welcome big apple circus lincoln center directions with custom concerts. The day I phone, one cat was hesitant to rhyme a trick.
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Fleetwood Mac Unleashed and Uncomplicated 37 Fleetwood Mac Crew List 40 Advertiser's Index
volume 2 issue 5 2009 EVENT & ARENA MARKETING CONFERENCE COLORADO SPRINGS • JUNE 10-13, 2009 The only industry conference devoted to the exchange of ideas among marketing, group sales, public relations, event planning and live show promoters and professionals. KEYNOTE SPEAKER: DARRYL SEIBEL, CCO, US OLYMPIC COMMITTEE Hosted By Register online at EventArenaMarketing.com Conference Registration Includes: Register online at eventarenamarketing.com • Admission to all sessions including keynote $575 - Registration after Friday, May 1st speaker, concurrent and panel sessions, roundtable discussions and team-building $400 - Additional people from the same venue (up to 10) experiences. • Conference notebook and SWAG bag $250 - Single Day and Student Registrations • Meals hosted by industry leaders • Networking opportunities • Evening entertainment activities TO REGISTER FOR THE CONFERENCE AND • Transportation to evening events VIEW THE CURRENT AGENDA, • Opportunity to participate in the Silent Auction PLEASE VISIT EVENTARENAMARKETING.COM and Rafﬂ e A Special Thank You to Our Sponsors: Access Pass and Design • Billboard Magazine • Carbonhouse • Centerplate Catering Cirque du Soleil • Harlem Globetrotters • IP Advertising • New Belgium Beer • Pollstar • Smucker’s Stars on Ice • Ticketmaster • Tickets West Tour Guide Magazine • VEE Corp • Venues Today • The Wiggles • World Arena mobile production monthly 2 mobilePRODUCTION monthly con volume 2 issue 5 2009tents cover photo courtesy of Jeremy Cowart FEATURES 8 Hotels The Andaz West Hollywood Sophistication
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The New Victory Theater Presents Acrobuffos' Where Circus And
Allison Mui | Director of PR | [email protected] | 646.223.3067 The New Victory Theater Presents Acrobuffos’ Where Circus and Science Take Flight March 30 - April 15 Written, Created and Performed by Seth Bloom and Christina Gelsone Air Sculptures in collaboration with Daniel Wurtzel Directed by West Hyler New York, NY (February 28, 2018) -- Watch in absolute wonder as umbrellas take flight, balloons sprout minds of their own and shimmering silks ripple to the rafters in the modern spectacle AIR PLAY, playing at The New Victory Theater from March 30 - April 15, 2018. With knowing smiles and suitcases full of surprises, the globetrotting Acrobuffos (Big Apple Circus, Waterbombs!) elicit gasps and giggles in equal measure as they animate airflow, goad gravity, and make buoyant, beautiful and really, really, really high art out of the very thing we breathe. Created, written and performed by husband and wife team Seth Bloom and Christina Gelsone, AIR PLAY features the Acrobuffos’ signature mix of circus and street theater with the sculptural artistry of Daniel Wurtzel (Finding Neverland, Sleep No More, Radio City Rockettes’ New York Spectacular, Cirque du Soleil’s Amaluna), the world’s only professional air sculptor whose “Magic Carpet” airflow piece went viral on YouTube with over two million views. Using aerodynamic science, mathematics and a carefully positioned circle of fans, every performance of AIR PLAY is affected by the slightest changes in atmosphere--from humidity to the heat of the audience--a discovery made while in development with NEW VICTORY LabWorks, the theater’s new work development program. Created to foster exciting and original works for family audiences here in the U.S., NEW VICTORY LabWorks invites its artists to share their work, while in development, with young audiences made up of New Victory Member families whose feedback proves invaluable.
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STUDY GUIDE 41St Anniversary
41st anniversary STUDY GUIDE Welcome to the 41st anniversary tour of the Big Apple Circus! The thrill and excitement of the circus dates back hundreds of years. Today, at the Big Apple Circus 41st anniversary tour, audiences can behold a quadruple somersault on the flying trapeze, horses and dogs, horizontal juggling, a trampoline wall, and impossible feats of balance all led by our ringmaster, Stephanie Monseu. How do seemingly ordinary people perform such extraordinary feats? The amazement of the circus provides a perfect platform for the study of STEM, literature, history, social studies, and physical education adaptable to all grades and ages. This study guide takes students on a delightful educational journey through the Big Apple Circus. Each entry will highlight applicable core curriculum standards along with suggested activities, conversation starters, and a bibliography. Please use this guide as a starting point for your own creative adventure into the world of circus education. The more you know… the more amazing the circus becomes. The ringmaster is your guide to the circus as she introduces each of the acts. Stephanie is a New York City native. In 1994, she began performing with Keith Nelson as a fire eater. They co- founded New York’s Bindlestiff Family Cirkus, beginning a lifelong partnership and a commitment to circus and variety arts. In addition to performing production and management duties for Bindlestiff, Stephanie has also worked with youth and adults in Bindlestiff’s Social Circus programs. Being a part of the community of international circus artists is the greatest reward of Stephanie’s career.
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The Total Patient
THE TOTAL PATIENT On call with Dr. Bovine: Clowning around helps young patients cope with cancer Bette Weinstein Kaplan hen you are a sick child lying unit at Memorial Sloan-Kettering, the not in the best circumstances. I chose in a hospital bed, constantly performers are specially trained in all to work at Memorial Sloan-Kettering W getting poked and punctured hospital hygiene protocols and famil- Cancer Center because the children or being wheeled away for procedures iar with all forms of medical clear- there were facing such a tough battle. that are uncomfortable or downright ances; they are even compliant with Also, the long-term inpatient aspect of painful, the last person you would want the Health Insurance Portability and the facility made me come up with new to see coming toward you is one more Accountability Act (HIPAA). material and kept my skills sharp.” white-coated doctor. That is, unless Considered the innovator of this art When asked what skills are needed to that doctor is Dr. Bovine. form, the Big Apple Circus Clown Care do what he did, he said, “You start with Dr. Bovine describes himself as “a program has inspired many other similar patience, resilience, the ability to listen, benevolent, almost plodding, always programs throughout the country since the ability to check your ego at the door, hungry, not so smart, pretty patient its inception in 1986. This type of activity and an open heart. Then add music, goofball with a porkpie hat, a short lab is nothing new for clowns and other per- magic, storytelling, juggling, tap dancing, coat, and round glasses.” He says the formers, Heroy says, since they have been jokes, singing, bubble blowing, puppets, bovine identity was especially appeal- entertaining in hospitals “for eons.” origami, comic timing, trivia, imper- ing to him because “cows give every sonations, riddles, Abbott and Costello part of themselves for something.” This BUT A CLOWN DOCTOR? routines, etc.
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