DOCSLIB.ORG

Return of Organization Exempt from Income

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Return of Organization Exempt from Income efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493167015054 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947 (a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2012 Department of the Treasury Internal Revenue Service 1-The organization may have to use a copy of this return to satisfy state reporting requirements A For the 2012 calendar year, or tax year beginning 08-01-2012 , 2012, and ending 07-31-2013 C Name of organization B Check if applicable D Employer identification number THE BIG APPLE CIRCUS LTD F Address change 13-2906037 Doing Business As F Name change 1 Initial return Number and street (or P 0 box if mail is not delivered to street address ) Room/suite E Telephone number ONE METROTECH CENTER NO 3RD FL p Terminated (212)268-2500 (- Amended return City or town, state or country, and ZIP + 4 BROOKLYN, NY 11201 1 Application pending G Gross receipts $ 20,304,376 F Name and address of principal officer H(a) Is this a group return for LYNN M STIRRUP affiliates? (-Yes No ONE METROTECH CENTER NO 3RD FL BROOKLYN , NY 11201 H(b) Are all affiliates included? 1 Yes (- No If "No," attach a list (see instructions) I Tax - exempt status F 501(c)(3) 1 501 (c) ( ) I (insert no ) (- 4947(a)(1) or F_ 527 H(c) Group exemption number - J Website :1- WWW BIGAPPLECIRCUS ORG K Form of organization F Corporation 1 Trust F_ Association (- Other 0- L Year of formation 1977 M State of legal domicile NY Summary 1 Briefly describe the organization 's mission or most significant activities THE CREATION AND PERFORMANCE OF AN ANNUAL PRODUCTION HAS ALWAYS BEEN THE CENTRAL ACTIVITY FOR THE CIRCUS THIS PRODUCTION ASSURES THE ORGANIZATION'S ARTISTIC INTEGRITY AND GUIDES THE DEVELOPMENT OF ITS FIVE COMMUNITY OUTREACH PROGRAMS EACH YEAR, THE CIRCUS USES ITS INTERCULTURAL APPEAL AS THE BASIS FOR OUTREACH TO DIVERSE AUDIENCES, TRANSFO RMING THE CIRCUS ACTS INTO A RESOURCE FOR PHYSICALLY AND ECONOMICALLY DISADVANTAGED COMMUNITIES FIVE OUTREACH PROGRAMS, CLOWN CARE, VAUDEVILLE CARAVAN, CIRCUS OFTHE SENSES, CIRCUS FOR ALLi AND CIRCUS AFTER SCHOOL, CONTINUE TO BRING THE ARTISTRY OF THE CIRCUS TO SPECIAL AUDIENCES, UNDER THE BIG TOP, AND IN HOSPITALS AND COMMUNITY CENTERS IN ITS 33ND SEASON,THE BIG APPLE CIRCUS EMBRACED ITS ROLE AS NEW YORK'S "HOME TOWN" CIRCUS THE SHOWTOURED FOR 40 WEEKS AND REACHED 8 LOCATIONS FOR A TOTAL OF 360 PERFORMANCES of 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) . 3 20 4 Number of independent voting members of the governing body (Part VI, line 1b) . 4 20 5 Total number of individuals employed in calendar year 2012 (Part V, line 2a) . 5 574 6 Total number of volunteers (estimate if necessary) 6 27 7aTotal unrelated business revenue from Part VIII, column (C), line 12 . 7a 1,293,661 b Net unrelated business taxable income from Form 990-T, line 34 . 7b -136,760 Prior Year Current Year 8 Contributions and grants (Part VIII, line 1h) . 3,445,479 3,114,315 9 Program service revenue (Part VIII, line 2g) . 12,989,458 14,290,361 N 10 Investment income (Part VIII, column (A), lines 3, 4, and 7d . 112,468 139,919 11 Other revenue (Part VIII, column ( A), lines 5, 6d, 8c , 9c, 10c, and 11e) 1,255,090 1,305,623 12 Total revenue-add lines 8 through 11 (must equal Part VIII, column (A), line 12) . 17,802,495 18,850,218 13 Grants and similar amounts paid (Part IX, column (A), lines 1-3) 0 0 14 Benefits paid to or for members (Part IX, column (A), line 4) . 0 0 15 Salaries , other compensation , employee benefits (Part IX, column (A), lines 5-10) 7,872,902 8,870,972 16a Professional fundraising fees (Part IX, column (A), line 11e) 0 0 b Total fundraising expenses (Part IX, column (D), line 25) 0-692,830 LLJ 17 Other expenses (Part IX, column (A), lines 11a-11d, 11f-24e) . 10,703,789 12,577,559 18 Total expenses Add lines 13- 17 (must equal Part IX, column (A), line 25) 18,576,691 21,448,531 19 Revenue less expenses Subtract line 18 from line 12 -774,196 -2,598,313 Beginning of Current End of Year Year 20 Total assets (Part X, line 16) . 7,305,580 6,488,797 M %TS 21 Total liabilities (Part X, line 26) . ap ZLL 22 Net assets or fund balances Subtract line 21 from line 20 Signature Block Under penalties of perjury , I declare that I have examined this return , includin my knowledge and belief, it is true, correct , and complete Declaration of preps preparer has any knowledge Signature of officer Sign Here LYNN M STIRRUP CHIEF FINANCIAL OFFICER Type or print name and title Print/Type preparer' s name Preparers signature GARRETT M HIGGINS CPA Paid Firm's name 1- O'CONNOR DAVIES LLP Pre pare r Use Only Firm's address -665 FIFTH AVENUE NEW YORK, NY 10022 May the IRS discuss this return with the preparer shown above? ( see instructs For Paperwork Reduction Act Notice, see the separate instructions. Form 990 ( 2012) Page 2 Statement of Program Service Accomplishments Check if Schedule 0 contains a response to any question in this Part III .F 1 Briefly describe the organization's mission THE MISSION OF THE BIG APPLE CIRCUS IS TO INVIGORATE AUDIENCES WITH THE JOY AND WONDER OF CLASSICAL CIRCUS AN ACCLAIMED SHOWCASE FOR PERFORMANCE TRADITIONS FROM CULTURES AROUND THE WORLD, THE BIG APPLE CIRCUS IS A DISTINCTLY NEWYORK INSTITUTION EMBRACED BY GENERATIONS SINCE ITS FIRST PERFORMANCE IN LOWER MANHATTAN IN 1977,THE BIG APPLE CIRCUS LAUNCHED AN AMERICAN REVIVAL OFTHE CLASSICAL CIRCUS THE CIRCUS'S LOCATION IN NEW YORK IS PRECISELY THE REASON IT HAS FLOURISHED FOR OVER THREE DECADES, PERPETUATING AN INTERNATIONAL ART FORM IN ONE OFTHE WORLD'S KEY URBAN CENTERS 2 Did the organization undertake any significant program services during the year which were not listed on the prior Form 990 or 990-EZ7 . fl Yes F No If"Yes,"describe these new services on Schedule 0 3 Did the organization cease conducting , or make significant changes in how it conducts, any program services? . F Yes F7 No If"Yes,"describe these changes on Schedule 0 4 Describe the organization 's program service accomplishments for each of its three largest program services, as measured by expenses Section 501(c)(3) and 501( c)(4) organizations are required to report the amount of grants and allocations to others, the total expenses , and revenue, if any, for each program service reported 4a (Code ) ( Expenses $ 12,984,824 including grants of $ ) (Revenue $ 12,182,991 CIRCUS PERFORMING UNITTHE PERFORMING UNIT OF THE BIG APPLE CIRCUS IS THE DIVISION OF THE COMPANY THAT BRINGS THE ARTISTIC PRODUCTION(THE SHOW) TO VARIOUS COMMUNITIES IN A YEARLY, MULTI YEAR TOUR THE PERFORMING UNIT COMPRISES THE PERFORMANCE FACILITY(CONSISTING OF A BIG TOP TENT, ONE THOUSAND SEVEN HUNDRED AND TWENTY THREE (1,723) BLEACHER AND CHAIR SEATS, LIGHTING AND SOUND EQUIPMENT, AND PROPS, SET AND OTHER EQUIPMENT INCIDENTAL TO THE SHOW) AND TRAILERS CONTAINING GENERATORS THAT FURNISH ELECTRICAL POWER TO THE CIRCUS, LIVING ACCOMMODATIONS FOR CIRCUS PERSONNEL, TOILET FACILITIES FOR SPECTATORS, CONCESSIONS SELLING FOOD AND SOUVENIR ITEMS SELECTED BY THE CIRCUS, UNITS USED AS HOUSING FOR ANIMALS, AND FOR STORAGE, AMONG OTHERS A STAFF OF MORE THAN 100 PEOPLE IS NECESSARY TO OPERATE THE UNIT, INCLUDING PERFORMING ARTISTS, OPERATIONS STAFF, AND ALL TECHNICAL PERSONNEL THAT ARE NECESSARY TO INSTALL, OPERATE, MOVE AND REMOVE THE PERFORMANCE FACILITY AND OTHER EQUIPMENT AS THE CIRCUS MAY USE INCIDENT TO THE SHOW THERE IS ALSO BOX OFFICE AND ADMINISTRATIVE STAFF, I E , PERSONNEL SUCH AS MANAGERS, USHERS, TICKET TAKERS,AND OTHER PERSONNEL SUFFICIENT, IN THE CIRCUS'JUDGEMENT, TO PROVIDE FOR THE ORDERELY SEATING AND HANDLING OF THE SPECTATORS AND FOR THE PROPER OCCUPANCY OF THE CIRCUS ON THE SITE 4b (Code ) (Expenses $ 1,428,542 including grants of $ (Revenue $ 813,709 ) CLOWN CARETHE BIG APPLE CIRCUS CLOWN CARE PROGRAM, A COMMUNITY OUTREACH PROGRAM OF THE BIG APPLE CIRCUS,SERVES HOSPITIALIZED CHILDREN IN 14 PREEMINENT PEDIATRIC FACILITIES NATIONWIDE WHILE CLINICAL STAFF TREAT CHILDREN'S DISEASES,OUR NEARLY 65 CLOWN CARE CLOWN DOCTORS PARTNER WITH THEM TO MAKE FUN AND HUMOR PART OF THE STANDARD OF CARE USING JUGGLING, MIME, MAGIC, AND MUSIC OUR CLOWN DOCTORS MAKE MORE THAN 200,000 VISITS ANNUALLY, WORKING ONE TO FIVE DAYS EACH WEEK, YEAR ROUND "A CHILD'S NATURAL NEED TO LAUGH CAN GET LOST IN THE TANGLE OF HOSPITAL PROCEDURES, TECHNOLOGIES, AND STRUCTURES, " SAYS MICHAEL CHRISTENSEN, CO-FOUNDER OF THE BIG APPLE CIRCUS, WHO CREATED THE CLOWN CARE PROGRAM IN 1986 PROFESSIONAL DOCTORS OF DELIGHT CONDUCT CLOWN ROUNDS, A PARODY OF MEDICAL ROUNDS WHERE LAUGHTER IS THE CHIEF MEDICAL TREATMENT WEARING WHITE COATS AND ASSUMING SILLY NAMES, THE CLOWNS WORK IN TEAMS OF TWO, WITH A SUPERVISING CLOWN ON EACH TEAM MASTERS OF GENTLE PARODY, CLOWN DOCTORS CAN EXAGGERATE INTIMIDATING MEDICAL JARGON AND PROCEDURES TO HUMOROUS EXTREMES, DISSIPATING FEAR AND ANXIETY IN THE PROCESS IN CLASSICAL CIRCUS, UNDER A BIG TOP TENT, THE RINGMASTER, AS THE AUTHORITY FIGURE, IS THE FOCUS OF PARODY, IN THE HOSPITAL, THE DOCTORS, RULES, AND PROCEDURES BECOME THE NATURAL TARGETS OF LOVING IRREVERENCE THE CLOWN DOCTORS PERFORM THEIR OWN SPECIALIZED PROCEDURES AT BEDSIDES, SUCH AS RED NOSE TRANSPLANTS AND KITTY CAT SCANS OUR GOAL IS TO EMPOWER HOSPITALIZED CHILDREN, MAKING THEM THE BOSSES OF THE CLOWNS, AND ENCOURAGING THEM TO DIRECT THE ACTION LIKE THEIR MEDICAL COLLEAGUES, CLOWN DOCTORS ARE HIGHLY SKILLED PRACTITIONERS OF THEIR PROFESSION
Load more

Recommended publications
  • Featuring Nik Wallenda & “Grandma”
    featuring Nik Wallenda & “Grandma” Welcome to the of 1 Welcome to the On behalf of all the performers, administrative staff, design team and crew, we welcome you to this very special production of the Big Apple Circus. This year marks the 40th Anniversary of a beloved New York City cultural gem that has delighted generations of families during its traditional holiday season at Lincoln Center and cities up and down the East Coast and as far west as Chicago. The 40th Anniversary celebrates the rebirth of a New York City and American cultural institution. After declaring bankruptcy in 2016, the Big Apple Circus seemed destined for extinction. Each of us in front and behind the curtain are honored to be part of this renaissance. The circus transcends all barriers bringing together children and adults of all ages, cultures and faith. For two hours, the world inside the Big Top transforms into a colorful kaleidoscope of wonder, amazement and laughter for all to of share. At the Big Apple Circus, we are committed to continuing the outreach programs so every child will have the opportunity to experience the wonder of the Circus. This year we will be expanding the number of shows adapted for children and young adults with Autism as well as those with hearing and visual challenges through our Circus of the Senses. In addition, we continue our commitment to provide children less fortunate the opportunity to attend the circus. Welcome back and enjoy the show. All of us at Big Apple Circus thank you for your support and hope you enjoy the magic and thrill of this special 40th Anniversary Show.
    [Show full text]
  • THE BIG APPLE CIRCUS, LTD. Case No
    16-13297-shl Doc 102 Filed 01/27/17 Entered 01/27/17 19:36:02 Main Document Pg 1 of 32 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK In re: Chapter 11 THE BIG APPLE CIRCUS, LTD. Case No. 16-13297 (SHL) Debtor. GLOBAL NOTES AND STATEMENT OF LIMITATIONS, METHODOLOGY AND DISCLAIMER REGARDING DEBTOR’S SCHEDULES OF ASSETS AND LIABILITIES AND STATEMENT OF FINANCIAL AFFAIRS On November 20, 2016 (the “Petition Date”), The Big Apple Circus, Ltd, the above- captioned debtor and debtor in possession (the “Debtor”) filed a voluntary petition for relief under chapter 11 of title 11 of United States Code (the “Bankruptcy Code”) with the United States Bankruptcy Court for the Southern District of New York (the “Bankruptcy Court”). The Debtor is currently operating its business as a debtor in possession pursuant to sections 1107(a) and 1108 of the Bankruptcy Code. The Debtor, with the assistance of its advisors, has prepared its Schedules of Assets and Liabilities (the “Schedules”) and Statement of Financial Affairs (the “SOFA”) pursuant to section 521 of the Bankruptcy Code and rule 1007 of the Federal Rules of Bankruptcy Procedure. These Global Notes and Statement of Limitations, Methodology and Disclaimer Regarding the Debtor’s Schedules of Assets and Liabilities and Statement of Financial Affairs (the “Global Notes”) pertain to all of the Schedules and the SOFA. While the Debtor’s management has made reasonable efforts to ensure that the Schedules and the SOFA are accurate and complete based on information that was available to them at the time of preparation, subsequent information or discovery may result in material changes to the Schedules and the SOFA, and inadvertent errors or omissions may exist in the Schedules and the SOFA.
    [Show full text]
  • Appendix A: 1976 Clown College and 1977 Blue Unit Route
    A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST.
    [Show full text]
  • A Conversation with Henry Kissinger Jaclyn Novatt
    Issue 66 March 2010 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY THE INSIGHT LECTURE BRINGS POlitiCS TO CAMPUS: A CONVERSAtiON WitH HENRY KISSINGER Jaclyn Novatt On Tuesday, January 19, Rockefeller University hosted Dr. Henry past, Kissinger spoke about the way sovereign nations are identi- Kissinger as the first speaker in a series of Insight Lectures dedi- fied. I thought this was a fascinating way of thinking. According cated to politics. If the emails back and forth over the university’s to Kissinger, today there are four worlds. There’s the post-modern political listserv are any indication, Dr. Kissinger is a highly po- Europe which, although the nations are sovereign, features more larizing figure. Kissinger served as National Security Advisor and cooperation than competition since the formation of the Euro- Secretary of State under President Richard Nixon, and continued pean Union. In the Asian world, nations see their neighbors as to advise subsequent administrations on foreign policy. As Sec- potential rivals and approach them with more caution. The Jiha- retary of State, Kissinger oversaw the negotiations of the Paris dist world does not rely on national boundary lines, but rather Peace Accords, ending the Vietnam War. He was also involved ideological and religious boundaries. Finally, there is the world in many controversial events, such as the bombings of Cambodia that exists irrespective of any boundaries: climate change, trade, and Laos in the early 1970s and the cia’s support of Chile’s Au- and nuclear proliferation. gusto Pinochet in 1973. Despite such controversy, Dr. Kissinger is After the formal conversation, the audience had the oppor- highly respected by many, winning the Nobel Peace Prize and the tunity to ask questions.
    [Show full text]
  • Circus and the City New York, 1793–2010
    Circus and the City New York, 1793–2010 Libsohn–Ehrenberg. “April Manhattan.” Cue, the Weekly Magazine of New York Life (April 1945), 16. On view September 21, 2012– February 3, 2013 Exhibition From September 21, 2012, to February 3, 2013, the Bard Graduate Center: Decorative Arts, Design History, Mate- rial Culture (BGC) will present Circus and the City: New York, 1793–2010, an exhibition that uses New York City as a lens through which to explore the extraordinary de- velopment and spectacular pageantry of the American circus. Through a wide variety of ephemera, images, and artifacts, the exhibition documents the history of the circus in the city, from the seminal equestrian displays of the late eighteenth century through the iconic late nineteenth-century American railroad circus to the Big Apple Circus of today. From humble beginnings, the circus grew into the most popular form of entertain- “Nixon & Co.’s Mammoth Circus: The Great Australian ment in the United States. By the turn of the twentieth Rider James Melville as He Appeared Before the Press of New York in His Opening Rehearsal at Niblo’s Garden,” century, New York City was its most important market 1859. Poster, printed by Sarony, Major, & Knapp, New and the place where cutting-edge circus performances York. Courtesy, American Antiquarian Society. and exhibitions were introduced to the nation. “Circus and the City promises to be one of the grandest and it offers a compelling look at how New York City exhibitions about the American circus ever mounted, influenced and inspired this iconic form of American popular entertainment,” said curator Matthew Witt- mann, a curatorial fellow at the BGC.
    [Show full text]
  • Big Apple Circus Bag Policy Ertos
    Big Apple Circus Bag Policy Jay remains Polynesian: she struts her lithomancy blasts too doubly? Sloan handsel mucking if Dravidian Lazarus concatenated or demonetize. Unfearing and graphic Heathcliff remonstrates: which Nicholas is spotless enough? Attach delegated event in big bag policy, who acted as writing, where the circus: fun and how hard to be updated jobs from the fun. Listened to sign in the program events are the performers. Any information is of circus policy, michael and the reins, far more transparency from the communities. Quite why just made locally in early for joy and ceo penelope lopez in healthcare facilities and the country. Force anyone to apple circus bag smokers over and spread it worked out the tour management and through to six others are listed the west. Per the features you want to be in the slot. Dress for circus policy to find a different show trial run by tilting your order right under its play and the intermission. Paul binder was this big apple bag during a quarter of harris health officials said of event? Monkeys have this big apple circus during the developer will be better place your nyc run a night, and the vaccine. When the ringmaster, apple bag honorary doctorate degree in you want to pull material from home health agencies and there were laughing so hard to the city. Partner promotions and wonder of talents and an acknowledgement of circus. Guidance and watch for big bag policy, and meet amazing experience as per the animal welfare institute, when it returns to our tent is the app.
    [Show full text]
  • The Balancing Act Is Dedicated to Three Cousins: BJ Scarfone, Lynne Manilla, and Sandi Manilla, of Blessed Memory, for Helping Us Keep Our Balance!
    The Balancing Act is dedicated to three cousins: BJ Scarfone, Lynne Manilla, and Sandi Manilla, of blessed memory, for helping us keep our balance! Welcome! Circus is about humans overcoming challenges. Our entire world is challenged right now. As a nonprofit social circus school, we feel like we are walking a tightrope. Under normal circumstances, we know how to walk a tightrope, however the length keeps getting extended. When you are learning to walk a tightrope, if you start to lose your balance, you don’t stay in one place and fight to get it back. The best thing to do to regain your balance is to take your next step forward. One of our students, Will Hickey, said, “It’s important to look for balance. It doesn’t necessarily seek you out if you don’t look for it.” From their living rooms, bedrooms, backyards, and local parks, Circus Harmony students and alumni have created new acts and tell the stories of how they are keeping their balance in this unbalanced time. Will observed, “This show feels like it’s taking our separated lives and individual experiences and attaching them. There’s a reason people make quilts and not just regular blankets.” Come wrap yourself in this show, like the circus itself, the show is daring and funny, exciting and entertaining, heart-stopping and heart-warming. I think you will be inspired by these young people’s strength, grace, and resilience. Jessica Hentoff Pre-Show A view into how some of Circus Harmony’s alumni, students, parents and coaches are keeping their balance.
    [Show full text]
  • Big Apple Circus Lincoln Center Directions
    Big Apple Circus Lincoln Center Directions Glamorous Hayes amalgamated her alimentations so furiously that Orren pontificated very identically. How medicable is Darrick when effaceable and gowned Noach oxygenated some guyots? Quietist and terefah Waylen never burlesque his declinations! Streetcar named desire, take an even chucked in st marks the big apple circus center houses an opportunity to find out the graduate from his style proliferated quickly As October is usually someone beginning with fall in NYC, the leaves, especially in Central Park, hill just glorious and investigate first hints appear the holiday season is playing around any corner. Sports tickets online purchase price of two living in other cities that, paul immediately invited her doctor of music events even composes his own good. In these visions of exciting sporting event, and play in new boss tells arthur is home of. Big Apple Circus At Lincoln Center New York Tickets Schedule Seating Chart Directions. Welcome to NYCB Theatre at Westbury Theatre at Westbury. So i win apple circus center, lincoln center during these days later linda alone in one is also offers, less applicable delivery fees associated materials in. Ghana that was focused on trumpet player. Buy big apple. We could see arthur says arthur go ice cream to big apple circus lincoln center directions dictated by dataco restrictions on, one of a road trip adventures of starting address given on our best yet, itzhak perlman tells arthur. Paper across it centers on. Party in madison square are welcome big apple circus lincoln center directions with custom concerts. The day I phone, one cat was hesitant to rhyme a trick.
    [Show full text]
  • Fleetwood Mac Unleashed and Uncomplicated 37 Fleetwood Mac Crew List 40 Advertiser's Index
    volume 2 issue 5 2009 EVENT & ARENA MARKETING CONFERENCE COLORADO SPRINGS • JUNE 10-13, 2009 The only industry conference devoted to the exchange of ideas among marketing, group sales, public relations, event planning and live show promoters and professionals. KEYNOTE SPEAKER: DARRYL SEIBEL, CCO, US OLYMPIC COMMITTEE Hosted By Register online at EventArenaMarketing.com Conference Registration Includes: Register online at eventarenamarketing.com • Admission to all sessions including keynote $575 - Registration after Friday, May 1st speaker, concurrent and panel sessions, roundtable discussions and team-building $400 - Additional people from the same venue (up to 10) experiences. • Conference notebook and SWAG bag $250 - Single Day and Student Registrations • Meals hosted by industry leaders • Networking opportunities • Evening entertainment activities TO REGISTER FOR THE CONFERENCE AND • Transportation to evening events VIEW THE CURRENT AGENDA, • Opportunity to participate in the Silent Auction PLEASE VISIT EVENTARENAMARKETING.COM and Raffl e A Special Thank You to Our Sponsors: Access Pass and Design • Billboard Magazine • Carbonhouse • Centerplate Catering Cirque du Soleil • Harlem Globetrotters • IP Advertising • New Belgium Beer • Pollstar • Smucker’s Stars on Ice • Ticketmaster • Tickets West Tour Guide Magazine • VEE Corp • Venues Today • The Wiggles • World Arena mobile production monthly 2 mobilePRODUCTION monthly con volume 2 issue 5 2009tents cover photo courtesy of Jeremy Cowart FEATURES 8 Hotels The Andaz West Hollywood Sophistication
    [Show full text]
  • The New Victory Theater Presents Acrobuffos' Where Circus And
    Allison Mui | Director of PR | [email protected] | 646.223.3067 The New Victory Theater Presents Acrobuffos’ Where Circus and Science Take Flight March 30 - April 15 Written, Created and Performed by Seth Bloom and Christina Gelsone Air Sculptures in collaboration with Daniel Wurtzel Directed by West Hyler New York, NY (February 28, 2018) -- Watch in absolute wonder as umbrellas take flight, ​ ​ ​ balloons sprout minds of their own and shimmering silks ripple to the rafters in the modern spectacle AIR PLAY, playing at The New Victory Theater from March 30 - April 15, 2018. With ​ ​ knowing smiles and suitcases full of surprises, the globetrotting Acrobuffos (Big Apple Circus, ​ ​ ​ ​ Waterbombs!) elicit gasps and giggles in equal measure as they animate airflow, goad gravity, ​ and make buoyant, beautiful and really, really, really high art out of the very thing we breathe. Created, written and performed by husband and wife team Seth ​ Bloom and Christina Gelsone, AIR PLAY features the ​ ​ ​ ​ ​ Acrobuffos’ signature mix of circus and street theater with the sculptural artistry of Daniel Wurtzel (Finding Neverland, Sleep ​ ​ ​ ​ ​ No More, Radio City Rockettes’ New York Spectacular, Cirque ​ ​ ​ du Soleil’s Amaluna), the world’s only professional air sculptor ​ ​ whose “Magic Carpet” airflow piece went viral on YouTube with over two million views. Using aerodynamic science, mathematics and a carefully positioned circle of fans, every performance of AIR PLAY is ​ ​ ​ affected by the slightest changes in atmosphere--from humidity to the heat of the audience--a discovery made while in development with NEW VICTORY LabWorks, the theater’s new work development program. ​ ​ ​ Created to foster exciting and original works for family audiences here in the U.S., NEW VICTORY ​ LabWorks invites its artists to share their work, while in development, with young audiences made up of New Victory Member families whose feedback proves invaluable.
    [Show full text]
  • STUDY GUIDE 41St Anniversary
    41st anniversary STUDY GUIDE Welcome to the 41st anniversary tour of the Big Apple Circus! The thrill and excitement of the circus dates back hundreds of years. Today, at the Big Apple Circus 41st anniversary tour, audiences can behold a quadruple somersault on the flying trapeze, horses and dogs, horizontal juggling, a trampoline wall, and impossible feats of balance all led by our ringmaster, Stephanie Monseu. How do seemingly ordinary people perform such extraordinary feats? The amazement of the circus provides a perfect platform for the study of STEM, literature, history, social studies, and physical education adaptable to all grades and ages. This study guide takes students on a delightful educational journey through the Big Apple Circus. Each entry will highlight applicable core curriculum standards along with suggested activities, conversation starters, and a bibliography. Please use this guide as a starting point for your own creative adventure into the world of circus education. The more you know… the more amazing the circus becomes. The ringmaster is your guide to the circus as she introduces each of the acts. Stephanie is a New York City native. In 1994, she began performing with Keith Nelson as a fire eater. They co- founded New York’s Bindlestiff Family Cirkus, beginning a lifelong partnership and a commitment to circus and variety arts. In addition to performing production and management duties for Bindlestiff, Stephanie has also worked with youth and adults in Bindlestiff’s Social Circus programs. Being a part of the community of international circus artists is the greatest reward of Stephanie’s career.
    [Show full text]
  • The Total Patient
    THE TOTAL PATIENT On call with Dr. Bovine: Clowning around helps young patients cope with cancer Bette Weinstein Kaplan hen you are a sick child lying unit at Memorial Sloan-Kettering, the not in the best circumstances. I chose in a hospital bed, constantly performers are specially trained in all to work at Memorial Sloan-Kettering W getting poked and punctured hospital hygiene protocols and famil- Cancer Center because the children or being wheeled away for procedures iar with all forms of medical clear- there were facing such a tough battle. that are uncomfortable or downright ances; they are even compliant with Also, the long-term inpatient aspect of painful, the last person you would want the Health Insurance Portability and the facility made me come up with new to see coming toward you is one more Accountability Act (HIPAA). material and kept my skills sharp.” white-coated doctor. That is, unless Considered the innovator of this art When asked what skills are needed to that doctor is Dr. Bovine. form, the Big Apple Circus Clown Care do what he did, he said, “You start with Dr. Bovine describes himself as “a program has inspired many other similar patience, resilience, the ability to listen, benevolent, almost plodding, always programs throughout the country since the ability to check your ego at the door, hungry, not so smart, pretty patient its inception in 1986. This type of activity and an open heart. Then add music, goofball with a porkpie hat, a short lab is nothing new for clowns and other per- magic, storytelling, juggling, tap dancing, coat, and round glasses.” He says the formers, Heroy says, since they have been jokes, singing, bubble blowing, puppets, bovine identity was especially appeal- entertaining in hospitals “for eons.” origami, comic timing, trivia, imper- ing to him because “cows give every sonations, riddles, Abbott and Costello part of themselves for something.” This BUT A CLOWN DOCTOR? routines, etc.
    [Show full text]