Michael Christensen and the Big Apple Clown Care Unit
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Gayle Lajoye Interviewed by Philip Mfulks 116 Ridge St
Interview with Gayle LaJoye Interviewed by Philip MFulks 116 Ridge St. Marquette, Michigan 4.22.1981 Start of interview (P) Mr. LaJoye what is your profession? (G) Well I worked as a clown for the circuses and now I’m working as a clown on stage, pretty much doing instead of circus clowning I’m doing clowning which is more indicative to the stage and has a greater structure. There’s a lot of difference in both types of clowning. (P) I see. So then you are working independently rather than with a circus or anything like that? (G) Yes I’m trying to do shows on a college circuit and nightclubs and things like that. But I’m trying to take the clowning from the circus which was more a popular entertainment thing but yet it’s still an art form into more of a serious theater piece where it has a beginning middle and an end. (P) How did you become involved with clowning? (G) I was involved with theater at Northern Michigan University and I tried doing a few things around in school and found that I had a pretty good ability for acting and I got involved in theater and I worked in a few of the play and got real good support from the public and my teachers. And I decided that I wanted to instead of going on into the university, I was getting kind of tired college so I decided to maybe go into a professional field, more like popular entertainment and try and take classes while I was doing and move into acting in either a large city or whatever areas I had go to do that. -
Featuring Nik Wallenda & “Grandma”
featuring Nik Wallenda & “Grandma” Welcome to the of 1 Welcome to the On behalf of all the performers, administrative staff, design team and crew, we welcome you to this very special production of the Big Apple Circus. This year marks the 40th Anniversary of a beloved New York City cultural gem that has delighted generations of families during its traditional holiday season at Lincoln Center and cities up and down the East Coast and as far west as Chicago. The 40th Anniversary celebrates the rebirth of a New York City and American cultural institution. After declaring bankruptcy in 2016, the Big Apple Circus seemed destined for extinction. Each of us in front and behind the curtain are honored to be part of this renaissance. The circus transcends all barriers bringing together children and adults of all ages, cultures and faith. For two hours, the world inside the Big Top transforms into a colorful kaleidoscope of wonder, amazement and laughter for all to of share. At the Big Apple Circus, we are committed to continuing the outreach programs so every child will have the opportunity to experience the wonder of the Circus. This year we will be expanding the number of shows adapted for children and young adults with Autism as well as those with hearing and visual challenges through our Circus of the Senses. In addition, we continue our commitment to provide children less fortunate the opportunity to attend the circus. Welcome back and enjoy the show. All of us at Big Apple Circus thank you for your support and hope you enjoy the magic and thrill of this special 40th Anniversary Show. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
Tilburg University a Pastoral Psychology of Lament Blaine
Tilburg University A pastoral psychology of lament Blaine-Wallace, W. Publication date: 2009 Link to publication in Tilburg University Research Portal Citation for published version (APA): Blaine-Wallace, W. (2009). A pastoral psychology of lament. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. okt. 2021 A Pastoral Psychology of Lament A PASTORAL PSYCHOLOGY OF LAMENT Pastoral Method-Priestly Act-Prophetic Witness Proefschrift ter verkrijging van de graad van doctor aan de Universiteit van Tilburg, op gezag van de rector magnificus, prof.dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op maandag 15 juni 2009 om 14.15 uur door William Blaine-Wallace geboren op 22 mei 1951 te Salisbury, North Carolina, USA 2 A Pastoral Psychology of Lament Promotores Prof. -
Keith Resume
347-404-0422 Height: 5’ 11’’ [email protected] Weight: 185 lbs. bindlestiff.org Hair: Dk Brown, Long Keith Nelson Eyes: Brown VARIETY ENTERTAINER * J UGGLER * S IDESHOW MARVEL * C LOWN * M ASTER OF CEREMONIES PERFORMING PROFESSIONALLY SINCE 1994 Performance Skills Sideshow Feats: Circus Skills: Diabolo Bullwhip Sword Swallowing Clowning Balloon Sculpture Archery Fire-eating Stilt Walking Balancing Gun Spinning Bed of Nails Unicycling Mouth sticks Human Blockhead Basic Tumbling/Acrobatics Bottle and glass tricks Additional Skills Mental Floss Tuba Straight Jacket Escape Prop Manipulation: Western Skills: Concertina Juggling Trick Rope Spinning Magic Plate Spinning Knife Throwing Basic Tap Dancing Work Experience - Venues & Festivals Avery Fischer Hall (w/ Ornette Coleman), NYC King Opera House, Van Buren, AK Hall & Christ’s World of Wonders, NJ San Diego Street Scene, CA Yale Cabaret, Yale University, CT Blue Angel Cabaret, NY Toyota Comedy Festival, NY Knitting Factory, NY Burning Man Festival, NV Bonnaroo, TN Glastonbury Festival, UK All Good Festival, WV Coney Island Sideshow by the Seashore, NY MGM Grand Theater, Washington, DC Wild Style Tattoo Convention, Austria Borgata Hotel and Casino, Atlatnic City Television/Film/Video Late Late Show with James Corden “The Today Show,” NBC “On the Inside,” BBC Late Night w/ David Letterman,” CBS “Twisted Lives of Contortionist,” “Tudo de Bom,” MTV Brazil “Carson Daly Show,” NBC Discovery “Tonigh Show wih Jay Leno” “Oddville,” MTV “Rock of Ages,” VH-1 “OZ.” HBO “212,” FOX Clients Bendel’s -
A Thesis Presented to the Faculty of Alfred University Clowning
A Thesis Presented to The Faculty of Alfred University Clowning as an Act of Social Critique, Subversive and Cathartic Laughter, and Compassion in the Modern Age by Danny Gray In Partial Fulfillment of the Requirements for The Alfred University Honors Program May 9th, 2016 Under the Supervision of: Chair: Stephen Crosby Committee Members: M. Nazim Kourgli David Terry “Behind clowns, sources of empathy, masters of the absurd, of humor, they who draw me into an inexplicable space-time capsule, who make my tears flow for no reason. Behind clowns, I am surprised to sense over and over again humble people, insignificant we might even say, stubbornly incapable of explaining, outside the ring, the unique magic of their art.” - Leandre Ribera “The genius of clowning is transforming the little, everyday annoyances, not only overcoming, but actually transforming them into something strange and terrific. It is the power to extract mirth for millions out of nothing and less than nothing.” - Grock 1 Contents Introduction 3 I: Defining Clown 5 II: Clowning as a Social Institution 13 III: The Development of Clown in Western Culture 21 IV: Clowns in the New Millennium 30 Conclusion 39 References 41 2 The black and white fuzz billowed across the screen as my grandmother popped in a VHS tape: Saltimbanco, a long-running Cirque du Soleil show recorded in the mid-90’s. I think she wanted to distract me for an hour while she worked on a pot of gumbo, rather than stimulate an interest in circus life. Regardless, I was well and truly engrossed in the program. -
You Are Cordially Invited to Attend a Mystery Party…
You are cordially invited to attend a mystery party… Hosted by: __________________________________ You are assigned the role of: ____________________________________ Date: _________________time: ______________ Scene of the crime: __________________________________________ Rsvp: _____________________________________ Don’t forget to check out: www.Yourmysteryparty.com/greatestshow for costume suggestions, the game trailer and more! MyMysteryParty.com © Copyright All Rights Reserved. LIST OF EMPLOYEES REQUIRED TO ATTEND THE DEBUT PARTY THE GREATEST SHOW ON EARTH STARR DANGERFIELD Wax Museum Curator Starr Dangerfield is the curator at the Greatest Show Wax Museum – a sideshow exhibit next to the Big Top. Starr creates and maintains lifelike figures of movie stars, politicians, and other celebrities. Starr offers VIP tours of the museum’s workshop to show the process of the creation of the wax tributes. Starr lurks in the shadows of the fairgrounds to watch customers walk by on occasion. Some believe Starr is searching for the right person – but for what reason? FLOSSY G. Acrobat Flossy G. is an acrobat who doubles as a ride jock on the Vortex Gravitron roller coaster – a ride which is advertised as causing less than forty injuries to riders per year. Flossy G. has been known to fight with customers of the funfair and follow them into the parking lot. Under the Big Top, Flossy G. radiates balance, agility, and strength on the trapeze, silks, and aerial hoops. An adrenaline junky, Flossy G. loves the combination of soaring heights and danger. MAX A. MILLION Ringmaster Max A. Million is a peculiar master of ceremonies who rescues people from dangerous circumstances in their lives and recruits them to become part of the big family of The Greatest Show on Earth – a traveling circus and funfair. -
THE BIG APPLE CIRCUS, LTD. Case No
16-13297-shl Doc 102 Filed 01/27/17 Entered 01/27/17 19:36:02 Main Document Pg 1 of 32 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK In re: Chapter 11 THE BIG APPLE CIRCUS, LTD. Case No. 16-13297 (SHL) Debtor. GLOBAL NOTES AND STATEMENT OF LIMITATIONS, METHODOLOGY AND DISCLAIMER REGARDING DEBTOR’S SCHEDULES OF ASSETS AND LIABILITIES AND STATEMENT OF FINANCIAL AFFAIRS On November 20, 2016 (the “Petition Date”), The Big Apple Circus, Ltd, the above- captioned debtor and debtor in possession (the “Debtor”) filed a voluntary petition for relief under chapter 11 of title 11 of United States Code (the “Bankruptcy Code”) with the United States Bankruptcy Court for the Southern District of New York (the “Bankruptcy Court”). The Debtor is currently operating its business as a debtor in possession pursuant to sections 1107(a) and 1108 of the Bankruptcy Code. The Debtor, with the assistance of its advisors, has prepared its Schedules of Assets and Liabilities (the “Schedules”) and Statement of Financial Affairs (the “SOFA”) pursuant to section 521 of the Bankruptcy Code and rule 1007 of the Federal Rules of Bankruptcy Procedure. These Global Notes and Statement of Limitations, Methodology and Disclaimer Regarding the Debtor’s Schedules of Assets and Liabilities and Statement of Financial Affairs (the “Global Notes”) pertain to all of the Schedules and the SOFA. While the Debtor’s management has made reasonable efforts to ensure that the Schedules and the SOFA are accurate and complete based on information that was available to them at the time of preparation, subsequent information or discovery may result in material changes to the Schedules and the SOFA, and inadvertent errors or omissions may exist in the Schedules and the SOFA. -
Smart Family Collection
Smart Family Collection Monographs, Articles, Manuscripts and Research Material 178B34 Photographs and Postcards 178C26 Films 178D14 Audio Material 178E9 Correspondence 178F34 Newspaper Cuttings and Scrapbooks 178G41 Business Records 178H21 (Access restrictions apply) Trade and Advertising Material 178I24 Bibliographies and Catalogues 178J10 Programmes 178K44 Maps, Plans and Charts 178M17 Calendars and Almanacs 178N6 Obituaries, Births, Death and Marriage Certificates 178Q9 Poster 178R7 Handbills 178T42 Original Artwork 178V12 Various 178Z46 178B34.1 Research Material Early Fairground Memories by Alan Ingram 13 May 2003 Early fairground memories by Alan Ingram Typescript 3 p.p Smart Family Collection 178B34.2 Research Material Billy Smart statue in park No Date Information about Billy Smart from statue in park (no location of park or statue given) Typescript 1 p.p Smart Family Collection 178B34.3 Research Material "The Smart Life" 1993 Information about the Billy Smart's Big Top show coming back since the last live show in 1971 Typescript 2 p.p Smart Family Collection 178B34.4 Research Material from Circus Hall of Fame 12 September 1970 Information about the Circus Hall of Fame enshrining Mayme Ward, Rieffenach Sisters, Ira Millette and Billy Smart Typescript 4 p.p Smart Family Collection 178B34.5 Bernard Wicksteed Monograph No date Bernard Wicksteed, The Five Flying Elephants booklet and photocopies of book and copies of black and white photographs Various sizes Smart Family Collection 178B34.5 Bernard Wicksteed, The Five Flying Elephants -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST. -
An Earthly Cosmology
Forum on Religion and Ecology Indigenous Traditions and Ecology Annotated Bibliography Abram, David. Becoming Animal: An Earthly Cosmology. New York and Canada: Vintage Books, 2011. As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we’ve ignored the wild intelligence of our bodies, taking our primary truths from technologies that hold the living world at a distance. Abram’s writing subverts this distance, drawing readers ever closer to their animal senses in order to explore, from within, the elemental kinship between the human body and the breathing Earth. The shape-shifting of ravens, the erotic nature of gravity, the eloquence of thunder, the pleasures of being edible: all have their place in this book. --------. The Spell of the Sensuous: Perception and Language in a More-than-Human World. New York: Vintage, 1997. Abram argues that “we are human only in contact, and conviviality, with what is not human” (p. ix). He supports this premise with empirical information, sensorial experience, philosophical reflection, and the theoretical discipline of phenomenology and draws on Merleau-Ponty’s philosophy of perception as reciprocal exchange in order to illuminate the sensuous nature of language. Additionally, he explores how Western civilization has lost this perception and provides examples of cultures in which the “landscape of language” has not been forgotten. The environmental crisis is central to Abram’s purpose and despite his critique of the consequences of a written culture, he maintains the importance of literacy and encourages the release of its true potency.