1 the Ironies of T. E. Lawrence's Relevance and Reputation Bertram Wyatt-Brown Abstract: No Figure in Twentieth-Century Anglo
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Proposal for a Thesis in the Field of History in Partial Fulfillment Of
Proposal for a Thesis in the Field of History in Partial Fulfillment of Requirements for the Master of Liberal Arts Degree Harvard University Extension School January 16, 2015 Robert W. Goggin 1060 West Addison Street Chicago, IL 60603 (886) 555-1212 [email protected] I I propose to title my thesis “The Quest for T. E. Lawrence: The Enduring Appeal and the Enigma of Lawrence of Arabia.” II. Research Problem World War I is becoming increasingly distant and remote. Although the conflict on the Western Front in Europe was one of the cataclysmic events of the twentieth century, few would be able to offer more than a sentence about major military leaders: Foch, Haig, Ludendorff, Pershing. In all likelihood, people know best the common foot soldier Paul Baumer, the fictional protagonist of Erich Marie Remarque’s All Quiet on the Western Front. Yet in the Middle East, in a conflict of the British with the Turks often disparaged as a sideshow, emerged a leader internationally known: Thomas Edward Lawrence, Lawrence of Arabia. In 1919, the American journalist and entrepreneur Lowell Thomas opened “With Allenby in Palestine and Lawrence in Arabia,” a theatrical presentation of lecture, film, and photographs eventually seen by some four million people, including an array of British military and political leaders and Lawrence himself. The interest has continued unabated to the present day, with Michael Korda’s 2010 biography Hero: The Life and Legend of Lawrence of Arabia1 holding a place on best- seller lists for weeks. Why has there been such a sustained interest in Lawrence? More specifically, how has the focus of these works varied over the decades? What features of Lawrence 1 Michael Korda, Hero: The Life and Legend of Lawrence of Arabia (New York: HarperCollins, 2010). -
Thursday 15 October 11:00 an Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma!
Thursday 15 October 11:00 An Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma! Please allow 10 minutes for introductions Friday 16 October before all films during Widescreen Weekend. 09.45 Interstellar: Visual Effects for 70mm Filmmaking + Interstellar Intermissions are approximately 15 minutes. 14.45 BKSTS Widescreen Student Film of The Year IMAX SCREENINGS: See Picturehouse 17.00 Holiday In Spain (aka Scent of Mystery) listings for films and screening times in 19.45 Fiddler On The Roof the Museum’s newly refurbished digital IMAX cinema. Saturday 17 October 09.50 A Bridge Too Far 14:30 Screen Talk: Leslie Caron + Gigi 19:30 How The West Was Won Sunday 18 October 09.30 The Best of Cinerama 12.30 Widescreen Aesthetics And New Wave Cinema 14:50 Cineramacana and Todd-AO National Media Museum Pictureville, Bradford, West Yorkshire. BD1 1NQ 18.00 Keynote Speech: Douglas Trumbull – The State of Cinema www.nationalmediamuseum.org.uk/widescreen-weekend 20.00 2001: A Space Odyssey Picturehouse Box Office 0871 902 5756 (calls charged at 13p per minute + your provider’s access charge) 20.00 The Making of The Magnificent Seven with Brian Hannan plus book signing and The Magnificent Seven (Cubby Broccoli) Facebook: widescreenweekend Twitter: @widescreenwknd All screenings and events in Pictureville Cinema unless otherwise stated Widescreen Weekend Since its inception, cinema has been exploring, challenging and Tickets expanding technological boundaries in its continuous quest to provide Tickets for individual screenings and events the most immersive, engaging and entertaining spectacle possible. can be purchased from the Picturehouse box office at the National Media Museum or by We are privileged to have an unrivalled collection of ground-breaking phoning 0871 902 5756. -
CINERAMA: the First Really Big Show
CCINEN RRAMAM : The First Really Big Show DIVING HEAD FIRST INTO THE 1950s:: AN OVERVIEW by Nick Zegarac Above left: eager audience line ups like this one for the “Seven Wonders of the World” debut at the Cinerama Theater in New York were short lived by the end of the 1950s. All in all, only seven feature films were actually produced in 3-strip Cinerama, though scores more were advertised as being shot in the process. Above right: corrected three frame reproduction of the Cypress Water Skiers in ‘This is Cinerama’. Left: Fred Waller, Cinerama’s chief architect. Below: Lowell Thomas; “ladies and gentlemen, this is Cinerama!” Arguably, Cinerama was the most engaging widescreen presentation format put forth during the 1950s. From a visual standpoint it was the most enveloping. The cumbersome three camera set up and three projector system had been conceptualized, designed and patented by Fred Waller and his associates at Paramount as early as the 1930s. However, Hollywood was not quite ready, and certainly not eager, to “revolutionize” motion picture projection during the financially strapped depression and war years…and who could blame them? The standardized 1:33:1(almost square) aspect ratio had sufficed since the invention of 35mm celluloid film stock. Even more to the point, the studios saw little reason to invest heavily in yet another technology. The induction of sound recording in 1929 and mounting costs for producing films in the newly patented 3-strip Technicolor process had both proved expensive and crippling adjuncts to the fluidity that silent B&W nitrate filming had perfected. -
Africa's Role in Nation-Building: an Examination of African-Led Peace
AFRICA’S ROLE IN NATION-BUILDING An Examination of African-Led Peace Operations James Dobbins, James Pumzile Machakaire, Andrew Radin, Stephanie Pezard, Jonathan S. Blake, Laura Bosco, Nathan Chandler, Wandile Langa, Charles Nyuykonge, Kitenge Fabrice Tunda C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/RR2978 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0264-6 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2019 RAND Corporation R® is a registered trademark. Cover: U.S. Air Force photo/ Staff Sgt. Ryan Crane; Feisal Omar/REUTERS. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface Since the turn of the century, the African Union (AU) and subregional organizations in Africa have taken on increasing responsibilities for peace operations throughout that continent. -
MARK FREEMAN Encyclopedia of Science, Technology and Society Ooks&Sidtext=0816031231&Leftid=0
MARK FREEMAN Encyclopedia of Science, Technology and Society http://www.factsonfile.com/newfacts/FactsDetail.asp?PageValue=B ooks&SIDText=0816031231&LeftID=0 WIDESCREEN The scale of motion picture projection depends upon the inter- relationship of several factors: the size and aspect ratio of the screen; the gauge of the film; the type of lenses used for filming and projection; and the number of synchronized projectors used. These choices are in turn determined by engineering, marketing and aesthetic considerations. Aspect ratio is the width of the screen divided by the height. The classic standard aspect ratio was expressed as 1.33:1. Today most movies are screened as 1.85:1 or 2.35:1 (widescreen). Films shot in these ratios are cropped for television, which retains the classic ratio of 1.33:1. This cropping is accomplished either by removing a third of the image at the sides of the frame, or by "panning and scanning." In this process a technician determines which portion of a given frame should be included. "Letterboxing" creates a band of black above and below the televised film image. This allows the composition as originally photographed to be screened in video. The larger the film negative, the more resolution. Large film gauges allow greater resolution over a given size of projected image. In the 1890's film sizes varied from 12mm to as many as 80mm, before accepting Edison's 35mm standard. Today films continue to be screened in a variety of guages including Super 8mm, 16mm and Super 16mm, 35mm, 70mm and IMAX. Cinema and the fairground share a common history in the search for technologically based spectacles and attractions. -
Cinerama to Digital Cinema: from the Zenith to the Decline Written by Enric Mas ( ) January 11, 2016
Enric Mas nitsenblanc.cat Cinerama to digital cinema: from the zenith to the decline Written by Enric Mas ( http://nitsenblanc.cat ) January 11, 2016 I try to imagine what the audience felt when they first saw a movie in Cinerama... but I cannot. I wonder, did they feel the same as I did when I saw a projection in 70 mm IMAX for the first time? Some clues tell me the answer is no. Howard Rust, of the International Cinerama Society, gave me an initial clue: “I was talking to a chap the other day who’d just been to see IMAX. ‘Sensational’, he said. ‘But, you know… it still doesn’t give you the same pins and needles up and down the back of your spin that Cinerama does’ ”. 1 What is its secret? Why is every film seen in Cinerama a unique event that is remembered for decades? We have another clue in a man who had worked with D.W. Griffith in That Royle Girl (1925), who produced and directed technically innovative short films, where black performers appeared, a rarity at the time, including the first appearance of Billie Holiday (Symphony in Black: A Rhapsody of Negro Life , 1935). He created a new imaging system (Vitarama) for the World’s Fair in New York (1939), joining 11 projectors of 16 mm, which reached a vertical image of 75 degrees high and 130 degrees wide, 2,3 developments which led to the most advanced artillery simulator in the world, which was used to train future aircraft gunners in World War II. -
Democratic Reform in Jordan?
Policy Paper Democratic Reform in Jordan? Calls for political reform in Jordan have come at a time when there is no popular political pressure or Expectations After the protest movement in the streets, as was the case during the Arab Spring, and - unexpectedly - after the parliamentary elections. King’s Recent Call to Review As a result, political elites have developed various theories to explain the timing of these Political Life calls and the hidden motives behind them. Of course, this also raises the usual questions about whether there was in fact a genuine and serious intent to move further towards a democratic transition, which seems to have stalled and perhaps even been reversed, Muhammad Abu Rumman with regard to Jordan’s ranking March 2021 for democratic institutions and international human rights. 1 Democratic Reform in Jordan? Expectations After the King’s Recent Call to Review Political Life Muhammad Abu Rumman March 2021 2 Published in 2021 by Friedrich-Ebert-Stiftung, Jordan & Iraq FES Jordan & Iraq P.O. Box 941876 Amman 11194 Jordan Email: [email protected] Website: www.fes-jordan.org Not for Sale © Friedrich-Ebert-Stiftung Resident Director: Tim O. Petschulat All rights reserved. No part of this publication may be reprinted, reproduced or utilized in any form or by any means without prior written permission from the publishers. The views and opinions expressed in this publication are solely those of the original author. They do not necessarily represent those of the Friedrich-Ebert-Stiftung. • Cover and internal design: Kamal Qasim Contents Contents Introduction 5 Historical Review: A Faltering Democracy 7 Determinants and Restrictions on Democratic Transition 10 Discussing Political Reform Today 14 Prospects for Political Transformation 17 Conclusion 19 Bibliography 21 4 Introduction 1 Introduction In an interview with the Jordan News Agency in the number of seats won by the Islamist on 30 January 2021, King Abdullah II spoke opposition, which makes up the largest about reviewing Jordanian laws governing political party in Jordan. -
Pastoralist Voices-April09-Final
Pastoralist Voices May 2009 Volume 1 , Issue 15 Photos: OCHA For a Policy Framework on Pastoralism in Africa African Union and the United Nations Office for the Coordination of Humanitarian Affairs Pastoralists across Africa have called for a continent-wide policy framework that will begin to secure and protect the lives, livelihood and rights of pastoralists across Africa. The African Union has responded to this call and has begun formulating a Pastoral Policy Framework for the Continent. Pastoralist Voices is a monthly bulletin that supports this process by promoting the voices and perspectives of pastoralists, and facilitating information flow between the major stakeholders in the policy process including pastoralists, the African Union, Regional Economic Communities and international agencies. To subscribe to Pastoralist Voices please write to: [email protected] In this issue Marginalization of Pastoralists in the Dar- Marginalization of pastoralists in the Darfur conflict in fur conflict in Northern Sudan Northern Sudan P g 1, 2, 3 and 4 Why Humanitarian interventions are failing to address Lack of support to pastoralists’ security needs in Central and food crisis in pastoral areas pg 1, 4 and 5 East Africa have implications for national and regional security. Making disarmament work in pastoral areas of Southern The conflict in Northern Sudan is being attributed to a large Sudan P g 6 extent to pastoralists’ marginalization in the region. A detailed report by Tuft University’s Feinstein Interna- tional Center is urging Humanitarian actors to take account of Why humanitarian interventions the particular vulnerability of pastoral groups, and to recognize are failing to address food crisis that their needs are qualitatively different from those of IDPs in in Pastoral Areas the region. -
Edwards H. Metcalf Library Collection on TE Lawrence
Edwards H. Metcalf Library Collection on T.E. Lawrence: Scrapbooks Huntington Library Scrapbook 1 Page Contents 1 recto [Blank]. 1 verso Anal. 1. Newspaper clipping. North, John, 'Hejaz railway brings back memories of Lawrence', Northern Echo, June 14, 1965. Anal. 2. Newspaper clipping. 'Memories of T.E.', Yorkshire Post, May 18, 1965. Mss. Note from Beaumont 'Please accept these free with my compliments. T.W. Beaumont'. 2 recto Black-and-white photograph of Beaumont. 'Thomas W. Beaumont Served under T.E. Lawrence in Arabia as his Sgt. Vickers Gunner'. 2 verso Black-and-white photograph. Mss. 'To my friend Theodora Duncan with every good wish. T.W. Beaumont' Typed note. ' Parents of Peter O'Toole with T.W. Beaumont At the gala opening of the film "Lawrence of Arabia", at the Majestic Theatre in Leeds, Yorkshire, Sunday evening, Oct. 13, 1963'. 3 recto Anal. 3. Newspaper clipping. 'A Lawrence Talks About That Legend', Leeds, Yorkshire, April 10, 1964. Two black-and-white photographs. 'Mr. T. W. Beaumont meets Dr. M.R. Lawrence elder brother of T.E. Lawrence, at Leeds City Station, Yorkshire. April 10, 1964. 3 verso Newspaper cartoon. 'Boy! I'm glad they don't use US nowadays!' Anal. 4. 'The following small photographs were taken during WW-I on the Eastern Front by T.W. Beaumont & friends, and smuggled out of Arabia. Newspaper cartoon. 'Arms for the love of Allah!' 4 recto Black-and-white photograph. 'Siwa Oasis, 1915-17 Involved in the defense of Suez. Operations against the Senussi in Lybian Desert. Photographed by C.S. -
Lawrence of Arabia (1962): a Tragic Hero in an Ever-Lasting Quest
Lawrence of Arabia (1962): A Tragic Hero in an Ever-Lasting Quest Isabel Barbudo Faculty of Letters – University of Lisbon Centre for English Studies – CEAUL / ULICES ISSN: 0873-0628ANGLO SAXONICA SER. III N. 7 2014 Lawrence of Arabia (1962): A Tragic Hero in an Ever-Lasting Quest “I loved you, so I drew these tides of man into my hands and wrote my will across the sky in stars to earn you Freedom, the seven pillared worthy house (…).” (T.E. Lawrence, dedication to S. A. in Seven Pillars of Wisdom) The film Lawrence of Arabia, directed by David Lean and released in 1962, is based on the figure of T. E. Lawrence, the legendary English officer who led Arabs in their struggle against the Turks during World War I. Having attended Oxford from 1906 to 1909, where he studied archaeology, he first travelled to the Middle East on scholarships to study the influence of the Crusaders on modern architecture. There he stayed for months, making Arab friends and learning their language. Later on, at the outbreak of the war of 1914, when England allied with France against Germany and Turkey, he was dispatched to Cairo, in Egypt, to work for the Bureau of Arab Affairs, and became involved in the Revolt of the Arabs against the Turks in 1916. Meanwhile, he was assigned a position as liaison officer to Prince Feisal, and took part in military operations, blowing up Turkish trains and taking the city of Aqaba. In 1918, under orders from General Edward Allenby, he led an army of Arab tribes to coordinate with the British forces in their attack and capture of Damascus. -
T. E. Lawrence Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8bg2tr0 No online items T. E. Lawrence Papers: Finding Aid Finding aid prepared by Gayle M. Richardson, April 30, 2009. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. T. E. Lawrence Papers: Finding mssTEL 1-1277 1 Aid Overview of the Collection Title: T. E. Lawrence Papers Dates (inclusive): 1894-2006 Bulk dates: 1911-2000 Collection Number: mssTEL 1-1277 Creator: Lawrence, T. E. (Thomas Edward), 1888-1935. Extent: 8,707 pieces. 86 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: The collection consists of papers concerning British soldier and author T.E. Lawrence (1888-1935) including manuscripts (by and about Lawrence), correspondence (including over 150 letters by Lawrence), photographs, drawings, reproductions and ephemera. Also included in the collection is research material of various Lawrence collectors and scholars. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Boxes 82-86 -- Coin & Fine Art, Manuscript & Rare Book Dealers. Restricted to staff use only. These boxes include provenance, price and sale information; please see Container List for an item-level list of contents. Publication Rights All photocopies, for which the Huntington does not own the original manuscript, may not be copied in any way, as noted in the Container List and on the folders. -
A Barren Legacy? the Arabian Desert As Trope in English Travel Writing, Post-Thesiger
A Barren Legacy? The Arabian Desert as Trope in English Travel Writing, Post-Thesiger Jenny Owen A thesis submitted in partial fulfilment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy March 2020 Note on Copyright This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the Intellectual Property Rights. Contents Abstract ....................................................................................................................... 3 Acknowledgements ..................................................................................................... 4 Introduction: Arabia, the Land of Legend ................................................................ 5 Locating Arabia ................................................................................................... 11 Studying Arabia as a country of the mind ............................................................. 18 The Lawrence and Thesiger legacy ...................................................................... 22 Mapping the thesis: an outline of the chapters ...................................................... 27 1. In Literary Footsteps: The Prevalence of