Inter-Media Agenda-Setting Effects in Ghana: Newspaper Vs. Online and State Vs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reporting Facts: Free from Fear Or Favour
Reporting Facts: Free from Fear or Favour PREVIEW OF IN FOCUS REPORT ON WORLD TRENDS IN FREEDOM OF EXPRESSION AND MEDIA DEVELOPMENT INDEPENDENT MEDIA PLAY AN ESSENTIAL ROLE IN SOCIETIES. They make a vital contribution to achieving sustainable development – including, topically, Sustainable Development Goal 3 that calls for healthy lives and promoting well-being for all. In the context of COVID-19, this is more important than ever. Journalists need editorial independence in order to be professional, ethical and serve the public interest. But today, journalism is under increased threat as a result of public and private sector influence that endangers editorial independence. All over the world, journalists are struggling to stave off pressures and attacks from both external actors and decision-making systems or individuals in their own outlets. By far, the greatest menace to editorial independence in a growing number of countries across the world is media capture, a form of media control that is achieved through systematic steps by governments and powerful interest groups. This capture is through taking over and abusing: • regulatory mechanisms governing the media, • state-owned or state-controlled media operations, • public funds used to finance journalism, and • ownership of privately held news outlets. Such overpowering control of media leads to a shrinking of journalistic autonomy and contaminates the integrity of the news that is available to the public. However, there is push-back, and even more can be done to support editorial independence -
China's Global Media Footprint
February 2021 SHARP POWER AND DEMOCRATIC RESILIENCE SERIES China’s Global Media Footprint Democratic Responses to Expanding Authoritarian Influence by Sarah Cook ABOUT THE SHARP POWER AND DEMOCRATIC RESILIENCE SERIES As globalization deepens integration between democracies and autocracies, the compromising effects of sharp power—which impairs free expression, neutralizes independent institutions, and distorts the political environment—have grown apparent across crucial sectors of open societies. The Sharp Power and Democratic Resilience series is an effort to systematically analyze the ways in which leading authoritarian regimes seek to manipulate the political landscape and censor independent expression within democratic settings, and to highlight potential civil society responses. This initiative examines emerging issues in four crucial arenas relating to the integrity and vibrancy of democratic systems: • Challenges to free expression and the integrity of the media and information space • Threats to intellectual inquiry • Contestation over the principles that govern technology • Leverage of state-driven capital for political and often corrosive purposes The present era of authoritarian resurgence is taking place during a protracted global democratic downturn that has degraded the confidence of democracies. The leading authoritarians are ABOUT THE AUTHOR challenging democracy at the level of ideas, principles, and Sarah Cook is research director for China, Hong Kong, and standards, but only one side seems to be seriously competing Taiwan at Freedom House. She directs the China Media in the contest. Bulletin, a monthly digest in English and Chinese providing news and analysis on media freedom developments related Global interdependence has presented complications distinct to China. Cook is the author of several Asian country from those of the Cold War era, which did not afford authoritarian reports for Freedom House’s annual publications, as regimes so many opportunities for action within democracies. -
Graphic Design and the Cinema: an Application of Graphic Design to the Art of Filmmaking
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2016 Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking Kacey B. Holifield University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Graphic Design Commons Recommended Citation Holifield, Kacey B., "Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking" (2016). Honors Theses. 403. https://aquila.usm.edu/honors_theses/403 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking by Kacey Brenn Holifield A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Fine Arts of Graphic Design in the Department of Art and Design May 2016 ii Approved by _______________________________ Jennifer Courts, Ph.D., Thesis Adviser Assistant Professor of Art History _______________________________ Howard M. Paine, Ph.D., Chair Department of Art and Design _______________________________ Ellen Weinauer, Ph.D., Dean Honors College iii Abstract When the public considers different art forms such as painting, drawing and sculpture, it is easy to understand the common elements that unite them. Each is a non- moving art form that begins at the drawing board. -
Methods for a Critical Graphic Design Practice
Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism. -
Signature Redacted Certified By: William Fjricchio Professor of Compa Ive Media Studies Thesis Supervisor Signature Redacted Accepted By
Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon B.A. Film University of California, Berkeley, 2008 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2019 C2019 Matthew G. Graydon. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. S~ri' t A Signature red acted Department of Comparative 6/ledia Studies May 10, 2019 _____Signature redacted Certified by: William fJricchio Professor of Compa ive Media Studies Thesis Supervisor Signature redacted Accepted by: MASSACHUSETTS INSTITUTE Professor of Comparative Media Studies _OF TECHNOLOGY Director of Graduate Studies JUN 1 12019 LIBRARIES ARCHIVES I I Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon Submitted to the Department of Comparative Media Studies on May 10, 2019 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT The state-sponsored news network RT (formerly Russia Today) was launched in 2005 as a platform for improving Russia's global image. Fourteen years later, RT has become a self- described tool for information warfare and is under increasing scrutiny from the United States government for allegedly fomenting unrest and undermining democracy. It has also grown far beyond its television roots, achieving a broad diffusion across a variety of digital platforms. -
Burundi Sourcing Profile
Burundi Sourcing Profile Each week, researchers at the Armed Conflict Location & Event Data Project (ACLED) review dozens of English, French, and Kirundi language sources to code political violence and demonstration events across Burundi. To address challenges posed by the country’s media landscape, ACLED uses a wide range of source types from multiple regions with different methods and biases. Ongoing and deepening restrictions against local and foreign journalism have created obstacles to sourcing events in Burundi (RFI, 21 October 2019). Many international journalists are barred from working in the country, while local journalists experience limited access by the state, media shutdowns, imprisonment, or even attacks. 2019 protests against international journalism by supporters of the ruling party, the National Council for the Defense of Democracy–Forces for the Defense of Democracy (CNDD-FDD), and political decisions to restrict both international and domestic media have revealed the ruling party’s intolerance of media criticism (IWACU, 8 June 2019). Traditional media outlets (represented by the International, Regional, National, and Subnational Source Scales in the data) have been the targets of increased government censorship since 2015 (VOA, 29 March 2019), when the Burundi Crisis first began.1 International media outlets — such as Agence France Presse (AFP), the British Broadcasting Corporation (BBC), Radio France Internationale (RFI), Voice of America (VOA), and Xinhua — formed a much larger portion of ACLED’s coverage until 2015, with declining coverage since then. Regional news sources — such as All Africa, the East African (Kenya) and the Rwandan News Agency — have also been affected in light of increasing tensions and distrust between countries in the East African community (ISS Africa, 24 May 2019). -
Conclusion 60
Being Black, Being British, Being Ghanaian: Second Generation Ghanaians, Class, Identity, Ethnicity and Belonging Yvette Twumasi-Ankrah UCL PhD 1 Declaration I, Yvette Twumasi-Ankrah confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Table of Contents Declaration 2 List of Tables 8 Abstract 9 Impact statement 10 Acknowledgements 12 Chapter 1 - Introduction 13 Ghanaians in the UK 16 Ghanaian Migration and Settlement 19 Class, status and race 21 Overview of the thesis 22 Key questions 22 Key Terminology 22 Summary of the chapters 24 Chapter 2 - Literature Review 27 The Second Generation – Introduction 27 The Second Generation 28 The second generation and multiculturalism 31 Black and British 34 Second Generation – European 38 US Studies – ethnicity, labels and identity 40 Symbolic ethnicity and class 46 Ghanaian second generation 51 Transnationalism 52 Second Generation Return migration 56 Conclusion 60 3 Chapter 3 – Theoretical concepts 62 Background and concepts 62 Class and Bourdieu: field, habitus and capital 64 Habitus and cultural capital 66 A critique of Bourdieu 70 Class Matters – The Great British Class Survey 71 The Middle-Class in Ghana 73 Racism(s) – old and new 77 Black identity 83 Diaspora theory and the African diaspora 84 The creation of Black identity 86 Black British Identity 93 Intersectionality 95 Conclusion 98 Chapter 4 – Methodology 100 Introduction 100 Method 101 Focus of study and framework(s) 103 -
The Future of Newspapers in a Digital Era: a Study of Daily
University of Ghana http://ugspace.ug.edu.gh THE FUTURE OF NEWSPAPERS IN A DIGITAL ERA: A STUDY OF DAILY GRAPHIC AND DAILY GUIDE BY THELMA NAA ANERCHO ABBEY 10702649 THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF MASTER OF ARTS (MA) DEGREE IN COMMUNICATION STUDIES DEGREE OCTOBER, 2019 University of Ghana http://ugspace.ug.edu.gh DECLARATION I hereby declare that this dissertation is the result of my research work carried out at the School of Communication studies, University of Ghana, Legon. No part of this study has been submitted either in whole or in part for another degree elsewhere. All references cited have been duly acknowledged. ………………………………… THELMA NAA ANERCHO ABBEY (STUDENT) DATE: ……………………………………… ……………………………………… PROFESSOR AUDREY GADZEKPO (SUPERVISOR) DATE: ……………………………………… i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my father Mr Jerry Abbey, my mother Mrs Gladys Abbey and my siblings Delphina, Nadia and Claudia Abbey. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS First and foremost, I would like to thank Jehovah God for giving me the strength and wisdom to conduct this study. I am grateful to my supervisor, Professor Audrey Gadzekpo for her time and effort in guiding me throughout the research. I would also like to acknowledge the guidance and encouragement I received from family and friends, I say thank you for your selflessness and support. I also want to thank all news editors, sales and circulations managers and news reporters who spent their precious time to help me in the collection of data and made it possible for me to carry out this study. -
Bibliography
BIbLIOGRAPHY BOOKS/BOOK CHAPTERS Ali, Saleem H. Treasures of the Earth: Need, Greed, and a Sustainable Future. New Haven: Yale University Press, 2009. Akiwumi, Fenda A. “Conflict Timber, Conflict Diamonds Parallels in the Political Ecology of the 19th and 20th Century Resource Exploration in Sierra Leone.” In Kwadwo Konadu-Agymang, and Kwamina Panford eds. Africa’s Development in the Twenty-First Century: Pertinent Socio-economic and Development Issues. Aldershot, England: Ashgate, 2006. Anyinam, Charles. “Structural Adjustment Programs and the Mortgaging of Africa’s Ecosystems: The Case of Mineral Development in Ghana.” In Kwadwo Konadu-Agyemang ed. IMF and World Bank Sponsored Structural Adjustment Programs in African: Ghana’s Experience, 1983–1999. Burlington, USA: Ashgate, 2001. Appiah-Opoku, Seth. “Indigienous Knowledge and Enviromental Management in Africa: Evidence from Ghana” In Kwadwo Konadu-Agymang, and Kwamina Panford eds. Africa’s Development in the Twenty-First Century: Pertinent Socio- economic and Development Issues. Aldershot, England: Ashgate, 2006. Ashun, Ato. Elmina, the Castle and the Slave Trade. Elmina, Ghana: Ato Ashun, 2004. Auty, Richard M. Sustaining Development in Mineral Economies: The Resource Curse Thesis. New York: Routledge, 1993. Ayensu, Edward S. Ashanti Gold: The African Legacy of the World’s Most Precious Metal. Accra, Ghana: Ashanti Goldfields, 1997. © The Author(s) 2017 205 K. Panford, Africa’s Natural Resources and Underdevelopment, DOI 10.1057/978-1-137-54072-0 206 Bibliography Barkan, Joel D. Legislative Power in Emerging African Democracies. Boulder, CO: Lynne Rienner, 2009. Boahen, A. Adu. Topics in West African History. London: Longman Group, 1966. Callaghy, Thomas M. “Africa and the World Political Economy: Still Caught Between a Rock and a Hard Place.” In John W. -
Sydney Is Singularly Fortunate in That, Unlike Other Australian Cities, Its Newspaper History Has Been Well Documented
Two hundred years of Sydney newspapers: A SHORT HISTORY By Victor Isaacs and Rod Kirkpatrick 1 This booklet, Two Hundreds Years of Sydney Newspapers: A Short History, has been produced to mark the bicentenary of publication of the first Australian newspaper, the Sydney Gazette and New South Wales Advertiser, on 5 March 1803 and to provide a souvenir for those attending the Australian Newspaper Press Bicentenary Symposium at the State Library of New South Wales, Sydney, on 1 March 2003. The Australian Newspaper History Group convened the symposium and records it gratitude to the following sponsors: • John Fairfax Holdings Ltd, publisher of Australia’s oldest newspaper, the Sydney Morning Herald • Paper World Pty Ltd, of Melbourne, suppliers of original newspapers from the past • RMIT University’s School of Applied Communication, Melbourne • The Printing Industries Association of Australia • The Graphic Arts Merchants Association of Australia • Rural Press Ltd, the major publisher of regional newspapers throughout Australia • The State Library of New South Wales Printed in February 2003 by Rural Press Ltd, North Richmond, New South Wales, with the assistance of the Printing Industries Association of Australia. 2 Introduction Sydney is singularly fortunate in that, unlike other Australian cities, its newspaper history has been well documented. Hence, most of this short history of Sydney’s newspapers is derived from secondary sources, not from original research. Through the comprehensive listing of relevant books at the end of this booklet, grateful acknowledgement is made to the writers, and especially to Robin Walker, Gavin Souter and Bridget Griffen-Foley whose work has been used extensively. -
U.S. Trade and Investment with Sub-Saharan Africa Fifth Annual Report
U.S. International Trade Commission COMMISSIONERS Stephen Koplan, Chairman Deanna Tanner Okun, Vice Chairman Marcia E. Miller Jennifer A. Hillman Charlotte R. Lane Daniel R. Pearson Robert A. Rogowsky Director of Operations Robert B. Koopman Director of Economics Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 12/04 ITC READER SATISFACTION SURVEY U.S. Trade and Investment with Sub-Saharan Africa Fifth Annual Report The U.S. International Trade Commission (USITC) is interested in your voluntary com- ments (burden less than 10 minutes) to help assess the value and quality of our reports, and to assist in improving future products. Please return survey by facsimile (202-205-2340) or by mail to the USITC, or visit the USITC Internet home page (http://reportweb.usitc.gov/reader_survey/readersurvey.html) to electronically submit a Web version of the survey. (Please print; responses below not for attribution): Your name and title: Organization (if applicable): Which format is most useful to you? - CD-ROM - Hardcopy - USITC Internet site Circle your assessment of each factor below: SA = strongly agree, A = agree, N =noopinion, D = disagree, or SD = strongly disagree. Value of this report: " Statistical data are useful.............................. SA A N D SD " Other non-numerical facts are useful.................... SA A N D SD " Analysis augments statistical data/other facts............ SA A N D SD " Relevant topic(s)/subject matter........................ SA A N D SD " Primary or leading source of information on this subject.. SA A N D SD Quality of this report: " Clearly written....................................... SA A N D SD " Key issues are addressed.............................. -
Democracy Watch 6 & 7
Democracy Watch Vol. 2, No. 2&3 April-September 2001 1 A Quarterly Newsletter of the Ghana Center for Democratic Development 6&7 DemocracyWatch 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 statements. The openness to the media Volume 2, No. 2&3 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 123456789012345678901234567890121234567890123456789 was underscored by President Kufuors April-September 2001 The Media in the news conference to mark his first 100 Post Rawlings Era days in office, an event never witnessed ISSN: 0855-417X during the 19 years ex-President Rawlings was in power. A new era of positive government- In this issue media relations? In an early gesture of acknowledging the contribution of the media to Ghanaian Among the media, media watchers, democratic development, the NPP and observers of Ghanaian politics, government decided to abort ongoing EThe Media in the Post Rawlings Era there is a well-justified feeling of relief state prosecutions against journalists for .................Page 1 and euphoria over the demise of a criminal and or seditious libel. Most media unfriendly-regime. Indeed, it significantly, it has made good on its promise to repeal the obnoxious criminal E The New Challenges in Intra-media was expected that the relationship Relations .............