The Jacksons Goin' Places Mp3, Flac, Wma

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The Jacksons Goin' Places mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Goin' Places Country: US Released: 1990 Style: Disco MP3 version RAR size: 1636 mb FLAC version RAR size: 1866 mb WMA version RAR size: 1973 mb Rating: 4.1 Votes: 988 Other Formats: AUD AAC ADX VQF WMA AIFF AUD Tracklist Hide Credits Music's Takin' Over 1 Arranged By – Gene McFadden, John Whitehead, Victor CarstarphenProducer – Gene 4:36 McFadden, John Whitehead, Victor Carstarphen Goin' Places 2 4:35 Arranged By – Dexter WanselProducer – Gamble & Huff Different Kind Of Lady 3 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:36 Randy Jackson, Tito Jackson Even Though You're Gone 4 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Jump For Joy 5 4:34 Arranged By – Dexter WanselProducer – Dexter Wansel Heaven Knows I Love You, Girl 6 3:59 Arranged By – Jack FaithProducer – Gamble & Huff Man Of War 7 3:13 Arranged By – Jack FaithProducer – Gamble & Huff Do What You Wanna 8 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:32 Randy Jackson, Tito Jackson Find Me A Girl 9 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Companies, etc. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Manufactured By – Epic Records Credits Congas – Randy Jackson Congas, Bongos – David Cruse, Larry Washington Drums – Charles Collins Executive Producer – Gamble & Huff Guitar – Dennis Harris, Michael "Sugar Bear" Forman*, Roland Chambers, Tito Jackson Keyboards – Dexter Wansel Piano – Leon Huff Notes Recorded at Sigma Sound Studio, Philadelphia, PA. Barcode and Other Identifiers Barcode: 0 7464 - 34835 - 2 Matrix / Runout: EK 34835 A1 C11 Other versions Category Artist Title (Format) Label Category Country Year Epic, Goin' Places (LP, Philadelphia JE 34835 The Jacksons JE 34835 US 1977 Album, Gat) International Records Goin' Places (Cass, PET 34835 The Jacksons Epic PET 34835 Canada 1977 Album) Goin´ Places (LP, 119102 The Jacksons Epic 119102 Colombia 1977 Album) Goin' Places (CD, EPC 468876 2 The Jacksons Epic EPC 468876 2 Europe 1992 Album, RE) Goin' Places (LP, EPC 82158 The Jacksons Epic EPC 82158 Spain 1978 Album) Related Music albums to Goin' Places by The Jacksons Michael Jackson - Michael Jackson: La Vida de Un ídilo Michael Jackson - Michael Jackson Number Ones Dexter Gordon / Fats Navarro / Chubby Jackson - Bebop Revisited, Vol. 1 Michael Jackson - Michael Jackson Twelves The Jacksons - The Jacksons The Jones Girls - Get As Much Love As You Can Michael Jackson With The Jackson 5 - Early Classics Jean Carn - Jean Carn The Jackson 5 - The Jackson Five Featuring Michael Jackson Various - April Orchestra Vol. 17 Présente The Sound Of Philadelphia.

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The Hilltop 1-21-1977
Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-21-1977 The iH lltop 1-21-1977 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-21-1977" (1977). The Hilltop: 1970-80. 175. http://dh.howard.edu/hilltop_197080/175 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' i • •• • • ' • ' Hilltop Highlights : "Pb1 ver roncf'de, New; From Black Schools ... .. p2 nothing HUSA's N!w Office ......".. .... :, p2 ' \\'ithout a demand" Third World Ne"5 Foe ........ p3 law School Troubled .. ·........ p4 · Fredcrirk Douglas, Roots On TV ......................... p6 ' ''THE VOICE OF THF HOWARD COMMUNITY'' WHUR's Q;iet Storm ......... .. .. p7 Howard University, Washington D.C., 20059 ., I Vol'.. 59, No. 14 21 January 1977 ' ' SBA Questions Lack College of Medicine of Quality Education Acceptance of HU ' At HU Law School Grads ·oecreas~pg • • By Arlene Wailer i[ 8'1,'. Leila Brown dent body concerning the and Fred Hines ~ ' G rld Sc hool· Editor organization of the protest. there nevertheless seemed Hilltop Staffwriters $ to be a general consensus ' .. fhe law school is on a that ''something has to be The number of H oward undergraduate students who d ownward trend, and we • are admitted to the College of Medicine ha!\.fdecreased at · done," about the education 0 , ' need to arrest it," said God at the school.
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Teddy Pendergrass - If You Don’T Know Me
TEDDY PENDERGRASS - IF YOU DON’T KNOW ME A Documentary Film by Olivia Lichtenstein 106 Mins This is the story of legendary singer, Teddy Pendergrass, the man who would have been the biggest R&B artist of all time. The story of a childhood in a Philadelphia ghetto; of the murders of his father and first manager; of sex, drugs, money and global fame; of the triumph against injustice; and of the tragic accident that changed his life forever at the age of only 31. His was a life where, despite poverty, racism, and violence, he managed to become one of the first African-American artists to go multi-platinum over and over again. A man who actively championed the rights of black artists when discrimination was rife. A man who in the years after becoming quadriplegic, overcame depression and thoughts of suicide and resumed doing what he loved best - making music. A man who left a priceless legacy after his death, with the music he had made and the people he touched. With revealing and exclusive interviews from the people who knew Teddy best, a soulful soundtrack, and rarely seen archive, it’s a story that all too few really know and which is crying out to be told… Hammersmith Odeon, London, February 3rd 1982. It’s a cold night and fans – almost all of them women - are swarming at the entrance eager to see their idol, the biggest male R&B artist of the time, even bigger then than closest rivals, Marvin Gaye and Barry White. Teddy Pendergrass – the Teddy Bear, the ‘Black Elvis’ - tall and handsome with a distinctive husky soulful voice that could melt a woman’s clothes clean off her body! 'It took Teddy eleven seconds to get to the point with a girl that would take me two dinners and a trip to meet her parents,' says Daniel Markus, one of his managers.
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Studio Track Consoles
Sound Business 35 Studio Track Sigma Sound Studios in Philadelphia is LP with Carl Beaver producing and Bruce Hen - where Gamble & Huff are putting the finishing sal engineering. Riggs is also at Criteria, at work touches on albums they're producing for Teddy on a new album with Andy Johns and Marty Pendergrass and Patti LaBelle. Joe Tarsia, Cohn producing. Johns doubles as engineer on Sigma's president, is engineering. A new LP for the project; Bruce Hensal is the assistant. the Jones Girls is also in progress here, with Sarah Dash of Kirshner Records recently Dexter Wansel working with engineer Peter re- corded an album at Sound Labs in Hollywood Humphreys on several tunes and Gamble & Huff and RCA in New York. David Wolford is produc- producing others with engineer Tarsia. Other ac- ing for The Entertainment Company. tivity includes the finishing touches on Melba Moore's new album, produced by McFadden & Sunset Sound, L.A.: Toto doing overdubs for a Whitehead and engineered by Dirk Devlin. Pro- new CBS LP, Toni Knox engineering, David Leon- ducer Sandy lJnzer and engineer Jim Gallagher ard assisting; Neil Diamond doing strings for a are completing tracks on T.S. Monk's upcoming new CBS LP, Bob Gaudio producing, Ron Hitch- album. cock engineering, Stephen McManus assisting; Sigma in New York has its share of activity, Carter producing Prism for Capitol, Warren too. Mixer Francois Kevorkian is working with Dewey at the console, Richard McKernan assist- engineers Jay Mark and Carla Bandini on an al- ing; Earth, Wind & Fire doing strings for a new bum by The Strikers for Prelude Records.
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Billy Paul Let 'Em in Mp3, Flac, Wma
Billy Paul Let 'Em In mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let 'Em In Country: Netherlands Released: 1976 Style: Disco MP3 version RAR size: 1667 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 663 Other Formats: VOX AUD MP4 MPC VOC AC3 MP2 Tracklist Hide Credits Let 'Em In A1 5:11 Written-By – P. McCartney-L. McCartney* We All Got A Mission A2 3:35 Written-By – C. Gamble*, K. Gamble*, L. Huff* How Good Is Your Game A3 4:08 Written-By – M. Burton*, P. Terry* Love Won't Come Easy A4 4:15 Written-By – D. Wansel* Without You B1 3:16 Written-By – P. Ham*, T. Evans* Word Sure Gets Around B2 4:30 Written-By – V. Barrett*, V. Gray* I Trust You B3 4:20 Written-By – K. Gamble-L. Huff* I Think I'll Stay Home Today B4 6:19 Written-By – D. Wansel* Credits Arranged By – Bobby Martin (tracks: A2, B2), Dexter Wansel (tracks: A3, A4, A1, A2, A4) Artwork By – Ed Lee Engineer – Jay Mark, Joe Tarsia Executive Producer – Kenneth Gamble & Leon Huff* Other [Music By] – MFSB Photography – Frank Laffitte Producer – Dexter Wansel (tracks: A4, B1, B2, B4), Kenneth Gamble & Leon Huff* (tracks: A2, B3), Michael Burton (tracks: A3), Phil Terry (tracks: A3) Producer, Arranged By – Jack Faith (tracks: A1) Notes Recorded at Sigma Sound Studios Philadelphia, PA Mastered at Frankford/Wayne Recording Labs, Philadelphia, PA "TSOP" The Sound Of Philadelphia BIEM/Stemra Other versions Category Artist Title (Format) Label Category Country Year Philadelphia PZ 34389, Billy Let 'Em In (LP, International Records,
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Mental Effort from an Lpcomin Disco Sound on This Energetic T, "MY
3, 1979 $2.25 SINGLES SLEEPERS THE WHO, "LONG LIVE ROCK" (prod. not LOUISIANA'S LE ROU listed) (writer: Peter Townshend) by L. S. Me MCA (Towser Tunes, BMI) (3:58).Ini- Pollard) RECORDStially released on their "Odds & Lemed, Sods" Ip, this comes roaring out chapter #00001"Ist "The Kids Are Alright 'sound- rock is vg trackandaptlycapturesthe one isfire theme behind one of rock's leg- blues - rock ends. MCA 41053 tempo shades.. HOT CHOCOLATE, "GOING THROUGH PHILLY CREAM, "MO THE MOTIONS" (prod by M. (prod by Barry- ri Most) (writer: E. Brown) (Finch - Barry -Ingram)(P ry serv.. ley, ASCAP) (3:54). Vocal, string BMI)(3:59).Greatead v re-mixa:] and synthesizer intensity build to trades and brilliant horns to .ontami 4a dramatic climax on this monu- disco sound on thisenergetic ostfamilsir mental effort from an Lpcomin disc. Splendid arrangement/pro- a staid -out and 1p A multi -format smash. Infinity duction give this widespread ap- the rri should 50,016. I. Fantasy/WMOT 862 110 12. THE Cane PATTI SMITH GROUP, "FREDERICK" T, "MY LOVE is" (prod by TH AR V-0. ou p CANDY -11 (prod by T. Rundigren) (writer: P t)(writers: rWright-McCray) was on andful reak Smith)(Ninja,' tASCAFT) (3:01 Iyn.BMI /DErnbet,BMI) (5:48). through t"f, dominan Smith's urgent Vocals, encas it'sfinestefforttodate summer an by ringing guitars, plead the m dikes the most of her grandiose duced by Roy Thomas sage while keyboard lines iz vocaltalentPrecision back-up tinues their esoteric roc of zle. Rundgren produces w chorals, prominent piano Imes & view.
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Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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Songstress Marilyn Ashford-Brown “Herstory” in the Making
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Soul Truth (Continued from Page 160) Promotion
Soul Truth (Continued from page 160) promotion. Personal Pick: "Teach Me Tonight"-- Phoebe Snow (Columbia). Radio station WEAS-FM (Savannah) announced that it had a new operations manager, Howard Wade. Norm Gardner was promoted at Mercury Records in New York as promotion manager, both pop and r&b. Alonzo King, who was at one time promotion repre- sentative at Motown Records, was named artist rela- tions rep for the company. April 1st, it was announced, a roast would be held for Bob "Nighthawk" Terry in Washington, D.C. Dennis Edwards, former lead singer of The Temp- tations, was in the studio recording an 1p for Motown Records. Personal Pick: "Come On, Have Yourself A Good Time" -- Major Lance (Columbia). For the first time since the fifties a radio an- nouncer was found guilty of perjury. Frankie Crocker was sentenced to a year and a day with $1,000 fine. Crocker appealed the conviction. It was this time of year that in the splitting up department it was announced that Baker, Harris and Young were going to go their separate ways. How- ever, they did not, as the three came to an agree- ment to have "a piece of the rock," the label, Gold Mind, would be distributed by Salsoul Records. APRIL ABC recording artist Eloise Laws dhcl her co -producer Linda Creed Launcheda promo- Personal Pick: "Let 'Em In" -- Billy Paul (PIR). tion tour in conjunction with Laws' debut album, "Eloise." Featured in the photoat a Chicago reception are (from left): Linda Creed; Runa Sanders, Sanders One -Stop; Zeggie Barnes, formerly affiliated with Buddah Eloise Laws; E.
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The Jacksons Goin' Places Mp3, Flac, Wma
The Jacksons Goin' Places mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Goin' Places Country: UK & Europe Released: 2018 MP3 version RAR size: 1240 mb FLAC version RAR size: 1620 mb WMA version RAR size: 1820 mb Rating: 4.9 Votes: 819 Other Formats: XM AU DXD AUD WAV RA MMF Tracklist Hide Credits Music's Takin' Over 1 Arranged By – Gene McFadden, John Whitehead, Victor CarstarphenProducer – Gene 4:36 McFadden, John Whitehead, Victor Carstarphen Goin' Places 2 4:35 Arranged By – Dexter WanselProducer – Gamble & Huff Different Kind Of Lady 3 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:36 Randy Jackson, Tito Jackson Even Though You're Gone 4 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Jump For Joy 5 4:34 Arranged By – Dexter WanselProducer – Dexter Wansel Heaven Knows I Love You, Girl 6 3:59 Arranged By – Jack FaithProducer – Gamble & Huff Man Of War 7 3:13 Arranged By – Jack FaithProducer – Gamble & Huff Do What You Wanna 8 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:32 Randy Jackson, Tito Jackson Find Me A Girl 9 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Credits Congas – Randy Jackson Congas, Bongos – David Cruse, Larry Washington Drums – Charles Collins Executive Producer – Gamble & Huff Guitar – Dennis Harris, Michael "Sugar Bear" Forman*, Roland Chambers, Tito Jackson Keyboards – Dexter Wansel Piano – Leon Huff Notes © 1977 Sony Music Entertainment Inc. Second European CD release (no SID codes); released in the fall of 1991 as part of the Collectors Choice series; comes with a white tray.
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TEDDY. You Know How Much That Name Means
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4-Year Song History
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