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Echoes of Legend: Magic As the Bridge Between a Pagan Past And
Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. -
Masaryk University of Brno
MASARYK UNIVERSITY OF BRNO FACULTY OF EDUCATION Bachelor thesis Brno 2015 Martina Eklová Masaryk University Faculty of Education Department of English Language and Literature Concept of Love Triangle in Medieval Romance Bachelor thesis Brno 2015 Thesis supervisor: Author: Mgr. Jaroslav Izavčuk Martina Eklová Anotace Příběhy, jejichž hlavním tématem je milostný trojúhelník a nevěra, zažily ve středověké literatuře velký rozvoj. Mezi nejznámější patří příběh Tristana a královny Isoldy, stejně jako vyprávění o královně Guinevře a Lancelotovi. Bakalářská práce analyzuje a porovnává tyto dva milostné trojúhelníky a zároveň zkoumá možný vliv Tristanova příběhu na vznik legendy o Lancelotovi. První část bakalářské práce se týká žánru středověké romance a jejích prvků. Další kapitoly zahrnují analýzu milostných trojúhelníků na pozadí středověké společnosti a tehdejšího pojetí manželství a nevěry. Annotation The stories with a love triangle and adultery as its main theme developed significantly during the Middle Ages. Among the most popular ones belong the story of Tristan and Queen Iseult as well as the tale about Queen Guenever and Launcelot. The bachelor thesis analyses and compares these two love triangles and it examines the possible influence of Tristan‟s story on the legend about Launcelot. The first part of the bachelor thesis comprises the genre of medieval romance and its elements. The next chapters involve the analysis of the love triangles against the background of medieval society and its concept of marriage and adultery. Klíčová slova Středověká romance, milostný trojúhelník, manželství, nevěra, Román o Tristanovi a Isoldě, Artušova smrt, Malory, Bédier Keywords Medieval romance, love triangle, marriage, adultery, The Romance of Tristan and Iseult, Le Morte d‟Arthur, Malory, Bédier 1 Affirmation I hereby declare that I have worked on the bachelor thesis independently, using only the sources which are listed in the Bibliography. -
The Logic of the Grail in Old French and Middle English Arthurian Romance
The Logic of the Grail in Old French and Middle English Arthurian Romance Submitted in part fulfilment of the degree of Doctor of Philosophy Martha Claire Baldon September 2017 Table of Contents Introduction ................................................................................................................................ 8 Introducing the Grail Quest ................................................................................................................ 9 The Grail Narratives ......................................................................................................................... 15 Grail Logic ........................................................................................................................................ 30 Medieval Forms of Argumentation .................................................................................................. 35 Literature Review ............................................................................................................................. 44 Narrative Structure and the Grail Texts ............................................................................................ 52 Conceptualising and Interpreting the Grail Quest ............................................................................ 64 Chapter I: Hermeneutic Progression: Sight, Knowledge, and Perception ............................... 78 Introduction ..................................................................................................................................... -
King Arthur CD Booklet
Benedict Flynn KING ARTHUR and the Knights of the Round Table Read by Sean Bean JUNIOR CLASSICS CHILDREN’S FAVOURITES NA213812D 1 Prologue – the reign of Uther Pendragon 1:58 2 The death of Uther Pendragon 2:34 3 A summons to the Great Council in London 6:54 4 The sword in the anvil 6:32 5 King Arthur learns from Merlin 4:29 6 Magic and Guinevere, the young daughter of King Leodegraunce 6:48 7 From a lake, the sword Excalibur 7:01 8 Arthur, Guinevere and the Round Table 9:32 9 Merlin’s farewell, and a surprise arrival 5:15 10 A new knight – Sir Lancelot 7:54 11 Sir Gawain and the Green Knight 9:59 12 ‘And there was the Green Knight’… 3:00 13 The adventures of Sir Lancelot at Corbenic Castle 10:45 14 ‘Elaine refused to be comforted’ 5:18 15 Mordred – black, black hair and cruel, pale eyes 2:58 16 The sword in the stone and the Holy Grail 8:23 17 The Holy Grail again 9:09 18 Lancelot and Guinevere 9:12 19 Guinevere is saved 4:38 20 Battle between Arthur and Lancelot 9:03 21 Mordred and Morgana le Fay plot 6:16 22 Face to face with Mordred 3:38 23 Excalibur returns to the Lady of the Lake 4:28 24 To Avalon… 2:33 Total time: 2:28:30 2 Benedict Flynn KING ARTHUR and the Knights of the Round Table There are still some places in Britain, hidden le Fey, for one, who plotted so deviously away, that are beyond the reach of time. -
Concealment and Construction of Knightly Identity in Chretien's Romances and Malory's Le Morte Darthur
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur. Taylor Lee Gathof University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the English Language and Literature Commons, and the European Languages and Societies Commons Recommended Citation Gathof, Taylor Lee, "Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur." (2014). College of Arts & Sciences Senior Honors Theses. Paper 88. http://doi.org/10.18297/honors/88 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Concealment and Construction of Knightly Identity in Chretien’s Romances and Malory’s Le Morte Darthur By Taylor Lee Gathof Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville May, 2014 Gathof 2 1. Introduction This paper will discuss the phenomenon of -
Camelot Directed by Neroli Sweetman (Burton) Musical Director Justin Freind Assistant MD Katherine Freind
The Old Mill Theatre presents Camelot Directed by Neroli Sweetman (Burton) Musical Director Justin Freind Assistant MD Katherine Freind “Who was King Arthur? Did he ever exist? Was there an Arthurian Age in England in the 5th & 6th centuries A.D. when knights gathered at a round table and laid down laws of chivalry? Or was the legend of Arthur simply a cultural product of later times, when people needed to believe there were lives and ways of living more romantic, nobler, better than their own”? “The legend of King Arthur has enchanted generation after generation. Throughout the centuries Arthur has been introduced as a daring mischievous yet modest lovable boy. Even after he had been acknowledged king he continued to go in search of adventure like the humblest knight. The tragic overthrow of his pure, perfect kingdom, brought on by the conduct between Queen Guenevere and the Round Table’s bravest knight Lancelot, and affected by his wrongly begotten son, Mordred, assures that Arthur remains a human being in spite of his perfection.” The words above are taken from the program of the Australian 1984 tour of this legendary musical written by Lerner and Lowe and presented by Kevin Jacobsen Productions. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ SHOW DETAILS The performances will run: 1st, 2nd, 3rd December 2017 7th, 8th, 9th 10th December 2017 13th, 14th, 15th, 16th December 2017. Evening performances are at 7:30pm and Sunday matinees are at 2:00pm. AUDITION DETAILS Auditions will be held on Saturday 2nd & Sunday 3rd September. All lead, supporting and ensemble roles will need to prepare a song to sing at the audition. -
Camelot Musical Notes.Pdf
GOODSPEED MUSICALS Teachers’ Instructional Guide A Guide to the Goodspeed Musicals production of Musical Notes is made possible through the generosity of: The Max Showalter Center for Education in the Musical Theater presents Book and Lyrics by ALAN JAY LErNEr Music by FrEdErICK LOEWE with BrANdON ANdrUS rONN CArrOLL CHArLES EvErETT CrOCCO ErIN dAvIE MAXIME de TOLEdO BrAdLEY dEAN MICHAEL dELEGET MATT FAUCHEr STEvE FrENCH ANdrEW HUBACHEr MArISSA McGOWAN rACHEL ALEXA NOrMAN SHAWN PENNINGTON HErMAN PETrAS rEBECCA PITCHEr rACHEL rINCIONE AMANdA SALvATOrE AdAM SHONKWILEr ALLAN SNYdEr BEN SWIMMEr MATTHEW C. THOMPSON MOLLIE vOGT-WELCH Scenery Design by Costume Design by Lighting Design by MICHAEL SCHWEIKArdT ALEJO vIETTI JOHN LASITEr Sound by Hair & Wig Design by JAY HILTON CHArLES LaPOINTE Orchestrations by Assistant Music Director dAN deLANGE F. WAdE rUSSO Production Manager Production Stage Manager Casting by r. GLEN GrUSMArK BrAdLEY G. SPACHMAN STUArT HOWArd, AMY SCHECTEr, & PAUL HArdT, CSA Associate Producer Line Producer BOB ALWINE dONNA LYNN COOPEr HILTON Music Director MICHAEL O’FLAHErTY Choreographed by rALPH PErKINS Directed by rOB rUGGIErO Produced for Goodspeed Musicals by MICHAEL P. PrICE First Performance: July 10, 2009 Goodspeed Musicals is dedicated to the heritage of the musical and the development of new works to add to the repertoire. Marquee Sponsors: LUCILLE ANd dAvE vIOLA, Sr. Sponsored by: 4 GOODSPEED MUSICALS | 2009 SEASON GOODSPEED MUSICALS | 2009 SEASON 5 Cast of Characters Musical Numbers (In order of appearance) Synopsis -
Rex Quondam, Rexque Futurus Celtic Tradition – Britain and France
Rex Quondam, Rexque Futurus Celtic Tradition – Britain and France There was a time when the land of the Britons was thrown into chaos. It was when the empire collapsed under a band of inept and corrupt rulers, in cahoots with a few great merchants equally sick with greed, who did not leave the peoples even the crumbs of their misery. Thus, like the rest of the empire, the land of the Britons became a field of snares, skirmishes and battles between a few feudal lords, who did not seek the good of their peoples, but their own betterment. They all wanted to be ‘the King’, but none of them had the spirit of a true king. Creating much calamity and misery for the Britons, barbarian tribes, from the other side of the channel, took advantage of the prevailing chaos to invade the island. Destruction, famine and untold dearth ravaged the people, as warlords and barbarians indulged in savage slaughter and looting, driven by their pathetic greed. It was then that a true king emerged in the westernmost regions of the country. Drawing the sword from the stone, something no one had been able to do to claim the throne, the young king earned everyone’s respect for his integrity, righteousness and nobility. His name was Arthur, and he did not come alone, but was accompanied by a great wizard, possibly the greatest magician of all time: Merlin. A short time later, and with the help of Merlin, the true king managed to gather, under his dragon flag, all the kings and lords of Britain, to defeat the invading barbarians in a series of confrontations REX QUONDAM, REXQUE FUTURUS 1 that would culminate in the Battle of Mount Badon. -
Alaris Capture Pro Software
Richard III’s Books: X. The Prose Tristan ANNE F. SUTTON AND LIVIA VISSER-FUCHS Tristan, lover, knight of the Round Table and famous huntsman, was one of the best known heroes of the later middle ages. One story can be cited to prove his popularity. Philip the Good, Duke of Burgundy, had a row with his son,Charles, and galloped off fugiously into the forest. The next morning when he was recovering from his night of exertions his good humour was restored by his friend and Chamberlain, Philippe Pot, who said: Good morning, monseigneur, what is this? Are you King Arthur now or Sir Lancelot? Did you think there would be no Sir Tristrams wandering around who would be a match for you?‘ The Duke was feeling rather the worse for wear, he laughed and agreed that he had had his ‘adventure, but added that despite his sorry state he was still capable of taking up arms if love or honour demanded it. To both Philip and his courtier, ‘Tristram’ was an integral part of the Arthurian stories, he was Lancelot’ 5 equal, a knight errant and one of the best knights in the world. Their ‘Tristram’ was very different from the .original character of Celtic legend. The Celtic hero had become one of the famous triangle, with Queen Isolde and King Mark of Cornwall, as developed by twelfth- ccntury poets, and that creation in its turn underwent considerable alteration at the hands of the authors of the Prose Tristan.2 Most English people still know the love story of Tristan and Isolde in a version deriving from the prose Tristan through the medium of Sir Thomas Malory, Spenser or Tennyson. -
The Court of Camelot Arthurian Pantheon
The Court of Camelot Arthurian Pantheon “YET some men say in many parts of England that King Arthur is not dead, but had by the will of our Lord Jesu into another place; and men say that he shall come again, and he shall win the holy cross. I will not say it shall be so, but rather I will say: here in this world he changed his life. But many men say that there is written upon his tomb this verse: Hic jacet Arthurus, Rex quondam, Rexque futurus (Here lies Arthur the once and future king). “ - Le Morte D'Arthur by Thomas Malory “So there’s a few floors of military police, six confirmed sorcerers, a couple dozen spartoi, and an elite squad of werewolf warriors? I thought you said this was going to be hard.” -Joe Ortega, Lancelot OVERVIEW The gods often concern themselves with stories of creation, of times before men, when the divines and titans shaped the fabric of the world. If you look for primal tales at the dawn of eternity, keep looking: you will not find them here. The stories of Camelot are the stories of heroes, of those bound by fate and those who conquered it. The first court of Arthur was made up of Scions of the Welsh and Irish Pantheons, with a few from even stranger heritage. They gathered together in Britain to protect mortal men from wicked fairies, dragons, and the incursions of foreign Scions and Titanspawn. As their legend grew, so too did the breadth of their cause. At the height of their power, Arthur and his fellows took a solemn oath upon the Round Table. -
The Tristan Legend: a Barometer of Love and Art in the Victorian Period
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 The rT istan Legend: a Barometer of Love and Art in the Victorian Period. James Alton Cowan Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cowan, James Alton, "The rT istan Legend: a Barometer of Love and Art in the Victorian Period." (1976). LSU Historical Dissertations and Theses. 3009. https://digitalcommons.lsu.edu/gradschool_disstheses/3009 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Legends of King Arthur and His Knights by James Knowles 1
The Legends Of King Arthur And His Knights by James Knowles 1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV The Legends Of King Arthur And His Knights by James Knowles The Project Gutenberg EBook of The Legends Of King Arthur And His Knights by James Knowles This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Legends Of King Arthur And His Knights Author: James Knowles Release Date: June 28, 2004 [EBook #12753] Language: English Character set encoding: ISO-8859-1 The Legends Of King Arthur And His Knights by James Knowles 2 *** START OF THIS PROJECT GUTENBERG EBOOK KING ARTHUR AND HIS KNIGHTS *** Produced by Zoran Stefanovic, GF Untermeyer and Distributed Proofreaders Europe, http://dp.rastko.net. The Legends of KING ARTHUR and his KNIGHTS Sir James Knowles Illustrated by Lancelot Speed TO ALFRED TENNYSON, D.C.L. POET LAUREATE THIS ATTEMPT AT A POPULAR VERSION OF THE ARTHUR LEGENDS IS BY HIS PERMISSION DEDICATED AS A TRIBUTE OF THE SINCEREST AND WARMEST RESPECT 1862 PREFACE TO THE EIGHTH EDITION The Publishers have asked me to authorise a new edition, in my own name, of this little book--now long out of print--which was written by me thirty-five years ago under the initials J.T.K.