Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute 2021 01 The Investiture Contest and the Rise of Herod Plays in the Twelfth Century John Marlin Follow this and additional works at: https://scholarworks.wmich.edu/early_drama Part of the Medieval Studies Commons, and the Theatre History Commons WMU ScholarWorks Citation Marlin, John, "01 The Investiture Contest and the Rise of Herod Plays in the Twelfth Century" (2021). Early Drama, Art, and Music. 9. https://scholarworks.wmich.edu/early_drama/9 This Essay is brought to you for free and open access by the Medieval Institute at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu-
[email protected]. The Investiture Contest and the Rise of Herod Plays in the Twelfth Century John Marlin Since the publication of O. B. Hardison’s Christian Rite and Christian Drama in the Middle Ages,1 E. K. Chambers’s and Karl Young’s evolutionary models for liturgical drama’s development2 have been discarded. Yet the question remains of accounting for what Rosemary Woolf calls its “zig-zag” development,3 its apogee being the twelfth century. The growth and decline of Christmas drama is particularly intriguing, as most of Young’s samples of the simple shepherd plays, the Officium Pastores, come from the fourteenth and fifteenth centuries, while the earliest Christmas play he documents, from an eleventh-century Freising Cathedral manuscript, is a complete play about Herod and the Magi, the Officium Stellae.