Creditsº Music Supervision and Score Coordination Credits
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Indian and Polish Film Festivals
Indian and Polish film festivals articles.latimes.com /2009/apr/16/entertainment/et-screening16 New films from India and Poland are highlighted in the seventh annual Indian Film Festival of Los Angeles and the 10th Polish Film Festival. The Indian Film Festival, which runs Tuesday through April 26, includes five feature films making their world premiere, five making their U.S. premiere and another five making their L.A. debut. The festivities begin with the world premiere of Anand Surapar's "The Fakir of Venice" at the ArcLight Hollywood Cinemas. Ani Kapoor of "Slumdog Millionaire" will also be saluted during the festival with screenings of two of his classic films and the premiere of the English-language version of 2007's "Gandhi, My Father," which he produced. www.indianfilmfestival.org The Polish Film Festival has its gala opening Wednesday at the Egyptian Theatre in Hollywood with a screening of "Perfect Guy for My Girl." It continues through May 3 at Laemmle's Sunset 5 Theatre and other venues in Los Angeles and Orange counties. www .polishfilmla.org -- French composers Two of the late Maurice Jarre's great scores -- for 1985's "Witness" and 1986's "The Mosquito Coast" -- are featured in the American Cinemathque's weekend retrospective "The French Music Composers Go to Hollywood" at the Aero Theatre in Santa Monica. The beautiful music begins tonight with a double bill of 1981's "Woman Next Door," composed by Georges Delerue, and 2001's "Read My Lips," scored by Alexandre Desplat. Michel Legrand supplied the score for 1968's "The Thomas Crown Affair," screening Friday with Michel Colombier's score for 1984's "Against All Odds." The Jarre double feature is scheduled for Saturday. -
07-08 November No. 2 Contents
THE ANTARCTICAN SOCIETY NEWSLETTER “BY AND FOR ALL ANTARCTICANS” VOL. 07-08 NOVEMBER NO. 2 CONTENTS PRESIDENT ANNOUNCEMENTS.............................cover SOUTH GEORGIA ASSOCIATION.................... 5 Dr. Arthur B. Ford 400 Ringwood Avenue BRASH ICE................................................. 1 BRITISH SEABED CLAIM................................... 5 Menlo Park, CA 94025 Phone: (650) 851-1532 SPEAKER FOR JOINT MEETING........... 2 JERRY KOOYMAN AWARD............................... 6 [email protected] SOUTH POLE DEDICATION.................. 2 PHYLACTERIES AT THE SOUTH POLE.......... 6 VICE PRESIDENT Robert B. Flint, Jr. CD ROM STILL AVAILABLE.................... 2 CAM CRADDOCK TRIBUTE.............................. 7 185 Bear Gulch Road Woodside, CA 94062 ANTARCTIC MUSIC................................ 3 I KNEW YOUR FATHER...................................... 8 Phone: (650) 851-1532 [email protected] Type to enter text CONVERSATION WITH AMUNDSEN............. 8 Type to enter text TREASURER Type to enter text Dr. Paul C. Dalrymple Box 325, Port Clyde, ME 04855 Phone: (207) 372-6523 [email protected] ANNOUNCEMENTS SECRETARY Charles Lagerbom YOU NOW HAVE A CHOICE, NEWSLETTER WILL BECOME AVAILABLE 83 Achorn Rd. Belfast, ME 04915 ELECTRONICALLY. Starting with our next issue, anticipated in late January 2008, you (207)548-0923 can pick up your Newsletter on our new web site which will be up and running the first of [email protected] the year, Members who choose to receive issues on the website will be given a password WEBMASTER -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Resolution May/June 08 V7.4.Indd
craft Horn and Downes briefl y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
The Art of David Lynch
The Art of David Lynch weil das Kino heute wieder anders funktioniert; für ei- nen wie ihn ist da kein Platz. Aber deswegen hat Lynch ja nicht seine Kunst aufgegeben, und nicht einmal das Filmen. Es ist nur so, dass das Mainstream-Kino den Kaperversuch durch die Kunst ziemlich fundamental abgeschlagen hat. Jetzt den Filmen von David Lynch noch einmal wieder zu begegnen, ist ein Glücksfall. Danach muss man sich zum Fernsehapparat oder ins Museum bemühen. (Und grimmig die Propaganda des Künstlers für den Unfug transzendentaler Meditation herunterschlucken; »nobody is perfect.«) Was also ist das Besondere an David Lynch? Seine Arbeit geschah und geschieht nach den »Spielregeln der Kunst«, die bekanntlich in ihrer eigenen Schöpfung und zugleich in ihrem eigenen Bruch bestehen. Man er- kennt einen David-Lynch-Film auf Anhieb, aber niemals David Lynch hat David Lynch einen »David-Lynch-Film« gedreht. Be- 21 stimmte Motive (sagen wir: Stehlampen, Hotelflure, die Farbe Rot, Hauchgesänge von Frauen, das industrielle Rauschen, visuelle Americana), bestimmte Figuren (die Frau im Mehrfachleben, der Kobold, Kyle MacLachlan als Stellvertreter in einer magischen Biographie - weni- ger, was ein Leben als vielmehr, was das Suchen und Was ist das Besondere an David Lynch? Abgesehen Erkennen anbelangt, Väter und Polizisten), bestimmte davon, dass er ein paar veritable Kultfilme geschaffen Plot-Fragmente (die nie auflösbare Intrige, die Suche hat, Filme, wie ERASERHEAD, BLUE VELVET oder die als Sturz in den Abgrund, die Verbindung von Gewalt TV-Serie TWIN PEAKS, die aus merkwürdigen Gründen und Design) kehren in wechselnden Kompositionen (denn im klassischen Sinn zu »verstehen« hat sie ja nie wieder, ganz zu schweigen von Techniken wie dem jemand gewagt) die genau richtigen Bilder zur genau nicht-linearen Erzählen, dem Eindringen in die ver- richtigen Zeit zu den genau richtigen Menschen brach- borgenen Innenwelten von Milieus und Menschen, der ten, und abgesehen davon, dass er in einer bestimmten Grenzüberschreitung von Traum und Realität. -
Christian Henson
CHRISTIAN HENSON SELECTED CREDITS HOME (2020) TRAUMA (2018) TUTANKHAMUN (2016) TOMMY’S HONOUR (2016) THE GO BETWEEN (2015) BIOGRAPHY ChristiAn Henson is A multi nominated (including Ivor Novello And World SoundtrAck AwArds) and multi award-winning composer. With over 45 films to his nAme, he hAs proved to be A prodigious And versAtile force within the UK film industry. In 2016 ChristiAn scored Jason Connery’s feAture ‘Tommy’s Honour’ which opened the Edinburgh InternAtionAl Film FestivAl thAt yeAr. Most recently, ChristiAn scored the ITV three- part series ‘TrAumA’ stArring AdriAn Lester And John Simm, As well As their four-part drAmA ‘TutAnkhAmun’ the previous yeAr. Prior to this ChristiAn scored television movie ‘The Go- Between’ for the BBC, stArring VanessA RedgrAve And Jim BroAdbent. ChristiAn composed for Jon Wright's sci-fi epic ‘Robot Overlords’; a posthumous collaboration with Jerry Goldsmith on video gAme ‘Alien IsolAtion’ for SegA of AmericA; the historic conclusion to the ‘Poirot’ frAnchise, for which ChristiAn composed the finAl 9 feAture-length episodes; cult TV series ‘Inside No. 9’ with Reece Sheersmith & Steve Pemberton; and the multi AwArd- winning ‘Fresh MeAt’ for ChAnnel 4. ChristiAn hAs Also worked extensively in Europe. From the heart-rending holocAust epic ‘LA Rafle’, one of the most successful French films of recent times, Dexter Fletcher's BAFTA nominated debut ‘Wild Bill’ and Lee Tamahori's disturbing ‘The Devil's Double’, to A triptych of horror And comedy from director Chris Smith with ‘SeverAnce’, ‘BlAck DeAth’ And ‘TriAngle’. ChristiAn's musicAl bAckground lies in the first-wave Drum And BAss And breAkbeAt music of the 90's with Acts such As LTJ Bukem And The Freestylers. -
Knowledge Organiser
Key Composers Purpose Bernard Hermann James Horner Music in a film is there to set the scene, enhance the AoS3 – Film Music mood, tell the audience things that the visuals cannot, or John Williams Danny Elfman manipulate their feelings. Sound effects are not music! John Barry Alan Silvestri Jerry Goldsmith Howard Shore Key terms Hans Zimmer Leitmotif – A theme for a character Mickey-mousing – When the music fits precisely with action Musical Elements & Common Associations (Musical Cliche’s) Underscore – where music is played at the same time as action Tempo Fast Excitement, action or fast-moving things (eg. A chase scene) Slow Contemplation, rest or slowing-moving things (eg. A funeral procession) Fanfare – short melodies from brass sections playing arpeggios and often accompanied with percussion Melody Ascending Upward movement, or a feeling of hope (eg. Climbing a mountain) Descending Downward movement, or feeling of despair (eg. Movement down a hill) Instruments and common associations (Musical Clichés) Large leaps Distorted or grotesque things (eg. a monster) Woodwind - Natural sounds such as bird song, animals, rivers Harmony Major Happiness, optimism, success Bassoons – Sometimes used for comic effect (i.e. a drunkard) Minor Sadness, seriousness (e.g. a character learns of a loved one’s death) Brass - Soldiers, war, royalty, ceremonial occasions Dissonant Scariness, pain, mental anguish (e.g. a murderer appears) Tuba – Large and slow moving things Rhythm Strong sense of pulse Purposefulness, action (e.g. preparations for a battle) & Metre Harp – Tenderness, love Dance-like rhythms Playfulness, dancing, partying (e.g. a medieval feast) Glockenspiel – Magic, music boxes, fairy tales Irregular rhythms Excitement, unpredictability (e.g. -
Music Theory Through the Lens of Film
Journal of Film Music 5.1-2 (2012) 177-196 ISSN (print) 1087-7142 doi:10.1558/jfm.v5i1-2.177 ISSN (online) 1758-860X ARTICLE Music Theory through the Lens of Film FranK LEhman Tufts University [email protected] Abstract: The encounter of a musical repertoire with a theoretical system benefits the latter even as it serves the former. A robustly applied theoretic apparatus hones our appreciation of a given corpus, especially one such as film music, for which comparatively little analytical attention has been devoted. Just as true, if less frequently offered as a motivator for analysis, is the way in which the chosen music theoretical system stands to see its underlying assumptions clarified and its practical resources enhanced by such contact. The innate programmaticism and aesthetic immediacy of film music makes it especially suited to enrich a number of theoretical practices. A habit particularly ripe for this exposure is tonal hermeneutics: the process of interpreting music through its harmonic relationships. Interpreting cinema through harmony not only sharpens our understanding of various film music idioms, but considerably refines the critical machinery behind its analysis. The theoretical approach focused on here is transformation theory, a system devised for analysis of art music (particularly from the nineteenth century) but nevertheless eminently suited for film music. By attending to the perceptually salient changes rather than static objects of musical discourse, transformation theory avoids some of the bugbears of conventional tonal hermeneutics for film (such as the tyranny of the “15 second rule”) while remaining exceptionally well calibrated towards musical structure and detail. -
Musikliste Zu Terra X „Unsere Wälder“ Titel Sortiert in Der Reihenfolge, in Der Sie in Der Doku Zu Hören Sind
Z Musikliste zu Terra X „Unsere Wälder“ Titel sortiert in der Reihenfolge, in der sie in der Doku zu hören sind. Folge 1 MUSIK - Titel CD / Interpret Composer Trailer Terra X Trailer Terra X Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Dr. Ford Westworld - Season 1 / Ramin Djawadi Ramin Djawadi Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Eleven Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Race To Mark's Flat Bridget Jones's Baby / Craig Armstrong Craig Armstrong Boggis, Bunce and Fantastic Mr. Fox / Alexandre Desplat Alexandre Desplat Bean Hibernation Pod 1625 Passengers / Thomas Newman Thomas Newman Jack It Up Steve Jobs / Daniel Pemberton Daniel Pemberton The Dream and the Collateral Beauty / Theodore Shapiro Letters Theodore Shapiro Reporters Swarm Confirmation / Harry Gregson Williams Harry Gregson Williams Persistence Burnt / Rob Simonsen Rob Simonsen Introducing Howard Collateral Beauty / Theodore Shapiro Inlet Theodore Shapiro The Dream and the Collateral Beauty / Theodore Shapiro Theodore Shapiro Letters Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Fell Captain Fantastic / Alex Somers Alex Somers Me Before You Me Before You / Craig Armstrong Craig Armstrong Orchestral This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon The Skylab Plan Steve Jobs / Daniel Pemberton Daniel Pemberton Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Speight Lived Here The Knick (Season 2) / Cliff Martinez Cliff Martinez This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon 3 Minutes Of Moderat A New Beginning Captain Fantastic / Alex Somers Alex Somers 3 Minutes Of Moderat The Walk The Walk / Alan Silvestri Alan Silvestri Dr. -
David Cronenberg Et Howard Shore. Bref Portrait D'une Longue
Document généré le 1 oct. 2021 00:20 Revue musicale OICRM David Cronenberg et Howard Shore. Bref portrait d’une longue collaboration Solenn Hellégouarch Une relève Résumé de l'article Volume 2, numéro 2, 2015 Après 45 ans de carrière, la filmographie de David Cronenberg compte 22 films, dont 15 ont été musicalisés par Howard Shore, qui a rejoint l’équipe du URI : https://id.erudit.org/iderudit/1060132ar cinéaste en 1979. Si l’univers cronenbergien est aujourd’hui bien connu, DOI : https://doi.org/10.7202/1060132ar l’apport de son compositeur demeure peu exploré. Or, la musique semble y jouer un rôle de toute première importance, le compositeur étant impliqué très Aller au sommaire du numéro tôt dans le processus cinématographique. Cette implication précoce est indicatrice du rôle central qu’occupent Shore et sa musique : comment le définir ? Plutôt que de recourir à une analyse des fonctions de la musique au cinéma, cet article explore les processus de création qui lui donnent naissance. Éditeur(s) Cronenberg et Shore, qui ont « tout appris en commun », présentent ainsi des OICRM processus créateurs aux traits similaires, ou plus exactement des figures artistiques communes, ici exposées, les regroupant sous une seule vision artistique : l’autodidacte, l’expérimentateur, l’improvisateur, le ISSN peintre/sculpteur et l’artiste-artisan. 2368-7061 (numérique) Découvrir la revue Citer cet article Hellégouarch, S. (2015). David Cronenberg et Howard Shore. Bref portrait d’une longue collaboration. Revue musicale OICRM, 2(2), 96–114. https://doi.org/10.7202/1060132ar Tous droits réservés © Revue musicale OICRM, 2015 Ce document est protégé par la loi sur le droit d’auteur. -
Compositori Da Oscar
COMPOSITORI DA OSCAR Proposte di ascolto di compositori che con la loro musica hanno fatto la storia del cinema e consigli di visone di film premi Oscar per la colonna sonora CD AUDIO Anne Dudley, The full monty. Music from the motion picture soundtrack (1997), RCA Victor: FOX searchlight [CD] MUSICA COLONNE-SONORE FUL Max Goberman, West side story (1998), nell'interpretazione di New York Philarmonic, Leonard Bernstein, Sony Classical: Columbia: Legacy [CD] MUSICA COLONNE-SONORE WES Ennio Morricone, Per un pugno di dollari. Colonna sonora originale (1964), BMG [CD] MUSICA COLONNE-SONORE PER Ennio Morricone, Il buono, il brutto, il cattivo. Original motion picture soundtrack (1966), GMD [CD] MUSICHE COLONNE-SONORE BUO Nicola Piovani, Musiche per i film di Nanni Moretti. Caro diario, Palombella rossa, La messa è finita (1999), Emergency Music Italy: Virgin [CD] MUSICA COLONNE-SONORE MUS Steven Price, Gravity. Original motion picture soundtrack (2013), Silva Screen Records [CD] MUSICA COLONNE-SONORE GRA Nino Rota, La strada, Le notti di Cabiria. Original soundtracks (1992), Intermezzo, Biem, Siae, [CD] MUSICA COLONNE-SONORE STR Rota, Nino (et al), The Godfather. Trilogy 1- 2- 3 (1990), Silva Screen Records [CD] MUSICA COLONNE-SONORE GOD Ryuichi Sakamoto, The sheltering sky. Music from the original motion picture soundtrack (1990), Virgin [DVD] MUSICA COLONNE-SONORE SHE Ryuichi Sakamoto, The Last Emperor (1987), Virgin Records [CD] MUSICA COLONNE-SONORE LAS Vangelis, Blade runner (1982), WEA [CD] MUSICA COLONNE-SONORE BLA John Williams, The