Music Styles

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MUSIC STYLES ACAPELLA GROUPS BOLLYWOOD COLLEGE BANDS FUNK BANDS ACOUSTIC BLUES BOSSA NOVA CONCEPTUAL MUSICIANS GAELIC BANDS ACOUSTIC MUSICIANS BRASS ENSEMBLES CONTEMPORARY COUNTRY GARAGE BANDS ADULT CONTEMPORARY BRAZILIAN CONTEMPORARY FOLK GERMAN AFRICAN BRITISH INVASION CONTEMPORARY JAZZ GERMAN BANDS AFRICAN DRUMMERS BRITPOP CORPORATE BANDS GLAM ROCK AFRO POP C&W COUNTRY GOSPEL GOSPEL ALTERNATIVE COUNTRY CAJUN COUNTRY ROCK HAIR METAL ALTERNATIVE ROCK CALYPSO COUNTRY SWING HARPIST AMERICAN TRAD ROCK CARIBBEAN BANDS COVER BANDS HAWAIAN MUSICIANS ARABIC MUSIC CELEBRITY MUSICIANS CROONERS HIP HOP ARCARDIAN CELTIC BANDS DISCO BANDS HONKY TONK BACHATA CHAMBER GROUPS DIXIELAND INDIE ROCK BAGPIPERS CHICAGO BLUES DRUM CIRCLES INTERNATIONAL BANDAS CHILDREN'S MUSIC DUELLING PIANOS IRISH BANDS BANDS CHORAL GROUPS EIGHTIES BANDS JAM BANDS BANJO CHRISTIAN MUSIC ELECTRONIC MUSIC JAPAN BARBERSHOP CHRISTMAS BANDS ETHNIC JAZZ ENSEMBLES BELL CHIMERS CHRISTMAS CAROLLERS ETHNIC BANDS JAZZ GUITARISTS BIG BANDS CLASSIC ROCK BANDS FIFTIES BANDS 713-773-2378 BLUE NOTE CLASSICAL GUITARISTS FLAMENCO GUITARISTS [email protected] BLUEGRASS CLASSICAL MUSICIANS FOLK ROCK fb/BestEntertainers BLUES BANDS COCKTAIL MUSICIANS FRENCH @Best_Entrtainrs MUSIC STYLES JAZZ ORCHESTRAS PERCUSSION GROUPS SOFT ROCK TRIBUTE BANDS JAZZ SOLOISTS PERUVIAN FLUTE BAND SOLO GUITAR TROPICAL BANDS JAZZ TRIOS PIANIST SOLO SAXOPHONIST TROUBADORS KLEZMER BANDS PIANO/VOCALISTS SOLO VIOLINISTS VARIETY BANDS LATIN BANDS POP LATINO SOUL BANDS VOCAL JAZZ LATIN JAZZ R&B SOUTHERN ROCK VOCAL POP LIVE KARAOKE BANDS RAGTIME STANDARDS WEDDING BANDS LOUNGE MUSICIANS RAP STEEL DRUM WEDDING MUSIC MARCHING BANDS RED DIRT STRING QUARTETS WESTERN SWING MARIACHIS REGGAE BANDS STRING QUARTETS WORLD MERENGUE REGIONAL MEXICANO STRING TRIOS ZYDECO MIDDLE EASTERN RENAISSANCE MUSICIANS STRING TRIOS MOTOWN ROCKABILLY STROLLING VIOLINISTS NATIONAL BANDS ROOTS ROCK SURF ROCK NEW AGE SALSA BANDS SWING BANDS NEW ORLEANS JAZZ SAMBA TANGO NOVELITY MUSICIANS SECOND LINE TAPS OLDIES BANDS SEVENTIES BANDS TEJANO ONE MAN BANDS SHOW BANDS TEXAS COUNTRY OOM-PAH BANDS SITAR TEX-MEX 713-773-2378 OPERA SINGERS SIXTIES BANDS TOP 40 BANDS [email protected] ORCHESTRAS SMOOTH JAZZ TRADITIONAL FOLK fb/BestEntertainers PARTY BANDS SOCA BANDS TRADITIONAL JAZZ @Best_Entrtainrs .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
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(Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and
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An Original Rock Musical from Lord Graham Russell of the Renowned Rock Group Air Supply
AN ORIGINAL ROCK MUSICAL FROM LORD GRAHAM RUSSELL OF THE RENOWNED ROCK GROUP AIR SUPPLY awallapart.com STORY SYNOPSIS Brothers Kurt, Mickey and Hans were born and raised in war time Berlin, their parents perishing in the bombings of Berlin at the very end of the war. As the eldest, Hans took on the responsibility of raising his two younger siblings. Following the war he joined the East German border police and eventually became committed to the Communist cause. He is in a sense “too old” to be part of - and appreciate - the political movement of the 60’s throughout the world and in Berlin. He views his job and the support he received from the Communist party as the reason he and his siblings survived. Mickey and his new wife Susanne, on the other hand, don’t see it that way at all. As the story be- gins, Kurt is much more closely aligned with his brother Hans. He accepts that the Communist party is the path for him. Falling in love with Esther changes everything. Their love story covers 28 years. These three brothers are bound by blood and history but from the very start of the play are sharply divided by politics. Kurt’s is an epic journey from blind certainty of the true life path to questioning himself, his identity, and his choices but never his undying love for Esther. A WALL APART TRAILER https://www.wsj.com/articles/another-rock-star-hopes-to-crack-the-code-for-theatrical-success-1500836199 ©2017Dow Jones, Inc. All rights reserved.
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Willie Nelson
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Bethany Beach 2018 Summer Schedule
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Download Internet Service Channel Lineup
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Album Reviews
Album Reviews I’ve written over 150 album reviews as a volunteer for CHIRPRadio.org. Here are some examples, in alphabetical order: Caetano Veloso Caetano Veloso (A Little More Blue) Polygram / 1971 Brazilian Caetano Veloso’s third self-titled album was recorded in England while in exile after being branded ‘subversive’ by the Brazilian government. Under colorful plumes of psychedelic folk, these songs are cryptic stories of an outsider and traveller, recalling both the wonder of new lands and the oppressiveness of the old. The whole album is recommended, but gems include the autobiographical “A Little More Blue” with it’s Brazilian jazz acoustic guitar, the airy flute and warm chorus of “London, London” and the somber Baroque folk of “In the Hot Sun of a Christmas Day” tells the story of tragedy told with jazzy baroque undertones of “God Rest Ye Merry Gentlemen.” The Clash London Calling Epic / 1979 London Calling, considered one of the greatest rock & roll albums ever recorded, is far from a straightforward: punk, reggae, ska, R&B and rockabilly all have tickets to this show of force that’s both pop and revolutionary. The title track opens with a blistering rallying cry of ska guitar and apocalypse. The post-disco “Clampdown” is a template for the next decade, a perfect mix of gloss and message. “The Guns of Brixton” is reggae-punk in that order, with rocksteady riffs and rock drums creating an intense portrait of defiance. “Train in Vain” is a harmonica puffing, Top 40 gem that stands at the crossroads of punk and rock n’ roll.
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ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
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Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
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Summer Concert Series Return Downtown June 1
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