Mystery Gun Introduced by Clark Defense
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THE COFFIN CORNER: Vol. 14, No. 5 (1992) Hail to the real ‘redskins’ All Indian team from Hominy, Okla. , took on all comers By Arthur Shoemaker Buried deep in the dusty files of the Hominy ( Okla. ) News is this account of a professional football game between the Avant Roughnecks and the Hominy Indians played in October 1924: “Johnnie Martin, former pitcher for the Guthrie team of the Oklahoma State League, entered the game in the fourth quarter. On the first play, Martin skirted right end for a gain of 20 yards. However, Hominy was penalized 15 yards for Martin having failed to report to the referee. On the next three plays, the backfield hit the line for a first down. With the ball on the 20-yard line, Martin again skirted right end for the winning touchdown.” This speedy, high-stepping halfback was none other than Pepper Martin, star third baseman of the St. Louis Cardinals’ “Gas House Gang” of the 1930s. Pepper became famous during the 1931 World Series when the brash young Cardinals beat the star- studded Philadelphia Athletics four games to three. Nowhere is Pepper more fondly remembered than in the land of the Osage. For all his fame as a baseball star, he’s best remembered as a spectacular hard-running halfback on Oklahoma’s most famous and most colorful professional football team, the Hominy Indians. It was here that Pepper was called the “Wild Horse of the Osage.” The football team was organized in late 1923 at a time when Hominy was riding the crest of the fantastic Osage oil boom. -
Protests Begin Early Among Olympic Nations
PAGE 10 THE INDIANAPOLIS TIMES _FEB. 6, 1932 Talking PROTESTS BEGIN EARLY AMONG OLYMPIC NATIONS It Over HEINIE MUELLER tooled the BY JOE WILLIAMS Peaceful \ alley of Lake Placid They All Laughed When Dreyfuss T AKE PLACID, N. Y., Feb. 6e- Branch Rickey of the Cardinals and Pitcher Bill Doak. The Cardinals were playing the Giants in St. The fine old myth of amateur Louis. Mueller, in left field, was instructed to advance toward the infield on the signal for a slow ball Rites Set Disturbed by deep on the a fast one. As he the •port Athletic Warfare and play sign f,or ostentatiously paraded back, smart Sportmen’s $ park fans got wise. “Slow ball,” they chanted when Heinie crept in. “Fast ball,” they yelled when reeling against the ropes today, sun he retreated. Suddenly Mueller marched in on the sign for a fast one and the Giant batter smacked rubber-kneed and glass-eyed, as the Group of Skaters Ruled Out one over Mueller’s head. It broke up the ball game. “What seemed to be the difficulty?” asked Owner of Pirates to Be result of a punch on the button de- Butler, Minus Two Vets, Rickey as Heinie came in. “Aw, that gang in the bleachers were hep to the signs,” said Heinie, "and livered in the course of the second in Long Race; Yanks I decided to cross them.” Buried at Pittsburgh day's program of the winter Sunday. Olympics. N. S.iow Speed. ~ . AV/'• W.* v. ~ ~ A Canadian speed skater, one Frank Swamps Ball State Five ■■ 11 I""'' ' By press Btack. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Autobiographical Reminiscences with Family Letters and Notes on Music
Autobiographical Reminiscences with Family by Charles Gounod 1 Autobiographical Reminiscences with Family by Charles Gounod The Project Gutenberg EBook of Autobiographical Reminiscences with Family Letters and Notes on Music, by Charles Gounod This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Autobiographical Reminiscences with Family Letters and Notes on Music Author: Charles Gounod Autobiographical Reminiscences with Family by Charles Gounod 2 Translator: W. Hely Hutchinson Release Date: April 10, 2011 [EBook #35812] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK AUTOGIOGRAPHICAL REMINISCENCES *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) CHARLES GOUNOD [Illustration: Charles Gounod] CHARLES GOUNOD AUTOBIOGRAPHICAL REMINISCENCES WITH FAMILY LETTERS AND NOTES ON MUSIC FROM THE FRENCH BY THE HON. W. HELY HUTCHINSON [Illustration: colophon] LONDON WILLIAM HEINEMANN 1896 Autobiographical Reminiscences with Family by Charles Gounod 3 [All rights reserved] Printed by BALLANTYNE, HANSON & CO. At the Ballantyne Press CONTENTS CHARLES GOUNOD-- PAGE I. CHILDHOOD 1 II. ITALY 54 III. GERMANY 110 IV. HOME AGAIN 127 LATER LETTERS OF CHARLES GOUNOD 173 BERLIOZ 195 M. CAMILLE SAINT-SAENS AND HIS OPERA "HENRI VIII." 209 NATURE AND ART 225 THE ACADEMY OF FRANCE AT ROME 239 THE ARTIST AND MODERN SOCIETY 253 INTRODUCTION The following pages contain the story of the most important events of my artistic life, of the mark left by them on my personal existence, of their Autobiographical Reminiscences with Family by Charles Gounod 4 influence on my career, and of the thoughts they have suggested to my mind. -
Department of City Planning
DEPARTMENT OF CITY PLANNING RECOMMENDATION REPORT City Planning Commission Case No.: CPC-2008-4604-GPA-ZC- HD-CUB-DB-SPR Date: February 28, 2013 CEQA No.: ENV-2008-3989-EIR Time: After 8:30 A.M. Incidental Cases: VTT 70805-GB Place: Van Nuys City Hall Council Chambers, Second Floor Related Cases: None 14410 Sylvan Street, Council No.: 5 - Hon. Paul Koretz; Room 201, Council Chamber 11- Hon. Bill Rosendahl Van Nuys, CA 91401 Plan Area: West Los Angeles Specific Plan: West Los Angeles Public Hearing December 5, 2012 Transportation Improvement Completed: and Mitigation Specific Plan Appeal Status: Appealable to City Council Certified NC: Westside Expiration Date: March 13, 2013 General Plan: Light Manufacturing and Multiple Approval: General Plan Amendment, Zone Public Facilities Change and Height District, Zone: M2-1-O; PF-1XL Conditional Use for Alcoholic Beverage, Density Bonus, Site Plan Applicant: Casden West LA, LLC and Review Concurrent Processing of Los Angeles County Multiple Approvals pursuant to Metropolitan Transportation 12.36 E. Authority (MTA) Representative: Howard Katz, Casden West LA, LLC PROJECT 11122 W. Pico Boulevard; 2431-2441 S. Sepulveda Boulevard, West Los Angeles, CA 90064 LOCATION: ADD AREA: 11240, 11250, 11120, 11160, 11110 W. Pico Boulevard, Los Angeles, CA 90064 PROPOSED Demolition of an operational concrete plant, a building materials supply store, an d accessory PROJECT: buildings, approximately 7,000 square feet, for the development of a 785,564 square-foot, mixed-use project consisting of 638 dwelling units (71 of which will be set aside for Very Low Income Senior Housing), 160,000 square feet of retail uses, consisting of approximately 110,000 square feet of retail space and a 50,000 square-foot of grocery market, with a total of 1,795 parking spaces provided within six subterranean parking levels. -
His Masterpiece 1 His Masterpiece
His Masterpiece 1 His Masterpiece The Project Gutenberg EBook of His Masterpiece, by Emile Zola This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: His Masterpiece Author: Emile Zola Editor: Ernest Alfred Vizetelly Release Date: May 25, 2005 [EBook #15900] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HIS MASTERPIECE *** Produced by Dagny, and David Widger HIS MASTERPIECE BY EMILE ZOLA Edited, With a Preface, By Ernest Alfred Vizetelly PREFACE His Masterpiece 2 'HIS MASTERPIECE,' which in the original French bears the title of _L'Oeuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire. Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola's own career and work. Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that 'Open-air' school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces. -
Songfest 2008 Book of Words
A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts . -
Rare Books, Autographs, Maps & Photographs
RARE BOOKS, AUTOGRAPHS, MAPS & PHOTOGRAPHS Wednesday, April 26, 2017 NEW YORK RARE BOOKS, AUTOGRAPHS, MAPS & PHOTOGRAPHS AUCTION Wednesday, April 26, 2017 at 10am EXHIBITION Saturday, April 22, 10am – 5pm Sunday, April 23, Noon – 5pm Monday, April 24, 10am – 5pm Tuesday, April 25, 10am – 2pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 PHOTOGRAPHS CONTENTS Photographs Early Photography 1-14 20th Century Photography 15-122 Contemporary Photography 123-141 Rare Books, Autographs & Maps Printed & Manuscript Americana 142-197 Maps, Atlases & Travel Books 198-236 Property of the Estate of Donald Brenwasser 202-220 INCLUDING PROPERTY Plate Books 237-244 FROM THE ESTATES OF Donald Brenwasser Fine Bindings & Private Press 245-283 Roberta K. Cohn and Richard A. Cohn, Ltd Property of the Estate of Richard D. Friedlander 254-283 Richard D. Friedlander Mary Kettaneh Autographs 284-307 A New York and Connecticut Estate The Jessye Norman The Thurston Collection. ‘White Gates’ Collection 284-294 Manuscripts & Early printing 308-360 The College of New Rochelle INCLUDING PROPERTY FROM Collection of Thomas More 308-321 The Explorers Club Collection The College of New Rochelle Literature 361-414 A Prominent New York Family The College of New Rochelle The Jessye Norman ‘White Gates’ Collection Collection of James Joyce 361-381 A Private Collector, Ardsley, NY Pat Koch Thaler, sister of Edward Koch Applied Art & Livres d’Artistes 415-432 The Collection of Walter Ward, Jr The Watermill Center, Water Mill, New York Helen R. Yellin Conditions of Sale I Terms of Guarantee II Information on Sales & Use Tax III Buying at Doyle IV Selling at Doyle VI Auction Schedule VII Company Directory VIII Absentee Bid Form X Lot 24 5 [CIRCUS] Collection of 19th century cabinet cards and cartes des visites. -
Dusty League Title at Stake CLD5EUP5'
Dusty League Title At Stake Bargains Of a Lifetime Are Advertised In The Columns Them! MICHIGAN GETS scorn, CHASE Democrat Classified Daily—Read ORDER OR NOTICE. — MONEY — DEPENDABLE USED CABS READY FOR A U. S. To NINES PLAYOFF DIME' SAVINGS BANK OF WA- Exports TERBURY, a Corporation Lo- For Every Family Need cated and Dolnt Business In Wa- eenfldeatlal eerrtee. ■•Mil $55 to $555 Stats of Connecticut, Anlek HARD SCHEDULE TONITE AT PARK terbury, mlklr Mrmta la llaa with vs. Canada Boom day wsrklu mlltlsai RAYMOND P. of prescat Pontiac Convertible Coupe DION, Waterbury, ■si salaries.. Phone, write or loach on as Executor of Estate of Jo- Senior Kipke Depends eoaso la. Tho oalr charge la IH Dodge Brougham sephine B. Phoenix, late of Wa- City Laurels per cent per month oa aopali Mythical terbury, Deceased, and Her Heirs Packard Sport Phaeton Smaller Squad This DAN PARKER amoaat of loan. By on Outcome of and Devisees, of Parts Unknown, LaSalle Spt. Roadster Hang etr als. Oct 1 "8” Sedan Season—Open Third Series Tilt— STATE OP CONNECTICUT, New EPSON AL , Dodge Haven County, ss. Waterbury, • Plymouth Sedan State A. D. 1932. FINANCE <Oe Against Michigan with Can- September 17th, COMPETITION IS THE LIFE of trade and reciprocity to Hurl Again UPON THE COMPLAINT of the Pontiac Sedan stimulants so the of the U. Moriarty Ann ada is one of the desirable trade winning said Dime Savings Bank of Water- PrlMiord Building, Second Fleet DeSoto Sedan Arbor, Sept 20.—(UP)— a tonic for therein P a Canuck should as great for reasons 'aced with one of the hardest 8. -
December 6, 2012 To: David Martin, Planning Director From: Santa Monica
December 6, 2012 To: David Martin, Planning Director From: Santa Monica Coalition for a Livable City Re: Request that City Submit a Comment Letter on the FEIR Objecting to Significant Traffic Impacts of the Casden Sepulveda Project on Santa Monica Dear Mr. Martin: As I mentioned to you last night, the City of Santa Monica has the opportunity and the obligation to comment upon the very serious traffic impacts on Santa Monica of a huge nearby proposed project –- the Casden project at Pico and Sepulveda in Los Angeles. As LUCE makes clear, transportation planning must be regional. Time is running out: Santa Monica has only 2 weeks to be heard. We urge you, on behalf of the City of Santa Monica, to review the Final Environmental Impact Report (“FEIR”) released in November 2012 concerning the significant, unavoidable traffic impacts for the massive Casden project. Our LUCE sets forth the responsibility of Santa Monica to “collaborate with surrounding jurisdictions to seek appropriate mitigation measures to minimize the potential negative impacts on Santa Monica from projects in surrounding jurisdictions.” (Circulation Goal T15.4). This is especially so here, where as discussed below, this project FEIR estimates that the Casden project will generate 12,000 to 14,000 new daily vehicle trips at our doorstep. Our City must take this obligation seriously, as it did when it expressed its deep concerns about the unacceptable traffic impacts of the massive Bundy Village Project at Olympic and Bundy on 15 intersections bordering or within the City of Santa Monica. Santa Monica’s comments indicated where the impacts were too severe and would need mitigation and also required Santa Monica’s agreement on how traffic would be mitigated.