Radio 3 Listings for 13 – 19 June 2020 Page 1
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Coro Casa Da Música, Paul Hillier (N.1949)
27 Set 2015 Coro 18:00 Sala Suggia - Casa da Música TRANSGRESSÕES Paul Hillier direcção musical Inglaterra Interlúdio Henry Purcell (1659 -1695) Steve Reich / Paul Hillier (1949) I was glad when they said unto me Clapping Music (arranjo vocal) John Blow (1649 -1708) Salvator mundi Inglaterra Purcell/Sven -David Sandström (1942) John Dowland (1563 -1626) Hear my prayer / Paul Hillier Lacrimae 1 a 3 Interlúdio Henry Bishop (1786 -1855) Steve Reich (1936) Who is Silvia Clapping Music John Dowland / Paul Hillier Lacrimae 4 e 5 América Thomas Morley (1557/8 -1602) Justin Morgan (1747 -1798) Sweet nymph come to thy lover Montgomery Robert Lucas de Pearsall (1795 -1856) Abraham Wood (1752 -1804) Sing we and chaunt it Brevity John Dowland / Paul Hillier Justin Morgan Lacrimae 6 e 7 Amanda William Billings (1746 -1800) Jargon Duração aproximada: 1 hora sem intervalo Elisha West (1756 -1832) Tradução dos textos originais nas páginas 7 a 11 Evening Hymn A CASA DA MÚSICA É MEMBRO DE O conceito de originalidade é, indubitavel‑ compositores explorar e patentear as suas mente, um dos valores mais propalados próprias capacidades e, em simultâneo, no paradigma artístico contemporâneo. homenagear os autores dos seus modelos. Associada de um modo umbilical a uma ima‑ Já durante o período Barroco, por motivos gem idealizada de qualquer processo de que o musicólogo J. Peter Burkholder associa natureza criativa – fazendo ‑o depender de ao carácter funcional da música coeva, esta um momento de inspiração ou de um rasgo de acabava, muitas vezes, por ser executada e genialidade –, a emergência deste conceito escutada exclusivamente na ocasião para a é, no entanto, relativamente recente. -
Kalendár Výročí 2018
Úvod Kultúra je od nepamäti súčasťou človeka. Pramení z tvorivého ducha jednotlivca, ktorý prostredníctvom svojho diela zušľachťuje seba a okolie. Vďaka kultúrnemu dedičstvu si spoločnosť uvedomuje, vytvára a obnovuje svoju identitu. Kultúrne dedičstvo je nositeľom informácií o histórii ľudstva a národov, spája society žijúce vedľa seba a tie sa rešpektujú podľa stupňa svojej kultúrnej vyspelosti. Týka sa nielen umenia, ale aj správania, ktoré je poznávacím znakom konkrétneho človeka, society, etnika a národa. Väčšinou nepotrebuje tlmočenie do cudzích jazykov a prostredníctvom pozdvihovania ľudského ducha je jedným z najlepších prostriedkov na udržiavanie mieru. Jeho význam si intenzívne pripomíname práve v roku 2018, ktorý vyhlásila Európska komisia za Európsky rok kultúrneho dedičstva. Kultúrne dedičstvo uchovávame a zveľaďujeme pre svoju silnú vnútornú potrebu byť človekom, ako aj z lásky a úcty k predkom, súčasníkom a k potomstvu. V tejto myšlienke predkladáme Kalendár výročí 2018. Tento rok je jubilejným 240. výročím narodenia bratislavského rodáka Johanna Nepomuka Hummela. Kalendár výročí nám pripomína aj výnimočne vysoký vek slovenských osobností: Gizela Veclová – 95 rokov, Danica Móžiová-Nováková – 90 rokov, Naďa Földváriová, Dagmar Rohová-Boksová, Zdenka Bernátová a Božena Ormisová – 85 rokov, Boris Banáry, Ľudovít Štassel – 95 rokov, Ladislav Dóša, Ján Kende a Pavol Zelenay – 90 rokov, Ladislav Déczi a Ivan Palovič – 80. rokov. Zo zahraničných umelcov oslávi 90 rokov Ennio Morricone, 85 rokov Montserrat Caballé a 80 rokov Jevgenij Nesterenko a ďalší. Významné výročia majú aj umelci, ktorí preslávili Slovensko vo svete: Lucia Popp, Marta Beňačková, Sergej Kopčák, Peter Lipa. Vďaka Kalendáru výročí 2018 nezabudneme ani na výnimočných ľudí, ktorí v tichu archívov a knižníc vytvárali pevné podložie pre prácu vedcov, pedagógov, umelcov: Mária Jana Terrayová, Vladimír Dvořák, Jozef Šátek. -
VIVACE AUTUMN / WINTER 2016 Photo © Martin Kubica Photo
VIVACEAUTUMN / WINTER 2016 Classical music review in Supraphon recordings Photo archive PPC archive Photo Photo © Jan Houda Photo LUKÁŠ VASILEK SIMONA ŠATUROVÁ TOMÁŠ NETOPIL Borggreve © Marco Photo Photo © David Konečný Photo Photo © Petr Kurečka © Petr Photo MARKO IVANOVIĆ RADEK BABORÁK RICHARD NOVÁK CP archive Photo Photo © Lukáš Kadeřábek Photo JANA SEMERÁDOVÁ • MAREK ŠTRYNCL • ROMAN VÁLEK Photo © Martin Kubica Photo XENIA LÖFFLER 1 VIVACE AUTUMN / WINTER 2016 Photo © Martin Kubica Photo Dear friends, of Kabeláč, the second greatest 20th-century Czech symphonist, only When looking over the fruits of Supraphon’s autumn harvest, I can eclipsed by Martinů. The project represents the first large repayment observe that a number of them have a common denominator, one per- to the man, whose upright posture and unyielding nature made him taining to the autumn of life, maturity and reflections on life-long “inconvenient” during World War II and the Communist regime work. I would thus like to highlight a few of our albums, viewed from alike, a human who remained faithful to his principles even when it this very angle of vision. resulted in his works not being allowed to be performed, paying the This year, we have paid special attention to Bohuslav Martinů in price of existential uncertainty and imperilment. particular. Tomáš Netopil deserves merit for an exquisite and highly A totally different hindsight is afforded by the unique album acclaimed recording (the Sunday Times Album of the Week, for of J. S. Bach’s complete Brandenburg Concertos, which has been instance), featuring one of the composer’s final two operas, Ariane, released on CD for the very first time. -
Ars Nova Copenhagen - Ltg
Ars Nova Copenhagen - Ltg. Paul Hillier Baltic Voices Vokalmusik aus dem Ostseeraum vom Mittelalter bis in die Gegenwart Die Piae Cantiones sind eine gedruckte Sammlung von Schulliedern aus Schweden und Finnland, wo ihr Gebrauch weit verbreitet war. Gedruckt wurde die Sammlung 1582 in Greifswald, wo es zu dieser Zeit schon Notendrucker gab. Gleichzeitig ist dies ein "Zeugnis für die kulturelle Zusammengehörigkeit des Ostseeraums" (Folke Bohlin). Ars Nova Copenhagen kombiniert diese selten zu hörenden Lieder mit weiteren musikalischen Zeugnissen aus dem Ostseeraum, vor allem aus der heutigen Zeit. Piæ Cantiones (1582) Ave Maris stella Personent hodie Paranymphus Gaudete Christus est natus Letetur Jerusalem Arvo Pärt | Estland Auswahl jüngerer Werke Santa Ratniece | Lettland Horo Horo Hata Hata Rytis Mazulis | Litauen The dazzled eye lost its speech Heinrich Schütz | Deutschland aus der Geistlichen Chormusik, 1648 Henryk Gorecki | Polen Totus tuus Piæ Cantiones Tempus ad est floridum Pelle Gudmundsen-Holmgreen | Dänemark Igen erika esslinger konzertagentur, Werfmershalde 13, 70190 Stuttgart Fon +49 (0)711 722 3440, Fax: +49 (0)711 722 34411, [email protected], www.konzertagentur.de Ars Nova Copenhagen - Ltg. Paul Hillier Old World - New World Spanische Renaissance-Motetten, amerikanische Psalmvertonungen aus dem 18. Jahrhundert und zeitgenössische Werke Alte und Neue Musik zu kombinieren, war schon immer ein Markenzeichen von Ars Nova. In diesem Programm wird Alt und Neu gleich in zwei Richtungen in Verbindung gesetzt, nämlich zeitlich wie geographisch. Paul Hilliers langjährige enge Beziehung zu Arvo Pärt spiegelt sich in der Einbeziehung eines ganz neuen Stückes wider, das für Ars Nova 2017 geschrieben wurde. Arvo Pärt Kleine Litanei Alonso Lobo Ave Maria Arvo Pärt Virgencita Manuel de Sumaya La Bella Incorrupta * Elisha West Evening Hymn Christian Wolff Evening Shade, Wade Up Trad. -
12:00:00A 00:00 Viernes, 17 De Enero De 2020 12A NO
*Programación sujeta a cambios sin previo aviso* VIERNES 17 DE ENERO 2020 12:00:00a 00:00 viernes, 17 de enero de 2020 12A NO - Nocturno 12:00:00a 13:30 Jubilate Deo Jean-Baptiste Lully (1632-1687) Olivier Schneebeli Les Pages & Les Chantres Musica Florea de Praga 12:13:30a 28:54 Concierto para viola (1979) Allan Petterson (1911-1980) Lev Markis Sinfónica de Malmö Nobuko Imai-viola 12:42:24a 13:18 6 Gnosianas, p/piano Erik Satie (1866-1925) Aldo Ciccolini-piano 12:55:42a 00:50 Identificación estación 01:00:00a 00:00 viernes, 17 de enero de 2020 1AM NO - Nocturno 01:00:00a 10:16 Lamentaciones del profeta Jeremías Manuel de Sumaya (1678-1755) Joseph Jennings Coro Chanticleer 01:10:16a 28:32 Quint.para piano y cuerdas op.7 re men Charles-Marie Widor (1844-1937) Nuevo cuarteto Budapest Ilona Prunyi-piano 01:38:48a 16:02 Concierto de sur a norte, p/guitarra y orq. (1999) Alberto Núñez Palacio (1942-) Eduardo Diazmuñoz Orq.de Baja California Roberto Limón-guitarra 01:54:50a 00:50 Identificación estación 02:00:00a 00:00 viernes, 17 de enero de 2020 2AM NO - Nocturno 02:00:00a 10:12 Ese claro río, de la ópera "La corona" Christoph Willibald Gluck (1714-1787) Bernhard Forck Academia de música antigua de Berlín Cecilia Bartolli 02:10:12a 33:27 Sonata p/cello y piano op.52 en fa sost. menor (1880) Giuseppe Martucci (1856-1909) Andrea Nannoni-cello; Giovanna Prestia-piano 02:43:39a 11:29 Concierto p/órgano y orquesta Jiri Ignac Linek (1725-1791) Libor Hlavacek Cámara de Bohemia Vaclav Rabas-órgano 02:55:08a 00:50 Identificación estación 03:00:00a 00:00 viernes, 17 de enero de 2020 3AM NO - Nocturno 03:00:00a 13:36 Concierto op.6 en Mi Bem. -
BENT SØRENSEN Snowbells Works for Choir
BENT SØRENSEN Snowbells Works for choir Danish National Vocal Ensemble; Paul Hillier, conductor BENT SØRENSEN Snowbells Gråfødt (Greyborn) (2009) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3:32 Works for choir for choir (2009) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2:25 Danish National Vocal Ensemble; Paul Hillier, conductor Livet og døden (Life and death) for choir 3 Motets (1985) for choir �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4:54 I� Sicut umbra cum declinat �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2:29 II� Induti sunt arietes ovium� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0:43 III� Dies mei sicut umbra declinaverunt �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 1:42 Sneeklokken (The snowbell) (2009; 2014) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4:02 for solo voice (Adam Riis, tenor) Lacrimosa (1985) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5:20 for choir Sneklokker (Snowbells) (2009-10) 8 movements for 5 voices and church bells �� � � � � � � -
A Repertoire Guide to Composers Whose Anniversaries Fell in 2016
COMPOSER ANNIVERSARIES IN 2016 John Collins, Worthing Editor’s note: a shortened version of this article was published in British Clavichord Society Newsletter 64, February 2016. Copyright remains with the author, who is happy for excerpts to be used provided that the source is duly acknowledged. For permission to use the document in its entirety, please contact the author directly. There are several composers whose anniversaries can be commemorated in 2016, albeit some of the dates are not known for certain. Some of the composers listed here will need no introduction but there are also several less well-known names whose compositions are well worth exploring. I have omitted composers whose surviving pieces are clearly intended for organ only. No claim is made for completeness (some composers with only a very small number of surviving pieces have not been included), and there is no guarantee that every edition mentioned here is in print. There may well also be editions by other publishers, and it could be worth searching online booksellers for copies. Publishers’ catalogue numbers are given here where possible; websites are listed here. An increasing number of pieces, ranging from complete original publications or manuscripts (which present the usual problems of multiple clefs as well as original printers’ errors) to modern versions of complete or individual works, are to be found on various free- download sites, most notably IMSLP; however, the accuracy of some modern typesettings is highly questionable, and all should be treated with caution. Antonio de Cabezón (1510–66) was organist to the Holy Roman Emperor Charles V and one of the most important Spanish composers of the sixteenth century. -
Coro Casa Da Música, Após Cidade Em 1983, Precisamente O Ano De Publi‑ Reconstrução Por James Wood
23 Set 2018 Coro 18:00 Sala Suggia – Casa da Música FANTASIA Paul Hillier direcção musical Giovanni Gabrieli O magnum mysterium, motete de Natal (pub.1587) Carlo Gesualdo Il sol qual or più splende – Volgi, mia luce, do Livro IV de Madrigais (pub.1596) Moro, lasso, al mio duolo, do Livro VI de Madrigais (pub.1611) Johannes Ockeghem Alma Redemptoris Mater (séc.XV) György Ligeti Drei Phantasien (1983) 1. Hälfte des Lebens 2. Wenn aus der Ferne 3. Abendphantasie Johannes Ockeghem Kyrie e Gloria da Missa Prolationum (séc.XV) Pablo Ortiz Ancor che col partire (2016) E ne la face de begli occhi accende (2016) Giovanni Gabrieli O Jesu mi dulcissime (pub.1615) Textos originais e traduções nas páginas 7 a 13. Duração aproximada do concerto: 1 hora sem intervalo. Maestro Paul Hillier sobre o programa do concerto. https://vimeo.com/290875667 MECENAS MÚSICA CORAL A CASA DA MÚSICA É MEMBRO DE Igualmente contemplado no Cancioneiro, A extraordinária riqueza semântica do vocábulo Johannes Ockeghem (c.1410 ‑1497) foi, indis‑ fantasia permite a sua aplicação como sinónimo cutivelmente, um dos mais influentes compo‑ de conceitos como ficção, ideia, disfarce, capri‑ sitores da geração anterior a Josquin. Este cho, quimera ou até alucinação. Todas estas chegou mesmo a compor Nymphes des bois acepções tomam a natureza criativa da imagi‑ – uma das suas obras mais tocantes, sobre nação como denominador comum e ponto poema de Jean Molinet (1435‑1507) e com de partida para algo que se aparta, num grau cantus firmus retirado da Missa de Defuntos – mais ou menos profundo e com consequên‑ como tributo em forma de “deploração sobre a cias díspares, da realidade. -
Biografía Ars Nova Copenhagen
CNDM | SALAMANCA 800 CAPILLA FONSECA 18.02.18 | ARS NOVA COPENHAGEN ARS NOVA COPENHAGEN Ars Nova Copenhagen fue creado en 1979 y es ampliamente reconocido como uno de los mejores conjuntos vocales del mundo. Desde 2003 su director principal y artístico es el aclamado director británico Paul Hillier. Ars Nova Copenhagen también ha trabajado con Bo Holten y Tamás Vetö (sus dos directores principales anteriores), Kaspars Putnins, Andrew Lawrence King, Anthony Rooley, Kees Boeke, Michael Bojesen y Søren K. Hansen como directores invitados. El conjunto está especializado en la interpretación de música coral polifónica del Renacimiento y en la música vocal contemporánea. Además Ars Nova construye colaboraciones con artistas creativos de diferentes ámbitos como el teatro, el cine y el ballet, además de cultivar nuevas formas de interpretación de conciertos y repertorios innovadores. Las interpretaciones del conjunto se caracterizan por la precisión y un sonido que capta atención a nivel mundial. Con un ciclo de conciertos anual en Copenhague y Aarhus, numerosos conciertos en el resto de Dinamarca y frecuentes giras internacionales, el conjunto está más solicitado que nunca. En 2015 Ars Nova realizó una larga gira en China con más de diez conciertos como parte significante de la campaña cultural danesa en el país. En 2016 participó en la Nord Choir Expedition presentando a punteros coros y conjuntos vocales nórdicos en cada una de las capitales nórdicas. Sus próximas giras incluyen España y EEUU. Ars Nova ha grabado numerosos CDs que han recibido diversos premios, incluyendo un Grammy para “The Little Match Girl Passion” con música de David Lang (Harmonia Mundi). -
Heinric H Sc H
HeinricH scHütz The Complete Narrative Works Ars nova copenhagen, Paul Hillier HeinricH scHütz (1585-1672) CD 1 Lukas-Passion SWV 480 (1666) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �52:41 The Complete Narrative Works Historia des Leidens und Sterbens unsers Herrn und Heilandes Jesu Christi nach dem Evangelisten St. Lukas Ars nova copenhagen, Paul Hillier 1 Eingang 1:34 2 Evangelist: Es war aber nahe das Fest der süßen Brot 14:03 3 Evangelist: Und er ging hinaus nach seiner Gewohnheit 9:17 4 Evangelist: Die Männer aber, die da Jesum hielten 3:19 5 Evangelist: Und der ganze Haufe stund ab ����������������������������������������������������������������������������7:19 6 Evangelist: Aber sie lagen ihm an mit großen Geschrei 11:09 7 Evangelist: Da aber der Hauptmann sahe ������������������������������������������������������������������������������3:54 8 Beschluß 2:07 Johan Linderoth, evangelist Jakob Bloch Jespersen, Jesus CD 2 Weihnachtshistorie SWV 435 (c� 1660) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �34:43 1 Eingang 1:18 2 Evangelist 2:57 3 Intermedium 1 Der Engel zu den Hirten -
DAVID LANG / the Little Match Girl Passion / Theatre of Voices / Ars Nova / Paul Hillier HMU 807496 © Harmonia Mundi DAVID LANG (B
Acknowledgements DAVIDthe little match girl LANG passion cover illustration: suzanne Bocanegra, Knitting Lesson, 1854, 2002 Theatre of Voices Photo credits: Benjamin ealovega (P. Hillier), Judith Haug (miriam Andersén) Ars Nova Copenhagen matthew Power (c. watson), morten skovgaard (Ars nova, e. torp) kasper tuxen (Jacob Bloch Jespersen): Paul Hillier Brad michel Publisher: Red Poppy (AscAP) administered exclusively worldwide by g. schirmer, Inc. / sung texts used by courtesy of g. schirmer, Inc. on behalf of Red Poppy All texts and translations © harmonia mundi usa 2009 harmonia mundi usa 1117 chestnut street, Burbank, california 91506 Recorded november 2008 at stavnsholt kirke, copenhagen, denmark Producer: Robina g. Young Recording engineer & editor: Brad michel dsd engineer: chris Barrett Recorded, edited & mastered in dsd PRODUCTION USA 1 DAVID LANG / The Little Match Girl Passion / Theatre of Voices / Ars Nova / Paul Hillier HMU 807496 © harmonia mundi dAVId lANG (b. 1957) the little match girl passion & other works the little match girl passion (2007) Winner of the 2008 Pulitzer Prize 35’05 la passion de la petite fille aux alumettes die passion vom kleinen mädchen mit den schwefelhölzern text by DaviD Lang after H.c. Andersen, H.P. Paull, Picander & st. matthew 1 | come, daughter 3’41 16 | for love is strong (2007) 11’20 2 | it was terribly cold 2’58 car l’amour est fort • denn liebe ist stark text by DaviD Lang after Song of Songs 3 | dearest heart 0’46 17 | (2001) 4 | in an old apron 1’17 I lie 5’13 je me couche • lieg ich 5 -
Songs for Choir Ars Nova Copenhagen Michael Bojesen Frihed Er Det Bedste Guld (Freedom Is the Purest Gold), CNW 255 (1919; Arr
Songs for choir Ars Nova Copenhagen Michael Bojesen Frihed er det bedste guld (Freedom is the purest gold), CNW 255 (1919; arr. 1921) ���������������������3:56 Songs for choir from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. XVIII Som en rejselysten flåde (There’s a fleet of floating islands), CNW 237 (1920). 5:30 Ars Nova Copenhagen from the play ‘Moderen’ (The Mother), op. 41, CNW 18 Michael Bojesen, conductor Udrundne er de gamle dage (Gone are the days, they’re past and olden), CNW 253 (1917) �����2:05 version for mixed choir, arr. 1925 Der sad en fisker så tankefuld (There sat a fisherman deep in thought), CNW 244 (1919) . 4:44 Nu er dagen fuld af sang (Now the day is full of song), CNW 213 (1914) �����������������������������������������2:17 from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. VII from ‘En Snes danske Viser’ (1915) (A Score of Danish Songs, 1915) Du danske mand! af al din magt (Sing, Danish man! With all your might), Frydeligt med jubelkor (Jubilation, shouts of glee), CNW 375 (1906) . 2:26 CNW 288 (1906) . 2:30 from ‘Melodier til sangbogen Danmark’ (Melodies for the Songbook “Denmark”) version for mixed choir, arr. 1915-16 Påskeblomst! hvad vil du her? (Easterbloom! Why are you here?), CNW 361 (1910) . 4:58 På det jævne, på det jævne! (Simple-rooted, simple-rooted!), CNW 238 (1921) �������������������������4:18 lyrics/text as presented in ‘Den Danske Salmebog’ (The Danish Hymn Book) from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. I Vi sletternes sønner har drømme i sind (We, sons of the plains carry dreams Derfor kan vort øje glædes (Wherefore do our eyes feel pleasure), CNW 239 (1919) .