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Les Films Des 70Ies À Voir Le cinéma américain Faye Dunaway et Warren Beatty dans Bonnie & Clyde d’Arthur Penn des années 70 Rien ne va plus dans cette Amérique de la fin des 60ies qui Hendrix guitarant l’hymne national ont une résonance n’en finit plus d’assassiner ses symboles : le crâne de John malsaine. Cette plainte sent le soufre, le sang, la mort. Et Fitzgerald Kennedy explose en 1963, son frère Robert, dit ce ne sont pas les Rollings Stones qui, frustrés d’avoir Bob, et le leader noir Martin Luther King sont fauchés en loupé le wagon Woodstock, diront le contraire. Près de San 1968 par d’autres cartouches, tandis que les 70ies commencent Francisco, ils se retrouvent face à une foule en délire. Le avec le scandale du Watergate poussant ce menteur-metteur sur service d’ordre est assuré contre quelques caisses de bières écoute de président Nixon à la démission en 1974. par des Hell’s Angels. Mick Jagger assiste en direct au En 1965, Watts, un quartier afro-américain de Los Angeles meurtre d’un spectateur noir, balancé sous l’estrade. connaît des émeutes sans précédent à la suite de Alors qu’il n’a qu’à peine débuté, le rêve est déjà fini. l’arrestation d’un mauvais conducteur noir. Bilan de cinq « This is the end, my friend » lance Jim Morrison alors jours de chaos : 34 morts, 1 100 blessés, 4 000 arrestations, qu’Apocalypse Now n’a pas encore commencé. 977 bâtiments détruits ou endommagés et des dégâts pour 35 Bonnie and Clyde et Easy Rider font partie des films qui ont millions de dollars. On remet ça deux ans plus tard à Newark lancé le Nouvel Hollywood. Ils contiennent pourtant déjà la en arrêtant un chauffeur de taxi, noir : le bilan est quasi réponse des espoirs qu’ils lancent. Le premier s’achève sur identique. un plan du crâne de Clyde troué par une balle, le second avec l’exécution des deux motards par des Rednecks intransigeants. En 1967 les "Super bombing" au Napalm embrasent une fois de plus la guerre du Viêt Nam. Entre deux épisodes de Ma Qu’est-ce que le Nouvel Hollywood ? Sorcière bien-aimée, les Américains découvrent les corps Le court-métrage de Martin Scorsese, The Big Shave (1967), en mutilés des "boys" et les "body bags" embarqués par dizaines est une belle métaphore. Au travers de cette courte histoire dans les carlingues boueuses des avions militaires. de double rasage, c’est l’histoire de l’Amérique, et celle du cinéma américain. Sous des apparences aseptisées, la "Light my Fire" des Doors cartonne. Car il y a bel est bien saloperie grouille. L’Amérique et son cinéma doivent faire le feu à la maison, et les musiciens ne s’y trompent pas. peau neuve. Woodstock se veut pacifique, à l’instar des deux hippies Par chance, les meilleurs barbiers de cinéma se poussent au d’Easy Rider. Mais l’illusion d’un monde de paix, d’amour et portillon pour nous oser des tailles franches, sèches, de fleurs et de courte durée. Déjà les accords de Jimi nerveuses, violentes, mais d’une originalité décoiffante. En vrac, plein de films à voir… Dennis Hopper, Peter Fonda, Easy Rider (1969) Martin Scorsese, The Big Shave (1967) Arthur Penn, Bonnie & Clyde (1967) Arthur Penn, Little Big Man (1970) Rob Rafelson, Five Easy Pieces / Cinq Pièces faciles (1970) John Cassavetes, A Woman under the Influence / Une Femme sous influence (1974) William Friedkin, French Connection (1972) William Friedkin, The Exorcist / L’Exorciste (1973) Francis Ford Coppola, The Godfather / Le Parrain I (1972), II (1974) Francis Ford Coppola, The Conversation / Conversation secrète (1974) Francis Ford Coppola, Apocalypse Now (1979) Martin Scorsese, Taxi Driver (1976) Jerry Schatzberg, The Panic in Needle Park / Panique à Needle Park (1971) Jerry Schatzberg, Scarecrow / L’Epouvantail (1973) John Boorman, Deliverance / Délivrance (1972) Michael Cimino, The Deer Hunter / Voyage au bout de l’enfer (1978) Monte Hellman, Two-Lane Blacktop / Macadam à deux voies (1971) Mike Nichols, The Graduate / Le Lauréat (1967) Sidney Lumet, Serpico (1973) Sidney Lumet, Dog Day afternoon / Un Après-midi de chien (1975) Sidney Lumet, Network (1976) Alan J. Pakula, Klute (1971) Alan J. Pakula, All the President’s men / Les Hommes du Président (1976) Roman Polanski, Chinatown (1974) Sergio Leone, C’era una volta il west / Il était une fois dans l’Ouest (1969) George Lucas, Star Wars / La Guerre des étoiles (1977) Steven Spielberg, Jaws / Les Dents de la mer (1975) Steven Spielberg, Close Encounters of the Third Kind / Rencontre du troisième type (1977) Sam Peckinpah, Pat Garrett & Billy the Kid (1973) Sam Peckinpah, Bring me the Head of Alfredo Garcia / Apportez-moi la tête d’Alfredo Garcia (1974) Robert Altman, M*A*S*H (1970) Milos Forman, One Flew Over the Cuckoo's Nest / Vol au-dessus d’un nid de coucou (1975) John G. Avildsen, Rocky (1976) Terrence Malick, Badlands / La Balade sauvage (1973) Terrence Malick, Days of Heaven / Les Moissons du ciel (1978) Stanley Kubrick, 2001 : A Space Odyssey / 2001 : L’Odyssée de l’espace (1968) Stanley Kubrick, A Clockwork Orange / Orange mécanique (1971) Stanley Kubrick, Barry Lyndon (1975) .
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