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Art, Emotion and Value Proceedings of the 5th Mediterranean Congress of Aesthetics. Cartagena (Spain), 4th-8th July 2011 Creative Commons Reconocimiento 3.0 España License Art, Emotion and Value Proceedings of the 5th Mediterranean Congress of Aesthetics. Cartagena (Spain), 4th-8th July 2011 Mª José Alcaraz, Matilde Carrasco y Salvador Rubio (Eds.) © 2011. The publication of a paper in the Proceedings does not deprive the author(s) from their right to publish it – or a revised version of it – elsewhere. All copyrights remain with the author(s). ISBN – 10: 84-615-7732-9 ISBN – 13: 978-84-615-7732-3 Nº REG.: 201222355 Design: Inizziativa Networks (http://www.inizziativa.com) Contents / Sommaire / Índice Contents / Sommaire / Índice Preface / Préface / Prefacio 1. Plenary Sessions / Séances plénières / Sesiones plenarias - DOMINIQUE CHÂTEAU 9 Les valeurs de l’art à l’ère du post-art - ANNA CHRISTINA RIBEIRO 17 The Value of Sad Poetry - RACHIDA TRIKI 27 Aesthetic value, creation and emotion - GERARD VILAR 35 Deartification, Deaestheticization, and Politicization in Contemporary Art 2. History of Aesthetics / Histoire de l’Esthétique / Historia de la Estética - JORGE TOMÁS GARCÍA 45 La respuesta aristotélica de las emociones estéticas en la obra de Apeles de Cos - MAFTEI ŞTEFAN-SEBASTIAN 63 A Cultural Revolution for the “Free Spirits:” Hugo Ball’s Nietzschean Anarchism - LEV KREFT 75 Hedonistic Morality and the Art of Life: Jean-Marie Guyau Revisite - MARTA VAAMONDE GAMO 83 John Dewey on the continuity of art and morals within the consummated experience - JOSÉ MARTÍNEZ HERNÁNDEZ 91 La teoría estética de Federico García Lorca - ÉLISE DERROITTE 101 La critique esthétique comme réponse à l'exemplarité morale, la lecture benjaminienne de la tragédie - SILVIA ZAPPULLA 111 Reading Antigone through Hannah Arendt’s political philosophy - ANTONIO BENTIVEGNA 139 Sobre la posibilidad de una estética erótica: crítica y actualidad del pensamiento de Herbert Marcuse Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics, 2011 3 Contents / Sommaire / Índice - JAIME ASPIUNZA 155 La experiencia estética, por ejemplo, en Kant, a la luz de las teorías neurológicas de A. Damasio - DAVID DÍAZ SOTO 167 Una cuestión de semántica. Greenberg, Fried y la expresión emotiva en artes plásticas - JOSÉ JUAN GONZALEZ 175 Art as the Expression of Emotion in the Language of Imagination: Dickie's Misunderstandings of Collingwood's Aesthetics 3. General issues in Aesthetics / Questions d’Esthétique générales / Cuestiones generales de estética - VANGELIS ATHANASSOPOULOS 185 La valeur de la métaphore: pour une économie esthétique du Kitsch - WOLFRAM BERGANDE 193 Mixed pleasures, interpassivity, and the ethical dimension of art - GABRIELE BERSA 203 Art – Éthique – Politique - CARLA CARMONA ESCALERA 211 El genio: ética y estética son una - SIXTO CASTRO 223 Towards an aesthetic hermeneutics - SABINA DORNEANU 231 Is aestheticization necessarily a moral flaw in a work of art? - MIKEL IRIONDO ARANGUREN 239 Copias del arte y arte de la copia - CANDESS KOSTOPOULOS 253 The art of politics, or the politics of art? Conceptualizing aesthetic commitment from within a Ricoeurian framework - MARTIN POTTER 263 Can Art for Art’s Sake Imply Ethics? Henry James and David Jones - NUNO MIGUEL PROENÇA 271 Aesthetics and emotions according to William James - MÉLISSA THÉRIAULT 281 Art, art des affaires et affaires d’or: le cas de l’art de masse Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics, 2011 4 Contents / Sommaire / Índice 4. The individual arts / Domaines artistiques spécifiques / Formas artísticas particulares Visual arts / Arts visuels / Artes visuales - CONSTANTINOS V. PROIMOS 291 Forgiveness and Forgiving in Rembrandt’s Return of the Prodigal Son (c. 1668) - ANTONIO GARCÍA LÓPEZ Y FRANCISCO J. GUILLÉN 301 MARTÍNEZ Las técnicas pictóricas de la desencarnación en la obra de Mark Rothko - SONDÈS HÉBIRI 311 La couleur comme passion chez Paul Klee - JON ECHEVERRÍA PLAZAOLA 321 Espacio receptivo y emoción estética. El espectador ante la obra de Jorge Oteiza - EMANUELA SALADINI 331 The art of telling history: Christian Boltanski - HELEN TATLA 345 Morality and architecture: evaluation of contemporary architectural practice within the scope of the ontological hermeneutics of Hans- Georg Gadamer - NEFELI KYRKITSOU 355 The concepts of symmetry and eumetry in Panayotis Michelis’ thinking Performing arts / Arts du spectacle / Artes performativas - VÍTOR MOURA 365 The secret diaries of a music lover: associating emotions to music - INMA ÁLVAREZ 379 Artistic value and spectators’ emotions in dance performances - MAJA VUKADINOVIĆ 393 Aesthetic experience and emotional identification in the performances of different types of artistic dance - MOJCA PUNCER 409 Emotional topographies of performative artistic practices - ADRIAN PRADIER 421 Theater and Compassion: the Aesthetic Criteria in the Theatrical Staging - ROBERT R. CLEWIS 449 Film Evaluation and Three Temporal Notions in Hume - MARÍA SALVADOR CABRERIZO 463 Distopía y deshumanización en el arte último: el ciberpunk. Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics, 2011 5 Contents / Sommaire / Índice Un viaje a través del cine 5. Contemporary Art Theory / Théorie de l’art contemporain / Teoría del arte contemporáneo - URŠULA BERLOT 471 Duchamp and the notion of optical tactility - ULLA KARTTUNEN 479 The Work of Art in the Age of Digital Reproduction and Mediated Reality Ethics and aesthetics in the dream and cream world of ever- extending publicity - LEOPOLDO LA RUBIA DE PRADO 497 Lo estético, lo mercantil y lo patológico. La estetización del mundo, la desilusión estética y las psicopatologías de la hiperexpresión - JESÚS MARTÍNEZ OLIVA 509 Representaciones de género en el contexto global. El diálogo entre culturas y la democracia sexual: conflictos éticos y politicos - MANUEL MUÑOZ GIL 519 Hackers, artistas, testers y público. Aproximación a la estética hacker - DAN EUGEN RATIU 533 L’artiste: immunité ou responsabilité? Considérations sur l’usage des catégories éthico-juridiques dans le monde de l’art - MARISOL SALANOVA BURGUERA 547 Deus ex machina, emotividad y arte de archivo - JAKUB STEJSKAL 555 Conceptual art, evaluative experience and second nature 6. Environmental Aesthetics / Esthétique environnemental / Estética del entorno - DJAMEL BENKRID 563 L’œil du jardin - NURÇIN ÇELIK 577 The role of political power and ideology in the formation of city aesthetics in the Turkish and Central Volga Regions in the 18th and 19th centuries - ANTONIO JOSÉ GARCÍA CANO 585 La memoria como emoción para transformar desde la práctica artística los lugares en hogares y crear nuevas ecologías - DAVID HALEY 597 Art, Ecology and Reality: the Potential for Transdisciplinarity - MARÍA DEL MAR ROSA MARTÍNEZ 607 Greyness, everyday and nature Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics, 2011 6 Preface Art, Emotion and Value collects some of the papers presented at the 5th Mediterranean Congress of Aesthetics, which took place in Cartagena (Spain) from the 4th to the 8th of July 2011. The global theme, which gave the Conference its name, addresses a large and long discussed subject matter within aesthetics. The main problems that have received intense discussion, both at a theoretical and a practical level, include art criticism and contemporary culture analysis. In particular, the papers collected lead to different areas of debate according to which they have been organized. The range of the topics included in this volume covers diverse questions about artistic value, in relation to moral and political value and to the expression of emotion and the affective aspects of aesthetic experience, approaching them, in the first place, at certain moments of the history of aesthetic thought but also dealing with these questions from a more general perspective. The ways in which these issues take shape, on the one hand, in particular artistic forms and, on the other hand, in reflections about contemporary art, have also been taken into account. Finally, the Congress showed too the increasing interest in environmental aesthetics which consequently deserves a place in this collection. The papers were given in the three official languages of the Congress (English, French, and Spanish) in which they are also published. We would like to thank very much the members of the Scientific Committee for their generous work blindly reviewing the abstracts submitted. Based on their evaluation, a hundred papers were selected by the members of the Organizing Committee, from which eighty-nine papers were finally presented at the Conference, and so were eligible for publication. We are grateful to Francisca Pérez Carreño, our colleague in the Department of Philosophy at the University of Murcia, for her help organizing this Conference and editing this collection. We thank our University for the support given to this project and also the Technical University of Cartagena, which allowed the Congress to be held on its campus, in the particularly unique old Navy Training Barracks that currently lodges the Faculty of Business Studies. A special mention should be given to Antonio Garrido Hernández, who helped us greatly during the whole process of the organization of the Conference. But the success of the 5th Mediterranean Congress of Aesthetics was first of all due to the talent of the participants who made it possible and who enlivened it during those five intensive days. We would like to thank them all again. Nevertheless, our

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