DOCSLIB.ORG

Final Stretch Festival 2013 Music Line-Up

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Final Stretch Festival 2013 Music Line-Up Final Stretch Festival 2013 Music Line-Up 1. Ellsworth Jones Place The Ideal Situation Jess* Marcotte says, “We play a wide range of Pop, Dance, Reggae, Rock and R&B from today and yesterday. If it’s fun, it’s the ideal situation. As front woman of The Ideal Situation, I am having so much FUN! It's just amazing to be part of such a high energy project and able to facilitate in some incredible parties! Rock ON!!" Set times: 7-8:15 p.m., 8:45-9:45 p.m., 10-11 p.m. 2. Collamer Building Parking Lot Bob Warren A songwriter of many styles of music, Bob's songs have been recorded by blues guitarist and singer Joan Crane, pop singer Mallory O'Donnell, and reggae/R&B singer Minna Lee. He has received funding from the New York State Council on the Arts to write music for dance/dramatic presentations. The self titled “Bob Warren” album released in November of 2010 is Bob's fifth album. "Musically right on the mark… irresistible rock, gentle introspection, variety, wit, and killer hooks" ---Dirty Linen Magazine Set times: 7-8 p.m., 8:15-9:15 p.m., 9:45-11 p.m. 3. Post Office The Chronicles Hailing from Albany, The Chronicles combine Jazz, Soul, Funk and Hip Hop into one genre- bending sound. They were recognized by Metroland as “Best Jazz” in 2012 and 2013. In 2011, they were named “…best live hip hop with jazz chops out the yin yang and new tunes at their fingertips every time they pick up their instruments.” Set times: 7-7:45 p.m., 8-9 p.m., 9:15-10 p.m., 10:15-11 p.m. 4. Adirondack Trust Young at Heart Beautifully crooning the Great American Songbook classics from the 40’s and 50’s, the way you remember them. Set times: 7-7:45, 8-8:45, 9-10, 10:15-11 5. Caroline Street The El Dorado’s Put a rocket in your pocket with revved-up rockabilly sounds of artists like Gene Vincent, Johnny Burnette and Elvis Presley! Set times: 7-8:30 p.m., 9:30-11 p.m. 6. Division Street JoJo Romero & Nightshift Soulful, renewed, and blessed are all words to describe the incredible sound of long-time music industry professional, Joseph “Jojo” Romero Charles. He has opened for reggae stars such as Ziggy Marley, Maxi Priest, and 3rd World. Jojo formed Nightshift, a band well-known for their homegrown style of classic reggae music. Since his debut in 1995, this St. Croix native continued to sharpen his skills and increase his commitment to creating heartfelt music for his fans. Set times: 7-8 p.m., 8:15-9:30 p.m., 10-11 p.m. 7. Eddie Bauer Run Mountain This old-time trio breathes new life into American Roots music: rollicking hoe-downs, hillbilly blues and mountain ditties-with flatfoot dancing to boot! Set times: Sat: 7-8, 8:15-9, 9:15-10, 10:15-11. Sun, 7-8, 8:15-9 Skippy & the Pistons (Sun. after Run Mountain) Skippy and the Pistons plays music from Elvis, Sinatra, Neil Diamond, Toby Keith, The Doobies and Michael Bublé just to name a few. Whether it is classic rock, motown, blues or country, Skippy and the Pistons guarantee you a good time! Set times: Sun. 9:15- 10, 10:15-11 p.m after Run Mountain.. 8. Ben & Jerry’s Acoustic Trauma Welcome to the original sound of Acoustic Trauma. Imagine acoustic instruments such as violin, acoustic guitar and mandolin being supported by a powerful bass/drum rhythm section. Now add experimental sounds, high kinetic jam energy and mysterious lyrics and there you have it: ACOUSTIC TRAUMA... Set times: 7-7:45, 8-8:45, 9-9:45, 10-11 p.m. .
Load more

Recommended publications
  • Top 40 Singles Top 40 Albums
    02 December 1990 CHART #741 Top 40 Singles Top 40 Albums Ice Ice Baby Lay Down Your Guns In Concert Remasters 1 Vanilla Ice 21 Jimmy Barnes 1 Carreras/Domingo/Pavarotti 21 Led Zeppelin Last week 3 / 4 weeks EMI Last week 20 / 15 weeks FESTIVAL Last week 1 / 7 weeks Platinum / POLYGRAM Last week 23 / 5 weeks WEA/WARNER Pray Justify My Love Serious Hits - Live Mariah Carey 2 MC Hammer 22 Madonna 2 Phil Collins 22 Mariah Carey Last week 4 / 3 weeks EMI Last week - / 1 weeks WARNER Last week 2 / 3 weeks Platinum / WEA Last week 21 / 14 weeks Gold / CBS Groove Is In The Heart Never Enough Vivaldi 4 Seasons The Cream Of Eric Clapton 3 Deee-Lite 23 The Cure 3 Nigel Kennedy 23 Eric Clapton Last week 2 / 11 weeks WEA Last week 16 / 6 weeks WEA Last week 5 / 5 weeks EMI Last week 24 / 21 weeks Platinum / POLYGRAM To Sir With Love Ooops Up Joe Cocker Live Volume III 4 Ngaire 24 Snap 4 Joe Cocker 24 Traveling Wilburys Last week 1 / 9 weeks Gold / FESTIVAL Last week 25 / 17 weeks BMG Last week 3 / 19 weeks Platinum / FESTIVAL Last week 20 / 4 weeks WEA Thunderstruck While My Guitar Gently Weeps The Immaculate Collection Young Guns II OST / Blaze Of Glory 5 AC/DC 25 Jeff Healey Band 5 Madonna 25 Jon Bon Jovi Last week 6 / 8 weeks CBS Last week 31 / 3 weeks BMG Last week 12 / 2 weeks Gold / WARNER Last week 22 / 9 weeks Gold / POLYGRAM Itsy Bitsy Teeny Weeny From A Distance The Razor's Edge Hell To Pay 6 Bombalurina 26 Bette Midler 6 AC/DC 26 Jeff Healey Band Last week 5 / 6 weeks POLYGRAM Last week - / 1 weeks WARNER Last week 7 / 9 weeks Gold / CBS Last week 19 / 14 weeks Gold / BMG Bird On A Wire I'm Your Baby Tonight 21st Anniversary: The Ultimate Colle..
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • All That Glitters
    ..,....- Sex brings up (and fails to address?)- why it's Madonna's (use of images of) bise)(uality in not 'queer enough', why it's boring, and (my some depth, but concludes "I do not thinkthat Perfect Beat v2 n1 July 1994 favourite) why it is the true sequel to Gone an unconditional celebration of Madonna's With the Wind. John Champagne is a lot more work is a good political choice"(l67). Pat serious (and a lot more graphic, one assumes Califa, discussing the S/M element ofSex, also partly in reaction to the fact that Sex is ·~ust says "I feel deeply ambivalent about some­ not foul enough" [116]) but also deals with body who has not paid her dues using my the numerous contradictory critical responses community as a series of bizarre backdrops aroused by Sex. Interestingly, unlike hooks, ~ for a photo shoot"(I77), but nevertheless ar­ Champagne saw the Vanity Fair spread as gues from an anti-antipom position that the S/ parodies of 1950s Playboy layouts, exhibiting M community "will still find itself in the a 'camp sensibility' that boded well for Sex, but awkward position of defending Sex"(i84). he was ultimately disappointed. 'Camp' re­ appears {frequently) in Carol A. Queen's Perhaps the most telling testament to Ma­ Lewis, G.H. (ed) (1993) correct! y), "these diverse views of country championing ofSex -perhaps we are all being donna's charisma and star power is that none begin to suggest what a fascinating and multi­ prudes in that the thing we talk least about is of the writers in the two volumes (other than All that Glitters - Country Music in faceted phenomenon this music is".
    [Show full text]
  • Roll to Hard Core Punk: an Introduction to Rock Music in Durban 1963 - 1985
    Lindy van der Meulen FROM ROCK 'N 'ROLL TO HARD CORE PUNK: AN INTRODUCTION TO ROCK MUSIC IN DURBAN 1963 - 1985 This thesis has been submitted in fulfilment of the degree of Master of Music at the University of Natal DECEMBER 1 995 ACKNOWLEDGEMENTS The financial assistance of the Centre for Science Development (HSRC, South Africa) towards this research project is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the Centre for Science Development. The valuable assistance and expertise of my supervisors, Professors Christopher Ballantine and Beverly Parker are also acknowledged. Thanks to all interviewees for their time and assistance. Special thanks to Rubin Rose and David Marks for making their musical and scrapbook collections available. Thanks also to Ernesto Marques for making many of the South African punk recordings available to me. DECLARATION This study represents original work of the author and has not been submitted in any other form to another University. Where use has been made of the work of others, this has been duly acknowledged in the text . .......~~~~ . Lindy van der Meulen December 1995. ABSTRACT This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours to show the relationship of rock music in Durban to three central themes, viz: the relationship of rock in Durban to the socio-political realities of apartheid in South Africa; the role of women in local rock, and the identity crisis experienced by white, English-speaking South Africans.
    [Show full text]
  • CD I ABC Watermark I
    WITH SHADOE STEVENS PLBASB AUDITION BACH DISC LMKBDIAXBLY. IF YOU HAVB ANY QUESTIONS, PLBASB CONTACT US TOLL FRBB AT 1-800-423-2502. ,.,.,.SHOW NUMBER & AIR DATE APPEAR ON UPPER RIGHT HAND CORNER OF MAILING LABEL-· *** COMPACT DISC 11, TRACK 10, HAS 1KHz REFERENCE TONE *** TOPICAL PROMOS TOPICAL PBOMOS FOB SHOW ft43 ARE LOCATED ON DISC 4. TRACKS 6. 7 AND 8. PO NOT USE AFTER SHOW f43. 1. ROMANTIC EMOTIONS NATURALLY SELECTED :29 Hi, Shadoe Stevens, AT 40. Mariah Carey has now spent two weeks on top of the Billboard chart with "Emotions". But coming up fast from below it's the new du'> from Minneapolis with "Do Anything". Natural Selection are looking for their first #1 right out of the box and so is !\aryn White with her latest hit, "Romantic". So what's it Qonna be at the pop Pf'Sk? Anotflp,r ~motio",:a! ~~~"' · .,. .. · ,,. ta..::-•'c; ~... ~~,~~; ... ~~ g.::',~t.:·!her.-;; r:=t~~!!y ~ebct:--::1? Ah, D'Shadoe knows-- right here-- on American Top 40. (LUCAL TAG) 2. ANOTHER SPELLBOUND SOUNP :30 Hey, Shadoe Stevens, AT40. Her album "Spellb..1und" has given her two #1's in a row with "Rush Rush" and "The Promise Of A New Day•. Last week Paula Abdul deb,rted high on the Bilb>ard chart with her latest single, "Blowing Kisses In The Wind". She's bound to hit the countdown. And what about EMF, following up their #1 "Unbelievable" with a new one called "Lies"? And then th~:~re's Nia Peeples from "Fame• and MlV with a new song called "Street Of Dreams".
    [Show full text]
  • Billboard-1997-07-19
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner.
    [Show full text]
  • Everett Rock Band/Musician List "GH"
    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
    [Show full text]
  • Contemporary Carioca: Technologies of Mixing in A
    Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos
    [Show full text]
  • 100 Years: a Century of Song 1990S
    100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo
    [Show full text]
  • Digginmelbourne-May-2018-Web.Pdf
    SECONDHAND VINYL LPs/EPs/45s MELBOURNE CBD NEW VINYL / CDs / DVDs & CITY FRINGE BOOKS, DJ ACCESSORIES & MORE FIRST STOP > FLINDERS STREET STATION PBS / RRR MEMBER DISCOUNTS Swanston 1 WAX MUSEUM Flinders Ln 2 Campbell Arcade, Degraves St, Melbourne (Enter via Subway) Degraves (03) 9663 6310 | [email protected] Elizabeth St www.waxmuseumrecords.com.au Mon-Fri: 11am-6pm | Sat: 11am-5pm | Sunday & Public Holidays: Closed It’s all about the beats! Specialising in Hip-hop and future beat with a dash of Flinders St Flinders St. house, techno and drum n bass. We also stock a healthy range of 70s, 80s, 90s jazz, funk, soul, rock & pop, disco & boogie, reggae & dancehall, afro beat. Elizabeth 2 P OFF THE HIP Collins St Queen St Basement Level 381 Flinders Lane, Melbourne (via Tavistock Pl) (03) 9621 2044 | 0402 027 137 | [email protected] Flinders Ln facebook.com/offthehiprecords Tues: 11am-2.30pm | Wed: 10am-4pm | Thurs: 10am-6pm | Fri: 11am-7pm Flinders St Sat: 11am-5pm | Sun-Mon: Closed. Lots of new and second hand vinyl: garage rock, powerpop, blues, soul, hard rock, psychedelia, surf, beat and everything in-between. Imports and local releases. Swanston 3 BASEMENT DISCS PR Little Collins St Basement, 24 Block Place, Melbourne Block Pl (03) 9654 1110 | [email protected] Elizabeth St St www.basementdiscs.com.au Collins St Mon-Fri: 10am-6pm | Sat: 10am-5pm | Sun: 11am-5pm. Specialising in rock, pop, country, folk, blues, jazz, soul, funk & world. New Vinyl, CD and DVD with a strong focus on new releases, back catalogue, indie and hard-to-find titles, fresh Flinders Ln stock arriving daily.
    [Show full text]
  • Syllabus for RESPECT: Minority Voices in Early Soul, Reggae, Rock, and Folk
    Syllabus for RESPECT: Minority Voices in Early Soul, Reggae, Rock, and Folk OLLI UC Berkeley Fall 2021 Mondays, 9:30am-11am Instructor: Richie Unterberger Week One: Social Commentary and Protest in Soul Music, Pt. 1 In Soul of the 1960s While occasional soul songs of the first half of the 1960s had observations about the world at large, for the most part they dealt with romantic love, as well as a good share of tunes about partying and dancing. Many of these songs were great and classic. But wasn’t until the late 1960s that compositions commenting about the American (and sometimes specifically African-American) experience became a significant part of soul music. Curtis Mayfield, principal singer-songwriter of the Impressions, was perhaps the first to regularly express such sentiments. By the late 1960s, other stars like Aretha Franklin, James Brown, Nina Simone, and Sly & the Family Stone were also doing so occasionally. After some initial resistance on the part of its ownership and producers, Motown Records also made significant forays into this territory, most often with the Temptations, but also with the Supremes and other artists. Week Two: Social Commentary and Protest in Soul Music, Pt. 2 In Soul of the 1970s In the first half of the 1970s, socially conscious soul music sometimes gets tougher and more militant. At Motown, Marvin Gaye and Stevie Wonder not only successfully fight for more artistic freedom to record more lyrically aware material, but also focus on long- playing albums as a medium of expression that are at least as important as hit singles.
    [Show full text]
  • Everett Rock Band/Musician List "T" Last Update: 6/28/2020
    Everett Rock Band/Musician List "T" Last Update: 6/28/2020 "T" List for Bands/Musicians Genre* From & Genre 311 R Los Angeles, CA Rock 322 J Seattle Jazz 322 J Seattle Jazz 10 Cent Monkey Pk R Clinton Punk / Rock / Alternative 10 Killing Hands E P R Bellingham's Electro / Pop / Rock 12 Gauge Pump H Everett Hip Hop 12 Stones R Al Mandeville, LA Rock / Alternative 12th Fret Band CR Snohomish Classic Rock 13 MAG M R Spokane Metal / Hard Rock 13 Scars R Pk Tacoma Rock / Punk 13th & Nowhere R Everett Rock 2 Big 2 Spank CR Carnation Classic Rock / Rock / Rockabilly 2 Guys And A Broad B R C Everett Blues / Rock / Country 2 Libras E R Seattle Electronic Rock 20 Riverside H J Fk Everett Jazz / Hip Hop / Funk 20 Sting Band F Bellingham's Folk / Bluegrass / Roots Music 20/20 A Cappella Ac Ellensburg A Cappella 206 A$$A$$IN H Rp Seattle Hip Hop / Rap 20sicem H Seattle Hip Hop 21 Guns: Seattle's Tribute to Green Day Al R Seattle Alternative Rock 2112 (Rush Tribute) Pr CR R Lakewood Progressive / Classic Rock / Rock 21feet R Seattle Rock 21st & Broadway R Pk Sk Ra Everett/Seattle Rock / Punk / Ska / Reggae 22 Kings Am F R San Diego, CA Americana / Folk-Rock 24 Madison Fk B RB Local Rock, Funk, Blues, Motown, Jazz, Soul, RnB, Folk 25th & State R Everett Rock 29A R Seattle Rock 2KLIX Hc South Seattle Hardcore 3 Doors Down R Escatawpa, Mississippi Rock 3 INCH MAX Al R Pk Seattle's Alternative / Rock / Punk 3 Miles High R P CR Everett Rock / Pop / Classic Rock 3 Play Ricochet BG B C J Seattle bluegrass, ragtime, old-time, blues, country, jazz 3 PM TRIO
    [Show full text]