DOCSLIB.ORG

MARCH 2016 Scenic Artist Melissa Riccobono Friday 25 @ 8 Pm Master Carpenter Michael A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MARCH 2016 Scenic Artist Melissa Riccobono Friday 25 @ 8 Pm Master Carpenter Michael A LEWIS CENTER FOR THE ARTS Lewis Center for the Arts’ Program in Dance presents Chair Michael Cadden (on leave, Spring 2016) Acting Chair Stacy Wolf Administrative Director Marion Young PROGRAM IN DANCE Ballet Instructors Dance Faculty (2015-16) Laurie Abramson Martha Eddy Kathleen Moore Tovar Tina Fehlandt Pamela Levy Noah Gelber Pilates Instructor Judith Hamera, Professor Sherry Greenspan Dyane Harvey-Salaam* John Heginbotham* Yoga and Anatomy Instructor Mecquel K.J. Holmes Loni Landon Accompanists Rebecca Lazier, Senior Lecturer Jonathan Benjamin Susan Marshall, Professor David Broome Jimena Paz David Cheifer Joseph Schloss Dan Johnson Baye Kemit Stuart Singer David Tenney Rebecca Stenn Abdoulaye Toure Olivier Tarpaga Trisha Wolf Aynsley Vandenbroucke Judy Yeh Nicole Wolcott Raphael Xavier Pavel Zuštiak, Princeton Arts Fellow *Class of 1932 Visiting Lecturer in Dance PRODUCTION AND ADMINISTRATION Director Susan Marshall Producer Darryl Waskow Production Stage Manager Carmelita Becnel Resident Musical Director/Composer Vince di Mura Theater Operations Specialist Rob Del Colle Costume Manager E. Keating Helfrich Costume Shop Assistant Julie Kosanovich Costume Technician Caitlin Brown Technical Director Timothy Godin Assistant Technical Director Jesse Froncek Theater Technician Torrey Drum Prop Master Alexandra Geiger MARCH 2016 Scenic Artist Melissa Riccobono Friday 25 @ 8 pm Master Carpenter Michael A. Smola Dance Program Assistant Cindy Rosenfeld For more information Saturday 26 @ 2 & 8 pm Director of Communications Steve Runk about the Lewis Center Berlind Theatre at Web & Multimedia Strategist Justin Goldberg for the Arts visit: McCarter Theatre Center arts.princeton.edu Multimedia Specialist Zohar Lavi-Hasson Or contact: Director of Visual Communications Specialist Tracy Patterson Communications, Communications Associate Jaclyn Sweet Steve Runk at Communications Assistant Hope VanCleaf [email protected] The Lewis Center for the Arts Presents Excerpt from Toda Una Vida (A Full Life) (2010) Choreography: Gustavo Ramírez Sansano Staged by: Nigel Campbell Music: Bolero by Maurice Ravel UNDER PRESSURE Dancers: Colby Hyland ’16* and Emily Wohl ’16* 2016 Collaborative Senior Thesis Dance Concert INTERMISSION Production Advisor: Tina Fehlandt • Costume Designer: Mary Jo Mecca Music Director: Vince di Mura • Lighting Designer: Aaron Copp Pinion (premiere) Stage Manager: Mary-Susan Gregson Choreographer: Kamber Hart ’16* Music: Soundscape based on Sinister Resonance by Henry Cowell, mixed by Excerpt from Ligeti Essays (2006) Vince di Mura Choreography: Karole Armitage Dancers: Ellie Albarran ’16*, Emily Wohl ’16* Staged by: Megumi Eda Music: Sippal, dobbal, nádihegedüvel by György Ligeti – With pipes drums and coded.scripted.go (premiere) fiddles (2000); 4th Movement Choreographer: Glenna Yu ’16* Costume Design: Peter Speliopoulos Music: Composed by Jamie Chong ’15 Original Lighting Design: Clifton Taylor Dancers: Tess Bissell ’17, Yasmine Eichbaum ’18, Julz Goff ’16, Anna Kimmel ’18, Dancer: Marisa Remez ’16* Anna Kolstad ’18, Rachel Schwartz ’18, Jhor van der Horst ’19 Ligeti Essays is set to three song cycles by György Ligeti, on the poetry of fellow Hungarian, Sandor Weöres. As a composer, Ligeti used sources from all schools of thought to create some of the most arresting music of the late 20th century. In the songs that make up Ligeti Lamentation (1930) Essays, Ligeti uses haiku-like compression to reveal different states of mind - from the Choreography and costumes: Martha Graham sarcastic and humorous to the trivial or languorous. The dancers capture thought through Regisseur: Denise Vale movement based on a curvilinear, calligraphic dance vocabulary punctuated by rough, raw accents. The solo presented in Under Pressure is titled “Kuli” (“Coolie”) and is scored Music: Nein Klaierstucke, Opus, Number 2 by Zoltán Kodály for xylophone and three marimbas. The mezzo-soprano screams, wails, growls, whispers Pianist: Vince di Mura intensely with loud outbursts followed by quiet regressions as she laments her lot – that of Original lighting: Martha Graham as an aging coolie who cannot escape a punishing fate. Adapted by: Beverly Emmons Dancer: Kamber Hart ’16* Void (premiere) Premiere: January 8, 1930, Maxine Elliott’s Theatre, New York City Choreographers: Glenna Yu ’16* and Bree White ’16* Lamentation is a “dance of sorrow.” It is not the sorrow of a specific person, time or place, but Music: Litany for the Whale by John Cage and Amelia (I am waiting for my men) the personification of grief itself. The presentation of Lamentation has been made possible by a gift from Francis Mason in honor of William D. Witter. Additional support was provided by by David Lang, mixed by Vince di Mura the Harkness Foundation for Dance. Martha Graham Resources, a division of the Martha Dancers: Glenna Yu ’16* and Bree White ’16* Graham Center for Contemporary Dance, is responsible for the facilitation of productions of Graham dance worldwide. For more information contact [email protected] come to the park they say is dead (premiere) Choreographer: Sophie Andreassi ’16* This Is Another (Excerpt from There Might Be Others) Music: “Secrets” by Caroline Reese; “When the Roses Bloom Again” Woody Choreographer: Rebecca Lazier, in collaboration with the performers Guthrie; “I don’t do nobody nothing” by South Carolina Chain Gang; “Beast” by Music: Dan Trueman, in collaboration with Sō Percussion and Mobius Percussion Caroline Reese; “Cuckoo Bird” by Hobart Smith; “New Tricks” by Caroline Reese; Lighting Design: Davison Scandrett “Angel Fire” by Caroline Reese; “The Old Country Church” by The Heritage Musicians: Mobius Percussion (David Degge, Mika Godbole, Yumi Tamashiro, Singers; “Moonshiner” by Roscoe Holcomb and Wade Ward; “Moonshine” by Frank Tyl), Alex Appel, Dylan Greene, Jessica Tsang Caroline Reese, mixed by Vince di Mura Science Advisors: Naomi Leonard, Kayhan Özcimder, Biswadip Dey Guitar and Vocals: Caroline Reese Dancers: Ellie Albarran ’16*, Sophie Andreassi ’16*, Kamber Hart ’16*, Colby Dancers: Ellie Albarran ’16*, Maia Ezratty ’18, Swanee Golden ’19, Trent Kowalik ’17, Hyland ’16*, Marisa Remez ’16*, Grace Singleton ’16*, Ogemdi Ude ’16*, Bree Alexa Pugh ’16, Bree White ’16*, Stevie Yang ’18 White ’16*, Emily Wohl ’16*, Glenna Yu ’16* * Denotes senior certificate student in the Program in Dance 2016 SENIOR DANCE CERTIFICATE STUDENTS - MAJORS (CERTIFICATES) NIGEL CAMPBELL (Stager), a native of The Bronx, New York, received his training from Creative Outlet Dance Theater, LaGuardia Arts High School (‘04), and from The Juilliard Ellie Albarran German (Dance, European Cultural Studies) School (‘08). He has danced full time with the Metropolitan Opera Ballet, the Saarlandisches Sophie Andreassi History (Dance, European Cultural Studies, French) Staatstheater, Luna Negra Dance Theater, and the GöteborgsOperans DansKompani. He Kamber Hart Psychology (Dance, Neuroscience, Spanish) has also been a guest artist for Kyle Abraham’s Abraham.In.Motion and for Sidra Bell Dance Colby Hyland Molecular Biology (Dance) New York. Currently, Nigel is an Artistic Associate with Gibney Dance Company in New York Marisa Remez Anthropology (Dance) City. There his position includes performing, community advocacy, and the creation of new programing. A sought after master teacher and répétiteur, Nigel has set dances and given Grace Singleton Religion (Dance, European Cultural Studies) workshops throughout the United States and abroad. In 2016, along with his partner Chanel Ogemdi Ude English (Dance, Theater) DaSilva, Campbell co-founded MOVE(NYC), a rigorous, tuition free, summer dance intensive Bree White Art & Archaeology, Program 2 (Dance) geared exclusively towards talented New York City teenagers. Additionally, he is the recipient Emily Wohl Molecular Biology (Dance) of a 2011 Princess Grace Award, a United States Presidential Scholar in the Arts, a National Glenna Yu Computer Science (B.S.E.) (Dance) YoungArts first level Award Winner, and an NAACP ACT -SO Gold Medalist. Nigel is featured in the 2004 National PBS documentary American Talent. PRODUCTION TEAM AARON COPP (Lighting Designer) has recently provided lighting designs for Natalie Berlind Stage Operations Manager Matt Pilsner Merchant, Yo-Yo Ma, Philip Glass, Merce Cunningham, Eliot Feld and Laurie Anderson. Copp has worked extensively in the dance world, most recently receiving his second “Bessie”Award Berlind Master Electrician Justin Hoffecker for Jonah Bokaer’s The Invention of Minus One. He has had a long association with Merce Sound Engineer Daniel Jurcisin Cunningham, designing such pieces as Ground Level Overlay, Windows and Biped, for which Run Crew Michelle Poulaille he also won a “Bessie.” Copp holds an MFA from the Yale School of Drama and a BA from Student Run Crew Ayla Allen ’18, Emily Libresco ’17, Stanley SUNYBinghamton. Mathabane ’17, Lauren Wodarski VINCE DI MURA (Resident Musical Director and Composer for the Lewis Center for the Costume Stitchers Jessica Sanders and Lisa Raymond Arts), best known for his arrangements of My Way: A Tribute to Frank Sinatra, and I Left My Student Costume Stitchers Kasia Kalinowska ’19, Remi Shaull-Thompson ’19, Heart, A Tribute to Tony Bennett, is a veteran performer and musical director, appearing on Alex Vogelsang ’18, Cara Cavanaugh ’16, Amelia concert stages and theaters throughout North America, Canada, and Latin America. He has (Mimi) Kenna ’19, and James Jared ’19 also conducted many shows and fulfilled numerous compositional commissions
Load more

Recommended publications
  • February Chiropractic • Sports Chiropractic • Family Care • Massage Therapy a Cleaner Energy Future Is on the Horizon
    Studio Series february chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar. While our commitment to cleaner energy has made us a 526-7125 862-2255 288-1005 national leader in sustainability, it is our commitment to future generations that inspires us every day. For more information, visit DominionEnergy.com. 9778 Gayton Rd 10168 West Broad St 9535 Kings Charter Dr Henrico Glen Allen Ashland 750-2400 270-5700 550-0780 For a natural path to lifelong wellness • Most insurance plans accepted AriyaChiro.com chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar.
    [Show full text]
  • Official Results 2020
    OFFICIAL RESULTS 2020 Below are the official awards via categories! * Denotes a Scholarship Recipient, see end of this list + Denotes a Special Award recipient, see end of this list RISING CLASSICAL 1ST Eve Vlahodimos 2ND Alessia Hass+ 3RD Gabija Jankauskis 4TH Sienna Aller* 5TH Cristina Lee 6TH Malaika Bourgi- Gordon RISING CONTEMPORARY 1ST Sienna Aller* 2ND Laura López Florian JUNIOR CLASSICAL (F) 1ST Gia Lipschitz* + 2ND Nali Dobrin* 3RD Fatima Lucia Bodden* + 4TH Chu Hsuan Chen* 5TH Alexia Rodelgo* 6TH Chloe Lahood 7TH Antonella Hogan* 8TH Mackenna Bernard* 9TH Ai Hsu 10TH Isabella Gonzales 11TH Sofía Flory 12TH Miranda Bowen* 13TH Morena Versello* 14TH Keil Ashley 15TH Pi- Han Hsu JUNIOR CLASSICAL (M) 1ST Oisin Ward- Dyer* 2ND Kai Cortez* JUNIOR CONTEMPORARY (F) 1ST Gia Lipschitz* + 2ND Alexia Rodelgo* 3RD Camila Granados Valentin 4TH Nali Dobrin* 5TH Deborah Zamarripa+ 6TH Camila Arroyo González 7TH Isabella Mifsud-West* 8TH Madelin McKean 9TH Hannah Anderson & Maria Victoria Sanchez* 10TH Avigail Pravinata 11TH Elizabeth Ringold 12TH Anna Brady 13th Z'maury Zamora 14TH Gillian Stephens 15TH Kathlene Walker JUNIOR CLASSICAL (M) 1ST Oisin Ward-Dyer* 2ND Kai Cortez* TEEN CLASSICAL (F) 1ST Chlea Giguere* 2ND Kiko Cortez* + 3RD Katrina Lungu* 4TH Manon Barenger 5TH Samantha Rugama 6TH Laure Billeau* 7TH Ria Barnes & Maia Weisinger 8TH Tenley Connors* 9TH Txaro Manen* 10TH Ana Carolina ZamarriPa 11TH Ella Braddy 12TH JosePhine Yang 13TH Mckinley White* 14TH Wu Ping-Jui* 15TH Jolene Fisher TEEN CLASSICAL (M) 1ST Dominic Godoy* + 2ND Fabricio
    [Show full text]
  • Malandain Rossini © Olivier Houeix & Yocom
    NOAH CREATION 2017 malandain rossini © Olivier Houeix & Yocom Yves Kordian executive director Sabine Lamburu communication manager +33 (0)6 08 37 99 37 +33 (0)5 59 24 87 66 [email protected] [email protected] Lise Philippon touring officer Yves Mousset PR manager +33 (0)5 59 24 96 98 +33 (0)6 08 60 31 45 [email protected] [email protected] www.malandainballet.com NOAH CREATION 2017 Preview in Donostia / San Sebastián at Teatro Victoria Eugenia on January 14th and 15th 2017 Creation in Paris at Théâtre National de Chaillot between May 10th and 24th 2017 Ballet for 22 dancers Lenght 70 minutes Choreography Thierry Malandain Music Gioacchino Rossini - Messa di Gloria Set and costumes Jorge Gallardo Lighting design Francis Mannaert Dressmaker Véronique Murat Set and accessories production Frédéric Vadé Ballet masters Richard Coudray, Françoise Dubuc Dancers Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia,Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González Coproducers Théâtre National de Chaillot, Teatro Victoria Eugenia - Ballet T, Donostia / San Sebastián 2016, CCN Malandain Ballet Biarritz Partner Opéra de Reims Other coproducers and partners are sollicited. 3 4 FOREWORD “In the Flood myth common to various different cultural traditions, the jubilant figure of Noah embodies a kind of breakthrough in humanity’s history. In summing up the past and preparing us for the future, Noah symbolises the coming of a new and better world.
    [Show full text]
  • Création 2015/2016 Création
    Yves Kordian directeur délégué +33 (0)6 08 37 99 37 [email protected] Lise Philippon chargée de diffusion +33 (0)5 59 24 96 98 [email protected] Laura Delprat attachée de production +33 (0)5 59 24 62 09 [email protected] Sabine Lamburu communication +33 (0)5 59 24 87 66 [email protected] Yves Mousset relations presse +33 (0)6 08 60 31 45 [email protected] Création 2015/2016 Création © Olivier Houeix & Yocom LA BELLE ET LA BÊTE Ballet for 22 dancers Stage managers Raphaël Tadiello, Bertrand Tocoua Régie costumes Karine Prins Length 70 minutes Set and accessories production Frédéric Vadé Choreography Thierry Malandain Drivers Thierry Crusel, Guy Martial Music Piotr Ilitch Tchaïkovski The Centre Chorégraphique National d’Aquitaine Set and costumes Jorge Gallardo en Pyrénées-Atlantiques / Malandain Ballet Biarritz is funded by the Ministry of Culture and Lighting design Francis Mannaert Communication-DRAC Aquitaine, the City of Biarritz, the Regional Council of Aquitaine and the Dressmaker Véronique Murat Department Council of the Pyrenees Atlantiques. Set and accessories production Frédéric Vadé In view of its euro regional cooperation, Malandain Ballet Biarritz and the Theater Victoria Eugenia Masks production Annie Onchalo created with the cities of San Sebastián and Biarritz a cultural cooperation project named “Ballet T”. For Coproducers some international tours, Malandain Ballet Biarritz is Opéra Royal / Château de Versailles Spectacles, supported by the French Institute.
    [Show full text]
  • Carlos López, Así Vive El Confinamiento El Ballet Master Del
    More Create Blog Sign In Portada Espectáculos Reportajes Escuelas de danza Actualidad Cartelera Danza y Covid-19 sábado, 11 de abril de 2020 Páginas vistas Así viven el encierro los en total protagonistas: Carlos López, así vive el confinamiento el Federico Fresi, un Ballet Master del ABT 58,591 mañico en La Scala de Milán Páginas Página principal Audiciones Quienes somos Y más Translate Alicia Amatriain Select Language Powered by Translate Carlos López, confinado en su casa de Nueva York (Foto: Celeste Sloman) Las más populares Con Carlos López, Ballet Master del American Ballet Theatre (ABT), iniciamos una serie de entrevistas a bailarines y personajes del mundo de la danza, en las que nos Entrevis ta a tres cuentan cómo viven esta dramática situación que afecta a todo el planeta. Carlos, fantásti Igor Yebra despedido de la compañía como muchos bailarines en su situación, se mantiene cos activo entre las cuatro paredes de su casa y da clases de ballet a 30 bailarines, a bailarin es través de Zoom. españoles en el Stuttgart Ballet Lola Ramírez Entrevis Conocí a Carlos López hace muchos años, cuando junto a Igor Yebra, Tamara Rojo, ta a Ada María Giménez y Jesús Pastor, entre otros formaban parte de la Compañía de la Gonzál Comunidad de Madrid, dirigida por Víctor Ullate. Recuerdo perfectamente aquel ez y maravilloso Basilio al que dio vida en el Don Quijote que interpretó con la compañía en el Júlia Ion y Cristina Roca Teatro Real de Madrid. Lo cierto es que ha pasado mucho tiempo desde entonces, ya que Carlos López, como la mayoría de los bailarines que salieron de la cantera de Ullate, voló Estrella rápido más allá de nuestras fronteras.
    [Show full text]
  • Performing Artists and Choreographers of the Wake Forest Dance Festival 2018
    PERFORMING ARTISTS AND CHOREOGRAPHERS OF THE WAKE FOREST DANCE FESTIVAL 2018 JOSÉ LIMÓN (Founder of the José Limón Dance Company/Choreographer, 1908-1972) electrified the world with his dynamic masculine dancing and dramatic choreography. One of the 20th century’s most important and influential dance makers, he spent his career pioneering a new art form and fighting for its recognition. Born in Culiacán, Mexico in 1908, he moved to California in 1915, and in 1928 came to New York where he saw his first dance program. Limón enrolled in Doris Humphrey and Charles Weidman’s dance school and performed in several of their works from 1930 to 1940. In 1946, with Doris Humphrey as Artistic Director, Limón formed his own company. His company was a major force of 20th century (and now 21st century) dance.,distinguishing itself as the first dance group to tour internationally under the auspices of the State Department and the first modern dance company to perform at Lincoln Center in New York, as well as performing twice at The White House. Thematically, José Limón possessed a social awareness that transcended distinct groups to address how we all search for commonality, earning him a special place in American culture. With their arresting visual clarity, theatricality, and rhythmic and musical life, his works continue to influence the evolution of the art form more than 50 years after his passing. The José Limón Dance Foundation, encompassing the Company and the educational and licensing Institute, was awarded a 2008 National Medal of the Arts, the nation’s highest honor for artistic excellence.
    [Show full text]
  • Coreografía : Martin Harriague Artista Residente
    coreografía : Martin Harriague artista residente Estreno los 6-7 de abril de 2018 en el Victoria Eugenia Antzokia, Donostia/San Sebastián (España) © Olivier Houeix SIRÈNES © Olivier Houeix música Antonio Vivaldi, Arcangelo Corelli, Francesco Araia & Hermann Raupach coreografía Martin Harriague asistente coreográfico Shani Cohen vestuario Mieke Kockelkorn elaboración de vestuario Véronique Murat, Nelly Geyres, Charlotte Margnoux concepción de decorado Frédéric Vadé diseño iluminación Martin Harriague y Christian Grossard Prólogo Coproducción Martin Harriague es uno de los dos galardo- Festival Cadences – Théâtre Olympia, scène conventionnée d’Arcachon, Donostia Kultura nados en la primera edición del Concurso de - Victoria Eugenia Antzokia de Donostia/San Jóvenes Coreógrafos clásicos y neoclásicos or- Sebastián – Ballet T, CCN – Malandain Ballet Biarritz ganizado en Biarritz en 2016, en el marco del Polo de Cooperación Coreográfica del Gran Estreno los 6-7 de abril de 2018 en el Victoria Eugenia Antzokia de Donostia/San Sebastián, Suroeste. Y en tal condición ha creado Sire- en el marco del proyecto Ballet T nas, cuya vocación es integrar el repertorio de Ballet para 21 bailarines Malandain Ballet Biarritz propuesto en difusión Duración: 40’ y ha sido elegido artista residente en el Cen- tro Coreográfico Nacional de Biarritz (figura de "Artista asociado" implantada por el Ministerio de Cultura). Como tal, recibirá apoyo logístico durante su estancia y, además, recibirá asesora- miento artístico. 2 Acerca de Sirènes « Crecí al borde del océano, fascinado, escrutando su espuma sin poder descubrir sus misterios. Lo que hubiera sacrificado, lo que hubiera aprendido si un pacto funesto me hubiera abierto las puertas abisales. En ese océano, familiar e imaginario al mismo tiempo, sirenas y humanos escenifican su destino.
    [Show full text]
  • ​2017-18 Family Handbook
    2017-18 Family Handbook ​ The Louisville Ballet School prides itself in being a center for classical ballet, complementary dance and health & wellness for students of all ages and abilities. We strive to challenge each student, ​ ​ whether he or she dances for enjoyment or pre-professional training, to explore his or her own ​ potential as a performing artist. Our highly-trained faculty members, take great care to instruct ​ students with proper technique and great discipline in a safe and respectful environment. We thank you for choosing The Louisville Ballet School as a place to continue your dance education. By enrolling in The Louisville Ballet School, I/my child will respect the art and discipline of ballet by: ❏ Respecting my instructor, accompanist and fellow dancers at all times ❏ Coming to class with a positive attitude, being fully attentive and ready to learn ❏ Standing up to bullying and knowing that bullying is not acceptable ❏ Dressing in the proper dress code for my program level ❏ Arriving a few minutes early so that I/my child is ready to dance when class begins ❏ Keeping the studios, dressing rooms and lobby areas clean We encourage parents to become involved in their child’s dance education and ask that you share the information from this handbook with your enrolled child. Staff Main Phone # 502.583.3150 Director of Education Kristine Orms x243 [email protected] Administration Manager Elizabeth Matthews x259 [email protected] Registration & Enrollment Manager Tara Gardner x245 [email protected]
    [Show full text]
  • High Performance Ballet Training Program 2019
    SUMMER INTENSIVE 2019 / With the star Ángel Corella We introduce you our Summer Intensive where you can share a unique experience with the star Ángel Corella, along with CORELLA Academy’s Directors Carmen Corella and Dayron Vera. They will pass on to you their very own dance training and experience among many other teachers. You will work extensively on technique based on Spanish, Cuban and American methods. In our repertory and choreography workshop sessions, you will experience the essence of the best artistic enjoyment. © Dayron Vera ÁNGEL CORELLA CARMEN CORELLA High Performance Ballet Training Guest star & Emeritus Director Director & teacher of CORELLA Academy of CORELLA Academy Program 2019 Artistic Director with The Pennsylvania Ballet. She began her ballet studies in the school of He was a former Principal dancer with the Víctor Ullate, joining his company in 1990. American Ballet Theatre and guest artist Later she joined the American Ballet Theater with The Royal Ballet, Kirov Ballet, New York and in 2003 she was promoted to Soloist. In Week 1: ELEMENTARY City Ballet, La Scala and the Australian Ballet 2008, together with her brother, she founded among many others. Considered one of the the company Barcelona Ballet, in Spain, assu- from June 25 to 29 from 7 to 10 years old leading dancers of his generation. ming the position of Artistic Assistant Director Week 2: His talent, passion, and technique have brou- and Principal Dancer. Carmen is certified as Classical ballet / Physical Training / ght him worldwide acclaim and established GYROTONIC ® Trainer. from July 1 to 5 Choreographic Workshop / Music him as one of the most recognizable names Week 3: in dance.
    [Show full text]
  • Alvin Ailey American Dance Theater
    L If you want to make parks g reener, improve neighborhoods, even support the arts, the Community Foundation for communityfoundation Southeast Michigan can help. And keep your donation FOR SOUTHEAST MICHIGAN giving for generations to come. Visit CFSEM.org or call 1-888-WE-ENDOW for more information on how we can help. Scan the QR Code to find out more. CONTENTS Spring 2012 The Official Magazine of the Detroit Opera House WELCOME BRAVO is a Michigan Opera Theatre L ETTER FROM D AviD D ICHIERA .... ...... .. .. .... .. ...... ............ .... .. .. 4 publication. Jeff Strayer, Editor Mitch Carter, Contributing Editor ON STAGE H AROLD AND THE P URPLE C RAYON ..... ....... .. .. .... ...... .. ........ ........... 6 Contributors John Grigaitis Scott Stafford ALVIN AILEY A MERICAN D ANCE THEATER ... .. ... .. ... ........... 10 Publisher T HE P EARL FISHERS .. .... .. ............. .... ... .... .. .... ...... ........ ...... .... .. 16 Echo Publications, Inc. Royal Oak, Michigan C ONVERSATION WITH Z ANDRA R HODES .. ... .. .. .. .. .. .... 18 www.ec hopu blications. com Tom Putters, President TobyFaber, Advertising Sales Director B ARCELONA BALLET : SwAN LAKE .... .. .... ......... ............... .... .. .. ... 20 Physicians' services provided by Henry Ford Medical Center. I p AGLIACCI . ... .. .. .. .. ... .................. .. .. .... ... ..... ........ .. 2 4 CONVERSATION WITH jiLL G ARDNER .. .... .. .............. ........ .. .. 26 Pepsi-Cola is the official soft drink and juice provider of the Detroit Opera House. MOT CC: H.M.S .
    [Show full text]
  • Daniel Alejandro Sené Classical Ballet Repertoire Caracter
    GINO LABATE CLASSIC BALLET CHOREOGRAPHIC WORKSHOP 2002/2019 - Juryman for the international dance school contest "Encuentro international para academias de danzas y estudiantes de ballet" Ciutat de la Habana - Cuba - organized by Escuela Nacional de Ballet Fernando Alonso and CNEART. (2017/2018/2019 editions) - Artistic Director ENBC Italia - Formative Program Método Escuela Nacional de Ballet "Fernando Alonso" Cuba - Creator, Artistic Director and appointed Responsible, for Italy by University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid, for the “Educational two-year course for dance teacher on methodology of Cuban Classical Ballet” - Artstic Director and Dance Teacher/Choreographer for Barcelona Ballet Project - Pre Professional three year course for dancers. - Guest Teacher and Juryman Certamen Internacional de Danza Ciutat de Barcelona IV and V edition (Jury: Hector Zaraspe, Julio Bocca, Christine Dakin, Nya Bowman, Javier La Torre, Igal Perry, Gino Labate) - Artistic Director of “Labat Loano Dance Festival (13 editions), as well as the “Labat Grand Prix Giuliana Penzi” and the contest “Un Popolo che Danza” - Artistic Director of International Dance Contest “Passi di Talento” City of Montecatini. - Creator and Artistic Director of social initiative against alcool, drug and car crashes Saturday night “Life Vite Spezzate” - Creator and Artistic Director of social initiative against violence to women. - Artistic Director of “Labat International Dance Competition Città di Alassio” - Teacher and Choreographer for the Festival of San Lorenzo - El Escorial Spagna. University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid - June 8th /12th 2015 Invited Teacher and Choreographer for contemporary classes of Rebecca Metzger’s Summer Intensive in Lovett School and North Atlanta Dance Academy’s summer intensive - Atlanta Georgia USA - June 13th/20 Ft.
    [Show full text]
  • Artistic Director Angel Corella's Contract Extended While Dancers
    August 3, 2016 Artistic Director Angel Corella’s contract extended while dancers from the U.S., Russia, Cuba, Japan, South Korea, and Tow of the the “25 Dancers to Watch” Join Pennsylvania Ballet. Pennsylvania Ballet has announced the extension of Artistic Director Angel Corella’s contract through the 2021-2022 season. In addition, the company and Corella are pleased to announce that 17 dancers from around the world will join the Company, three of whom are coming from Pennsylvania Ballet II, and seven dancers have been promoted. “Over the past two seasons Angel has worked to raise the level and broaden the scope of programming for Pennsylvania Ballet, efforts that have proven to be a success with Philadelphia audiences,” said David Hoffman, Chair of Pennsylvania Ballet’s Board of Trustees. “Angel’s artistic vision for Pennsylvania Ballet has revitalized the Company, engaged new audiences as well as long time patrons, and demonstrated why everyone should love Pennsylvania Ballet.” New Dancers This Season, highly acclaimed dancers will join Pennsylvania Ballet to work with Corella. Sterling Baca and Sara Michelle Murawski will join the Company as Principal Dancers; Dayesi Torriente joins as a Soloist; Aleksey Babayev, Adrianna de Svastich, Dominic Ballard, Albert Gordon, Yuka Iseda, Nayara Lopes, So Jung Shin, and Jack Thomas will become members of the Corps de Ballet; and Nardia Boodoo, Therese Davis, and Alexandra Heier join former Pennsylvania Ballet II dancers Jacqueline Callahan, Emily Davis, and Siobhan Howley as Apprentices. “I am very excited to introduce our new dancers, who are all technically and stylistically diverse and extremely talented,” said Corella.
    [Show full text]