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The Prima Ballerinas of the Kirov
Philippe Jordan MD CLINIC 23 23 Elystan St, SW33NT.London. Feb 2017 THE PRIMA BALLERINAS OF THE KIROV Диана Вишнёва DIANA VISHNEVA C A T A L O G U E PHILIPPE JORDAN France 1962 The Wandering Banker, Moscow. To survive in the harsh reality of Moscow, the financier Philippe Jordan spends his evenings drawing Indians, creating ballerinas, and meeting oligarchs. And it helps! Philippe is quite an unconventional banker. During working hours he is deals with derivatives, futures and options, but in his private time he makes paintings on glass, and art from paper. “It seemed to me that there was always some magic at the Ballet: the music played, the notes came alive, the ballerinas flew in the air” Philippe was born in Strasbourg, and his stepfather, Robert Grossmann, not only was the vice- mayor of the town of Strasbourg, but also a long-term associate of Nicolas Sarkozy – “the man who thirty years ago taught the future French president the art of public speaking.” The former president of France also has one of Jordan’s works: a courier delivered it, and after a few days, Philippe received a letter of thanks. Unconventional by nature, again in 2010, Philippe invited his friend in Moscow, the French author Michel Houellebecq, who once compared Philippe’s works to those of Giorgio de Chirico. The story of their friendship is downright amazing. After reading the novel "The Map and the Territory," Jordan was shocked - the book’s main character was so much like him. He, like Jordan, met with Abramovich. And also painted a portrait of Houellebecq. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
February Chiropractic • Sports Chiropractic • Family Care • Massage Therapy a Cleaner Energy Future Is on the Horizon
Studio Series february chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar. While our commitment to cleaner energy has made us a 526-7125 862-2255 288-1005 national leader in sustainability, it is our commitment to future generations that inspires us every day. For more information, visit DominionEnergy.com. 9778 Gayton Rd 10168 West Broad St 9535 Kings Charter Dr Henrico Glen Allen Ashland 750-2400 270-5700 550-0780 For a natural path to lifelong wellness • Most insurance plans accepted AriyaChiro.com chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar. -
Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P. -
Alessandra Ferri
DANSE Alessandra Ferri 20.15 dimanche 26 octobre 2003 Contact presse : Frédérique Champs / Vanessa Lassaigne - 01 55 00 70 45 / 44 / [email protected] Retrouvez les dossiers de presse en ligne sur www.artepro.com Alessandra Ferri Coproduction : ARTE France, Telmondis (France, 2003 – 25 min) « Elle est ravissante, son sourire est ir résistible. C’est une créature de rêve comme peuvent l’être les italiennes qui ont la grâce et l’élégance des gens du peuple… Quand elle apparaît, elle a ce côté mystérieux et captivant qui nous séduit d’emblée… C’est une danseuse superbe avec des jambes extraordinaires et des pieds magnifiques.» Roland Petit Ballerine italienne, aujourd’hui à l’apogée de son art, Alessandra Ferri « prima ballerina- étoile » de la Scala de Milan, est considérée comme l’une des plus grandes danseuses classiques internationales. Elle interprète les grands chorégraphes tel que George Balanchine, Marius Petipa, Kenneth Mac Millan, Roland Petit. Alessandra Ferri a très vite été sollicitée par les scènes internationales. Elle fait ses débuts de soliste au Royal Ballet de Londres où le chorégraphe Kenneth MacMillan crée pour elle plusieurs rôles (1983-1895), puis elle est invitée par Mikhaïl Baryshnikov – alors directeur de l’American Ballet Theatre à New York (jusqu’en 1990) pour être sa partenaire. Elle poursuit sa carrière de « Guest artist » avec l’American Ballet Theatre, mais aussi avec Roland Petit et le Balletto Argentino de Julio Bocca. 2 Cet hommage à Alessandra Ferri se compose de cinq séquences : trois extraits de ballets filmés (Roméo et Juliette de Kenneth MacMillan, Le Diable amoureux de Roland Petit, La Somnambule de George Balanchine) et deux courts métrages inédits réalisés par Fabrizio Ferri (Ca r m e n de Roland Petit et Pr é l u d e de Heinz Spoerli). -
Premieres People on the Cover
Premieres 22 Robbins, Preljocaj & Ekman BRUCE MICHELSON observes Eleonora Abbagnato's influence at the Rome Opera Ballet 30 Dream of Swan Lake GERARD DAVIS strives gallantly to take on a complex plot in Stockholm 34 Chouinard & Horecna AMANDA JENNINGS catches two creations in Monte Carlo 42 Le Corsaire in Budapest GERARD DAVIS reviews the Hungarian 56 National Ballet in the swashbuckling ballet 66 Night Pieces LUCY VAN CLEEF weighs up ballets by Clug, Kylián and Stiens in Stuttgart Polina Semionova and Roberto Bolle in rehearsal for Cinderella. Photo: Marco Brescia and Rudy Amisano/Teatro alla Scala. Ballet Festival Mariinsky 68 People CATHERINE PAWLICK on some of the highlights in this year's international festival 10 Roberto Bolle EMMA KAULDHAR catches up with the Don Quixote in Nürnberg 70 Italian étoile ALISON KENT considers Goyo Montero's innovative take on Cervantes' tome 56 Marco Goecke 72 The Open Door DEBORAH WEISS touches base with CARLA ESCODA considers Paul Taylor's Stuttgart Ballet's choreographer in new work to Elgar's Enigma Variations residence 74 Ghost Dances 82 Passing on the Flame: ROBERT PENMAN on a Christopher Bruce Samira Saidi classic and two 'Other Works' AMANDA JENNINGS meets English National Ballet School's director NTRE OUS 6 E N On the Cover 89 AUDITIONS AND JOBS Symphonic Dances HAT S N 38 100 W ’ O DEBORAH WEISS contemplates Liam 106 PEOPLE PAGE Scarlett's new work in a bill with ballets by Forsythe, Balanchine and Wheeldon contents Front cover: The Royal Ballet - Marcelino Sambé in George Balanchine's Tarantella.Photo: Emma Kauldhar by courtesy of the ROH → Dance Europe - June 2017 3 DANCE EUROPE Founded in 1995 ISSN: 1359-9798 P.O. -
Alessandra Ferri, Le Retour
EN COUVERTURE ON THE COVER Alessandra Ferri, le Alessandra Ferri, the retour seventh year comeback Le retour à la scène d’Alessandra Ferri est Alessandra Ferri’s return to the stage is the event of l’événement de l’année pour ses fans encore the year for her still numerous and adoring fans all nombreux et passionnés dans le monde entier. Après over the world. After Spoleto, it will be Broadway Spolète, il y aura Broadway et puis La Scala avec and then La Scala in a creation by Neumeier. The une création de Neumeier. Par d’autres voies, la career of one of the most famous ballerinas of our carrière de l’une des danseuses les plus célèbres de time picks up again, though to a different tune. But notre époque recommence. Mais pourquoi ses why was her farewell to the stage such a sad adieux furent-ils si tristes pour son public, surtout occasion for her public which is now welcoming her en Italie et à New York, qui maintenant semble la back as if it had never occurred? saluer comme si elle n’avait jamais quitté la scène? In 2007 when Alessandra Ferri announced that she was retiring from Lorsque, en 2007, Alessandra Ferri annonça sa décision de quitter the stage, her decision took everyone by surprise. It was the period in la scène, la nouvelle fut accueillie avec la plus grande surprise. À l’époque, which a sort of generational “farewell to dance” was taking place, with on assista aux adieux à la danse de presque toute une génération: nom- numerous forty-something-year-olds (such as Darcey Bussell and Julio breux furent les danseurs dans la quarantaine qui refusèrent de prolon- Bocca, to mention only a couple of famous ones) foregoing the pros- ger leur vie artistique et qui déclarèrent dédaigneusement qu’ils préfé- pect of a long stage-life after haughtily declaring that they preferred raient se retirer au plus fort de leur carrière plutôt que de connaître un to retire while still in their heyday rather than walk pathetically down déclin pathétique. -
Official Results 2020
OFFICIAL RESULTS 2020 Below are the official awards via categories! * Denotes a Scholarship Recipient, see end of this list + Denotes a Special Award recipient, see end of this list RISING CLASSICAL 1ST Eve Vlahodimos 2ND Alessia Hass+ 3RD Gabija Jankauskis 4TH Sienna Aller* 5TH Cristina Lee 6TH Malaika Bourgi- Gordon RISING CONTEMPORARY 1ST Sienna Aller* 2ND Laura López Florian JUNIOR CLASSICAL (F) 1ST Gia Lipschitz* + 2ND Nali Dobrin* 3RD Fatima Lucia Bodden* + 4TH Chu Hsuan Chen* 5TH Alexia Rodelgo* 6TH Chloe Lahood 7TH Antonella Hogan* 8TH Mackenna Bernard* 9TH Ai Hsu 10TH Isabella Gonzales 11TH Sofía Flory 12TH Miranda Bowen* 13TH Morena Versello* 14TH Keil Ashley 15TH Pi- Han Hsu JUNIOR CLASSICAL (M) 1ST Oisin Ward- Dyer* 2ND Kai Cortez* JUNIOR CONTEMPORARY (F) 1ST Gia Lipschitz* + 2ND Alexia Rodelgo* 3RD Camila Granados Valentin 4TH Nali Dobrin* 5TH Deborah Zamarripa+ 6TH Camila Arroyo González 7TH Isabella Mifsud-West* 8TH Madelin McKean 9TH Hannah Anderson & Maria Victoria Sanchez* 10TH Avigail Pravinata 11TH Elizabeth Ringold 12TH Anna Brady 13th Z'maury Zamora 14TH Gillian Stephens 15TH Kathlene Walker JUNIOR CLASSICAL (M) 1ST Oisin Ward-Dyer* 2ND Kai Cortez* TEEN CLASSICAL (F) 1ST Chlea Giguere* 2ND Kiko Cortez* + 3RD Katrina Lungu* 4TH Manon Barenger 5TH Samantha Rugama 6TH Laure Billeau* 7TH Ria Barnes & Maia Weisinger 8TH Tenley Connors* 9TH Txaro Manen* 10TH Ana Carolina ZamarriPa 11TH Ella Braddy 12TH JosePhine Yang 13TH Mckinley White* 14TH Wu Ping-Jui* 15TH Jolene Fisher TEEN CLASSICAL (M) 1ST Dominic Godoy* + 2ND Fabricio -
Press Highlights
DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! 2013 PRESS HIGHLIGHTS REVIEWS Page 1 of 2 THEATER REVIEW 'GRINCH' A CHRISTMAS TRADITION WITH COLOR, MAGIC Returning cast, (From left) Eileen classic set bring Bowman as Grandma Who, happy familiarity Bets Malone as Mama Who, PAM KRAGEN • U-T Geno Carr as Papa Who and Kurt Norby as Christmas traditions are Grandpa Who usually sacred rites with perform in "Dr. little variation from year Seuss' How the to year. That recipe seems Grinch Stole to be working as well as Christmas" at ever at The Old Globe, The Old Globe. where "Dr. Seuss' How the The annual holiday Grinch Stole Christmas" musical runs musical is marking its 16th through Dec. 28. holiday season. PHOTO BY JIM COX With many of the same cast members and only a few minor script tweaks, this year's "Grinch" runs like a well-oiled machine, book (and animated 1966 and audience interaction. best-ever Grinches. Over yet there's nothing routine TV special) by the late La Back for his third year the years, he has beefed about it. It still has the Jollan Theodor "Dr. Seuss" in the title role, Steve up his "One of a Kind" solo charm, warmth and magic Geisel about a grumpy Blanchard is a mean one, number with so many oneliners that brings audiences back green monster who unwittinglyMr. Grinch. The 6-foot-3 and asides, it has year after year. discovers the true actor played the Beast on become more a stand-up For those new to the spirit of Christmas. -
Malandain Rossini © Olivier Houeix & Yocom
NOAH CREATION 2017 malandain rossini © Olivier Houeix & Yocom Yves Kordian executive director Sabine Lamburu communication manager +33 (0)6 08 37 99 37 +33 (0)5 59 24 87 66 [email protected] [email protected] Lise Philippon touring officer Yves Mousset PR manager +33 (0)5 59 24 96 98 +33 (0)6 08 60 31 45 [email protected] [email protected] www.malandainballet.com NOAH CREATION 2017 Preview in Donostia / San Sebastián at Teatro Victoria Eugenia on January 14th and 15th 2017 Creation in Paris at Théâtre National de Chaillot between May 10th and 24th 2017 Ballet for 22 dancers Lenght 70 minutes Choreography Thierry Malandain Music Gioacchino Rossini - Messa di Gloria Set and costumes Jorge Gallardo Lighting design Francis Mannaert Dressmaker Véronique Murat Set and accessories production Frédéric Vadé Ballet masters Richard Coudray, Françoise Dubuc Dancers Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia,Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González Coproducers Théâtre National de Chaillot, Teatro Victoria Eugenia - Ballet T, Donostia / San Sebastián 2016, CCN Malandain Ballet Biarritz Partner Opéra de Reims Other coproducers and partners are sollicited. 3 4 FOREWORD “In the Flood myth common to various different cultural traditions, the jubilant figure of Noah embodies a kind of breakthrough in humanity’s history. In summing up the past and preparing us for the future, Noah symbolises the coming of a new and better world. -
Dance Europe - December 2018 3
The Royal Ballet - Marianela Nuñez in Makarova's La Bayadère. © Emma Kauldhar by courtesy of the ROH Contents People Features 10 Yuri Fateyev 49 Talkback #metoo EMMA KAULDHAR meets the director of AMANDA JENNINGS considers the the Mariinsky Ballet implications raised by the revolutionary movement on the dance world 44 Laurel Dalley Smith and Lorenzo Pagano Balanchine: The City LUCY VAN CLEEF catches up with two 54 Center Years Europeans dancing with the Martha Graham TRINA MANNINO welcomes visitors to company in New York New York and considers their interpretations of key Balanchine ballets 72 Derek Deane AMANDA JENNINGS in conversation with Petipa's Architecture the director of the Shanghai Ballet 58 MIKE DIXON examines the intrinsic Premieres hallmarks of Marius Petipa's choreography La Bayadère in Berlin 70 Choreographic Academy 16 GERARD DAVIS talks with Ted Brandsen and LUCY VAN CLEEF savours Alexei Ratmansky's Ernst Meisner about a project to develop new reconstruction in Berlin new choreographers 28 Winterreise JESSICA TEAGUE considers Christian Spuck's 76 Bayerisches Junior Ballett new work for Ballett Zürich and three creations München for Zurich's Junior Ballet ALISON KENT talks with Ivan Liška about the work of the Heinz Bösl Foundation 6 ENTRE NOUS 80 YAGP in Paris Front cover: Staatsballett Berlin - EMMA KAULDHAR reports on this year's Polina Semionova in 84 AUDITIONS AND JOBS Alexei Ratmansky's La Bayadère. first European semi-final © Emma Kauldhar 99 WHAT’S ON 106 PEOPLE PAGE >>> Dance Europe - December 2018 3 DANCE EUROPE -
Création 2015/2016 Création
Yves Kordian directeur délégué +33 (0)6 08 37 99 37 [email protected] Lise Philippon chargée de diffusion +33 (0)5 59 24 96 98 [email protected] Laura Delprat attachée de production +33 (0)5 59 24 62 09 [email protected] Sabine Lamburu communication +33 (0)5 59 24 87 66 [email protected] Yves Mousset relations presse +33 (0)6 08 60 31 45 [email protected] Création 2015/2016 Création © Olivier Houeix & Yocom LA BELLE ET LA BÊTE Ballet for 22 dancers Stage managers Raphaël Tadiello, Bertrand Tocoua Régie costumes Karine Prins Length 70 minutes Set and accessories production Frédéric Vadé Choreography Thierry Malandain Drivers Thierry Crusel, Guy Martial Music Piotr Ilitch Tchaïkovski The Centre Chorégraphique National d’Aquitaine Set and costumes Jorge Gallardo en Pyrénées-Atlantiques / Malandain Ballet Biarritz is funded by the Ministry of Culture and Lighting design Francis Mannaert Communication-DRAC Aquitaine, the City of Biarritz, the Regional Council of Aquitaine and the Dressmaker Véronique Murat Department Council of the Pyrenees Atlantiques. Set and accessories production Frédéric Vadé In view of its euro regional cooperation, Malandain Ballet Biarritz and the Theater Victoria Eugenia Masks production Annie Onchalo created with the cities of San Sebastián and Biarritz a cultural cooperation project named “Ballet T”. For Coproducers some international tours, Malandain Ballet Biarritz is Opéra Royal / Château de Versailles Spectacles, supported by the French Institute.