DOCSLIB.ORG

Daniel Alejandro Sené Classical Ballet Repertoire Caracter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GINO LABATE CLASSIC BALLET CHOREOGRAPHIC WORKSHOP 2002/2019 - Juryman for the international dance school contest "Encuentro international para academias de danzas y estudiantes de ballet" Ciutat de la Habana - Cuba - organized by Escuela Nacional de Ballet Fernando Alonso and CNEART. (2017/2018/2019 editions) - Artistic Director ENBC Italia - Formative Program Método Escuela Nacional de Ballet "Fernando Alonso" Cuba - Creator, Artistic Director and appointed Responsible, for Italy by University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid, for the “Educational two-year course for dance teacher on methodology of Cuban Classical Ballet” - Artstic Director and Dance Teacher/Choreographer for Barcelona Ballet Project - Pre Professional three year course for dancers. - Guest Teacher and Juryman Certamen Internacional de Danza Ciutat de Barcelona IV and V edition (Jury: Hector Zaraspe, Julio Bocca, Christine Dakin, Nya Bowman, Javier La Torre, Igal Perry, Gino Labate) - Artistic Director of “Labat Loano Dance Festival (13 editions), as well as the “Labat Grand Prix Giuliana Penzi” and the contest “Un Popolo che Danza” - Artistic Director of International Dance Contest “Passi di Talento” City of Montecatini. - Creator and Artistic Director of social initiative against alcool, drug and car crashes Saturday night “Life Vite Spezzate” - Creator and Artistic Director of social initiative against violence to women. - Artistic Director of “Labat International Dance Competition Città di Alassio” - Teacher and Choreographer for the Festival of San Lorenzo - El Escorial Spagna. University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid - June 8th /12th 2015 Invited Teacher and Choreographer for contemporary classes of Rebecca Metzger’s Summer Intensive in Lovett School and North Atlanta Dance Academy’s summer intensive - Atlanta Georgia USA - June 13th/20 Ft. Lauderdale Florida for the Dance Theatre Parkland. Florida USA 2002 - Creator of social project “Dance for Life” - Creator and Artistic Director of social initiative for mental illness “Danza per la Mente, Città solidali in Danza” - Artistic Director and Choreographer of Labat Contemporary Dance Company - Director and Choreographer of dance production for mental illness “Stati Emotivi, Dentro la Follia” - Artistic Director of the center “Labat Art’s Academy” of Reggio Calabria 2001 - Artistic Director of the Festival “Urban in Danza, Città di Catanzaro” - Artistic Director of the “Labat Reggio Danza Festival” - Principal Dancer Of the Dance Production “Stati Emotivi, Dentro la Follia” 2000 - Artistic Director of Cultural Association “Spazio Danza Calabria” -Artistic Director of Dance Festival “Calabria Danzarte Reggio Danza” - Dance Teacher Festival “Vignale Danza” 1999 - Guest Principal Dancer Festival “Vignale Danza” - Dance Teacher Festival “Vignale Danza” - Juryman of Dance Contest “Vignale Danza” 1998 - Dance Teacher, Guest Choreographer and Juryman for IV International Contest of Students of Ballet, City of Habana (Cuba) He created choreographies for the Gala of IV International Contest of Students of Ballet, Habana (Cuba): - Mella Theater, Choreography “Despues de la Oscuridad”, created for Escuela Nacional Espectaculo Musical, XXXV Anniversary of Camaguey Ballet - Mella Theater, Choreography “Twenty in Life”, created for Escuela Nacional de Danza Contemporanea, gala in honor of Alicia Alonso, Fernando Alonso and Alberto Alonso - National Theater, Choreography “Dentro la Follia”, created for Escuela Nacional de Ballet, dancer Rolando Sarabia, international star of Cuban Ballet - National Theater, Choreography “Risveglio”, created for Escuela Nacional de Ballet - Juryman of the International Contest of Habana (Cuba) - ( Jury: Fernando Alonso, Ramona De Sàa, Alberto Mèndez, Paula Castro, Gino Labate) - Guest Teacher and Choreographer for Prensa Conference in the International Center Prensa of Habana (Cuba) - Member of the Court of Evaluation for the period of Professional Practice Habana and Varadero - Guest Teacher and Juryman Festival “Vignale Danza” 1997 - Guest Teacher and Choreographer III International Ballet contest, Habana (Cuba) - Choreographer for the Escuela Nacional de Danza Contemporanea, choreography “Dos en Tres”, National Theater of Habana (Cuba) - Choreographer for the Escuela Nacional de Ballet, choreographies “ Dos en Movimiento” and “Recuerdo”, National Theater of Habana (Cuba) - Choreographer for the Escuela Nacional de Espectaculo Musical, choreography “Fragmentos”, National Theater of Habana (Cuba) - Ballet and Contemporary Dance Teacher at the third International Meeting of Ballet Academies - Choreographer, at the Gala of International Ballet Contest Habana, for Escuela Nacional de Arte (CNART) - Dance Teacher for the Methodology Program “Fondazione Teatro Nuovo di Torino” - Guest Teacher and Juryman for the Festival “Vignale Danza” 1995 - Artistic Director Dance Festival “Danzare ’95”, Palaeur (Rome) - Guest Teacher and Juryman Festival “Vignale Danza” - Choreographer for TV program “Uno Mattina”, RAI (national television network) 1993 - First Dancer and Choreographer for the production “Enigma”, San Genesio Theater (Rome) 1992 - First Dancer and Choreographer, charity initiative for autistic children, Choreography “Enigma”, Piper ’90 (Rome) - Creator and Choreographer for the production “Oltre il Buio”, social initiative against AIDS - First Dancer and Choreographer at the “Bottega Coreografica Grassina “ (Firenze) - First Dancer and Choreographer in a Dance Festival in Basel (Switzerland), production “Enigma” From 1983 to 1989 Soloist and First Dancer for the Company of the Teatro Comunale “Maggio Musicale Fiorentino” (Firenze) The most important productions: - “La Silfide”, choreographer Peter Schaufuss, soloist in the four witches (1983) - “Pulcinella”, choreographer Oscar Araiz, first dancer (1984) -- “Giselle”, choreographer E. Poliakov, first dancer (Duke), with Carla Fracci and James Urbain - “Giselle” choreographer E. Poliakov, soloist, with R. Nureyev and Sylvie Guillem - “La Strada”, choreographer Mario Pistoni, soloist - “Il Cappotto”, choreographer Fleming Flindt, soloist - “Il Principe di Legno”, soloist From 1980 to 1982 Soloist for the Company of National Dance Academy Rome The most important productions: - “Giselle”, choreographer Zarko Prebil - “Don Quixote”, choreographer Zarko Prebil - “Lago dei Cigni”, choreographer Zarko Prebil - “Schiaccianoci”, choreographer Zarko Prebil Soloist and First Dancer Teatro dell’ Opera Roma. The most important productions: - “Marco Spada”, choreographer Pierre Lacotte, with R. Nureyev, F. Zumbo, M. Denard. - “Papillon” - “Bella Addormentata” - “Bergkristall”, with Carla Fracci and G. Janku 1977 - “Traviata”, direction Franco Zeffirelli, Soloist, with V: Vassiliev and C. Maximova DANCE AWARDS 1991 - “Tindari Grandi Artisti” (Italy) 1996 - “Civiltà del Mare, per la Coreografia” (Italy) 1997 - Centro Nacional de Escuelas de Arte, Habana (Cuba) 1998 - Escuela Nacional de Danza Moderna, Habana (Cuba) 2016 - Special prize to dance promotion - consegnato da F.N.A.S.D. Leggere per ballare progetti per la Danza - Busseto Italy EDUCATION Rome National Dance Academy EMANUELA CAMPICIANO CONTEMPORARY DANCE DANCE COMPOSITION THEORY AND HISTORY OF DANCE ANATOMY APPLIED TO MOVEMENT 2015/2019 - Artistic Director ENBC Italia - Formative Program Método Escuela Nacional de Ballet "Fernando Alonso" Cuba - Artistic Director Barcelona Ballet Project - Pre Professional three years course for dancers. - Artistic Director Labat Dance School Contest .... scuole di danza la sfida!! - Artistic Director Labat Summer Dance Intensive Chianciano Terme - Contemporary dance teacher Centre de Dansa de Catalunya - Barcelona - Spain - Artistic Director of “ Educational two-year course for dance teacher on methodology of Cuban classical ballet”, in collaboration with University Institute “Alicia Alonso” – Universidad Rey Juan Carlos, Madrid From 2002 to 2015: Artistic Director of “Labat Loano Dance Festival” as well as the “Labat Grand Prix Giuliana Penzi” and the contest “Un Popolo che Danza” From 2002 to 2013: Soloist and Prima Ballerina at the “Labat Contemporary Dance Company”. Assistant of the choreographer Gino Labate 2013: • Artistic Director of the “International Dance Competition – Citta’ d’Alassio” and Artistic Coordinator of the “International Dance Competition – Citta’ di Montecatini” • Artistic Director and Choreographer of “Vite Spezzate” (social campaign against alcohol abuse, drugs and weekend car accidents). • Artistic Director and Choreographer of “Oltre il Buio” (social campaign against women violence) • Artistic Director of “ Educational two-year course for dance teacher on methodology of Cuban classical ballet”, in collaboration with University Institute “Alicia Alonso” – Universidad Rey Juan Carlos, Madrid From 2006 until 2012: Dance Teacher and Artistic Director of the Studies Center “Evento Danza”, Rome. Choreographer of the experimental group “Longe Dance Project” for the introduction to the contemporary dance • 2009, Rome (Italy) – Master’s degree in Contemporary Dance, Rome National Dance Academy LEANDRO PEREZ SANABRIA CLASSIC BALLET CARACTER BALLET REPERTOIRE He began studies of the Specialty in 1998 at the Provincial School of Ballet '' Alejo Carpentier '' of Havana, concluding them at the National School of Ballet in 2006, where he joined the National Ballet of Cuba, under the direction of artistic- technique of the absolute prima ballerina Alicia Alonso. PROMOTIONS First
Recommended publications
  • Slum Clearance in Havana in an Age of Revolution, 1930-65

    Slum Clearance in Havana in an Age of Revolution, 1930-65

    SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched.
  • Davis-Brommer-Cuba.Pdf

    Davis-Brommer-Cuba.Pdf

    Observations of Environmental Change in Cuba LISA DAVIS University of Alabama DAVID M. BROMMER University of Alabama ENRIQUE RODRIQUEZ-LOECHES DIEZ-ARGÜELLES Institute of Tropical Geography/Cuban Society of Geography introduction fied the comparative geographic technique in his comparison of Sub-Saharan Africa Analysis of global processes of change and the Southeastern United States. In the at the regional scale is vitally important following, we discuss observations of on- to not only better predict and prepare for going environmental change occurring in change occurring at the regional scale but the Caribbean nation of Cuba made during also to better understand the drivers of a trip to Cuba in May ≤≠≠∫ and highlight change, as they tend to be spatially and some of the environmental changes that temporally complex. The importance of re- are taking place both in Cuba and the gional analyses to questions of global- Southeastern United States. ization, development, and environmental Why Cuba? At first glance there may change in the Caribbean and the South- appear to be few similarities between the eastern United States has been recognized Southeastern United States and a socialist (Torres ≤≠≠∑), as have the importance of island nation located in the Caribbean, but connecting regional scale changes occur- the two locations have many similarities, ring in the Southeastern United States to including being locations of civil wars in global and transnational processes (Lecce the past, having agricultural histories that and Alderman ≤≠≠∂). Comparative geog- include plantation agriculture of sugar raphy, as a means of analysis, is a use- cane and tobacco, having temperate cli- ful way to explore the economic, social, mates, and their geographic proximity to cultural, and environmental trajectories each other.
  • Cuban National Ballet: 65 Years on Stage

    Cuban National Ballet: 65 Years on Stage

    Cuban National Ballet: 65 Years on Stage Cubans are celebrating the 65th anniversary of one of the top five ballet companies, an ensemble that has gained international prestige and won awards and recognition in the world throughout the years. Alicia, Fernando and Alberto Alonso founded the Alicia Alonso Ballet with an opening show at Havana’s Auditorium Theater on October 28th, 1948. The company’s opening performance included a cast made up of dancers from the Cuban Pro-Arte Musical Society and dancers of the New York based American Ballet Theater. Fernando Alonso, his wife Alicia and his brother Alberto Alonso thus got involved in the historic event of setting up the Alicia Alonso Ballet, which will later be known as Cuban Ballet and currently as Cuban National Ballet Company. The Alicia Alonso Academy was created by Fernando and Alicia in 1950, planting the seed of what will later be considered one of the most outstanding results of Cuban Ballet: the Cuban Ballet School. At the academy which was aimed at training the first generations of professional Cuban ballet dancers, the Alonso’s conducted a serious research aimed at creating a unique teaching method that, with the passage of time, has led to what is known today as the internationally recognized and praised Cuban ballet school, whose style was discovered and singled out for the first time by renowned British dance critic and professor, Arnold Haskell, in the 1960’s. In the period between 1948 and 1956, Fernando Alonso knew how to face the apathy and misunderstandings of the Cuban governments which denied the most basic support for cultural efforts such as the Cuban ballet.
  • February Chiropractic • Sports Chiropractic • Family Care • Massage Therapy a Cleaner Energy Future Is on the Horizon

    February Chiropractic • Sports Chiropractic • Family Care • Massage Therapy a Cleaner Energy Future Is on the Horizon

    Studio Series february chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar. While our commitment to cleaner energy has made us a 526-7125 862-2255 288-1005 national leader in sustainability, it is our commitment to future generations that inspires us every day. For more information, visit DominionEnergy.com. 9778 Gayton Rd 10168 West Broad St 9535 Kings Charter Dr Henrico Glen Allen Ashland 750-2400 270-5700 550-0780 For a natural path to lifelong wellness • Most insurance plans accepted AriyaChiro.com chiropractic • sports chiropractic • family care • massage therapy A cleaner energy future is on the horizon. Company Chiropractors for As a leader in wind and solar, we take our responsibility to the planet very seriously. That is why we are developing the country’s largest offshore wind project—one which the Richmond Ballet will produce enough energy to power 660,000 homes by 2026. We have also added more than 2.5 million solar panels throughout Virginia since 2015, helping to make us 3507 Boulevard 34C Medical Park Blvd 5409 Patterson Ave Colonial Heights Petersburg Richmond America’s third largest in solar.
  • Introduced Amphibians and Reptiles in the Cuban Archipelago

    Introduced Amphibians and Reptiles in the Cuban Archipelago

    Herpetological Conservation and Biology 10(3):985–1012. Submitted: 3 December 2014; Accepted: 14 October 2015; Published: 16 December 2015. INTRODUCED AMPHIBIANS AND REPTILES IN THE CUBAN ARCHIPELAGO 1,5 2 3 RAFAEL BORROTO-PÁEZ , ROBERTO ALONSO BOSCH , BORIS A. FABRES , AND OSMANY 4 ALVAREZ GARCÍA 1Sociedad Cubana de Zoología, Carretera de Varona km 3.5, Boyeros, La Habana, Cuba 2Museo de Historia Natural ”Felipe Poey.” Facultad de Biología, Universidad de La Habana, La Habana, Cuba 3Environmental Protection in the Caribbean (EPIC), Green Cove Springs, Florida, USA 4Centro de Investigaciones de Mejoramiento Animal de la Ganadería Tropical, MINAGRI, Cotorro, La Habana, Cuba 5Corresponding author, email: [email protected] Abstract.—The number of introductions and resulting established populations of amphibians and reptiles in Caribbean islands is alarming. Through an extensive review of information on Cuban herpetofauna, including protected area management plans, we present the first comprehensive inventory of introduced amphibians and reptiles in the Cuban archipelago. We classify species as Invasive, Established Non-invasive, Not Established, and Transported. We document the arrival of 26 species, five amphibians and 21 reptiles, in more than 35 different introduction events. Of the 26 species, we identify 11 species (42.3%), one amphibian and 10 reptiles, as established, with nine of them being invasive: Lithobates catesbeianus, Caiman crocodilus, Hemidactylus mabouia, H. angulatus, H. frenatus, Gonatodes albogularis, Sphaerodactylus argus, Gymnophthalmus underwoodi, and Indotyphlops braminus. We present the introduced range of each of the 26 species in the Cuban archipelago as well as the other Caribbean islands and document historical records, the population sources, dispersal pathways, introduction events, current status of distribution, and impacts.
  • Culture, Economics and Technology in Cuba April 9-17Th, 2016

    Culture, Economics and Technology in Cuba April 9-17Th, 2016

    Culture, Economics and Technology in Cuba April 9-17th, 2016 Saturday – Day 1 Bienvenidos (L, D) am Group check in at Miami International (tentative flight times) am Departure from Miami International (TBA) am Arrival into Jose Marti International Airport 11:30 am We start our day with a brief bus tour of Havana as we make our way from the airport to a walking tour of Old Havana. Our guided tour includes a brief history of the city as we visit important sites throughout Havana with a break part way through for lunch. View the diverse architecture of the city. Participants will walk through Havana’s oldest neighborhood to learn about its historic, architectural, and cultural significance. The area was declared a World Heritage Site in 1982 by UNESCO. Learn about the City Historian’s massive efforts to restore Old Havana buildings, attract tourism and new investment, and improve social services for local residents. The group will explore the four main plazas of the 18th-century colony: Plaza de Armas, which originally housed the main administrative buildings of the colony; Plaza Vieja, the oldest of the plazas; Plaza de la Cathedral, site of the baroque cathedral of Havana; and Plaza de San Francisco, site of the basilica of San Francisco and the old Havana stock exchange. Lunch at the Moneda de Cuba where we will meet the owner of this social enterprise and hear about the history of this property. 4:00 pm Check in at our hotel/ casa particular, where we will have a brief orientation meeting with Altruvistas and our local Cuban tour guide, with a welcome Mojito.
  • Download Our Cuba Brochure (PDF Format)

    Download Our Cuba Brochure (PDF Format)

    CUBA � � � � � � � � � ���������������������� ���������������������� ������������ � � � � � � � � � ���������������������� ���������������������� ������������ � � � � � � � � � ���������������������� ���������������������� ������������ CARIBBEAN DESTINATIONS • TABLE OF CONTENTS • CUBA INTRODUCTION P: 2-3 EXPLORE & DISCOVER CUBA P: 14-16 BOUTIQUE HOTELS, HAVANA P: 4-5 – TOURS HAVANA HOTELS P: 6 CAR HIRE & FLEXIDRIVE P: 17 CIENFUEGOS P: 7 YACHTING & SCUBA DIVING P: 18 VILLA CLARA P: 8 HONEYMOONS & WEDDINGS P: 19 TRINIDAD P: 9 JAMAICA P: 20 VINALES VALLEY & PINAR DEL RIO P: 10 MEXICO P: 21 SANTIAGO DEL CUBA & CAMAGUEY P: 11 CUBAN CULTURE P: 22 VARADERO P: 12 GETTING TO CUBA P: 23 THE KEYS P: 13 TERMS & CONDITIONS P: 24 CARIBBEAN DESTINATIONS WHY BOOK WITH TAILOR MADE TRAVEL We are delighted to introduce you to our CARIBBEAN DESTINATIONS? Caribbean Destinations can offer the most dedicated Cuba brochure, although this is merely Our expertise extends through the USA and comprehensive and flexible tailor-made holiday an introduction to the myriad of Cuban travel West Indies area, enabling us to construct and to Cuba, backed by the combined experience of opportunities that are available through Caribbean tailor make travel packages to suit all individual handling many hundreds of tailor made travelers Destinations. We have excellent personal knowledge budgets saving you time and money. arriving into Cuba every year. of Cuba and regularly travel to the island to Our specialist team of travel consultants, all keep ahead of developments in this fascinating
  • ¿Qué Busca Julio Bocca, En Una Audición De Ingreso?

    ¿Qué Busca Julio Bocca, En Una Audición De Ingreso?

    Julio Bocca, en la charla abierta al público que ofreció a fi nes de septiembre en el CCK Foto . Alicia Sanguinetti Ortigoza, y después algo que había montado para el American [Ballet Th eatre], que me pareció muy bueno y dije porqué no, es argentino y no había hecho nada por este lado del mundo. Lo llamé. Hizo una obra en dos semanas, muy interesante, él quedó muy contento y muy emocionado, dice que fue su mejor obra hasta ahora. Va a venir cada dos años como coreógrafo residente, a montar para la compañía”. El Futuro “Ahora la compañía ya está armada, está en un buen nivel, están trabajando muy bien, como compañía está empezando a amal- gamarse entre ellos (gesticula bastante con las manos). Está muy solida para la región, es una de las buenas también. El próximo paso es que empiece a hacerse más conocida afuera, que es mi otro proyecto”. Concursos Julio Bocca se lanzó a la fama internacional, al ganar la medalla ¿Qué busca Julio Bocca, en una audición de ingreso? de oro en el Concurso de Moscú, allá por 1985, acompañado en- “Me gusta primero ver cómo se presentan, de entrada, en una tonces por Raquel Rossetti. Hoy, él es jurado de diversas competi- barra, en una clase. La actitud, su forma de ser, me gusta que ten- ciones alrededor del mundo. Al fi nalizar la preselección del Youth gan personalidad, su postura como bailarín: acá estoy. Después American Grand Prix (YAGP) que se realizó en el Teatro Coliseo vas viendo todo: físico, altura, piernas, pies, abertura, trabajo de Buenos Aires, habló a los pequeños competidores “les dije que de limpieza en la barra”.
  • Julio Bocca Born in Buenos Aires, Argentina, He Has Been An

    Julio Bocca Born in Buenos Aires, Argentina, He Has Been An

    Julio Bocca Born in Buenos Aires, Argentina, he has been an international dance star, director and manager. After training at the National School of Dance, in 1982 he joined the Chamber Ballet of the Colón Theatre as a child prodigy, and a year later he was already performing as a soloist. His career began as principal dancer with the Teresa Carreño Foundation in Caracas, in 1985 he won the Gold Medal at the International Competition in Moscow, and the following year he began a 20-year relationship with the American Ballet Theatre in New York as principal dancer. He is a frequent guest dancer with many companies, including the Royal Ballet, Bolshoi Ballet, Kirov Ballet, Ballet de La Scala, Royal Danish Ballet, Oslo Opera House, Stuttgart Ballet, Paris Opera, Cuban National Ballet, Ballet de Santiago, Eifman Ballet, New World Ballet of Venezuela, National Ballet of Mexico, Cairo Opera Ballet, National Ballet of Spain and San Martín Theatre Ballet in Buenos Aires. He took part in the opening of the Helsinki Opera, having also presented in Poland, the Philippines, Greece and Japan, and in the Havana Festival and the leading festivals in Europe. He has shared a stage with Natalia Makarova, Nina Ananiashvili, Eleonora Cassano, Alessandra Ferri, Cecilia Figaredo, Carla Fracci, Cynthia Gregory, Cynthia Harvey, Paloma Herrera, Susan Jaffe, Julie Kent, Amanda McKerrow, Noelle Pontois, Raquel Rossetti, Tamara Rojo, Viviana Durante, Heidi Ryon, Darcey Bussell, Sara Nieto, Silvia Bazilis, Cristina Delmagro, Ana Botafogo, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Aurélie Dupont, Cheryl Yeager, Mariana Tcherkassky, Arantxa Argüelles and Maria Ricceto.
  • Official Results 2020

    Official Results 2020

    OFFICIAL RESULTS 2020 Below are the official awards via categories! * Denotes a Scholarship Recipient, see end of this list + Denotes a Special Award recipient, see end of this list RISING CLASSICAL 1ST Eve Vlahodimos 2ND Alessia Hass+ 3RD Gabija Jankauskis 4TH Sienna Aller* 5TH Cristina Lee 6TH Malaika Bourgi- Gordon RISING CONTEMPORARY 1ST Sienna Aller* 2ND Laura López Florian JUNIOR CLASSICAL (F) 1ST Gia Lipschitz* + 2ND Nali Dobrin* 3RD Fatima Lucia Bodden* + 4TH Chu Hsuan Chen* 5TH Alexia Rodelgo* 6TH Chloe Lahood 7TH Antonella Hogan* 8TH Mackenna Bernard* 9TH Ai Hsu 10TH Isabella Gonzales 11TH Sofía Flory 12TH Miranda Bowen* 13TH Morena Versello* 14TH Keil Ashley 15TH Pi- Han Hsu JUNIOR CLASSICAL (M) 1ST Oisin Ward- Dyer* 2ND Kai Cortez* JUNIOR CONTEMPORARY (F) 1ST Gia Lipschitz* + 2ND Alexia Rodelgo* 3RD Camila Granados Valentin 4TH Nali Dobrin* 5TH Deborah Zamarripa+ 6TH Camila Arroyo González 7TH Isabella Mifsud-West* 8TH Madelin McKean 9TH Hannah Anderson & Maria Victoria Sanchez* 10TH Avigail Pravinata 11TH Elizabeth Ringold 12TH Anna Brady 13th Z'maury Zamora 14TH Gillian Stephens 15TH Kathlene Walker JUNIOR CLASSICAL (M) 1ST Oisin Ward-Dyer* 2ND Kai Cortez* TEEN CLASSICAL (F) 1ST Chlea Giguere* 2ND Kiko Cortez* + 3RD Katrina Lungu* 4TH Manon Barenger 5TH Samantha Rugama 6TH Laure Billeau* 7TH Ria Barnes & Maia Weisinger 8TH Tenley Connors* 9TH Txaro Manen* 10TH Ana Carolina ZamarriPa 11TH Ella Braddy 12TH JosePhine Yang 13TH Mckinley White* 14TH Wu Ping-Jui* 15TH Jolene Fisher TEEN CLASSICAL (M) 1ST Dominic Godoy* + 2ND Fabricio
  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

    UCLA UCLA Electronic Theses and Dissertations Title A History of the Ballet Nacional de Cuba: gendered labor and its representations Permalink https://escholarship.org/uc/item/1tp165h5 Author Martinez, Andrew Michael Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles A History of the Ballet Nacional de Cuba: gendered labor and its representations A thesis submitted in partial satisfaction of the requirement for the degree Master of Arts in Culture and Performance by Andrew Michael Martínez 2013 © Copyright by Andrew Michael Martinez 2013 ABSTRACT OF THE THESIS A History of the Ballet Nacional de Cuba: gendered labor and its representations by Andrew Michael Martínez Master of Arts in Culture and Performance University of California, Los Angeles, 2013 Professor Robin Derby, co-chair | Professor Allen F. Roberts, co-chair This thesis examines the ways that the Ballet Nacional de Cuba (BNC) was enfranchised into the 1959 Cuban Revolution. By foregrounding the national projects of the Revolution and examining representations of the homosexual Cuban male experience, I explore how the internationally distinct Cuban ballet technique emerged in dialogue and in response to the new man (el hombre nuevo) and the new nation that was being forged. Part I explores the Cuban ballet technique as a repository of the socio-political conditions in which the ballet was nationalized at the start of the Revolution. Part II considers the symbolic register that BNC founder Alicia Alonso may evoke in relation to Revolution, both as a woman and as an institution.
  • Malandain Rossini © Olivier Houeix & Yocom

    Malandain Rossini © Olivier Houeix & Yocom

    NOAH CREATION 2017 malandain rossini © Olivier Houeix & Yocom Yves Kordian executive director Sabine Lamburu communication manager +33 (0)6 08 37 99 37 +33 (0)5 59 24 87 66 [email protected] [email protected] Lise Philippon touring officer Yves Mousset PR manager +33 (0)5 59 24 96 98 +33 (0)6 08 60 31 45 [email protected] [email protected] www.malandainballet.com NOAH CREATION 2017 Preview in Donostia / San Sebastián at Teatro Victoria Eugenia on January 14th and 15th 2017 Creation in Paris at Théâtre National de Chaillot between May 10th and 24th 2017 Ballet for 22 dancers Lenght 70 minutes Choreography Thierry Malandain Music Gioacchino Rossini - Messa di Gloria Set and costumes Jorge Gallardo Lighting design Francis Mannaert Dressmaker Véronique Murat Set and accessories production Frédéric Vadé Ballet masters Richard Coudray, Françoise Dubuc Dancers Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia,Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González Coproducers Théâtre National de Chaillot, Teatro Victoria Eugenia - Ballet T, Donostia / San Sebastián 2016, CCN Malandain Ballet Biarritz Partner Opéra de Reims Other coproducers and partners are sollicited. 3 4 FOREWORD “In the Flood myth common to various different cultural traditions, the jubilant figure of Noah embodies a kind of breakthrough in humanity’s history. In summing up the past and preparing us for the future, Noah symbolises the coming of a new and better world.