Captain Beefheart: the Biography Free

Total Page:16

File Type:pdf, Size:1020Kb

Captain Beefheart: the Biography Free FREE CAPTAIN BEEFHEART: THE BIOGRAPHY PDF Mike Barnes | 415 pages | 01 Nov 2011 | OMNIBUS PRESS | 9781780380766 | English | London, United Kingdom Captain Beefheart – the biography by Mike Barnes – Captain Beefheart Radar Station Mike Barnes Captain Beefheart: The Biography made considerable updates to this new edition but confusingly the book has been published with the same cover as the first edition apart from Captain Beefheart: The Biography addition of a John Peel quote and no obvious indication that changes have been made. The US edition is a hardback version which contains corrected text and a few extra pages including the infamous Gary Marker yam story, for example. There are differences between each of the three UK editions. Here is what Mike has to say about them:. The first edition came out in on Quartet. The third edition came Captain Beefheart: The Biography in after Don died, also on Omnibus,with a revised ending including about an extra 2, words of text. Don Van Vliet is one of the most enduring and important artists to have emerged from the American counter culture of the s. As Captain Beefheart Captain Beefheart: The Biography recorded a series of albums from the late s to the s which marked out new boundaries for the Captain Beefheart: The Biography garde of rock music. He then abandoned recording in favour of painting and quickly achieved an almost equal reputation with his figurative and expressionistic oil paintings. His highly individual vocal style, his surreal poetry and his efforts to take popular music into new territory most memorably with Trout Mask Replica have a character that has marked him out from his contemporaries. His enigmatic sayings and his increasing reclusiveness have both contributed to the fascination of the Beefheart persona. The unclassifiable music created by Don Van Vliet, alias Captain Beefheart, during a Captain Beefheart: The Biography surge of creativity continues to amaze and mystify his fans and followers even almost twenty years after the Captain quit music for good. Critics have heaped praise on his oeuvre, and his groundbreaking album Trout Mask Replica frequently appears on polls of the best records of all time. Since his retreat to the Mojave Desert years ago and his rebirth as an internationally exhibited painter, the Captain has revealed almost nothing about himself and made few public appearances. The tale of a remarkable creative personality, Captain Beefheart: The Biography is sure to get the attention of blues and avant-garde pop music fans in America just as it has in the U. Buy it. This book goes beyond questions of authorship to provide a rich and amusing insight into the band. Ultimately, Barnes fulfills the obligation which makes the best biographers. As you are probably aware this book has been a loooong time coming, and no-one is quite so aware of this as the author:. This was mainly due to me deciding in August 98 to rewrite the book almost in its entirety. That was not the only hold up. My earlier posting on this page erred towards the rash. Suffice it to say that on finally receiving the edited proofs back in December last year, I had to spend about two months in between working going through the virtually untouched text before it was in a fit state to be looked over by the copy editor thanks, Lesley. And no John Peel foreword, either. Anyway, the UK date of publication is now set at June 29 [now changed to 10th July ] — the US date is still to be confirmed. And it will happen this time. The book, Captain Beefheart, features an excellent cover photo by Cal Schenkel and looks pretty good, I think. And apologies to anyone who Captain Beefheart: The Biography it from Amazon or other on-line book stores at the start of the year. As it was still on my desk being pored over, their 48 hour delivery Captain Beefheart: The Biography was severely challenged. Fortunately Mike can relax now as the book is complete, published and has been very warmly received by Beefheart devotees. Thank you Mike, this book really helped me finish my Captain Beefheart: The Biography novel about the recording and creation of Trout Mask Replica. Your email address will not be published. Save my name, email, and website in this browser for Captain Beefheart: The Biography next time I comment. On: 20 June In: By or about Don Van Vliet. With: 1 Comment. Leave a Reply Cancel reply Your email address will not be published. Captain Beefheart | Biography & History | AllMusic Captain Beefheart was the musical persona of Don Van Vliet, the avant-garde s and '70s musician best known for the hit record Trout Mask Replica whose inimitable psychedelic rock influenced such diverse groups as the Clash, Pulp and Sonic Youth before he abruptly ended his music career in to become a Captain Beefheart: The Biography and notorious recluse. Barnes, a drummer and music journalist, concentrates on Captain Beefheart: The Biography Vliet's creative life, tracing his unusual career trajectory from his childhood as a local art prodigy to his role in the '60s avant-garde California rock scene and his collaborations with Frank Zappa, Ornette Coleman and a young Ry Cooder. Barnes also includes a cursory discussion of Captain Beefheart: The Biography Vliet's painting career. The book was written without Van Vliet's cooperation, so Barnes had to rely on previously published statements and secondary sources. He's careful not to take liberties with his subject's inner life, but while this conscientiousness is admirable, it also makes the story rather leaden. Lacking a thesis, Barnes recounts detailed episodes and long lists of events in Van Vliet's life. These give glimpses of an obsessive, paranoid, humorous artist, but never quite bring Van Vliet to life. The book reads like the work of a passionate, well-informed fan, but not necessarily that of an astute biographer. View Full Version of PW. Buy this book. Show other formats. Discover what to read next. PW Picks: Books of the Week. The Big Indie Books of Fall Black-Owned Bookstores to Support Now. Children's Announcements. Капитан Бифхарт — Википедия Captain Captain Beefheart: The Biography : The Biography. Mike Barnes. The unclassifiable music of Don Van Vliet--alias Captain Beefheart-- and his departure from performing in the 80s have mystified fans and followers for years, and kept the rumor mills busy. Mike Barnes' Captain Beefheart: The Biography puts those rumors to rest as it tells the strange but true tale of a musical genius and his otherworldly odyssey from the California desert to stages and studios across the world. Captain Beefheart and his Magic Band arrived in the public consciousness in with the two-album set Trout Mask Replica, eventually praised by Rolling Stone as one of the best records of all time. Distilling a new audio experience from blues, psychedelic rock, and free jazz, the Captain and his band went on to confound journalists, intrigue reviewers, and amaze listeners with a decade and a half of albums and performances. Yet after recording his final album Ice Cream for Crow inBeefheart left music to begin a successful career as an internationally exhibited painter. His reluctance to give interviews has only enhanced the Captain Captain Beefheart: The Biography mystique. For his thoroughly researched biography of Beefheart, journalist Mike Barnes interviewed friends, acolytes, and members of the Magic Band to get the full Captain Beefheart: The Biography of Beefheart's collaborations Captain Beefheart: The Biography conflicts with kindred spirit Frank Zappa, his 're-education' of the members of the Magic Band, and the legal battles that kept the album Bat Chain Puller from ever being released. Barnes' biography illuminates the enigmatic artist, and brings the reader to an understanding Captain Beefheart: The Biography his creative drive. Previously published only in the U. Your Psychedelic Seltzer. He writes regularly for Mojo, Select and The Wire. He lives in England. Ethel Higgenbaum and Her Magic Band..
Recommended publications
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
    [Show full text]
  • 'N' Bulbous: Waxed Oop (An Impetuous Stream Bubbled Up) So
    Weblog News Radio show Discussion list Guest book FAQs Contact Music info Rare downloads Poetry and lyrics Paintings Ar t info Biog / misc Search Zine Your stories Shop Site guide Links Captain Beefheart Discography Captain Beefheart Related Releases Fast 'n' Bulbous: Waxed Oop (An Impetuous Stream Bubbled Up) Label: Cuneiform Records RUNE 277 Release Date: 2009 Song list: 1. Sure Nuff 'n' Yes I Do - (2:22) 2. Trust Us - (7:04) 3. Smithsonian Institute Blues - (3:03) 4. Dropout Boogie - (3:44) 5. You Know You're A Man - (4:32) 6. Well - (4:43) 7. Ice Rose - (4:11) 8. Click Clack/Ice Cream for Crow - (4:14) 9. Woe-Is-Uh-Me-Bop - (4:11) 10. The Blimp - (1:41) 11. The Past Sure Is Tense - (4:44) 12. Blabber 'n' Smoke - (4:00) 13. China Pig - (3:53) Tracks 2, 3, 4, 6, 9, 10, 11 arranged by Philip Johnston Tracks 1, 8, 13 arranged by Gary Lucas Tracks 5, 7, 12 arranged by Joe Fiedler All guitar arrangements by Gary Lucas Line Up Gary Lucas: electric guitar, National steel guitar, FX Jesse Krakow: bass Richard Dworkin: drums Rob Henke: trumpet Phillip Johnston: alto saxophone Joe Fiedler: trombone Dave Sewelson: baritone saxophone Guest vocalist: Robyn Hitchcock on China Pig Album Overview by Steve Froy As with their first album Fast 'n' Bulbous take on a fascinating selection of songs from the Beefheart songbook covering albums from Safe As Milk through to Ice Cream For Crow. The familiar tunes are redefined for a brass section and Don's voice is echoed by horns as the band grapple with the mysteries of the Beefheart rhythm and add their own compelling improvised embellishments taking the songs to a new place.
    [Show full text]
  • Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
    Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory ..................
    [Show full text]
  • New Work: Don Van Vliet
    DON VAN VLIET JO NOVEMBER 1911 THROUGH 19 JANUARY 1919 SAN FRANCISCO MUSEUM OF MODERN ART A SERIES OF RECENT WORK BY YOUNGER AND ESTABLISHED ARTISTS DON VAN VLIET living on a cliff overlookingthe Pacific since the early eighties amid the redwood forests and wildlife. Don Van Vliet has embraced painting with the same controlled passion that made him. as the avant-garde rock composer and performer Captain Beefheart. a cult figure of conspicuous influence and one of the genuine musical geniuses of the past twenty years. Self-trained as a painter and knowing relatively little about the history of art or the current scene, he is a modernist primitive but also an artist whose remarka­ ble intuitive gifts and love of nature have combined to create highly charged paintings that are at once jolting as well as lyrical. The essence ofVanVliet's sensibility is a longing for an artistic expression that is direct. intuitive, and bewitching. In the philosoph­ ical tradition of the eighteenth-century French writer Jean Jacques Rousseau. he is critical of the current. corrupted state of society. Seeking to reaffirmhumanity's inherent virtues like Rousseau,Van Vliet advocates embracing nature and relocating man in a position that stems from natural order rather than an imposed hierarchy. His paintings-most frequently indeterminate landscapes populated by forms of abstracted animals-are intended to effect psychological. spiritual, and magical force. In discussing his musical compositions with a critic, he also affirmed the role of the artist as wizard, saying. "You see. I don't think I do music. I think I do spells:· 1 Image-making to him seems to be an act of reassurance.
    [Show full text]
  • B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present
    B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present George Plasketes B-SIDES, UNDERCURRENTS AND OVERTONES: PERIPHERIES TO POPULAR IN MUSIC, 1960 TO THE PRESENT for Julie, Anaïs, and Rivers, heArt and soul B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present GEORGE PLASKETES Auburn University, USA © George Plasketes 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. George Plasketes has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Plasketes, George B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present. – (Ashgate popular and folk music series) 1. Popular music – United States – History and criticism I. Title 781.6’4’0973 Library of Congress Cataloging-in-Publication Data Plasketes, George. B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present / George Plasketes. p. cm.—(Ashgate popular and folk music series) ISBN 978-0-7546-6561-8 (hardcover : alk. paper) 1. Popular music—United
    [Show full text]
  • The History of Rock Music - the Beginnings
    The History of Rock Music - The beginnings The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Counterculture 1965- 66 (These are excerpts from my book "A History of Rock and Dance Music") The Greenwich Movement TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The British bands changed the way rock'n'roll was played. At the same time, USA folk-singers were changing the way rock'n'roll was "consumed". The fusion of music and politics that occurred in the early 1960s had lasting effects on the very nature and purpose of rock music. Rock music became a primary vehicle for expressing dissent within the Establishment, and therefore one of the most relevant aspects of the "counterculture". Even when the political element was not predominant, rock music came to adopt a stance that was "countercultural" in nature. Rock'n'roll had been discriminated against. Protest folk-singers had been discriminated against. There was a tradition that made rock music an "underground" phenomenon by nature. The youth of the USA was still searching for an identity, the process that had begun with rock'n'roll. Underground music provided several ways to achieve that goal. Fans of underground music repudiated the passive kind of listening that was typical of pop music (humming the melodies that are played often on the radio, hailing the star that is publicized by the media) and adopted a more independent and critical judgment of music.
    [Show full text]
  • G&S Music New and Recent Arrivals
    G&S Music New and Recent Arrivals November 2013 A Token Of His Extreme Frank Zappa Soundtrack Frank Zappa Vinyl Road Tapes Venue #2 ZR20015 Help I'm A Rock VR2013-1 12" Numbered That's right, it's the Limited Edition Official release #96 soundtrack to the single issued on is taken from two DVD of the KCET Barking Pumpkin shows at the TV show on August Records. Finlandia Talo, 27 1974. You've got Helsinki on 23 the DVD so why do Side A: Help I'm A August 1973 and a you need this? One reason is that it's Rock/It Can't Happen Here 8:42 third show on 24 Official Release #97. Another reason (Original 1966 mix from 1987 digital August. The Vaultmeister has is that several tracks are considerably transfer) compiled the best sounding and the longer than on the DVD. Side B: Who Are The Brain Police? best performances based on the 3:24 Who Are The Brain Police? - sequence and flow of Show 3. The Tracklist: Basic Tracks 3:42 sound quality is amazing considering The Dog Breath Variations/Uncle Meat (Track 1 was originally released as a it was all recorded on two or four (4:02) . Montana (6:44) . Earl Of Duke single with Trouble Every Day in track tape. (5:49) . Florentine Pogen (11:08) . 1966. Track 2 is from the MOFO 4CD Stink-Foot (3:58) . Pygmy Twylyte set.) Pressed on red vinyl. Band: Frank Zappa(lead vocals, (7:47) . Room Service (12:12) . Inca guitar), Tom Fowler (electric bass), UK £23.25 .
    [Show full text]
  • Weirdo Eccentrics of the Margins & the Curse of Bel Canto
    Nick Hobbs / Weirdo eccentrics of the margins & the curse of bel canto -- 1 Weirdo eccentrics of the margins & the curse of bel canto © Nick Hobbs [email protected] (given at the Centre For Performance Research, Aberystwyth on 8.4.06) by Nick Hobbs This lecture is mostly taken from two lectures I wrote for the Pantheatre Voice Performance School: “Weirdo eccentrics of the margins & the curse of bel canto”, focused on the voice of the star of Popular music hell-canto, Captain Beefheart (nom-de-plume of Don Van Vliet), and "Singing whispers, croaks, growls and roars: An exploration of fractured voices from the Blues to Flamenco", which spoke, amongst many others, about Beefheart’s main mentor, the Chicago Blues singer, Howlin’ Wolf (nom-de-plume of Chester Burnett). During this week we’ve heard both hell and bel canto – Phil Minton and Natalka Polovynka to name two extremes. Enrique Pardo spoke about the image of Wolf as satyr and the myth of Marsyas’s challenge to Apollo - the aulos versus the lyre, and we’ve heard MaryAnn Roberts in Bragod, whose singing engages with the crwth, itself a descendent of lyre, but one whose buzzing timbre led her to use guttural sounds and overtone nasality in Bragod’s vocal palette. Both Wolf and Beefheart are firmly in the camp of hell canto, and I suppose were not capable of singing bel canto if they’d wanted to. Their voices correspond to their subject-matter and to their personae. Starting from their stage names, there’s a buffoon quality to both performers, giving them a kind of license to make barbed commentaries, to be nasty, wolfish, foxy and knowing.
    [Show full text]
  • New Work: Don Van Vliet
    DON VAN VLIET Peel, John. "Yellow Brick Road Revisited'.' The Observer. Born in Glendale. California, 1941 6 April 1986, p. 29. DON VAN VLIET Lives and works in northern California Penck, A. R. "Don Van Vliet:' Tem.:i Celeste, no. 2 (April 1987). p. SS. SELECTED INDIVIDUAL EXHIBITIONS Penck, AR. Don Van Vliet (exhibition catalogue), Galerie 1985 Michael Werner, Cologne, 1985. Galerie Michael Werner, Cologne Penck, AR. "Na, Na. Na-forDon Van Vliet'.'Don Van Vliet Mary Boone Gallery, New York (exhibition catalogue), Galerie Mi:hael Werner, Cologne, 1986 1987. Waddington Galleries, London 1987 Rense. Rip. "Captain Beefheart: A Portrait of the Artist o Angeles 15 1982, Galerie Michael Werner. Cologne as Loner." L s Herald Examiner. October - -28. Galerie Brinkman, Amsterdam pp. D 5. D 1988 CHECKLIST Galerie Michael Werner. Cologne The Moon a Pail ofMilk Spilled Dow.1 Black in the Night. 1986 oil on linen SELECTED GROUP EXHIBITIONS 80 x 70" (203.2 x 177.8 cm) 1982 Collection of the artist Performance Video.The Museum of Modern Art, New York 1985 Bat and Cat Panda, 1987 FromOrganism toAr chitecture, New York Studio School oil on linen The Chi-Chi Show, Massimo Audiello Gallery. New York 64 x 511/:i'(162.6 x 130.8 cm) Factura, Gallery Schlesinger-Boisante. New York Collection of Jan Van Vliet, California 1987 Feather Times a Feather, 1987 Byars. Chamberlain. Salle, Fischl, Lasker. 'Ion Vliet, oil on linen Galerie Michael Werner, Cologne 64 x 511/2' (162.6 x 130.8 cm) SELECTED SOURCES Parapliers the Willow Dipped, 1987 BY DON VAN VLIET oil on linen 78 x 58" (198.1 x 147.3 cm) Skeleton Breath, Scorpion Blush.
    [Show full text]