Intercom 2017 Booth # 239 P3100 Studio Power Amp

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aes intercom 2017 Booth # 239 P3100 Studio Power Amp

The Hafler P3100 is a 2-channel power amplifier that is equally at home with the most discerning audiophile as with the most demanding studio recording engineer.

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BACKTRACK Stereo audio switcher

The Backtrack™ is a compact stereo audio switcher, perfect for bands running redundant backing tracks on stage. Connect both source devices to the Backtrack via ¼” or 3.5mm connectors, and switch between them or mute them altogether using the New! Element front panel controls or a JR-2 remote foot- Fabric wrapped and paintable panels switch. Read More pg.4 Read More pg.2 Backtrack Stereo audio switcher

The Backtrack™ is a compact stereo audio switcher, perfect for bands running redundant backing tracks on stage. Connect both source devices to the Backtrack via ¼” or 3.5mm connectors, and switch between them or mute them altogether using the front panel controls or a JR-2 remote footswitch. A headphone output with level control allows you to check either input at any time, and ¼” monitor outputs feed powered speakers for playback on stage. Dual XLR outputs feed the PA system and feature a ground lift switch and transformer isolation to prevent buzz and hum from ground loops. The Backtrack lets you easily connect a laptop computer, MP3 player, or recording interface and ensure that even if your primary backing track source fails, the show still goes on. R800 8102 00 MAP $349.99 USD Shipping Fall 2017 Mains MAIN OUT RIGHT

LIFT LEFT/ MONO 15 VDC (A) RIGHT LEFT MONITOR OUT INPUT B INPUT A

TM BACKTRACK STEREO BACKING TRACK SWITCHER

(B)

HEADPHONES B

INPUT SELECT MUTE SELECT PHONES A A B

MIN MAX REMOTE IN 3.5mm A B LEVEL INPUT

Studio-Q Compact talk-back solution

With more and more recording happening in smaller studios, the need for a simple talkback system has become evident. Yes, there are other cue systems on the market, but most have too many features, are too costly, or are too large. The Studio-Q presents a desktop solution that manages to do it all in a super-compact design.

The Studio-Q™ begins with a simple cue switch that turns on the built-in microphone or the ‘producer’ mic XLR input. Each mic is equipped with an individual trim control along with a master mic volume. These can also be remotely activated using a remote JR-1 footswitch. Once depressed, the signal is routed to the studio headphone system while it automatically shunts the program to the desired level. The program signal path is balanced for easy inte- gration with any console with fully variable level control on the front panel. When the band is full-on, a remote output may be used to send a dry contact to a beacon and attract atten- tion. This can also be set with DC power to accommodate an LED beacon.

Beacon

Program Talk-back to musician in another room Talk-back Mic

R800 1435 00 MAP $259.99 USD Now Shipping

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.2 Artist update Presenter Complete keynote solution Carl Miner Flatpicking pro The Presenter™ combines a microphone Taylor Swift, Sam Bush, The preamp and a USB program input to create Greencards, Pink Martini the ultimate interface for any presentation, from school lectures to corporate audio. “I’ve tried virtually every DI out there, but An XLR mic input allows you to connect a the minute I tried the J48™, I knew I was done. There’s a clarity in this box that doesn’t podium microphone and provide it with seem to exist in any others. Thanks, Radial!” phantom power. The mic signal can then be adjusted using three EQ controls to tailor the frequency response. A program input Jason Mowery level controls the volume of the USB input Fiddle & Mandolin Keith Urban, Shania Twain, or the 3.5mm jack on the front of the unit, so Travis Tritt, John Fogerty you can connect the outputs of your laptop, smartphone, or MP3 player and blend it with “The Radial JDI Duplex™ is built like a tank the signal from the microphone. XLR outputs and sounds absolutely fantastic. I love it.” provide balanced feeds for a set of powered R800 8011 00 speakers, providing an all-in-one portable MAP $299.99 USD Shipping Fall 2017 Jordan Rudess solution for any speaking engagement. Keyboard Player Dream Theater, David Bowie, Liquid Tension Experiment, XLR Dixie Dregs, Steven Wilson USB “The Key-Largo™ keyboard mixer by Radial is my new best friend! I plugged in 2 stereo keyboards, my stereo iPad and my Seaboard, a standard MIDI keyboard through the DIN 3.5mm port and all I could do was smile!”

Coy Bowles Multi-Instrument Musician Zac Brown Band JDX Direct-Drive “Radial gear is tried and true. They build the Analog amp simulator products like tanks, it all sounds great, and it does exactly what it’s supposed to.” The Direct-Drive™ is a combination amp emulator and direct box that lets you perform live or record without a guitar amplifier. It features a Voicing Control with three amp simulation EQs starting with a traditional Radial JDX™ 4x12 tone; next - a beefy sounding Marshall™ Half-Stack for rock and metal; and finally - a clean Fender Twin™ tone for blues and country Dan Weller picking. A bright switch acts like the presence on your amp. Connect your guitar to your ped- Guitarist/Banjo/Mandolin als, the pedals to the Direct-Drive and the XLR output to the PA. Easy! You can even send Florida Georgia Line a signal to your amp and tuner! Finally, a great sounding stage amp that won’t break your back! “The PZ-Pre™ has been the foundation of my touring banjo tones. The PZ-Pre is bullet- proof, dead quiet and extremely versatile.”

Stuart McCredie Producer/Engineer The Fratellis, Simple Minds, Echo & The Bunnymen, Kelly Clarkson “The Direct-Drive™ blew everyone away. When running the DI out from the Direct- Part# R800 1404 00 Drive, we got 100% repeatability of the sig- MAP $199.99 USD nal every night.” Now Shipping

The Primacoustic Elements™ are a range of acoustic absorbers that are designed to give users more aesthetic options in their rooms. Rather than being limited to the typical square and rectangular panels found in most studios, the hexagonal shape and beveled edges allow the panels to be installed in unique patterns and clusters. Now primary reflections and flutter echo can be controlled with an acoustic treatment layout that is personalized to your space.

The 16” (406mm) Elements are 1.5” (38mm) thick, and are constructed from 6lb high density glass wool for optimal broadband absorption. As with all Primacoustic panels, the Elements have been tested to achieve stringent Class-A fire ratings, making them safe for use in instal- lations worldwide. The Element absorbers are available in black, grey or beige Broadway™ acoustic fabric, or in Primacoustic’s proprietary Paintables™ white finish.

Part# P115 1416 XX Color Codes XX = 00 03 08 09

MAP $279.99 USD per box of 12 Shipping Now

Jensen Twin-Servo Review By Resolution Magazine

Reviewed by George Shilling “The Jensen Twin-Servo™ is incredibly clean and quiet - possibly thanks to the transformers’ excellent common-mod rejection (-72db). The clarity is quite remarkable, with immense detail in the high frequencies, especially when using something like a Neumann U87. This can seem almost over-bearing with some vocalists and have you reaching for a warmer mic. But the low end is also extremely fulsome. It has a touch of musical enhancement you get with an API, but a fairly neutral and responsive translation of the mic’s character (like a Maselec or Millennia), with some enhanced high frequency detail. The DI input is wonderfully fluid, and bass guitar sounded huge and present, clearer than anything else I compared. “

Part# R700 0111 00 “Clean, plenty of gain and headroom, incredible frequency response.” MAP $999.99 USD Now Shipping

Daniel Adair The MIX 2:1™ is a simple yet highly useful Drummer Nickelback mixer that passively sums two audio channels down to one. This enables you to easily sum the stereo outputs of a console, record- “When I put Primacoustic Broadway™ Pan- els up the difference was amazing! The room ing interface, or portable playback device went from unruly to tight and controlled.” down to mono. You can also combine two separate signals, matching the input levels Part# R800 1036 00 between them. Inputs can be accessed via MAP $129.99 USD Shipping Oct 2017 Nic Hard XLR or ¼” connectors, allowing you to use Engineer The Bravery, The Church, balanced or unbalanced sources. Each in- Snarky Puppy, Charlie Hunter put features an on/off switch, variable level control, and a ground lift to prevent buzz MIX 2:1 “I think that every studio should own at and hum. Input-2 also has a polarity reverse least a pair of the Twin Servos™. I’m glad to switch to eliminate cancellation if the two see that Radial has taken the helm on recre- signals are out of phase. ating this one. They’ve knocked it out of the park, again.”

Butch Walker sat-2 Engineer/Producer Avril Lavigne, Fall Out Boy, Stereo audio attenuator P!nk, Sevendust, Hot Hot Heat, Simple Plan The SAT-2™ is a stereo audio attenuator and monitor controller, providing an adjustable “My Primacoustic panels are up and kicking level control wherever you need it. To use butt in my new studio. I love the way the control room and tracking room sounds... the SAT-2 as a monitor controller, connect and so does everyone that records here!” it between your playback device and a pair of powered speakers for a number of useful features. In addition to an overall level Part# R800 1035 00 control, there is also a dim switch with an MAP $99.99 USD Jason Hook Shipping Oct 2017 Guitarist adjustable level, plus mono sum and mute Five Finger Death Punch switches. Inputs are accessed via ¼” or XLR SAT•2 connectors, for balanced or unbalanced op- “We tested a number of different acoustic eration, with outputs on XLR connectors. treatments and chose Primacoustic. It was easy… Primacoustic did the best job and my studio sounds amazing!” LX-2 & LX-3 The Wolf (Steven Wolf) Line level splitters Drummer/Programmer Alicia Keys, Céline Dion, P!nk, The LX-2™ and LX-3™ are passive line-level Beyoncé, Johnny Cash, Steely splitters that distribute a balanced audio Dan, Bee Gees signal to multiple destinations noiselessly. “I have the RX7 Recoils™ set up, and they Both units feature premium Jensen isolation sound great! The clarity of detail they bring transformers for exceptional audio quality, out in my monitors blew me away.“ and XLR/¼” combo inputs for easy connec- tivity. The LX-2 features a trim control to Part# R800 1033 00 Part# R800 1034 00 MAP $219.99 USD MAP $259.99 USD attenuate the input, allowing you to reduce Now Shipping Now Shipping Richard Chycki the level from hard-driven mic pres to avoid Mixer/Engineer Rush, Aerosmith, Dream clipping the input of a recording interface, Theater, Mick Jagger or to use in any situation where you need to direct tame the signal level. Both units have ground “The Space Heater 500™ lets me enhance lifts on each XLR output to further reduce isolated a track with anything from subtle tube buzz and hum from ground loops, ensur- warmth to extreme tube overdrive grit. Why settle for ordinary when extraordinary is ing that the signal reaches each destination right there?” noise-free.

The Radial Catapult™ is a modular snake Shotgun system that drives four analog or eight AES 4-CH amp driver audio channels over a single shielded Cat 5 The Shotgun™ is a compact guitar-level cable. The Catapult enables system contrac- signal buffer designed to drive up to tors to take advantage of pre-wired net- four amplifiers simultaneously and fit works to connect one room to another, and nicely on any pedalboard. allows live sound technicians to take advantage of the low cost of Cat 5 cable for return or cross-stage snakes. The Catapult is available in direct-wired or isolated splits.

R800 7215 00 MAP $169.99 USD Now Shipping

Cat 5 Cable Switchbone v2 ABY/ C Amp Select The ultimate ABY/C guitar amp switcher. The Switchbone V2™ lets you switch and combine up to three guitar amplifiers without introducing distortion. R800 1427 00 KeyLargo MAP $379.99 USD Now Shipping Keyboard mixer and DI

The design begins with three stereo input channels for your analog synths. Each channel is equipped with a level control and an effects send. A 4th input allows for a USB connection to your laptop to play back audio files and mix them with the live keys. A stereo effects loop lets you add a rackmount delay or reverb to your vintage Mini-Moog or share it with the others R800 7081 00 and remotely activate the effects loop using the left onboard footswitch. Direct outputs let MAP $259.99 USD you feed your stage monitors while balanced isolated outputs feed the PA system. A momen- Now Shipping tary footswitch is assigned for sustain, making it easy to connect to your piano patch. Side access MIDI connectors are available to allow you to use a MIDI controller with your laptop mix-blender soft-synths. Buffer & Mixer The Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style Midi EFX Loop effects loop for processing.

XLR

USB ¼” Outputs

R800 7207 00 MAP $169.99 USD Now Shipping

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.6 Regency Part# R800 7013 00 MAP $169.99 USD Progressive Amp Driver Now Shipping

The Regency™ is a dual-mode overdrive that targets users who have pre-saturated amps. In other words, it is intended for players who already set their amps with a degree of distortion using the preamp drive and master volume. The Regency is on the cleaner side of the overdrive spectrum and lets you either add clean boost or extra distortion to your signal path. The beauty with the Regency is that it has been designed to add more color and sustain without thinning out your guitar tone. CLEAN DIRTY

Part# R800 7017 00 MAP $169.99 USD North-Star Now Shipping Modern Country Rock

The North-Star™ is an overdrive pedal that targets the player who is looking to embellish the sound of a small amp that is being pushed hard. As a dual-mode pedal, it can drive the amp using a powerful clean boost or add saturation for solos with extra distortion. What distinguishes the North-Star pedal from many others is the ability to retain the distinctiveness of each note. CLEAN DIRTY

texas-pro Part# R800 7027 00 MAP $169.99 USD Blues Rock Revival Now Shipping

The Texas-Pro™ is an overdrive pedal with a twist. Instead of being a ‘one trick pony’, the Texas-Pro offers up three generations of overdrive to suit those who are looking for traditional Ibanez® TS9 type tones, the extra crunch akin to the Fulltone® OCD or the type of custom modified TS9 tone that has become popular in recent years. The Texas-Pro is likely the most powerful overdrive made today. CLEAN DIRTY

Part# R800 7011 00 MAP $169.99 USD Classic V9 Now Shipping Classic American Overdrive

The Classic V9™ is a distortion pedal with several gain stages. But unlike many distortion pedals that are limited in their range, the Classic V9 features a switch that lets you select the range between light, moderate and intense distortion. But what truly sets the Classic V9 apart is its ability to capture the dynamics of the player. CLEAN DIRTY

Part# R800 7022 00 MAP $169.99 USD Hot-british V9 Now Shipping Metal Maximum Gain

The Hot-British V9™ is often described as the best Marshall® amp in a stomp box ever made. Al- though there have been generations of Marshall amps, the tone of the Hot-British V9 stems from the latter years when older Marshalls were modified to enable them to produce distortion without having to be played on 10. The contour control lets you voice the Hot-British V9 like no other.

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The Bumper™ is a compact instrument selector that lets you switch between four instru- Scott Holiday Guitarist ments using a simple footswitch. An innova- Rival Sons tive circuit advances through the connected inputs depending on what is connected. Full “The SGI™ helps me retain the clarity and size, super-bright LEDs follow the selector pureness of my tone while the JDX™ helps switch for instant visual feedback. me sound like 2 guitar players at once!”

Each input features Radial’s legendary Class-A input buffers to drive long cables Nalle Colt without noise, distortion or artifact. Each in- Part# R800 7094 00 MAP $169.99 USD Guitarist put is also equipped with either Drag™ con- Now Shipping Vintage Trouble trol load correction or a TRIM, depending on how it is set. This allows guitarists or bass “With the Radial JD7™ Injector I can put to- players that use multiple instruments to gether all my favorite amps and use them quickly change instruments while optimiz- how I please. The sky is the limit.” ing the load on passive pickups or matching the level when using louder active sources. Rhonda Smith A dedicated tuner out is always on hand for Bass Player on-the-fly adjustments. Jeff Beck, Prince, Beyoncé, Justin Timberlake, Lee Riten- our, Patti LaBelle

“I’m impressed when using the Bassbone™ in my bass rig. It’s essential for me to easily switch between acoustic and electric basses Headlight while matching both instrument levels.” Amp switcher

There are plenty of crazy guitarists that Tyler Chiarelli will plug into four amps at the same time! Band Leader and Guitarist Why, say you? With a catalog of songs, hav- Florida Georgia Line ing the ability to select the right amp for the right tune not only sounds better, it makes “Everyone in Florida Georgia Line, including them groove on stage. In the studio, quick- our drummer, uses Radial. Radial and Tone- ly switching between one amp to another bone are reliable and built to last” without having to bring a rack and large multi-selector footswitch makes things all Nathan East that much easier. The Headlight™ is made Part# R800 7096 00 Bass Player for these folks. MAP $189.99 USD Eric Clapton, Fourplay, Toni Now Shipping Braxton, Lionel Richie, Phil Collins The design begins with Radial’s award win- ning Class-A buffer and Drag™ control load “The Bassbone™ is just what I have been correction for absolute best tone and natu- looking for... I can maintain the integrity of ral feel. A single rotational footswitch ad- two instruments on stage with control over the balance and keep my high standards for vances the signal to all of the outputs that my low notes!” are connected. A series of color-coded LEDs follow along for instant visual feedback. To ensure quiet performance, the outputs are transformer isolated. These eliminate Joe Trohman Guitarist ground loops and the hum and buzz that Fall Out Boy seems to always be present with other switchers. Ground lift and 180º polarity reverse switches are also available to further “The Headload™ by Radial does an amazing job of attenuating my amp level without quiet down the system and ensure all amps sucking my tone.” play in phase.

Part# R800 7210 00 Part# R800 7212 00 Part# R800 7214 00 MAP $99.99 USD MAP $99.99 USD MAP $99.99 USD Now Shipping Now Shipping Now Shipping Bigshot ABY Bigshot I/O Bigshot EFX ABY switcher Instrument selector Effects loop switcher

The Radial BigShot ABY™ is a compact, The Radial BigShot i/o™ is an easy to use The BigShot EFX™ is a true-bypass effects true-bypass ABY switcher that enables you instrument selector that lets you quickly loop switcher that lets you set up two sepa- to either switch between two amplifiers transition between any two instruments and rate effects loops and insert them into your or combine the signal when you want both send the output signal to your amp. Because pedal chain. This means that noisy pedals or amps to play at the same time. With the the i/o is 100% true-bypass, it addresses the tone-robbing non true-bypass pedals that BigShot ABY, you get the pure tone from needs of the most demanding purist. you ‘love to hate’ can now be used and com- your guitar plugged direct into your amp! pletely taken out of the signal path when they are not needed.

CAB-link Speaker cab merger

The Cab-Link™ provides an easy way to connect one amp head to two speaker cabinets, allowing you to connect cabinets in series or parallel configurations as required. Completely passive and requiring no power, the Cab-Link is compact and can sit on top of your amp or be tucked in the back of a speaker cab. Both cabinets are connected via speaker cables to outputs A and B, and an easy-to-use guide on the top of the Cab-Link lets you know which input to connect your amp to, depending on the impedance ratings of your cabinets. A line out provides additional functionality, with the option to run the signal to another amplifier or pedal chain.

16Ω 16Ω Part# R800 7088 00 Marshall® JTM45™ running two 4x12 cabs in parallel MAP $79.99 USD Now Shipping 8Ω

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.9 “With the Hafler HA75™ Tube Head, I am happy to spend hours rather than min- utes doing the all-important reviews of my recordings and mixes on headphones, espe- vinyl revival cially at higher levels.” Hafler poised to serve the resurgence of vinyl enthusiasts

Alan Parsons - Engineer Demand for vinyl records has been growing at an extraordinary rate over the past few years, (The Beatles, Pink Floyd, Al Stewart, The Alan Parsons Project) bringing the medium back from the brink to find new relevance with today’s listeners. Vinyl sales in 2017 are on track to reach heights not seen since the late 1980s, and they are pro- jected to continue their increase; bringing in users who are new to the format along with those who are already familiar with it. With increasing numbers of customers entering this market, Hafler has several high-quality phono products that cater to vinyl listeners who are excited about the format and serious about sound. PH50B PH60B “Following a careful review Phono Stage for MM Phono Stage for MC of the Hafler PH50 phono stage, all I can say is it sounds The Hafler PH50B is a high performance The Hafler PH60B is an exceptional phono great. The imaging and clar- phono stage for moving magnet (MM) car- preamp for moving coil (MC) cartridges, fea- ity are remarkable.” tridges with ground lift and adjustable turing both RCA and XLR outputs to allow low-cut filter. Gold plated RCA connectors for connection to high-fidelity playback sys- Andrew Mendelson ensure optimal signal transfer and XLR out- tems as well as pro audio recording interfac- - Mastering Engineer (The Rolling Stones, The White Stripes, puts provide balanced +4dB line level signals es and equipment. Adjustable load matching Kings of Leon, Mariah Carey, Elton John) with adjustable gain. ensures the best signal for the phono car- tridge in use.

“The PH60 translated so incredibly well in conjunction with not one, but all of our turntables that have moving coil cartridges!”

Emily Lazar - Mastering Engineer (Coldplay, Foo Fighters, Moby, Lou Reed, Garbage, Natalie Merchant, Destiny’s Child, Alanis Morissette) Part# H100 0052 00 Part# H100 0062 00 MAP $449.99 USD MAP $549.99 USD Now Shipping Now Shipping

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.10 Part# H300 3100 00 MAP $1,999.99 USD p3100 Shipping Fall 2017 2-channel MOSFET studio amplifier

David Hafler pioneered the use of MOSFETs during the 1970s as a means to approach the sonic character of tubes and transition to the more practical side of discrete solid-state electronics. Lateral MOSFETs were designed specifically for linear audio amplification with their high speed and superior sonic characteristics compared to the vertical MOSFETs or bipolar output transistors used by many other amplifier mak- ers. Inside the P3100™ is the latest refinement of the trans-nova circuit that was developed by industry guru Jim Strickland. The trans-nova circuit squeezes the most out of every component to reduce the gain stages down to three in lieu of the five typically employed by others. The shorter path results in a much more open sounding and realistic sound stage.

In use the Hafler P3100 is rich in detail, depth of field and musicality. With 150 watts of available power per channel at 8 Ohms and 200 watts at 4 Ohms, the P3100 has plenty of headroom to drive the most power-hungry loudspeakers. Bridged in mono, 400 watts are available for sub-woofers or as a matched pair for larger 2-channel setups.

Hafler ha75-dac Combined USB DAC and tube headphone amp

The Hafler HA75 tube driven headphone amp has already received critical acclaim from many of the ‘golden ears’ of the recording industry, including Alan Parsons, Chuck Ainlay, and Frank Filipetti. The new HA75-DAC™ adds a USB DAC for digital audio playback at up to 192 kHz resolution, and includes a load impedance selector that allows users to choose the optimal impedance for their headphones. The key to the HA75-DAC is still the on-board 12AX7 tube, which provides subtle but pleasing tube character, while also introducing natu- ral compression when pushed hard. Also included is the innovative Focus control, which can be dialed in to simulate the effect of listening to live speakers. The HA75-DAC also features analog inputs, with both XLR and RCA connections, to allow the perfect blend of analog and digital in one outstanding headphone amplifier. Part# H400 0078 00 MAP $1,299.99 USD Now Shipping

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.11 Wireless freedom with bluetooth Artist update BT-Pro Bluetooth DI Devin Townsend Finally you can control the music while Guitarist/Producer Devin Townsend Project, you’re moving around, the BT-Pro™ pairs Steve Vai, Strapping Young Lad with Bluetooth® to wirelessly connect your laptop, phone or tablet. Balanced outputs “My annoying inability to compromise has with trim control allow for connection to led me to some odd places in music, and for- microphone or line level inputs on any PA tunately, has also led me to the ultimate no- compromise tonal solutions from Radial.“ system. A headphone output is provided to test the audio output before connection to the PA. The FCC approved BT-Pro offers stereo reception up to 30’ (10 meters) from George Seara the source using the A2DP interface over Engineer/Producer Rihanna, Drake, Holly Cole, 2.0 EDR and converts to analog ensuring the Sting, Herbie Hancock best audio quality. Part# R800 1055 00 “My studio space sounds fantastic thanks to MAP $229.99 USD Primacoustic. Tightening up the bottom end Now Shipping in my room was my primary goal and the panels have done an incredible job!”

Joe Satriani Guitarist Chickenfoot

“The Reamp™ is the recording guitar play- Radial Does Dante! er’s best friend. There is no other device out The world’s first stereo Dante network DI there that can take a recorded DI performance and have the amp receive it exactly DAN-TX as if you were plugging in your guitar.” The Radial DiNET™ DAN-TX™ transmitter Part# R800 1062 00 and DAN-RX™ receiver deliver 24bit/96kHz MAP $399.99 USD resolution across any modern Ethernet net- Victor Wooten work using the Dante protocol. Connect any Bass Player Flecktones, Soul Circus, instrument, laptop or line-level source to Bass Extremes, the DAN-TX using the RCA, 1/4” or 3.5mm analog inputs and drop two audio channels “The Bassbone™ works great in the studio to any location and output the signal via bal- or on the live stage. Throw it in your gig bag anced XLRs. The built-in headphone amp is and take it wherever you go.” ideally suited for monitoring, trouble shoot- DAN-RX ing or just listening to the pristine audio. Part# R800 1063 00 MAP $399.99 USD Andrew Scheps Built ‘Radial tough’ for the most demand- Engineer ing tours, the DiNET DAN-TX and DAN-RX Metallica, Red Hot Chili make it easy to capture your music and put it Peppers, Audioslave, Linkin Park, Green Day, U2 where it needs to be. “Reamping and using pedals while mixing have always been part of my work flow, but with the Radial EXTC™ it’s finally easy and Now Shipping bullet proof.” www.radialeng.com DAN-TX DAN-RX facebook.com/radialeng Dante Network @radialeng

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