Directory of U.S. Recording Studios
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Incentive Travel Sample Itineraries Welcome to Calgary! Annual Signature Events JANUARY
Incentive Travel Sample Itineraries Welcome to Calgary! Annual Signature Events JANUARY • High Performance Rodeo • Chinook Blast FEBRUARY • Block Heater • Calgary Midwinter Bluesfest MARCH The most livelable city in North America, Calgary is known world-wide as a Western • Calgary Maple Festival city with rural roots and a jumping off point for mountain adventure. With a lot more Calgary’s +15 Skywalk system is the going on than most would imagine, Calgary is the perfect destination for your next world’s largest indoor, pedestrian APRIL incentive program. pathway network. The weather- • Calgary Comic & Entertainment Expo protected walkways are 15 feet Our team has developed a number of sample itineraries to assist you in planning above ground and run for 11 miles, MAY your next incentive program in Calgary. We are here to support you with program linking Calgary’s downtown shops, development, venue and accommodation searches, and connecting you with local restaurants, hotels and offices. There • Calgary International BeerFest partners that can work with you to create the most incredible and unforgettable is also plenty of oportunity to explore JUNE experience for your clients. the outdoors. With over 850 kms of paved pathways and parkland within • JazzYYC Summer Festival city limits, incorporating nature and • Sled Island Festival a wellness routine into your program is easy. JULY Calgary is situated between the Calgary is home to world-class and foothills and the Canadian Rockies. unique accommodation experiences. • Calgary Stampede Its location provides a basecamp We partner with Calgary hotels to • Calgary Folk Music Festival for an infinite amount of enriching help you find an accommodation Alberta is the only province in Canada experiences. -
Prairie Surf Perks
L O C A T I O N Oklahoma City, OK Prairie Surf Perks 1.3M SQ FACILITY WITH OVER K E Y S T A T S 260K SF PRODUCTION SPACE 5 CLEARSPAN STAGES RANGING 65’ CEILING HEIGHT IN STAGE 4 FROM 25,000 - 32,000 SF A V I L B E N O W 25’-27’ CEILING HEIGHT FOR 140k SF SOUNDSTAGE SPACE STAGES 1-3 & 5 PRAIRIE SURF STUDIOS Production 01 Support ⃗ 20 multi-use rooms with over 150,000 SF of usable space ⃗ Practical Locations throughout including locker rooms, offices, retro diner, commercial grade kitchen, downtown walkways, parking garage and underground tunnel system ⃗ Indoor Base Camp P R A C T I L O N S PRAIRIE SURF STUDIOS Commercial 02 Kitchen ⃗ 5,500 SQ FT commercial grade kitchen ⃗ On-site catering ⃗ Covid-compliant meals at any budget P R A C T I L O N S Mill Space ⃗ 10,000 SF of Millspace ⃗ Carpentry, Welding and Paintshop available ⃗ In-floor electrical ports, overhead utilities 03 & Storage K E Y S T A T S 58,715 SF 45,000 SF STORAGE AND SUPPORT MILLSPACE AND BASE CAMP P R A C T I L O N S PRAIRIE SURF STUDIOS Retro 04 Diner ⃗ 2,560 SQ FT ⃗ With full kitchen ⃗ Great for catering or practical locations P R A C T I L O N S PRAIRIE SURF STUDIOS Attached 05 Hotel ⃗ Renaissance Oklahoma City Convention Center Hotel ⃗ Hotel attached via skybridge ⃗ Features: Gym, Pool, Spa, Restaurants, Starbucks P R A C T I L O N S The Oklahoma 06 Advantage Oklahoma City presents a unique combination of great economic opportunity at an affordable cost of living. -
Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization
Distinguished Guest Lecture Thursday, April 30 School of Architecture Greene Gallery Department of Architectural Acoustics Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization presented by John Storyk, R.A., AES, Principal Walters-Storyk Design Group The recording studio has changed dramatically in the past 10 years in ways that were almost unpredictable. Both the business models and the studio design/equipment configurations are markedly different, with changes continuing virtually every week. The shift from large ‘all at once’ sessions to a file-based mixing process has ushered in a new era of small, yet extremely powerful and highly flexible audio content creation environments. These ‘next generation’ rooms continue to depend on pristine acoustics, and the aesthetic and comfort factors remain high priorities. Studios will always want to provide the ultimate critical listening conditions and standards. Digital recording and mixing technology have changed, but the skills of recording, mixing and mastering engineers will continue to drive the creative process. These rooms will continue to depend on the architect/acoustician’s ability to create or ‘tune’ the environment to maximize its acoustic potential. Jungle City Studios, New York, NY Diante de trono, Brazil Berklee College of Music opened the doors to its 160 Massachusetts Avenue residence tower in January 2014. The ten-studio Walters-Storyk Design Group designed audio education component represents a pinnacle of contemporary studio planning. Paul Epworth, The Church, London John Storyk, Co Founder and Principal of Walters-Storyk Design Group has been responsible for designing over 3000 media and content creation facilities worldwide. Credits include Jimi Hendrix's Electric Lady Studios (1969); NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music, Boston (2015 TEC winner) and Valencia, Spain; and media rooms for such corporate clients as Hoffman La Roche. -
From the Sound Board to the GRAMMY Board John Poppo, ’84, Chairman of the Recording Academy’S Board of Trustees
THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS SPRING 2016 From the sound board to the GRAMMY board John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees Coming of age Fredonia senior Steve Moses wins ‘Big Brother 17’ on CBS A tandem in tune Singer Nia Drummond and manager Michelle Cope form unique partnership College of Education Launches new Language and Learning master’s program SPRING 2016 COVER STORY From the sound board to the GRAMMY board THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS 4 John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees 20 ADMISSIONS EVENTS Open House Dates 12 Monday, Feb. 15 Presidents Day 10 Saturday, April 9 Accepted Student Reception Saturday Visit Dates Saturday, March 5 Saturday, March 12 Saturday, April 23 Saturday, June 11 Students and families can also visit any day during the academic year. Just contact Admissions to arrange an appointment. To learn more, visit: fredonia.edu/ 14 18 admissions/visit or call 1-800-252-1212. ALUMNI AND CAMPUS EVENTS CALENDAR • Please check alumni.fredonia.edu as details are confirmed. For event registration and Los Angeles, Calif., Brunch Chicago, Ill., Reception SEPTEMBER payment, go to http://alumni. Sunday, March 20 Saturday, May 21, 2–4 p.m. New York State Tour fredonia.edu/Events.aspx, or Getty Museum, 11 a.m.–1 p.m. Midwest Youth Organization Monday – Thursday, Sept. 12–15 contact the Alumni Affairs office 200 Getty Center Drive (Music School) Locations TBA at (716) 673-3553. $25 878 Lyster Road, Highwood, IL Self-paid parking $15* give 30 Hosted by alumnus Allan and OCTOBER FEBRUARY minutes to ride tram to museum. -
TABLE of CONTENTS Northern California Sound And
Policies and Procedures SOUND AND COMMUNICATION Northern California Region APPRENTICESHIP IBEW/NECA 9th District, Addendum 2 TABLE OF CONTENTS 1. JATC – A REGIONAL ORGANIZATION – 44 Northern California Counties ................................ 2 2. SUB-JATC – A LOCAL COMMITTEE ......................................................................................... 2 3. POLICIES AND PROCEDURES ................................................................................................. 3 4. APPRENTICE RESPONSIBILITIES AND DUTIES: ....................................................................... 3 5. RELATED SUPPLEMENTAL INSTRUCTION (Classroom Training) .............................................. 3 Northern California 6. ON-THE-JOB TRAINING (OJT) RECORD BOOK (Blue Book) ..................................................... 4 7. APPRENTICESHIP COMPLETION CERTIFICATES ...................................................................... 4 Sound 8. CHANGE OF ADDRESS ........................................................................................................... 5 and 9. SAFETY AND APPEARANCE ................................................................................................... 5 Communication 10. MILITARY PERSONNEL POLICY AND VETERANS’ BENEFITS .................................................... 6 11. FUNCTIONS OF LABOR AND MANAGEMENT – (Union and Employer) ................................... 6 12. DISPUTES AND COMPLAINTS ............................................................................................... -
SUN STUDIO Inspelningsteknik Och Sound
Högskoleexamen SUN STUDIO Inspelningsteknik och sound Författare: Jacob Montén Handledare: Karin Eriksson Examinator: Karin Larsson Eriksson Termin: HT 2019 Ämne: Musikvetenskap Nivå: Högskoleexamen Kurskod: 1MV706 Abstrakt Detta är en uppsats som handlar om Sun Studio under 1950 talet i USA, hur studion kom till och om dess grundare Sam Phillips och de tekniska tillgångarna och begränsningar som skapade ”soundet” för Elvis Presley, Johnny Cash, Jerry Lee Lewis, Ike Turner och många fler. Sam Phillips producerade många tidlösa inspelningar med ljudkaraktäristiska egenskaper som eftertraktas än idag. Med hjälp av litteratur-, ljud- och bildanalys beskriver jag hur musikern och producenten bakom musiken skapade det så kallade ”Sun Soundet”. Ett uppvaknande i musikvärlden för den afroamerikanska musiken hade skett och ingen skulle få hindra Phillips från att göra den hörd. För att besvara mina frågeställningar har texter, tidigare forskning och videomaterial analyserats. Genom den hermeneutiska metoden har intervjumaterial och dokumentärer varit en viktig källa i denna studie. Nyckelord Sun Records, Sam Phillips, Slapback Echo, Soundet, Sun Studio, Analog Tack Stort tack till min handledare Karin Eriksson för den feedback och stöd jag har fått under arbetets gång. Tack till min familj för er uppmuntran och tålamod. Innehållsförteckning Innehållsförteckning.................................................................................................................1 1.Inledning...............................................................................................................................2 -
Memphis, Tennessee, Is Known As the Home of The
Memphis, Tennessee, is known as the Home of the Blues for a reason: Hundreds of bluesmen honed their craft in the city, playing music in Handy Park and in the alleyways that branch off Beale Street, plying their trade in that street’s raucous nightclubs and in juke joints across the Mississippi River. Mississippians like Ike Turner, B.B. King, and Howlin’ Wolf all passed through the Bluff City, often pausing to cut a record before migrating northward to a better life. Other musicians stayed in Memphis, bristling at the idea of starting over in unfamiliar cities like Chicago, St. Louis, and Los Angeles. Drummer Finas Newborn was one of the latter – as a bandleader and the father of pianist Phineas and guitarist Calvin Newborn, and as the proprietor of his own musical instrument store on Beale Street, he preferred the familiar environs of Memphis. Finas’ sons literally grew up with musical instruments in their hands. While they were still attending elementary school, the two took first prize at the Palace Theater’s “Amateur Night” show, where Calvin brought down the house singing “Your Mama’s On the Bottom, Papa’s On Top, Sister’s In the Kitchen Hollerin’ ‘When They Gon’ Stop.’” Before Calvin followed his brother Phineas to New York to pursue a jazz career, he interacted with all the major players on Memphis’ blues scene. In fact, B.B. King helped Calvin pick out his first guitar. The favor was repaid when the entire Newborn family backed King on his first recording, “Three O’ Clock Blues,” recorded for the Bullet label at Sam Phillips’ Recording Service in downtown Memphis. -
Bay Area Apprenticeship Guidebook
Alameda • Contra Costa • Marin • Napa • San Fransisco • San Mateo • Santa Clara • Solano Bay Area Construction Apprenticeship Guidebook Bay Area Construction Apprenticeship Guidebook View online at www.ctwi-btca.org Produced by Construction Trades Workforce Initiative, with the generous support and collaboration of many organizations and individuals. We would especially like to thank the many union apprenticeship coordinators and training directors across the region who contributed information and reviewed content, as well as pre-apprenticeship leaders who prepared materials for their organizations’ profiles. Key Partners Alameda County Building Contra Costa Napa-Solano & Construction Trades Building & Construction Building & Construction Council Trades Council Trades Council Bay Area Oakland Apprenticeship Coordinators Workforce Development Association Board Special thanks to Jon Bersche and the City of Seattle for providing the model for this project, and for so graciously granting permission to adapt some of their materials. On the Cover Juju Ruiz is a union sheet metal apprentice currently working on installing ductwork for the new BART headquarters near Lake Merritt in Oakland. Although she loved the idea of working in construction, she was unsure about how to pursue this career path. After enrolling and graduating from Rising Sun Center for Opportunity’s all-female MC3 pre-apprenticeship program, Women Building the Bay, Juju felt prepared to enter the construction trades. Now, she feels empowered as a mother and career woman to support her family doing work that she is passionate about. Dear Valued Community Members, Far too many people in the Bay Area are unaware of career opportunities in the union construction trades. As the non-profit partner of the Building and Construction Trades Councils in Alameda, Contra Costa, Napa and Solano counties, Construction Trades Workforce Initiative (CTWI) is the regional leader in bridging the gap between organized labor and community stakeholders. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
Santa Monica-Malibu Unified School District CUPCCAA Contractor List Updated 03/26/2020 12:06 AM
Santa Monica-Malibu Unified School District CUPCCAA Contractor List Updated 03/26/2020 12:06 AM Company Address Contact Phone # Email License Classes Expires 1st California Construction, Inc. P.O.BOX 70316, Pasadena, CA, Alex Zamani 626-533-5673 [email protected] A (General Engineering Contractor), B 12/31/2020 91117 (General Building Contractor) 4 SEASONS ROOFING, INC. 1300 WEST COLEGROVE ANIBAL CABRAL 323-726-9615 [email protected] C-39 (Roofing Contractor) 12/31/2020 AVENUE, MONTEBELLO, CA, 90640 A&R Tarpaulins Inc. 16246 Valley Blvd., Fontana, CA, Jocelyn Gomez 909-829-4444 [email protected] C-61 (Limited Specialty) 12/31/2020 92335 A-C Electric Company 2921 Hangar Way, Bakersfield, Jackie Blevins 661-410-0000 [email protected] C-10 (Electrical Contractor), C-7 (Low 12/31/2020 CA, 93308 Voltage Systems Contractor), A (General Engineering Contractor), B (General Building Contractor), C-61 (Limited Specialty), C-12 (Earthwork and Paving Contractors) AADS Office Solutions Intl, LLC 2136 E. MOUNTAIN SKY AVE., Dana Garcia 602-426-1662 [email protected] C-61 (Limited Specialty), C-60 (Welding 12/31/2020 PHOENIX, AZ 85048 Contractor) ABC Resources, Inc 1527 West State Street, Ontario, Cindy Stelzl 909-988-0390 [email protected] A (General Engineering Contractor), C-12 12/31/2020 CA, 91762 (Earthwork and Paving Contractors), C-32 (Parking and Highway Improvement Contractor) Able Heating & Air Conditioning, 1020 Colorado Avenue, Chula Shantel Nunn 619-409-9100 [email protected] B (General Building Contractor), C-20 12/31/2020 Inc. Vista, CA, 91911 x221 (Warm-Air Heating, Ventilating and Air- Conditioning Contractor), C-43 (Sheet Metal Contractor) ACCO Engineered Systems, Inc. -
**V************************************ Reproductions Supplied by Edits Are the Best That Can Be Made Froa Tae Original Document
D0006661 RESUME ED 166 926 CS 205 566 AUTdOR Spann, Sylvia, El.; Culp, Mary Beth, Ed. TITLE Thematic Units in leaching English and the dumanities. Second Supplement. INsTirurION National Couacil of Teachers of English, Urbana, PUB DATE 30 NOTE 159p. AVAILABLE FRO3 Sational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 53755, $6.50-member, $7.00 non-member). EDRS PRICE SF01/PCO7 Plus Postage. DESCRIPTORS Advertising; Communication Skills; Curriculum Development; *English Instruction; Futures (of Society); History; *Humanities: Justice: Listening Sicills; Logic; Politics; Popular Culture: Resource Units; Schools; Secondary Education; *Teaching Guides; *Thematic Approach; *Units of Study; Writing Instruction; Writing Skills ABSTRACT Tae seven units in this second supplement to "Thematic Units" focus oa communication skills, offering English teachers conteaporary plans for teaching writing, listening, persuasion, and'reasoning. The units were selected for their humanistic approaches to student language learning, combining English instruction with,topics in the humanities. Each unit contains comments from the teacher who developed the unit, an overview of the unit, general obfectives, evaluation methods, daily lesson plans and activities, study guides, resource materials, and other appropriate suggestions and at:dchments. The topics of the units are the school system, logic, nostaigia (studying the popular culture ofa past decade), futurism as a framework for composition instruction, advertising, politics, and law and justice. (RL) ********************************v************************************ Reproductions supplied by EDitS are the best that can be made froa tae original document. *********************************************************************** U S DEPARTMENT OF nEALTN. EDUCATION A TVILITAIIE NTMNAL INSTITUTE OF EDUCATION TmpSDOC UMENT HAS BEEN REPRO. nur.t.,E.A Fl V AS RECEIVED FROM 111 -Admai-i-ka *HI Pf RsON OR ORCAN QAT tON OSI 'GIN- I. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .