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The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema
Journal of Religion & Film Volume 8 Issue 3 October 2004 Article 7 October 2004 The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Kelly J. Wyman University of Missouri - Kansas City, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Wyman, Kelly J. (2004) "The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema," Journal of Religion & Film: Vol. 8 : Iss. 3 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Abstract The character of Satan has been explored repeatedly in American films, although neither film noreligion r scholars have extensively investigated the topic. This article examines the medieval Christian roots of Satan as seen in American cinema and proposes that the most identifiable difference between the medieval Devil and the Satan shown in American films is his level of power over humanity. Hollywood's Satans echo medieval depictions of Satan in form, appearance, and ways of interacting with humans. Although less frightening, pop culture's view of Satan - even when he is treated humorously - is thus linked through movies to medieval religious beliefs. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 Wyman: The Devil We Already Know Introduction From George Méliès' 1896 film La Manoir Du Diable (The Devil's Manor), to more recent productions such as Roman Polanski's Rosemary's Baby (1968) and The Ninth Gate (1999), diabolism has been a significant foundation for films which explore religious subject matter. -
06 4-15-14 TV Guide.Indd
Page 6 THE NORTON TELEGRAM Tuesday, April 15, 2014 Monday Evening April 21, 2014 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Dancing With Stars Castle Local Jimmy Kimmel Live Nightline WEEK OF FRIDAY, APRIL 18 THROUGH THURSDAY, APRIL 24 KBSH/CBS 2 Broke G Friends Mike Big Bang NCIS: Los Angeles Local Late Show Letterman Ferguson KSNK/NBC The Voice The Blacklist Local Tonight Show Meyers FOX Bones The Following Local Cable Channels A&E Duck D. Duck D. Duck Dynasty Bates Motel Bates Motel Duck D. Duck D. AMC Jaws Jaws 2 ANIM River Monsters River Monsters Rocky Bounty Hunters River Monsters River Monsters CNN Anderson Cooper 360 CNN Tonight Anderson Cooper 360 E. B. OutFront CNN Tonight DISC Fast N' Loud Fast N' Loud Car Hoards Fast N' Loud Car Hoards DISN I Didn't Dog Liv-Mad. Austin Good Luck Win, Lose Austin Dog Good Luck Good Luck E! E! News The Fabul Chrisley Chrisley Secret Societies Of Chelsea E! News Norton TV ESPN MLB Baseball Baseball Tonight SportsCenter Olbermann ESPN2 NFL Live 30 for 30 NFL Live SportsCenter FAM Hop Who Framed The 700 Club Prince Prince FX Step Brothers Archer Archer Archer Tomcats HGTV Love It or List It Love It or List It Hunters Hunters Love It or List It Love It or List It HIST Swamp People Swamp People Down East Dickering America's Book Swamp People LIFE Hoarders Hoarders Hoarders Hoarders Hoarders Listings: MTV Girl Code Girl Code 16 and Pregnant 16 and Pregnant House of Food 16 and Pregnant NICK Full H'se Full H'se Full H'se Full H'se Full H'se Full H'se Friends Friends Friends SCI Metal Metal Warehouse 13 Warehouse 13 Warehouse 13 Metal Metal For your SPIKE Cops Cops Cops Cops Cops Cops Cops Cops Jail Jail TBS Fam. -
Star Channels, May 26-June 1
MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017. -
Wwe Q3 2018 Results – October 25, 2018 Forward-Looking Statements
WWE Q3 2018 RESULTS – OCTOBER 25, 2018 FORWARD-LOOKING STATEMENTS This presentation contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to: entering, maintaining and renewing major distribution agreements; WWE Network (including the risk that we are unable to attract, retain and renew subscribers); our need to continue to develop creative and entertaining programs and events; the possibility of a decline in the popularity of our brand of sports entertainment; the continued importance of key performers and the services of Vincent K. McMahon; possible adverse changes in the regulatory atmosphere and related private sector initiatives; the highly competitive, rapidly changing and increasingly fragmented nature of the markets in which we operate and greater financial resources or marketplace presence of many of our competitors; uncertainties associated with international markets; our difficulty or inability to promote and conduct our live events and/or other businesses if we do not comply with applicable regulations; our dependence on our intellectual property rights, our need to protect those rights, and the risks of our infringement of others’ intellectual property rights; the complexity of our rights agreements across distribution mechanisms and geographical areas; potential substantial liability in the event of accidents or injuries occurring -
2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc. -
10B — Barron News-Shield — Wed., May 30, 2012
2 Capitol City Sunday 7:00 pm (WTBS) FAMILY GUY 10:00 pm 10B — Barron News-Shield — Wed., May 30, 2012 (DISCV) AUCTION KINGS $ ( DOGS IN THE CITY 8:30 pm ^ CELTIC THUNDER VOYAGE (DISN) GOOD LUCK CHARLIE % 2 SECRET MILLIONAIRE ^ CHRIS ISAAK LIVE! BEYOND THE SUN $ WCCO 4 NEWS AT TEN 7 YU-GI-OH! = LAW & ORDER (ESPN) SPORTSCENTER ) THE SIMPSONS % 5 EYEWITNESS NEWS AT 10 (LIFE) THE NEW ADVENTURES OF OLD + ` (NICK) FRIENDS < P. ALLEN SMITH’S GARDEN HOME (DISCV) DEADLIEST CATCH ADELE LIVE IN LONDON (WTBS) FAMILY GUY ( NEWS 8 AT TEN (DISN) WIZARDS OF WAVERLY PLACE (DISN) JESSIE CHRISTINE 7 GARDEN STATE ) FOX AT 10 (NICK) SPONGEBOB SQUAREPANTS (LIFE) THE RESIDENT Premiere. (NICK) SPONGEBOB SQUAREPANTS < WHA Auction 8:31 pm + KARE 11 NEWS AT 10 (NICK) YES, DEAR (TNT) LAW & ORDER = THE BIG BANG THEORY $ ( MIKE & MOLLY ` WEAU 13 NEWS AT TEN (USA) (WGN-A) GANGS OF NEW YORK (AMC) THE KILLING 2 NEWS AFTERNOON LAW & ORDER: SPECIAL VICTIMS UNIT 9:00 pm (WGN-A) WGN NEWS AT NINE 9:12 am (DISCV) MYTHBUSTERS 7 THE INSIDER 12:00 pm (DISN) A.N.T. FARM $ ( HAWAII FIVE-0 < (AMC) Director’s Cut ^ NEW SCANDINAVIAN COOKING WITH 9:30 pm THE BIRDCAGE (NICK) YES, DEAR ) FOX AT 9 = (WGN-A) 30 ROCK ANDREAS VIESTAD (DISN) GOOD LUCK CHARLIE 9:25 am (TNT) SHOOTER + ` GRIMM (DISCV) DEADLIEST CATCH 7 % ANDREW YOUNG PRESENTS: IN THE (NICK) YES, DEAR (DISN) HAVE A LAUGH! (USA) LAW & ORDER: SPECIAL VICTIMS UNIT EXCUSED (DISN) GOOD LUCK CHARLIE (WGN-A) < FOOTSTEPS OF GANDHI 9:45 pm HOW I MET YOUR MOTHER IN THE LIFE (ESPN) SPORTSCENTER ( WILD BILL 9:30 am (WTBS) GHOSTS OF GIRLFRIENDS -
DGA's 2014-2015 Episodic Television Diversity Report Reveals
FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period). -
Put Your Foot Down
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Dance Moms Essay
Robitaille 1 Nicole Robitaille “Everyone's Replaceable” : Teaching Children to be Working Individuals in Dance Moms Dance Moms is a reality television show that follows a Junior Elite dance team, their mothers, and their teacher as they compete in competitions around the United States. Their dance teacher, Abby Lee Miller, and the mothers of the 9-13 year old girls prepare the dancers for their careers in show business. They do this by not only booking auditions to music videos and television shows, but by teaching them the ways to be a working individual, with an emphasis on flexibility, hard work, and dedication. One of Abby Lee Miller's main goals for the girls she's training on the show is to have them work professionally. In the season one recap in “Everyone's Replaceable”, Abby Lee Miller says she produces “amazing, employable dancers”, priding herself on being able to prepare her dancers for professional careers. One way she prepares the dancers for working professionally is by teaching them how to be adaptable in their dance skills as well as work under time constraints that other young dancers in their positions would not need to work under. For example, due to the way the show is structured, they have four days to learn multiple dances for a competition that normally would have dancers who have trained for at least a month. She teaches them a variety of dances in a short amount of time, knowing that they will have the same type of time constraint when auditioning in a professional setting. -
Relational Labor and Audience Engagement in the Wwe
Selected Papers of #AoIR2020: The 21st Annual Conference of the Association of Internet Researchers Virtual Event / 27-31 October 2020 IN THE RING AND ONLINE: RELATIONAL LABOR AND AUDIENCE ENGAGEMENT IN THE WWE Jessa Lingel University of Pennsylvania Introduction Professional wrestling has long been of interest to cultural and media theorists (Barthes, 2015; Canella, 2016; Olson, 2018). Long before reality TV, the performativity and scripted drama of professional wrestling allowed theorists to unpack questions of fictionality and narrative authenticity. In the context of internet studies, professional wrestling raises additional questions: How do performers use social media to maintain relationships with fans? How do gender norms manifest in on-stage versus online performances of professional identity? In this extended abstract, I present key concepts and guiding research questions for an investigation of fan culture and gender norms. I then provide a brief overview of related work and describe my mixed-methods approach. As this research project is ongoing, I present preliminary findings and implications as a concluding section. Key frameworks and concepts: Relational labor and kayfabe Following Baym’s (2018) work on how musicians maintain relationships with their fans, I use the concept of relational labor to describe the work that professional wrestlers do to connect with their audience through social media. Relational labor refers to the “ongoing, interactive, affective, material and cognitive work of communicating with people over time to create structures that can support continued work” (p. 19). I use the concept as a framework for analyzing the socio-technical labor conducted by WWE performers on Instagram. I am particularly interested in thinking about how gender shapes the work of relational labor: How do professional wrestlers manage relationships with fans online? What are the gendered constraints and affordances of a platform like Instagram for fan engagement? Suggested Citation (APA): Lingel, J. -
The Omen! BLOODY VALENTINES Exploitation Movie King John Dunning Interviewed!
THE DEVIL’S CHILD THE MAKinG OF THE Omen! BLOODY VALENTINES EXPLOitatiON MOvie KinG JOHN DunninG IntervieWED! MEDIEVAL MADNESS THE BLOOD On Satan’S SCARY MOVIE ClaW! ROUNDUP NEW DVDS and Blu-Rays DSD RevieWED! FREE! 06 Check out the teaser issue of CultTV Times... covering everything from NCIS to anime! Broadcast the news – the first full issue of Cult TV Times will be available to buy soon at Culttvtimes.com Follow us on : (@CultTVTimes) for the latest news and issue updates For subscription enquiries contact: [email protected] Introduction MACABRE MENU A WARM WELCOME TO THE 4 The omen 09 DVD LIBRARY 13 SUBS 14 SATAn’S CLAW DARKSIDe D I G I TA L 18 John DUnnIng contributing scripts it has to be good. I do think that Peter Capaldi is a fantastic choice for the new Doctor, especially if he uses the same language as he does in The Thick of It! Just got an early review disc in of the Blu-ray of Corruption, which is being released by Grindhouse USA in a region free edition. I have a bit of a vested interest in this one because I contributed liner notes and helped Grindhouse’s Bob Murawski find some of the interview subjects in the UK. It has taken some years to get this one in shops but the wait has been worthwhile because I can’t imagine how it could have been done better. I’ll be reviewing it at length in the next print issue, out in shops on October 24th. I really feel we’re on a roll with Dark Side at present. -
Janet Weinberg, Ace ~ Editor
JANET WEINBERG, ACE ~ EDITOR "THE BABY-SITTERS CLUB" 2019, 2021 Netflix and Walden Media Half hour episodic - Season 1 & 2 EP: Rachel Shukert “SEX/LIFE” 2020-2021 Netflix Hour episodic – Season 1 EP: Stacy Rukeyser “INTERROGATION” 2019 CBS All Access Hour episodic – Season 1 EPs: John Mankiewicz, Anders Weidemann “LITTLE AMERICA” 2019 Universal for Apple Half hour episodic – Season 1 EPs: Lee Eisenberg, Sian Heder "THE EDGE OF SEVENTEEN" 2019 STX for YouTube Half-hour – Pilot EP/Director: Annabele Oaks “BETTER THINGS” 2018-2019 FX Half hour episodic – Season 3 EP/Director: Pamela Adlon ACE Eddie Award Winner For S3 Episode 8 “UnREAL” 2014-2018 A&E for Lifetime Hour episodic – Seasons 1-3 EPs: Bob Sertner, Sarah Shapiro, Stacy Rukeyser, Marti Noxon “THE EXORCIST” 2016-2017 Fox Studio for Fox Hour episodic – Seasons 1&2 Executive Producers: Rolin Jones, Jeremy Slater “JANE THE VIRGIN” 2015-2016 CBS Studio for the CW Hour episodic – Season 2 Executive Producer: Jennie Snyder Urman “MISTRESSES” 2015 ABC Studio for ABC Hour episodic – Season 2 EPs: Bob Sertner, Rina Mimoun, K.J. Steinberg “DEVIOUS MAIDS” 2012-2014 ABC Studio for Lifetime Hour episodic – Seasons 1&2 Executive Producer: Marc Cherry “CHASING LIFE” 2013-2014 Lionsgate and ABC for ABC Family Hour episodic – Seasons 1&2 Executive Producer: Patrick Sean Smith “THE LYING GAME” 2011-2012 Warner Horizon for ABC Family Hour episodic – Seasons 1-3 Executive Producer: Chuck Pratt 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] “Secret Life of the American Teenager” ABC Studio for ABC Family 2008-2010 Executive Producer: Brenda Hampton Pilot and Seasons 1&2 Director: Ron Underwood (pilot) “7th Heaven” 1996-2007 Spelling TV for The WB/CBS, for The CW Seasons 1-11 – 114 episodes EPs: Aaron Spelling, Brenda Hampton “Love Boat: The Next Wave” Spelling TV for UPN Hour episodic – Season 1 Executive Producer: Aaron Spelling “Next of Kin” 2005 Directed by Stephen Collins Theatrical short (numerous festival awards) “Spenser: For Hire” Warner Bros.