PDF Download Gentlemen Prefer Blondes

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download Gentlemen Prefer Blondes GENTLEMEN PREFER BLONDES PDF, EPUB, EBOOK Anita Loos,Jenny McPhee | 160 pages | 11 Mar 2014 | WW Norton & Co | 9780871403179 | English | New York, United States Gentlemen Prefer Blondes PDF Book Edit Did You Know? No Hollywood filmmaker was as versatile as Howard Hawks. Films directed by Howard Hawks. Full Cast and Crew. I love women. Everything Exhibitions Films Events Workshops. This screwball story of two young ladies from Little Rock — Marilyn Monroe and Jane Russell, no less — who embark on a transatlantic cruise in search of wealthy husbands is a delight from start to finish. It was hard but I put a stop at 99 minutes constantly updated. Norma Varden Esmond Sr. They find the film in his pants, and Lorelei promptly prints and hides the negatives. Be sure to check out…. Esmond Sr. The Scarecrow Filmmakers Series. Check out our picks for family friendly movies movies that transcend all ages. Box office opening hours: - 15 minutes after last screening starts daily. Sir Francis 'Piggy' Beekman. This list is for scripts or source material written or co-written by women. Parents Guide. Find out more about how we use your information in our Privacy Policy. Release Dates. Date: 13 January Location: Cinema. Harrison's Reports. While Russell's down-to-earth, sharp wit has been observed by most critics, it was Monroe's turn as the gold-digging Lorelei Lee for which the film is often remembered. Company Credits. Russell and Monroe are wonderful comediennes, and they have genuine chemistry. Where to watch Trailer. Ladies-Fiona Apple. The supporting cast is spot on and the script is snappier than an alligator. Lyle R. Photo Gallery. When Gus shows up at their show, Lorelei rebuffs him, after which she performs Diamonds are a Girl's Best Friend , the musical number whose lyrics explain why and how women need to pursue men with money. Crazy Credits. March 6, Monroe and Russell were accorded the honor of putting their hand and foot prints in cement in the forecourt of Grauman's Chinese Theatre , a spectacle that got a lot of publicity for both actresses and for the film. Lorelei Lee : If you've nothing more to say, pray, scat. Rules: Generate a number from 1 to x via: www. Piggy is a white supremacist capitalist asshole and deserved to be bilked of his diamonds. Added to Watchlist. Review by Sally Jane Black Sunday 5. Q: Were Monroe and Russell bitter rivals? However, Malone reveals he had planted a recording device in Lorelei's cabin, and has heard her discussion with Piggy about the pictures and the tiara. Metacritic Reviews. September Gentlemen Prefer Blondes Writer There is too, a lack of grasp in Howard Hawks' handling, which is scrappy and uninventive. No Hollywood filmmaker was as versatile as Howard Hawks. Are you ready…. They find the film in his pants, and Lorelei promptly prints and hides the negatives. Harrison's Reports. Trailers and Videos. September Director: Howard Hawks. Roger Heman Sr. Site by Whitespace. Dorothy Shaw. However, not much more is needed when patrons can look at Russell-Monroe lines as displayed in slick costumes and Technicolor. Sign up for emails about what's happening at DCA: you can set your preferences to receive updates on specific areas of our programme, and you can unsubscribe at any time. Films by Charles Lederer. The New York Times. This list just from the edition,…. Be sure to check out…. View your saved tickets. Music, music, Sweet music. Back to School Picks. Dorothy, on the other hand, is looking for a different kind of love, attracted only to men who are good-looking and fit. They not only act well, but the sexy manner in which they display their song, dance and pulchritude values just about sets the screen on fire and certainly is crowd-pleasing, judging by the thunderous applause at the preview after each of the well-staged musical numbers. Piggy is a white supremacist capitalist asshole and deserved to be bilked of his diamonds. Meanwhile, Lady Beekman has filed charges regarding her missing tiara, and Lorelei is arraigned for theft. Movies of Alternate Versions. Review by jack. Howard Hawks, master of genres far and wide gangster film, screwball comedy, film noir, Western , is not a perfect fit for the movie musical, which requires just a bit more nonsense than interests the no-nonsense Hawks. This is the ultimate romantic comedy list. Because once in awhile even a mercenary nitwit like you has a decent impulse. Anita Loos. Box office opening hours: - 15 minutes after last screening starts daily. But it is decidedly weird. Norma Varden Gentlemen Prefer Blondes. Runtime: 91 min. While Russell's down-to-earth, sharp wit has been observed by most critics, it was Monroe's turn as the gold-digging Lorelei Lee for which the film is often remembered. Written by Stewart M. Gus Esmond Jr. Retrieved July 17, Photo Gallery. Wheeler Joseph C. Rate This. For even more, visit our Family Entertainment Guide. Bizarre and hilarious. Gentlemen Prefer Blondes Reviews Rules: Generate a number from 1 to x via: www. Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr. However, Gus is under the control of his wealthy, upper-class father. Watson Steven Geray Last name. Alternate Versions. Back at the nightclub, Lorelei impresses Esmond, Sr. Maybe the real transatlantic accent was the friends we made along the way. I probably will end up thinking this list is outdated in about…. Lorelei plans to wed Gus in France, but Esmond, Sr. The supporting cast is spot on and the script is snappier than an alligator. Visit our What to Watch page. Retrieved Release Dates. Lorelei has a passion for diamonds, believing that attracting a rich husband is one of the few ways a woman can succeed economically. She tells Lorelei, who fears for her reputation. Meanwhile, Lady Beekman has filed charges regarding her missing tiara, and Lorelei is arraigned for theft. Ernie Malone Tommy Noonan Runtime: 91 min. Ernie Malone. Categories : films musical comedy films romantic comedy films s satirical films s sex comedy films 20th Century Fox films American musical comedy films American romantic comedy films American films American romantic musical films American satirical films American sex comedy films English-language films Films based on American novels Films based on musicals Films based on romance novels Films directed by Howard Hawks Films set on ships Films scored by Lionel Newman Films with screenplays by Charles Lederer Films produced by Sol C. Review by brunsee4. Plot Summary. English French. March 6, Movies of Genres comedy music romance. Use the HTML below. Box office opening hours: - 15 minutes after last screening starts daily. Photo Gallery. Help Learn to edit Community portal Recent changes Upload file. Release date. A true delight every time I watch it. Recs welcome! When Gus shows up at their show, Lorelei rebuffs him, after which she performs Diamonds are a Girl's Best Friend , the musical number whose lyrics explain why and how women need to pursue men with money. Henry Spofford III. Gentlemen Prefer Blondes Read Online Los Angeles Times. This film adores Jane Russell and Marilyn Monroe, only shooting them in the most fabulous outfits possible, decked out in jewels and wondrous colours. The Monthly Film Bulletin. Ernie Malone. Release date. Studio 20th Century Fox. Q: Is there a Cinemascope version of the 'Diamonds' Number? Anita Loos ' Gentlemen Prefer Blondes June 17, Hotel Manager. However, not much more is needed when patrons can look at Russell-Monroe lines as displayed in slick costumes and Technicolor. Official Sites. Download as PDF Printable version. They come up with a scheme to intoxicate Malone and then search him to recover the incriminating film while he is unconscious. Revealing her success to Piggy, she persuades him to give her Lady Beekman's tiara as a thank you gift. The fucking costumes!!! Watson Steven Geray Best Written Musical. Sign In. The site's critical consensus reads, "Anchored by Marilyn Monroe and Jane Russell's sparkling magnetism, Gentlemen Prefer Blondes is a delightfully entertaining s musical. Henry Spofford III. George Winslow External Reviews. I love women. Russell and Monroe are wonderful comediennes, and they have genuine chemistry. The Scarecrow Filmmakers Series. Parents Guide. However, Dorothy reveals to Lorelei she is falling for Malone, after which Lorelei chastises her for choosing a poor man when she could easily have a rich one. Lorelei meets the rich and foolish Sir Francis "Piggy" Beekman Charles Coburn , the owner of a diamond mine, and is attracted by his wealth; although Piggy is married, Lorelei naively returns his geriatric flirtations, which annoys his wife, Lady Beekman Norma Varden. Box office opening hours: - 15 minutes after last screening starts daily. Retrieved November 11, The New York Times : Malone withdraws his comments, but then reveals Piggy has the tiara, exonerating Lorelei. Review by Allyson 3. For even more, visit our Family Entertainment Guide. Edit Did You Know? Rotten Tomatoes. Anita Loos. Date: 13 January Location: Cinema. Back at the nightclub, Lorelei impresses Esmond, Sr. Harrison's Reports. They find the film in his pants, and Lorelei promptly prints and hides the negatives. Lorelei Lee Charles Coburn Title: Gentlemen Prefer Blondes Lorelei plans to wed Gus in France, but Esmond, Sr. I love Gentlemen Prefer Blondes. Don't let your friend here get mixed up in any of your schemes. Do you love all types of movies? While Russell's down-to-earth, sharp wit has been observed by most critics, it was Monroe's turn as the gold-digging Lorelei Lee for which the film is often remembered.
Recommended publications
  • Ocean's Eleven
    OCEAN'S 11 screenplay by Ted Griffin based on a screenplay by Harry Brown and Charles Lederer and a story by George Clayton Johnson & Jack Golden Russell LATE PRODUCTION DRAFT Rev. 05/31/01 (Buff) OCEAN'S 11 - Rev. 1/8/01 FADE IN: 1 EMPTY ROOM WITH SINGLE CHAIR 1 We hear a DOOR OPEN and CLOSE, followed by APPROACHING FOOTSTEPS. DANNY OCEAN, dressed in prison fatigues, ENTERS FRAME and sits. VOICE (O.S.) Good morning. DANNY Good morning. VOICE (O.S.) Please state your name for the record. DANNY Daniel Ocean. VOICE (O.S.) Thank you. Mr. Ocean, the purpose of this meeting is to determine whether, if released, you are likely to break the law again. While this was your first conviction, you have been implicated, though never charged, in over a dozen other confidence schemes and frauds. What can you tell us about this? DANNY As you say, ma'am, I was never charged. 2 INT. PAROLE BOARD HEARING ROOM - WIDER VIEW - MORNING 2 Three PAROLE BOARD MEMBERS sit opposite Danny, behind a table. BOARD MEMBER #2 Mr. Ocean, what we're trying to find out is: was there a reason you chose to commit this crime, or was there a reason why you simply got caught this time? DANNY My wife left me. I was upset. I got into a self-destructive pattern. (CONTINUED) OCEAN'S 11 - Rev. 1/8/01 2. 2 CONTINUED: 2 BOARD MEMBER #3 If released, is it likely you would fall back into a similar pattern? DANNY She already left me once.
    [Show full text]
  • 1908 Journal
    1 SUPREME COURT OF THE UNITED STATES. Monday, October 12, 1908. The court met pursuant to law. Present: The Chief Justice, Mr. Justice Harlan, Mr. Justice Brewer, Mr. Justice White, Mr. Justice Peckham, Mr. Justice McKenna, Mr. Justice Holmes, Mr. Justice Day and Mr. Justice Moody. James A. Fowler of Knoxville, Tenn., Ethel M. Colford of Wash- ington, D. C., Florence A. Colford of Washington, D. C, Charles R. Hemenway of Honolulu, Hawaii, William S. Montgomery of Xew York City, Amos Van Etten of Kingston, N. Y., Robert H. Thompson of Jackson, Miss., William J. Danford of Los Angeles, Cal., Webster Ballinger of Washington, D. C., Oscar A. Trippet of Los Angeles, Cal., John A. Van Arsdale of Buffalo, N. Y., James J. Barbour of Chicago, 111., John Maxey Zane of Chicago, 111., Theodore F. Horstman of Cincinnati, Ohio, Thomas B. Jones of New York City, John W. Brady of Austin, Tex., W. A. Kincaid of Manila, P. I., George H. Whipple of San Francisco, Cal., Charles W. Stapleton of Mew York City, Horace N. Hawkins of Denver, Colo., and William L. Houston of Washington, D. C, were admitted to practice. The Chief Justice announced that all motions noticed for to-day would be heard to-morrow, and that the court would then commence the call of the docket, pursuant to the twenty-sixth rule. Adjourned until to-morrow at 12 o'clock. The day call for Tuesday, October 13, will be as follows: Nos. 92, 209 (and 210), 198, 206, 248 (and 249 and 250), 270 (and 271, 272, 273, 274 and 275), 182, 238 (and 239 and 240), 286 (and 287, 288, 289, 290, 291 and 292) and 167.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Herman J. Mankiewicz– Screenwriter of Citizen Kane
    BY RAY MO R TON Legends of Screenwriting Herman J. Mankiewicz– Screenwriter of Citizen Kane Herman Jacob Mankiewicz was born in New York City on November 7, 1897. The eldest of three children (the youngest of whom, Joseph L. Mankiewicz, would also grow up to become a legendary screenwriter, director and producer) of German-Jewish immigrants, Herman was raised in Wilkes-Barre, Pennsylvania and later attended Columbia University. “When sound arrived, Herman’s sharp wit served him in good stead as he created scintillating dialogue ... ” Scenes from Citizen Kane C OURTESY : W ARNER H OME V IDEO e graduated in 1917 and, after spending and Robert E. Sherwood, as well as the plays Herman was hired as a contract writer, first at several years in the military, became The Good Fellows (with George S. Kaufman) Paramount and then later at MGM, Colum- the director of the American Red Cross and The Wild Man of Borneo (with Marc bia, and other studios, concocting stories press service in Paris. After leaving that Connelly). From 1923 to 1926, he was a and titles for films such as Gentlemen Prefer Hposition, Mankiewicz joined the Chicago drama critic at The New York Times and was Blondes (1928) and The Canary Murder Case Tribune as a Berlin-based foreign correspon- the theatre critic for the newly founded The (1929). When sound arrived, Herman’s sharp dent and acted as a press agent for legendary New Yorker magazine from June 1925 to wit served him in good stead as he created dancer Isadora Duncan. Returning to the U.S.
    [Show full text]
  • George Pal Papers, 1937-1986
    http://oac.cdlib.org/findaid/ark:/13030/tf2s2004v6 No online items Finding Aid for the George Pal Papers, 1937-1986 Processed by Arts Library-Special Collections staff; machine-readable finding aid created by D.MacGill; Arts Library-Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 1998 The Regents of the University of California. All rights reserved. Finding Aid for the George Pal 102 1 Papers, 1937-1986 Finding Aid for the George Pal Papers, 1937-1986 Collection number: 102 UCLA Arts Library-Special Collections Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: Art Library-Special Collections staff Date Completed: Unknown Encoded by: D.MacGill © 1998 The Regents of the University of California. All rights reserved. Descriptive Summary Title: George Pal Papers, Date (inclusive): 1937-1986 Collection number: 102 Origination: Pal, George Extent: 36 boxes (16.0 linear ft.) Repository: University of California, Los Angeles. Library. Arts Special Collections Los Angeles, California 90095-1575 Shelf location: Held at SRLF. Please contact the Performing Arts Special Collections for paging information. Language: English. Restrictions on Access Advance notice required for access.
    [Show full text]
  • Original Writer Title Genre Running Time Year Director/Writer Actor
    Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
    [Show full text]
  • Theatre Conservatory Presents the Summer Players
    Theatre Conservatory Presents The Summer Players in The cast of Peter Pan Top row: Sean Kato, Nick Trafton, Vincent Logan, Preston Veravanich, Marcello Bui 2nd row: Pierce Harvey, Ben Susskind, PJ Giglia, Halia Lindauer, Grady Farman 3rd row: Zoe Hebbard, Charlie Goubran, Chloe Thompson, Katie Lee, Sarah Sparks 4th row: Sienna Patel, ChloeLux Phan, Mia Ciuni, Libby Rue, Tess Fox, Natalie Bright 5th row: Sofia Mendez, Caitlyn Yu, Maggie Moland, Brooke Berberian, Jaden Linares Bottom row: Quinn Garcia, Tessany Azizi, Leah Kaplan, Isaac Person, Presley Coogan PETER PAN is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. www.mtishows.com Segerstrom Stage • August 7, 8, 14 & 15, 2021 DAVID IVERS PAULA TOMEI Artistic Director Managing Director DAVID EMMES & MARTIN BENSON Founding Artistic Directors Theatre Conservatory presents A musical based on the play by Sir J.M. Barrie Lyrics by Music by Carolyn Leigh Morris (Moose) Charlap Additional Lyrics by Additional Music by Betty Comden & Adolf Green Jule Styne Originally Directed, Choreographed and Adapted by Jerome Robbins Music direction by Directed by ERIN MCNALLY HISA TAKAKUWA SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER LEAH RAMILLANO KATE POPPEN KARYN D. LAWRENCE SOUND DESIGNER CHOREOGRAPHER STAGE MANAGER JEFF POLUNAS SJAAN TROWBRIDGE ANNA KLEVIT In 1929 Sir J.M. Barrie bequeathed PETER PAN to GREAT ORMOND STREET HOSPITAL FOR CHILDREN IN LONDON, which as benefited thousands of children since then. The producers are proud and happy that everyone who has bought a ticket for today's performance of PETER PAN is helping towards making the hospital the incredible center of hope it is today.
    [Show full text]
  • The Many Editions of the Front Page: How Gender Shapes the Story
    Conspectus Borealis Volume 5 Issue 1 5th Anniversary Issue Article 14 3-27-2020 The Many Editions of The Front Page: How Gender Shapes the Story Nicole Moore Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Dramatic Literature, Criticism and Theory Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Moore, Nicole (2020) "The Many Editions of The Front Page: How Gender Shapes the Story," Conspectus Borealis: Vol. 5 : Iss. 1 , Article 14. Available at: https://commons.nmu.edu/conspectus_borealis/vol5/iss1/14 This Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. Moore 1 Nicole Moore Dr. David Wood HON495X November 29, 2019 The Many Editions of The Front Page: How Gender Shapes the Story Have you ever been upset that a movie adaptation was not faithful to the book? That the remake was not as good as the original? This gut instinct to reject a performance’s interpretation of the text haunted me at the 2019 Stratford Festival. After falling in love with the written play, The Front Page (1928), I could not wait to see it staged. The quick wit, overlapping dialogue, and ever-present power dynamics would surely be impressive when performed live. By intermission, however, I felt disappointed but hopeful.
    [Show full text]
  • His Girl Friday (1940)
    Conversations about great films with Diane Christian & Bruce Jackson HOWARD HAWKS (30 May 1896, Goshen, Indiana—26 December 1977, Palm Springs, California, aftermath of a fall) directed 47 films (and was producer on most of them) and wrote 24 screenplays. The last film he directed was Rio Lobo 1970; his first was Road to Glory 1926. Some of the others were: Man's Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953), I Was a Male War Bride (1949), A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), Sergeant York (1941), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), Barbary Coast (1935), Twentieth Century (1934), Scarface (1932), and The Dawn Patrol (1930). He won an honorary Oscar in 1975. BEN HECHT (28 February 1894, New York City—18 April 1964, NYC, HIS GIRL FRIDAY (1940). 92 min thrombosis) wrote or co-wrote 128 screenplays, half of them uncredited. Produced and directed by Howard Hawks Some of them are Cleopatra (1963), Mutiny on the Bounty (1962), Walk on Based on the play, “The Front Page,” by Ben Hecht the Wild Side (1962), A Farewell to Arms (1957), Miracle in the Rain and Charles MacArthur (1956), The Court-Martial of Billy Mitchell (1955), The Man with the Screenplay by Charles Lederer Golden Arm (1955), Guys and Dolls (1955), Rope (1948), The Miracle of Cinematography by Joseph Walker the Bells (1948), Ride the Pink Horse (1947), Kiss of Death (1947), Duel in the Sun (1946), Notorious (1946), Gilda (1946), Spellbound (1945), Cary Grant ...Walter Burns Lifeboat (1944), The Outlaw (1943), Gone with the Wind (1939), Wuthering Rosalind Russell ...Hildegaard 'Hildy' Johnson Heights (1939), Stagecoach (1939), Angels with Dirty Faces (1938), Ralph Bellamy ...Bruce Baldwin Barbary Coast (1935), Viva Villa! (1934), Scarface (1932), and The New Gene Lockhart ...Sheriff Peter B.
    [Show full text]
  • Age of Displacement As the U.S
    CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE Mayoral Spotlight on Bill Daley Nate Marshall 11 Aldermanic deep dives: DOOR TO DOOR IN THE 25TH Anya Davidson 12 THE SOCIALIST RAPPER IN THE 40TH Leor Galil 8 INSIDE THE 46TH Maya Dukmasova 6 Astra Taylor asks what democracy is Sujay Kumar 22 Age of displacement As the U.S. government grinds to a halt and restarts over demands for a wall, two exhibitions examine what global citizenship looks like. By SC16 THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER TR - ­ ­ A NOTE FROM THE EDITOR @ HAPPYVALENTINE’SDAY! To celebrate our love for you, we got you a LOT lot! FOUR. TEEN. LA—all of it—only has 15 seats on its entire city council. PTB of stories about aldermanic campaigns. Our election coverage has been Oh and it’s so anticlimactic: in a couple weeks we’ll dutifully head to the ECAEM so much fun that even our die-hard music sta ers want in on it. Along- polls to choose between them to determine who . we’ll vote for in the ME PSK side Maya Dukmasova’s look at the 46th Ward, we’re excited to present runo in April. But more on that next week. ME DKH D EKS Leor Galil’s look at the rapper-turned-socialist challenger to alderman Also in our last issue, there were a few misstatements of fact. Ben C LSK Pat O’Connor in the 40th—plus a three-page comics journalism feature Sachs’s review of Image Book misidentifi ed the referent of the title of D P JR CEAL from Anya Davidson on what’s going down in the 25th Ward that isn’t an part three.
    [Show full text]