George Pal Papers, 1937-1986
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La Construcción Histórica En La Cinematografía Norteamericana
Tesis doctoral Luis Laborda Oribes La construcción histórica en la cinematografía norteamericana Dirigida por Dr. Javier Antón Pelayo Facultad de Filosofía y Letras Departamento de Historia Moderna Universidad Autónoma de Barcelona 2007 La historia en la cinematografía norteamericana Luis Laborda Oribes Agradecimientos Transcurridos ya casi seis años desde que inicié esta aventura de conocimiento que ha supuesto el programa de doctorado en Humanidades, debo agradecer a todos aquellos que, en tan tortuoso y apasionante camino, me han acompañado con la mirada serena y una palabra de ánimo siempre que la situación la requiriera. En el ámbito estrictamente universitario, di mis primeros pasos hacia el trabajo de investigación que hoy les presento en la Universidad Pompeu Fabra, donde cursé, entre las calles Balmes y Ramon Trias Fargas, la licenciatura en Humanidades. El hado o mi más discreta voluntad quisieron que iniciara los cursos de doctorado en la Universidad Autónoma de Barcelona, donde hoy concluyo felizmente un camino repleto de encuentros. Entre la gente que he encontrado están aquellos que apenas cruzaron un amable saludo conmigo y aquellos otros que hicieron un alto en su camino y conversaron, apaciblemente, con el modesto autor de estas líneas. A todos ellos les agradezco cuanto me ofrecieron y confío en haber podido ofrecerles yo, a mi vez, algo más que hueros e intrascendentes vocablos o, como escribiera el gran bardo inglés, palabras, palabras, palabras,... Entre aquellos que me ayudaron a hacer camino se encuentra en lugar destacado el profesor Javier Antón Pelayo que siempre me atendió y escuchó serenamente mis propuestas, por muy extrañas que resultaran. -
Animation: Types
Animation: Animation is a dynamic medium in which images or objects are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today most animations are made with computer generated (CGI). Commonly the effect of animation is achieved by a rapid succession of sequential images that minimally differ from each other. Apart from short films, feature films, animated gifs and other media dedicated to the display moving images, animation is also heavily used for video games, motion graphics and special effects. The history of animation started long before the development of cinematography. Humans have probably attempted to depict motion as far back as the Paleolithic period. Shadow play and the magic lantern offered popular shows with moving images as the result of manipulation by hand and/or some minor mechanics Computer animation has become popular since toy story (1995), the first feature-length animated film completely made using this technique. Types: Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one against a painted background by rostrum camera onto motion picture film. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Photo Journalism, Film and Animation
Syllabus – Photo Journalism, Films and Animation Photo Journalism: Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Need and importance, Timeliness The images have meaning in the context of a recently published record of events. Objectivity The situation implied by the images is a fair and accurate representation of the events they depict in both content and tone. Narrative The images combine with other news elements to make facts relatable to audiences. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access). subject of photo picture sources, Photojournalists are able to enjoy a working environment that gets them out from behind a desk and into the world. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Toy Story: How Pixar Reinvented the Animated Feature
Brown, Noel. " An Interview with Steve Segal." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 197–214. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781501324949.ch-013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 03:24 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 97 Chapter 13 A N INTERVIEW WITH STEVE SEGAL N o e l B r o w n Production histories of Toy Story tend to focus on ‘big names’ such as John Lasseter and Pete Docter. In this book, we also want to convey a sense of the animator’s place in the making of the fi lm and their perspective on what hap- pened, along with their professional journey leading up to that point. Steve Segal was born in Richmond, Virginia, in 1949. He made his fi rst animated fi lms as a high school student before studying Art at Virginia Commonwealth University, where he continued to produce award- winning, independent ani- mated shorts. Aft er graduating, Segal opened a traditional animation studio in Richmond, making commercials and educational fi lms for ten years. Aft er completing the cult animated fi lm Futuropolis (1984), which he co- directed with Phil Trumbo, Segal moved to Hollywood and became interested in com- puter animation. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS New SF & Fantasy Artists Dictionary Including numerous ERB illustrators, Jane Frank’s just-published Science Fic- tion and Fantasy Artists of the Twentieth Century presents information on 400 artists whose influence and illustrative contributions to the fields of science fic- tion and fantasy literature helped define the 20th century as the “Science Fic- tion Century” and helped established science fiction and fantasy as unique and identifiable genres. In addition to providing basic, inclusive biographical data on venerable artists from Chris Achilleos to John Michael Zeleznik, each entry also includes a bibliographic listing of each artist’s published work in the genre. Designed as a comprehensive, up-to-date reference guide for researchers, schol- ars, collectors, dealers, and enthusiasts, the book also includes an extensive and informative historical overview of modern science fiction art, written by the au- thor and Robert Weinberg and building on Weinberg’s 1988 seminal work. Appen- dices list the recipients of all major awards specific to science fiction and fantasy art, including the Hugo Awards, the World Fantasy Awards, the Chesley Awards, the British Science Fiction Association Awards and the British Fantasy Awards. (Hardcover, 534 pages; McFarland Publishers; ISBN-13, 978-0786434237, 10 x 7.2 x 1.4 inches; $135.00.) Elmo Lincoln Tarzan Documentary in the Works A documentary film on the Morgan City, Louisiana filming of the first Tarzan movie starring Elmo Lincoln and Enid Markey is now being prepared by Al Bohl. He will stop in Louisville to visit the Burroughs Memorial Collection before attending the 2009 Dum-Dum in Dayton, Ohio on August 13-16. -
Ocean's Eleven
OCEAN'S 11 screenplay by Ted Griffin based on a screenplay by Harry Brown and Charles Lederer and a story by George Clayton Johnson & Jack Golden Russell LATE PRODUCTION DRAFT Rev. 05/31/01 (Buff) OCEAN'S 11 - Rev. 1/8/01 FADE IN: 1 EMPTY ROOM WITH SINGLE CHAIR 1 We hear a DOOR OPEN and CLOSE, followed by APPROACHING FOOTSTEPS. DANNY OCEAN, dressed in prison fatigues, ENTERS FRAME and sits. VOICE (O.S.) Good morning. DANNY Good morning. VOICE (O.S.) Please state your name for the record. DANNY Daniel Ocean. VOICE (O.S.) Thank you. Mr. Ocean, the purpose of this meeting is to determine whether, if released, you are likely to break the law again. While this was your first conviction, you have been implicated, though never charged, in over a dozen other confidence schemes and frauds. What can you tell us about this? DANNY As you say, ma'am, I was never charged. 2 INT. PAROLE BOARD HEARING ROOM - WIDER VIEW - MORNING 2 Three PAROLE BOARD MEMBERS sit opposite Danny, behind a table. BOARD MEMBER #2 Mr. Ocean, what we're trying to find out is: was there a reason you chose to commit this crime, or was there a reason why you simply got caught this time? DANNY My wife left me. I was upset. I got into a self-destructive pattern. (CONTINUED) OCEAN'S 11 - Rev. 1/8/01 2. 2 CONTINUED: 2 BOARD MEMBER #3 If released, is it likely you would fall back into a similar pattern? DANNY She already left me once. -
Wp Shewing J&Faf
GENERAL NEWS WASHINGTON NEWS i FINANCE 8 Wp Shewing J&faf OBITUARIES AAA WASHINGTON, D. C., THURSDAY, NOVEMBER 3, 1955 It*A-29 ' --- Langley Site Key Supporter Corning Postpones Seen Favored 11l M sil HjEjL Quits Virginia For CIA Center WBmM'*'yß| Defender Group A B C Report Cards Consultants Moke * Gasch Protests Report Following Policy on Vote on New System Six-Week Study JHpr School Segregation Use Is Put Off By GEORGE BEVERIDGE Manning Gasch, one of North- Virginia’s oppo- Intelligence Agency v ern most active H Bj Hj, i h MB ¦ / Until February Central - ' . ¦ * % nents of integration to the pub- consultants reportedly have rec- schools, By JAMES G. DEANE locate lic announced today he ommended that the CIA is resigning from the Defenders j School Supt. Hobart M. Corning its huge $46 million headquar- of State sovereignty and Indi- mr% nBH ters centra - on Federal property today announced postponement vidual Liberties. of the District’s new A-B-C-typa at Langley. Va. This is the principal organ- The consultants* repot, made reporting system until February. * study pupils get after six-week of various oe Ssgisgetiss Elementary wUI Resort Pst Off is Vir- new-style sites by the New York firm of gisis. A-31 report cards on sched- Clarke <Ss Rapuano, was delivered Pst* ule November 21. but teachers to the CIA this week and also m ization to Virginia working to won’t use letter marks until the has been soot to the National preserve segregation., cards go home the second time Capital Planning Commission. -
1908 Journal
1 SUPREME COURT OF THE UNITED STATES. Monday, October 12, 1908. The court met pursuant to law. Present: The Chief Justice, Mr. Justice Harlan, Mr. Justice Brewer, Mr. Justice White, Mr. Justice Peckham, Mr. Justice McKenna, Mr. Justice Holmes, Mr. Justice Day and Mr. Justice Moody. James A. Fowler of Knoxville, Tenn., Ethel M. Colford of Wash- ington, D. C., Florence A. Colford of Washington, D. C, Charles R. Hemenway of Honolulu, Hawaii, William S. Montgomery of Xew York City, Amos Van Etten of Kingston, N. Y., Robert H. Thompson of Jackson, Miss., William J. Danford of Los Angeles, Cal., Webster Ballinger of Washington, D. C., Oscar A. Trippet of Los Angeles, Cal., John A. Van Arsdale of Buffalo, N. Y., James J. Barbour of Chicago, 111., John Maxey Zane of Chicago, 111., Theodore F. Horstman of Cincinnati, Ohio, Thomas B. Jones of New York City, John W. Brady of Austin, Tex., W. A. Kincaid of Manila, P. I., George H. Whipple of San Francisco, Cal., Charles W. Stapleton of Mew York City, Horace N. Hawkins of Denver, Colo., and William L. Houston of Washington, D. C, were admitted to practice. The Chief Justice announced that all motions noticed for to-day would be heard to-morrow, and that the court would then commence the call of the docket, pursuant to the twenty-sixth rule. Adjourned until to-morrow at 12 o'clock. The day call for Tuesday, October 13, will be as follows: Nos. 92, 209 (and 210), 198, 206, 248 (and 249 and 250), 270 (and 271, 272, 273, 274 and 275), 182, 238 (and 239 and 240), 286 (and 287, 288, 289, 290, 291 and 292) and 167. -
Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain).