Linda Hutcheon
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Franklin Carmichael's Representation of The
TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE by NICOLE MARIE MCKOWEN Submitted to the Faculty Graduate Division College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE Thesis Approved: ______________________________________________________________________________ Major Professor, Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History ______________________________________________________________________________ Dr. Frances Colpitt, Deedie Rose Chair of Art History ______________________________________________________________________________ Dr. Meredith Munson, Lecturer, Art History at University of Texas, Arlington ______________________________________________________________________________ Dr. Joseph Butler, Associate Dean for the College of Fine Arts Date ii iii Acknowledgements I would like to express my gratitude to my committee chair Dr. Mark Thistlethwaite and my committee members Dr. Frances Colpitt and Dr. Meredith Munson for their time and guidance throughout the writing of this thesis. I am also grateful to all of the faculty of the Art History Division of the School of Art at Texas Christian University, Dr. Babette Bohn, Dr. Lori Diel, and Dr. Jessica Fripp, for their support of my academic pursuits. I extend my warmest thanks to Catharine Mastin for her support of my research endeavors and gratefully recognize archivist Philip Dombowsky at the National Gallery of Canada, archivist Linda Morita and registrar Janine Butler at the McMichael Canadian Art Collection, and the archivists at the Library and Archives Canada for their enthusiastic aid throughout my research process. Finally, I am indebted to my husband and family, my champions, for their unwavering love and encouragement. -
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism by Matthew Purvis A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2020, Matthew Purvis i Abstract This dissertation concerns the relation between eroticism and nationalism in the work of a set of English Canadian artists in the mid-1960s-70s, namely John Boyle, Greg Curnoe, and Joyce Wieland. It contends that within their bodies of work there are ways of imagining nationalism and eroticism that are often formally or conceptually interrelated, either by strategy or figuration, and at times indistinguishable. This was evident in the content of their work, in the models that they established for interpreting it and present in more and less overt forms in some of the ways of imagining an English Canadian nationalism that surrounded them. The dissertation contextualizes the three artists in the terms of erotic art prevalent in the twentieth century and makes a case for them as part of a uniquely Canadian mode of decadence. Constructing my case largely from the published and unpublished writing of the three subjects and how these played against their reception, I have attempted to elaborate their artistic models and processes, as well as their understandings of eroticism and nationalism, situating them within the discourses on English Canadian nationalism and its potentially morbid prospects. Rather than treating this as a primarily cultural or socio-political issue, it is treated as both an epistemic and formal one. -
Bcs-Directory-2014
BC Library Federations' Book Club Sets 2014 Collection Brought to you by librarians from across British Columbia in the Kootenay, North Coast, North East, and IslandLink library federations. For more information about these book club sets, or to ask that specific titles be included in next year's collection, please ask at your local library, or visit klf.bclibrary.ca/federations-book- club-sets. Fiction.....................2 Young Adult...........29 Non-Fiction............32 Happy reading! Fiction American Dervish By Ayad Akhtar Hayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. This woman is Hayat's mother's oldest friend from Pakistan. She is independent, beautiful, and intelligent, and arrives on the Shah's doorstep when her disastrous marriage in Pakistan disintegrates. Even Hayat's skeptical father can't deny the liveliness and happiness that accompanies Mina into their home. When Mina meets and begins dating a man, Hayat is confused by his feelings of betrayal. Just as Mina finds happiness, Hayat is compelled to act -- with devastating consequences for all those he loves most. The Dressmaker By Kate Alcott Tess, an aspiring seamstress, thinks she's had an incredibly lucky break when she is hired by famous designer Lady Lucile Duff Gordon to be a personal maid on the Titanic's doomed voyage. Once on board, Tess thinks she’s got it made when she catches the eye of not one, but two men: one a roughly-hewn (but kind) sailor, and the other an enigmatic Chicago millionaire. -
Gift of Michael Redhill 2011
Ms. Michael Redhill papers Coll. 2011 00668 Gift of Michael Redhill 2011 Includes early fiction, 1982-1991, poetry and plays: Be Frank, Heretics, Deadwait, Mr. Stern is Dead, Building Jerusalem, Goodness, literary and personal correspondence, including with many writers such as Michael Ondaatje, Margaret Atwood, Don McKay, Linda Spalding, Esta Spalding, interviews with Dennis Lee, Michael Ondaatje and Don Coles, reviews by and about Michael Redhill; publishing; drafts, editing—including Andre Alexis, Elisabeth Harvor; research for Martin Sloane, Consolation, Goodness; print; Lake Nora Arms, Asphodel, Impromptu Feats of Balance and other poetry; short fiction and prose pieces; screenplays, plays and short stories: The Covered, a screenplay written by Michael Redhill and Michael Helm, Breakthrough, collections of short stories, Fidelity; ‘The Last Resort’ film treatment and other film and television projects; material related to Brick magazine, editing and publishing correspondence and other material. Michael Redhill was the proprietor and publisher of Brick magazine from 2003-2011, and an editor from 1998-2003 Extent: 53 boxes and items (8.5 metres) Biographical information: Michael Redhill was born in Baltimore, Maryland in 1966, but has lived in Toronto most of his life. Educated in the United States and Canada, he took seven years to complete a three-year BA in acting, film, and finally, English. Since 1988, he has published five collections of poetry, had eight plays of varying lengths performed, and been a cultural critic and essayist. He has worked as an editor, a ghost-writer, an anthologist, a scriptwriter for film and television, and in leaner times, as a waiter, a house-painter, and a bookseller. -
Nafional Fann Radio Forum on CBC Radio Eleanor Beattie a Thesis the Department Communication Studies Presented in Partial Fulfil
Public Education in the Mass Media: Nafional Fann Radio Forum on CBC Radio Eleanor Beattie A Thesis The Department Communication Studies Presented in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada 8 Eleanor Beattie, 1999 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lhrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, di~6tl'buerou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the auîhor's ou autrement reproduits sans son permission. autorisation. A5STRACT Public Education in the Mass Media: National Fann Radio Forum on CBC Radio Eleanor Beattie, Ph.D. Concordia University, 1999 The weekly radio program, National Fatm Radio Forum (1940 - 1965) on the Canadian Broadcasting Corporation is the site of an examination of civic education in the mass media. The archived documentation of NFRF forms the corpus of my research. The subjed of civic education is analyzed through a rhetorical examination of programs on the subject of health delivery, the latter chosen because it shares, with civic education, the topics of cooperativisrn and equity of access. -
Mavis Gallant F Ancine P Ose Damon Galgut Aleksanda
Brick celebrates Mavis Gallant, with contributions from Michael Helm, Francine Prose, Alison Harris, Michael Ondaatje, and Nadia Szilvassy & Tara Quinn. A LITERARY JOURNAL Aleksandar Hemon talks to Eleanor Wachtel Obi Nwakanma in conversation with Madeleine Thien Grant Buday on Thomas De Quincey Damon Galgut on E. M. Forster Andrew H. Miller watches The Clock The watch continues to tick where the story stops. — stops. story the where tick continues to The watch permanence. grief without are the look, The lie, the David L. Ulin traces our expressions Myrna Kostash searches for Eliza McLean William Everson meets Theodore Dreiser ichard Sanger says goodbye to Seamus Heaney Tara Quinn follows Leonard Woolf to Sri Lanka Jim Harrison misses Paris A dispatch from Siberia by Sean Michaels A ri on Tolstoy by Jessica Michalofsky Amitava Kumar’s train stories Mark Marczyk’s notes from Ukraine Mavis Gallant Mavis Poems by Jan Zwicky and Sharon Olds Photograph of Mavis Gallant by Alison Harris. eviews by Laurie D Graham, John McIntyre, $. and ebecca Silver Slayter MAVIS GALLANT FANCINE POSE DAMON GALGUT And Zachary Lazar on Angola Prison’s Passion Play, ALEKSANDA HEMON SHAON OLDS ZACHAY LAZA with photographs by Deborah Luster £. DEBOAH LUSTE MICHAEL HELM OBI NWAKANMA JIM HAISON MADELEINE THIEN JAN ZWICKY The New Brick Reader Summer Special A Brick subscription plus The New Brick Reader — only $55* Subscribe, Renew, or Give! Visit BrickMag.com and click on “The New Brick Reader Summer Deal.” *plus shipping for the Reader Offer expires August -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery. -
JOHN Mcewen Born Toronto, 1945 Lives in Hillsdale, on EDUCATION
JOHN McEWEN Born Toronto, 1945 Lives in Hillsdale, ON EDUCATION 1965 McMaster University, Hamilton, ON 1966-70 Ontario College of Art, Toronto, ON TEACHING EXPERIENCE 1989-90 Professor, Visual Arts Department, University of Ottawa 1978-85 Professor, Technological Studies, Ontario College of Art HONOURS 2019 Order of Canada SOLO EXHIBITIONS 2020 Like Glitter Ascending Into Fire, Olga Korper Gallery, Toronto, ON 2019/20 Walk On: the ongoing sculpture project of John McEwen, Woodstock Art Gallery, ON 2017 A Passing Gust of Wind, Olga Korper Gallery, Toronto, ON 2015 Skin Deep (The Defensible Heart), Olga Korper Gallery, Toronto, ON 2014 Flotsam and Jetsam, Page & Strange, Halifax, NS Beauty Beneath the Bone, DNA Artspace, London, ON 2013 Snakes & ladders, Olga Korper Gallery, Toronto, ON 2012 A Library for the Future, Page & Strange, Halifax, NS 2011 Empire of the Imagination, Olga Korper Gallery, Toronto, ON Je Pense/I Think, Musée d’art contemporain des Laurentides, Saint-Jérôme, QC 2009 Internal Logic, Olga Korper Gallery, Toronto, ON Ocean Mind / Ocean Stories, Gallery Page and Strange, Halifax, NS 2007 Marconi In The Sculpture of John McEwen, The Winnipeg Art Gallery, Winnipeg, MB On the Beach, Olga Korper Gallery, Toronto, ON 2006 Archipel, Parisian Laundry, Montréal, QC 2006 Kiwi Sculpture Garden Project, Perth, ON 2005 New Garden, Olga Korper Gallery, Toronto, ON 2003 Stories from the Water-Glass, Olga Korper Gallery, Toronto, ON 2001 Ocean of Stories, Olga Korper Gallery, Toronto, ON 1999 Open Pour – Heaven and Earth, Olga Korper Gallery, Toronto, ON 1995 Our Museum, Olga Korper Gallery, Toronto, ON Breath, Smoke and Yellow Air, The Power Plant, Toronto, ON 1993 The Affair at Babel - Five Works, Olga Korper Gallery, Toronto, ON 1992 Elevator Shaft Project / Wizard, Olga Korper Gallery, Toronto, ON Eclipse for the Unborn, Galerie Samuel Lallouz, Montréal, QC 1991-93 Babylon and the Tower of Babel, sponsored by The McMichael Art Gallery, Kleinburg, ON 1988 Five Public Works / John McEwen, Southern Alberta Art Gallery, Lethbridge, AB 1 SOLO EXHIBITIONS Cont. -
November 2017 Distributor Newsletter
SeneScenes November 2017 Distributor Newsletter Get your business off on a profitable path in your first 90 days! Build up your business, and earn valuable product sets for personal use or demonstration. Now, more than ever, it pays to be a SeneGence Distributor! Message from the Founder Dear Lovely, It is amazing that we are only a couple of weeks away from 2018, and I’m sure you are just as excited as I am for the upcoming festive holiday season, with US Thanksgiving, Hanukkah and Christmas just around the corner! There is so much to be thankful for this year, but I am most thankful for my family, health, and all of you amazing Lovelies who are truly my greatest friends, and who I have the honor of watching succeed. Joni Rogers-Kante Founder & CEO Use this holiday season as the perfect time to grow your business! With sponsoring being such a critical step of your SeneGence career, I am sharing with you what I am calling “Joni's SeneScenes Law”: DISTRIBUTOR NEWSLETTER • Five – 1st line Newbies per month equals NOVEMBER 2017 | OCTOBER 2017 RECOGNITION growth. Contact Information: • Three – 1st line Newbies per month equals USA & Canada maintenance. SeneCare [email protected] How many have you sponsored since April 19651 Alter st Foothill Ranch, CA 92610 1 ? If you are sponsoring to grow, that would st Phone: (949) 860-1860 be 35 1 line Newbies to date. At what level of For updated news & productivity are you “actually doing the work”? information about SeneGence products and events: Your activity is ALWAYS seen in the results. -
Tim Whiten Born 1941, Inkster, Michigan Lives in Toronto, Canada
Tim Whiten Born 1941, Inkster, Michigan Lives in Toronto, Canada www.timwhiten.com EDUCATION M.F.A., University of Oregon, 1966 B.S., Central Michigan University, 1964 SELected SOLO EXHIBITIONS 2021 Tools of Conveyance, University of Colorado Art Museum, Boulder, CO 2019 Suspend, Olga Korper Gallery, Toronto 2018 Mindful, Tom Thomson Art Gallery, Owen Sound, ON 2015 Catching the Rainbow: Image-Maker Tim Whiten in Conversation with Jarrett Earnest, Meridian Studio Visits Online, Meridian Gallery, San Francisco 2013 CIRCUIT inside, Olga Korper Gallery, Toronto 2011 coming PASSAGE going, Olga Korper Gallery, Toronto 2010 Darker, ever darker; Deeper, always deeper: The Journey of Tim Whiten, Meridian Gallery, San Francisco Ritual Evidence, Art Gallery of Hamilton, Hamilton, ON 2008 UP, DOWN, IN-BETWEEN, Olga Korper Gallery, Toronto 2006 …as it is…, Canadian Clay & Glass Gallery, Waterloo, ON 2004 Working The Unseen, Meridian Gallery, San Francisco 2002 T After Tom, Ola Korper Gallery, Toronto 2001 Enigmata/Rose, Meridian Gallery, San Francisco 1999 Enigmata, Pekao Gallery, Toronto 1998 Messages from the Light, Olga Korper Gallery, Toronto Messages from the Light, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montréal 1997 Messages from the Light, Koffler Gallery, Koffler Centre for the Arts, Toronto Last Night, Night Before, Olga Korper Gallery, Toronto 1996 Tim Whiten, Olga Korper Gallery, Toronto 1993 Tim Whiten, Olga Korper Gallery, Toronto 1991 Winters College, York University, Toronto 1990 Tim Whiten, Olga Korper Gallery, Toronto 1986 Descendants of Parsifal, Olga Korper Gallery, Toronto 1985 Tim Whiten, Bau-Xi Gallery, Toronto 1983 Tim Whiten, Bau-Xi Gallery, Toronto 1982 Tim Whiten, Bau-Xi Gallery, Toronto 1979 Tim Whiten: Selected Works on Paper, Bau-Xi Gallery, Toronto St. -
These-Are-Our-Crimes
Violating a press law prohibiting the publication of material considered defamatory and offensive to religion Promoting democracy Speaking out in support of women’s rights and challenging conservative religious beliefs Subversive actions against the state and collusion with the political opposition outside the country Reporting on corruption in the ruling party and on planned attacks against the political opposition; accused of being a “media terrorist” Arguing against terrorism by the state and separatists; speaking out for political and ethnic pluralism and against child soldiers and suicide bombings Running counter to the conservative dictates of the Republic Being an independent journalist These are our crimes We live in e xile CONTENTS 3 FOREWORD 4 PRESIDENT’S REPORT WRITERS IN EXILE NETWORK: THE NEW FRONTIER 16 EXECUTIVE DIRECTOR’S REPORT 28 WRITERS IN PRISON COMMITTEE REPORT 36 NATIONAL AFFAIRS COMMITTEE REPORT 44 MINDERS 46 HONORARY MEMBERS 62 HONORARY MEMBERS RELEASED 68 MEMBERS & SUPPORTERS Sometimes freedom is only the beginning. For the writer who has been freed from prison or escaped threat in his or her homeland, exile presents a whole new set of problems. When one is estranged from friends, family and culture, with a name no one knows, exile can be a lonely, frightening place. PEN Canada has been working very hard over the past few years to develop ways to help these exiled writers make the transition to their new homes, with some encouraging success. In fact, we have been instrumental in establishing guidelines for PEN centres all over the world. We dedicate this annual report to these writers, and would like to introduce you within these pages to some of the brave men and women who have made Canada their new home. -
The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past.