DOCSLIB.ORG

{Read} {PDF EPUB} ~Download Mickey's Christmas Carol Classic Storybook by Walt Disney Company Classic Storybooks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{Read} {PDF EPUB} ~Download Mickey's Christmas Carol Classic Storybook by Walt Disney Company Classic Storybooks {Read} {PDF EPUB} ~download Mickey's Christmas Carol Classic Storybook by Walt Disney Company Classic Storybooks. The Classic Storybooks line, later retitled the Classic Storybook Collection from MouseWorks or MouseWorks Classic Storybooks , was a series of hardcover storybooks based on Disney's/Pixar's animated feature films from 1990-2002. Books in the series. The Adventures of the Great Mouse Detective Aladdin Alice in Wonderland The Aristocats Bambi Beauty and the Beast The Black Cauldron A Bug's Life Cinderella Donald and His Friends Dumbo The Fox and the Hound Hercules The Hunchback of Notre Dame The Jungle Book Lady and the Tramp The Lion King The Lion King II: Simba's Pride The Little Mermaid The Many Adventures of Winnie the Pooh Mickey's Christmas Carol Mulan Oliver & Company One Hundred and One Dalmatians Peter Pan Pinocchio Pocahontas The Prince and the Pauper The Rescuers The Rescuers Down Under Robin Hood Sleeping Beauty Snow White and the Seven Dwarfs The Sword in the Stone Toy Story Winnie the Pooh. This book article is a stub. You can help Disney Wiki by expanding it . [PDF] Mickeys Christmas Carol Book by Walt Disney Company Free Download () Free download or read online Mickeys Christmas Carol pdf (ePUB) book. The first edition of the novel was published in 1983, and was written by Walt Disney Company. The book was published in multiple languages including English, consists of and is available in ebook format. The main characters of this holiday, christmas story are , . The book has been awarded with , and many others. Mickeys Christmas Carol PDF Details. Author: Walt Disney Company Original Title: Mickeys Christmas Carol Book Format: ebook First Published in: 1983 Language: English category: holiday, christmas, childrens, childrens, picture books, holiday, fiction, classics, animals, family, childrens, juvenile, fantasy Formats: ePUB(Android), audible mp3, audiobook and kindle. The translated version of this book is available in Spanish, English, Chinese, Russian, Hindi, Bengali, Arabic, Portuguese, Indonesian / Malaysian, French, Japanese, German and many others for free download. Please note that the tricks or techniques listed in this pdf are either fictional or claimed to work by its creator. We do not guarantee that these techniques will work for you. Some of the techniques listed in Mickeys Christmas Carol may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them. DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url. If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed. Mickey's Christmas Carol. The special Christmas variant of Mickey's opening card used for this special's title sequence. — Goofy, as Marley, giving his awkward warning to Scrooge. Mickey's Christmas Carol is a 1983 theatrical featurette featuring established Disney characters enacting Charles Dickens' A Christmas Carol . The production, hailed as Mickey Mouse's big-screen comeback (despite his limited supporting role), was inspired by An Adaptation of Dickens' Christmas Carol, Performed by The Walt Disney Players , a 1974 record album conceived by Alan Young and Alan Dineheart. The film also marked the first screen production in which Young provided the voice of Uncle Scrooge McDuck, whose voice he had provided on the aforementioned album. Young would go on to reprise the voice of Scrooge in nearly every subsequent production to feature the character, most notably the animated television series DuckTales , until his death in May 2016. The featurette also marked the first theatrical outing for Wayne Allwine as the voice of Mickey Mouse (who had previously voiced the character in animation produced for The New Mickey Mouse Club TV series in 1977) as well as Clarence Nash's final performance as the voice of Donald Duck. In addition to Scrooge McDuck as his namesake, the cast of characters includes Mickey as Bob Cratchit, Donald as Scrooge's nephew Fred, Daisy Duck as Scrooge's first love, Minnie Mouse as a silent Mrs. Cratchit, Morty Fieldmouse (one of Mickey's nephews) as Tiny Tim, Goofy as the Ghost of Jacob Marley, Jiminy Cricket as the Ghost of Christmas Past, Willie the Giant (from the "Mickey and the Beanstalk" segment of Fun and Fancy Free ) as the Ghost of Christmas Present, Pete as the Ghost of Christmas Future, Mole and Ratty (from The Adventures of Ichabod and Mr. Toad ) as the charity collectors, Mr. Toad himself in a silent cameo as Fezziwig, and scores of other cameos from the theatrical shorts and films. The film was nominated for the 1983 Academy Award for Best Animated Short Film; however, it lost to Sundae in New York . Contents. Synopsis. Scrooge and Bob Cratchit (Mickey). On Christmas Eve, while all of Victorian England is in the merry spirit of Christmas, Ebenezer Scrooge (played by Scrooge McDuck) thinks only of the money he has made and of making more (apparently, he charges people 80% interest, compounded daily). While Scrooge's selfish thoughts cascade in his head, Bob Cratchit (Mickey Mouse), exhausted and underpaid, continues to work long and hard for him. Cratchit reluctantly asks for a "half day off" for Christmas, to which Scrooge replies it will be unpaid (in contrast to the original version where Scrooge is irritated at giving Cratchit Christmas off with pay). Scrooge's nephew Fred (Donald Duck) comes in to invite Scrooge to his family's Christmas dinner, but Scrooge turns him down. When collectors Rat and Mole, along with beggars on the streets, kindly ask for a simple donation, Scrooge turns them down, saying that if he does, then the poor will no longer be poor and the collectors will be out of work, "and you [can't] ask me to do that, not on Christmas Eve." Scrooge gets a visit from the ghost of Jacob Marley (Goofy). That night, the ghost of Scrooge's greedy former business partner Jacob Marley (Goofy) appears and scares Scrooge out of his wits. When Scrooge commends him for his ruthlessness, Marley chuckles a hearty "Yup", but then recalls his sinfulness, and tells that because of his cruelty in life, he is doomed to wear heavy chains for eternity ("maybe even longer"). He warns that a similar fate, if not worse, will befall Scrooge unless he changes his ways. Marley then leaves, falling down the stairs when he tries to avoid tripping over Scrooge's cane again and letting out his signature Goofy holler. Scrooge dismisses the incident, but is later awoken by The Ghost of Christmas Past (Jiminy Cricket). He shows Scrooge his past, when his growing love of money led him to cruelly break the heart of his fiancée Isabel (Daisy Duck) by foreclosing on the honeymoon cottage's mortgage. (This is in sharp contrast to the original novel where Belle is the one who ends the engagement with Scrooge in a relatively amicable manner.) The Cratchit family celebrating Christmas. Not long after the first visit, the Ghost of Christmas Present (Willie the Giant) arrives, surrounded by turkey, mince pies, and suckling pigs. He shows him the poverty-stricken Cratchit family, who still keep a festive attitude in their home despite their hardships. Bob's young son, Tiny Tim (Morty Fieldmouse), is revealed to be ill, and Willie foretells tragedy if the family's hapless life does not change. However, just when Scrooge is desperate to know Tim's fate, the Ghost of Christmas Present and the house both vanish. The Ghost of Christmas Yet to Come (a hooded figure later revealed to be Pete) arrives to take Scrooge to the future in a graveyard. When he sees Bob mourning for Tiny Tim, who has passed away (indicated by Bob placing Tim's crutch on his memorial marker), Scrooge fearfully asks whether this future can be altered. He then overhears the laughter of two gravediggers (two weasels from The Wind in the Willows ), who are amazed and humored by the fact that no one attended the funeral of the man whose grave they were digging for. After the weasels leave to take a break from their work, Scrooge and the ghost approach the lonely grave, where the ghost lights a cigar, revealing Scrooge's name on the tombstone, and gives him a shove into his grave, calling him "the richest man in the cemetery". Scrooge falls towards his coffin as the lid opens and the flames of Hell burst out. Scrooge clings to a vine but it snaps and Scrooge falls into his grave, shouting his repentance, as the ghost laughs cruelly. Scrooge celebrating Christmas with the Cratchit family. Suddenly, he is back home on Christmas morning. Having been given another chance, Scrooge throws his coat over his nightshirt, dons his cane and top hat, and goes to visit the Cratchits, cheerfully donating generous amounts of money along the way and telling Fred that he will come to dinner at his house after all. He tries to play a ninny on Bob, dragging in a large sack supposedly filled with laundry and announcing gruffly that there will be extra work in the future. But to the Cratchits' joy, the sack is instead filled with toys and a big turkey for dinner. Scrooge gives Bob a raise and makes him his partner in the counting house, and Tiny Tim proclaims the original character's famous line of "God bless us, everyone!" Promotional artwork used for the original cover of the Little Golden Book adaptation. Voice actor/actress Character(s) Alan Young Ebenezer Scrooge (Scrooge McDuck) Hal Smith Jacob Marley (Goofy) Ratty Wayne Allwine Bob Cratchit (Mickey Mouse) Weasel #1 Otto Will Ryan The Ghost of Christmas Present (Willie Fadiddlehoffer) The Ghost of Christmas Yet to Come (Pete) Mole Street corner Santa (Zeke Wolf) Weasel #2 Eddie Carroll The Ghost of Christmas Past (Jiminy Cricket) Patricia Paris Isabel (Daisy Duck) Dick Billingsley Tiny Tim (Morty Fieldmouse) Clarence Nash Fred (Donald Duck) no voice Fezziwig (J.
Load more

Recommended publications
  • Bruno Augusto Stefano Eugenio Mariano Da Rocha Barichello
    Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello TRABALHO FINAL DE GRADUAÇÃO O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Santa Maria, RS. 2010 2 Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Trabalho Final de Graduação (TFG) apresentado no Curso de Publicidade e Propaganda, área de Comunicação Social, do Centro Universitário Franciscano - Unifra, como requisito parcial para a aprovação na disciplina TFG Orientadora: Ana Luiza Coiro Moraes Santa Maria, RS. 2010 3 Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Trabalho Final de Graduação (TFG) apresentado no Curso de Publicidade e Propaganda, área de Comunicação Social, do Centro Universitário Franciscano - Unifra, como requisito parcial para a aprovação na disciplina TFG. ______________________________________ Ana Luiza Coiro Moraes – Orientadora (Unifra) _______________________________________ Caroline de Francechi Brum - Membro da Banca (Unifra) _______________________________________ Angela Lovato Dellazzana- Membro da Banca (Unifra) Aprovado em 07 de dezembro de 2010 4 Agradecimentos Agradeço primeiramente a Deus e à Santa Luzia por sempre me guiarem para os melhores caminhos e também aos meus pais, Cesar Augusto Barichello e Eugenia Maria Mariano da Rocha Barichello, por serem minhas inspirações, meus corações e meu mundo. Agradeço também à minha irmã Stefania Eugenia Francesca Barichello: uma corrente invisível nos guiará um ao outro para sempre e jamais nos separará, não importa onde estivermos. Ao meu avô materno, José Mariano da Rocha Filho (in memoriam), por ter feito a minha massa cinzenta começar a trabalhar mais cedo que o normal para uma criança, de maneira simples, com muitas brincadeiras e conversas, das quais sinto uma saudade imensa que não cabe em mim.
    [Show full text]
  • Análisis De Género De Las Películas Disney Y Su
    MÁSTERES de la UAM Facultad de Filosofía y Letras /11-12 Máster en estudios Interdisciplinares de género Análisis de género de las películas Dis- ney y su influencia en la construcción de la identidad Paula Liñán Gómez Índice Pág. 1. Abstract o Resumen..................................................................................... 2 2. Objeto del trabajo........................................................................................ 3 2.1 Objetivos........................................................................................ 3 2.2 Hipótesis........................................................................................ 3 2.3 Justificación................................................................................... 4 3. Fundamentación teórica............................................................................... 8 3.1 Construcción social y cultural desde la infancia............................ 8 3.2 Construcción de la identidad......................................................... 15 3.3 Construcción sociocultural del amor romántico............................ 22 4. Metodología de investigación..................................................................... 27 4.1 Universo de estudio....................................................................... 27 4.2 Fases de la investigación............................................................... 29 4.3 Variables........................................................................................ 30 4.4 Métodos........................................................................................
    [Show full text]
  • Pde Ies: Universidade Estadual De Maringá Nre.: Campo Mourão
    2 SECRETARIA DE ESTADO DA EDUCAÇÃO - SEED PROGRAMA DE DESENVOLVIMENTO EDUCACIONAL - PDE IES: UNIVERSIDADE ESTADUAL DE MARINGÁ NRE.: CAMPO MOURÃO UNIDADE DIDÁTICO-PEDAGÓGICA ARTE TEMA: SALA DE AULA E CINEMA: O DESENHO ANIMADO PARA ALÉM DA IMAGEM, DO SOM E DO MOVIMENTO AUTORA: JOSIANNE ALVES DOS SANTOS ORIENTADORA: PROFª DRª FÁTIMA MARIA NEVES ARARUNA 2008 3 Esta Unidade Didática vem para colaborar com os estudos sobre o Cinema de Animação do gênero Desenho Animado e seus usos em sala de aula, como também promover reflexões e ações a fim de remover dos olhos a venda da ingenuidade que muitas vezes costumamos ter quando se trata de um filme/desenho animado. No intuito de somar forças para o que nos apresenta as Diretrizes Curriculares de Arte para o ensino fundamental anos finais do Estado do Paraná que afirma : [...] olhar a arte como ideologia implica em percebê-la como detentora e disseminadora do pensamento hegemônico (SEED, 2008). A elaboração da presente Unidade Didática foi realizada por Josianne Alves dos Santos, professora PDE-2008 da disciplina de Arte. Licenciada em Educação Artística e Desenho Geométrico pela Universidade do Oeste Paulista – Presidente Prudente – São Paulo no ano de 1987 e Pós-graduada em Gestão, Supervisão e Orientação Escolar pela FECILCAM, Faculdade Estadual de Ciências e Letras de Campo Mourão – Paraná, no ano de 2000. Professora da rede pública estadual do Estado do Paraná desde 1986 e atuante como professora de Arte na Escola Esta- dual 29 de Novembro - Ensino Fundamental anos finais no Município de Araruna, Núcleo Regional de Ensino de Campo Mourão, região Noroeste do Estado do Para- ná.
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]
  • Animação E Quadrinhos Disney: Produção Cultural No Início Do Século XXI
    UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA COMUNICAÇÃO Animação e quadrinhos Disney: Produção cultural no início do século XXI CELBI VAGNER MELO PEGORARO SÃO PAULO 2016 CELBI VAGNER MELO PEGORARO Animação e quadrinhos Disney: Produção cultural no início do século XXI Tese apresentada ao Programa de Pós- Graduação em Ciências da Comunicação da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do título de Doutor em Ciências da Comunicação. Versão Corrigida. Área de Concentração: Interfaces Sociais da Comunicação Orientador: Prof. Dr. Waldomiro de Castro Santos Vergueiro SÃO PAULO 2016 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Versão Corrigida. A versão original encontra-se disponível na Biblioteca da ECA/USP e Biblioteca Digital de Teses e Dissertações da USP (BDTD). Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo(a) autor(a) AGRADECIMENTOS À Fundação de Amparo à Pesquisa do Estado de São Paulo (Fapesp), processo n. 2013/04103- 9, pelo apoio financeiro. À minha mãe Celina, por todo o apoio e compreensão durante a jornada desta tese; e ao meu pai João Carlos, por periodicamente ter discutido os temas da tese comigo Aos meus primos Marcos e Christina por todo o seu apoio e companheirismo nas viagens aos Estados Unidos, pelas dicas de livrarias e atividades culturais. Ao Prof. Dr. Waldomiro Vergueiro por seu apoio incondicional e por promover um ambiente rico de pesquisa em quadrinhos na USP.
    [Show full text]
  • XI Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
    cineeco2005 XI festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival de são vicente . cabo verde extensão do cineeco: centro das artes . casa das mudas . calheta . madeira Edição: CineEco Título: Programa do CineEco’2005 XI Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela Coordenação, design gráfico e concepção da capa segundo imagem de “Madagáscar”, de Eric Darnell: Lauro António Tiragem: 1000 exemplares Impressão: Cromotipo Artes Gráficas Depósito Legal: 116857/97 | 3 | cineeco2005 Saudação do Presidente da Câmara de Seia O Cine’Eco – Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela é, no plano cultural, uma importante marca do esforço que a Câmara Municipal tem desenvolvido e vai continuar a desenvolver, em benefício da qualidade do nosso ambiente. No ano em que o Cine’Eco avança para a sua 11ª edição, estão a dar-se, finalmente, passos decisivos para o tratamento de todos os esgotos domésticos e industriais. Em 2006, os nossos rios e ribeiras vão voltar a correr sem poluição.
    [Show full text]
  • 9780262019095.Pdf
    Moving Innovation Moving Innovation A History of Computer Animation Tom Sito The MIT Press Cambridge, Massachusetts London, England © 2013 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Depart- ment, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Stone Sans and Stone Serif by Toppan Best-set Premedia Limited, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Sito, Tom, 1956– Moving innovation : a history of computer animation / Tom Sito. pages cm Includes bibliographical references and index. ISBN 978-0-262-01909-5 (hardcover : alk. paper) 1. Computer animation—History. I. Title. TR897.7.S48 2013 777'.709—dc23 2012038048 10 9 8 7 6 5 4 3 2 1 For Shamus Culhane 1911 – 1995 In 1977, a day after visiting NYIT, he looked up from his typewriter and said to me, “ Ya know, computers are comin ’ . Gonna change everything. The Business [animation] won ’ t ever be the same. ” Contents Acknowledgments ix Introduction 1 1 Film and Television at the Dawn of the Digital Revolution 5 2 Analog Dreams: Bohemians, Beatniks, and the Whitneys 11 3 Spook Work:
    [Show full text]
  • Twenty Years of Disney Vacation Club®
    fall2012 • Volume21 • Number3 TWENTY YEARS OF DISNEY VACATION CLUB® As I present this edition of Disney Files Magazine, I’m reminded of a church sermon I heard as a high school kid in Southern Oregon. (Stay with me on this one.) In the interest of detailed storytelling, I should mention that this was no ordinary church. Staged in a beautifully landscaped outdoor amphitheater, this was the Hollywood Bowl of churches. And Pastor John was no ordinary pastor. Sporting a reddish beard and an outfit more suited to a boat dock than a house of worship, this guy was part Jim Henson, part Tommy Bahama and just a dash of Chuck Norris. He had a remarkable ability to reach young people, referencing pop culture, recalling childhood stories and weaving analogies that were as colorful as his un-tucked shirts. I learned more about communication from that man than I have from even my best professors and mentors. My favorite of his analogies involved magazines. (Go figure.) While I may not recall the details of the lesson (something about narcissism), I do remember the analogy (and that my hair looked great). I also recall learning later that he had “borrowed” the analogy from a stand-up comedian. Anyway, he explained (and I’m paraphrasing), “The early days of periodicals in this country were dominated by publications with names like Time and Life, which gave way in the mid ‘70s to the more narrowly titled People. Readers were apparently no longer interested in all life, just that of humans. Years later, even humanity proved too broad a topic, and readers embraced a magazine called Us.
    [Show full text]
  • Master Reference
    Master Gros plan sur les méchantes. La figure du Mal au féminin au travers des longs métrages du cinéma d'animation de la production Walt Disney LEGERET, Marine, NICIC PORTELLI, Giuditt, VON AARBURG, Jill Abstract Notre travail de mémoire est une recherche de type théorique – documentaire. A l’aide de six longs métrages d’animation issus de la production Walt Disney (Blanche-Neige et les Sept Nains, Cendrillon, La Belle au bois dormant, Merlin l’enchanteur, La Petite Sirène et Kuzco l’empereur mégalo), nous analysons six représentations du Mal au féminin (La Reine, la Marâtre, Maléfique, Madame Mim, Ursula et Yzma), afin d’en extraire les caractéristiques de la figure de la méchante. Nous observons l’évolution de cette figure à travers le temps et les productions au moyen d’une grille d’analyse critérielle. De plus, et afin d’ancrer davantage notre mémoire dans les Sciences de l’Education, nous confrontons nos résultats aux avis de trois enseignants primaires. De cette manière, nous extrayons différentes pistes d’action et de séquences à mener en classe. Enfin, cette recherche présente de façon détaillée la figure de la méchante et apporte des outils pour l’analyse de l’image. Reference LEGERET, Marine, NICIC PORTELLI, Giuditt, VON AARBURG, Jill. Gros plan sur les méchantes. La figure du Mal au féminin au travers des longs métrages du cinéma d'animation de la production Walt Disney. Master : Univ. Genève, 2011 Available at: http://archive-ouverte.unige.ch/unige:17946 Disclaimer: layout of this document may differ from the published version.
    [Show full text]
  • Dessin Animéanimé
    Couverture Disney 101211.qxd:Mise en page 1 18/11/11 16:17 Page 1 ROSSINI Maison de Ventes aux Enchères DESSINS ANIMÉS BANDES DESSINÉES ROSSINI Maison de Ventes aux Enchères SALLE DES VENTES ROSSINI Samedi 10 décembre 2011 à 14h00 Couverture Disney 101211.qxd:Mise en page 1 18/11/11 16:17 Page 2 EXPÉDITION DES LOTS CONDITIONS DE VENTE Le transport est effectué sous l’entière responsabilité de l’acheteur. Les lots peuvent être expédiés par la S.V.V. Rossini La vente sera faite au comptant et conduite en Euros. aux conditions suivantes : Les acquéreurs paieront des frais en sus des enchères de 20% 1- Une demande écrite de l’adjudicataire, mentionnant plus TVA, soit 23,92 % TTC. expressément la décharge de la S.V.V.Rossini en cas de dommage de l’objet subit durant le transport. GARANTIES 2- Les frais d’expédition seront majorés du coût de Les attributions ont été établies compte-tenu des l’emballage, selon une grille tarifaire variable suivant la connaissances scientifiques et artistiques à la date de la vente. valeur et la taille de l’objet. Le choix du transporteur et L’ordre du catalogue sera suivi. l’organisation du transport appartiennent à l’acheteur. La Une exposition préalable permettant aux acquéreurs de se S.V.V. Rossini peut fournir, de manière non contractuelle, rendre compte de l’état des biens mis en vente, il ne sera admis les coordonnées de transporteurs. aucune réclamation une fois l’adjudication prononcée. Les 3- les lots ne seront expédiés qu'après règlement de l'achat reproductions au catalogue des œuvres sont aussi fidèles que et du transport.
    [Show full text]
  • På Egna Ben En Genusvetenskaplig Analys Av Huvudrollerna I the Little Mermaid Och Kiki’S Delivery Service Elias Lindqvist
    På egna ben En genusvetenskaplig analys av huvudrollerna i The Little Mermaid och Kiki’s Delivery Service Elias Lindqvist Ämne: Litteraturvetenskap Nivå: Självständigt arbete i svenska med litteraturvetenskaplig inriktning Poäng: 15 hp Ventilerad: VT 2020 Handledare: Olle Nordberg Examinator: Ola Nordenfors Litteraturvetenskapliga institutionen Uppsatser inom litteraturvetenskap SAMMANDRAG Synen på vad som utgör den så kallade starka kvinnliga karaktären har varit objekt för förändring, vilket kan synliggöras bland annat via filmmediet. Syftet med studien är att granska och jämföra två tecknade kvinnliga protagonister utifrån ett genusvetenskapligt perspektiv. Metoden för studien utgörs av två genusvetenskapliga modeller som kategoriserar manligt och kvinnligt beteende, samt semiotisk bildanalys. Materialet består av Disneys The Little Mermaid och Studio Ghiblis Kiki’s Delivery Service. Resultatet visade att karaktärerna uppvisar liknande personliga egenskaper, då de båda är vackra, sårbara, aktiva, skyddande och självständiga, men att de trots detta spelar mycket olikartade rolltyper, samt utformats på olika sätt av sina skapare. Slutsatsen är att Kiki förefaller vara den mer feministiska av de två karaktärerna, men att även Ariel med tanke på verkets inomtextuella tidsperiod till viss del kan tolkas som feministisk. Nyckelord: Litteraturvetenskap, genusvetenskap, genuskontrakt, semiotik, Disney, Studio Ghibli, The Little Mermaid, Kiki’s Delivery Service. INNEHÅLL 1 Inledning ..............................................................................................................................................
    [Show full text]