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A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women. -
Bruno Augusto Stefano Eugenio Mariano Da Rocha Barichello
Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello TRABALHO FINAL DE GRADUAÇÃO O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Santa Maria, RS. 2010 2 Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Trabalho Final de Graduação (TFG) apresentado no Curso de Publicidade e Propaganda, área de Comunicação Social, do Centro Universitário Franciscano - Unifra, como requisito parcial para a aprovação na disciplina TFG Orientadora: Ana Luiza Coiro Moraes Santa Maria, RS. 2010 3 Bruno Augusto Stefano Eugenio Mariano da Rocha Barichello O MERCHANDISING EDITORIAL (TIE-IN e CAMEO APPEARANCE) COMO ESTRATÉGIA DE AUTOPROMOÇÃO NOS FILMES DA DISNEY Trabalho Final de Graduação (TFG) apresentado no Curso de Publicidade e Propaganda, área de Comunicação Social, do Centro Universitário Franciscano - Unifra, como requisito parcial para a aprovação na disciplina TFG. ______________________________________ Ana Luiza Coiro Moraes – Orientadora (Unifra) _______________________________________ Caroline de Francechi Brum - Membro da Banca (Unifra) _______________________________________ Angela Lovato Dellazzana- Membro da Banca (Unifra) Aprovado em 07 de dezembro de 2010 4 Agradecimentos Agradeço primeiramente a Deus e à Santa Luzia por sempre me guiarem para os melhores caminhos e também aos meus pais, Cesar Augusto Barichello e Eugenia Maria Mariano da Rocha Barichello, por serem minhas inspirações, meus corações e meu mundo. Agradeço também à minha irmã Stefania Eugenia Francesca Barichello: uma corrente invisível nos guiará um ao outro para sempre e jamais nos separará, não importa onde estivermos. Ao meu avô materno, José Mariano da Rocha Filho (in memoriam), por ter feito a minha massa cinzenta começar a trabalhar mais cedo que o normal para uma criança, de maneira simples, com muitas brincadeiras e conversas, das quais sinto uma saudade imensa que não cabe em mim. -
Análisis De Género De Las Películas Disney Y Su
MÁSTERES de la UAM Facultad de Filosofía y Letras /11-12 Máster en estudios Interdisciplinares de género Análisis de género de las películas Dis- ney y su influencia en la construcción de la identidad Paula Liñán Gómez Índice Pág. 1. Abstract o Resumen..................................................................................... 2 2. Objeto del trabajo........................................................................................ 3 2.1 Objetivos........................................................................................ 3 2.2 Hipótesis........................................................................................ 3 2.3 Justificación................................................................................... 4 3. Fundamentación teórica............................................................................... 8 3.1 Construcción social y cultural desde la infancia............................ 8 3.2 Construcción de la identidad......................................................... 15 3.3 Construcción sociocultural del amor romántico............................ 22 4. Metodología de investigación..................................................................... 27 4.1 Universo de estudio....................................................................... 27 4.2 Fases de la investigación............................................................... 29 4.3 Variables........................................................................................ 30 4.4 Métodos........................................................................................ -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Honor Roll 2006
i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr. -
Pde Ies: Universidade Estadual De Maringá Nre.: Campo Mourão
2 SECRETARIA DE ESTADO DA EDUCAÇÃO - SEED PROGRAMA DE DESENVOLVIMENTO EDUCACIONAL - PDE IES: UNIVERSIDADE ESTADUAL DE MARINGÁ NRE.: CAMPO MOURÃO UNIDADE DIDÁTICO-PEDAGÓGICA ARTE TEMA: SALA DE AULA E CINEMA: O DESENHO ANIMADO PARA ALÉM DA IMAGEM, DO SOM E DO MOVIMENTO AUTORA: JOSIANNE ALVES DOS SANTOS ORIENTADORA: PROFª DRª FÁTIMA MARIA NEVES ARARUNA 2008 3 Esta Unidade Didática vem para colaborar com os estudos sobre o Cinema de Animação do gênero Desenho Animado e seus usos em sala de aula, como também promover reflexões e ações a fim de remover dos olhos a venda da ingenuidade que muitas vezes costumamos ter quando se trata de um filme/desenho animado. No intuito de somar forças para o que nos apresenta as Diretrizes Curriculares de Arte para o ensino fundamental anos finais do Estado do Paraná que afirma : [...] olhar a arte como ideologia implica em percebê-la como detentora e disseminadora do pensamento hegemônico (SEED, 2008). A elaboração da presente Unidade Didática foi realizada por Josianne Alves dos Santos, professora PDE-2008 da disciplina de Arte. Licenciada em Educação Artística e Desenho Geométrico pela Universidade do Oeste Paulista – Presidente Prudente – São Paulo no ano de 1987 e Pós-graduada em Gestão, Supervisão e Orientação Escolar pela FECILCAM, Faculdade Estadual de Ciências e Letras de Campo Mourão – Paraná, no ano de 2000. Professora da rede pública estadual do Estado do Paraná desde 1986 e atuante como professora de Arte na Escola Esta- dual 29 de Novembro - Ensino Fundamental anos finais no Município de Araruna, Núcleo Regional de Ensino de Campo Mourão, região Noroeste do Estado do Para- ná. -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
Animschoolcatalog.Pdf
1 AnimSchool Classes Conducted Online in Live Web Meetings 209 W 520 N Orem, UT 84057 Phone: 801 765 7677 Fax: 801 221-4882 Contact: [email protected] Hours of Operation: 9 am – 6 pm Mountain Standard Time Publication Date: September 2017 Revision Date: Table of Contents Chapter 1 - About Us 1.1 Online School for 3D Animation Skills Chapter 5 1.2 Founder and Mission 1.3 Our Instructors 5.1 Express Classes: Take a Single Class at AnimSchool 1.4 Enrolling in AnimSchool 5.2 Requirements for Admission 5.3 Enrollment Denial Chapter 2 - Apply 5.4 Enrollment Agreement 5.5 Site Use Agreement 2.1 Registering for a Class at AnimSchool 2.2 Class Structure Chapter 6 2.3 Class Instruction 2.4 Interaction with Instructor 6.1 Withdrawal and Cancellation 2.5 Class Size 6.2 Taking a Break While Term is Underway 2.6 Instructor Surveys 6.3 Class Cancellation or Instructor Substitution 2.7 General Reviews 6.4 Class Switching 2.8 Art Classes 6.5 Instructor Absence 6.6 Unplanned Instructor Absence Chapter 3 - Programs 6.7 Instructor Withdrawal 6.8 Term Breaks 3.1 12 Month Programs 6.9 Leave of Absence 3.2 3D Animation Program Track 3.3 3D Character Program Track Chapter 7 3.4 Registration Status 3.5 What a Certificate at AnimSchool Will Offer You 7.1 Standards of Progress 3.6 Clock Hours 7.2 Standards of Conduct 3.7 Explore: Switch Programs if Needed 7.3 Probation 7.4 Termination/Dismissal Chapter 4 - Graduation 7.5 Attendance and Assignment Submission Standards 7.6 Assignments 4.1 Grading System 7.7 Use of AnimSchool Character Rigs, Tools and 4.2 Graduation -
A Celebrity in Our Midst – DON LUSK
A Celebrity in our Midst – DON LUSK Resident Don Lusk is a veteran animator and director with one of the most wide-ranging resumes in the animation industry. He began his ca- reer at the Walt Disney studios in 1933 as an “in-betweener”, but soon rose to the position of Assistant Animator, working with some veteran an- imators. By 1938 he had become a full animator, lending his artistry to such classics as “Pinocchio,” “Fantasia,” “The Wind and the Willows,” “Alice in Wonderland,” Peter Pan,” “Lady and the Tramp,” “Sleeping Beauty” and “101 Dalmatians”. Too bad we’ve never heard of any of those films, right? Frank Thomas and Ollie Johnson, authors of the book, “The Illusion of Life: Disney Animation” said of Don: “The scenes of the glow- ing white fish in the Arabian Dance section of ‘Nutcracker Suite’ (Fanta- sia) amazed the whole Studio. No one had ever seen such a gossamer effect, and very few knew how it had been achieved.” Don Lusk, holding his After leaving Disney, Don went to work for Winsor McCay Award Trophy Walter Lantz (most notable for Woody Woodpecker). Don also animated for Chuck Jones on the 1962 feature “Gay Purr-ee”. Don then moved to Hanna-Barbera (most notable perhaps for The Flinstones and Yogi Bear). Don spent the next three decades there working as an animator, animation director and director be- fore retiring in 1993. Don is now 101 and received this Winsor McCay Award as recognition for career contributions to the art of animation. Don is in impressive company, as the 2014 recipient of the award was Stephen Spielberg! Don remains one of the most accomplished and respected elder statesmen of animation. -
Cartoon Hooks up Playlist
CARTOON HOOKS UP PLAYLIST Here's where you'll find all those crazy hook-up parodies. It's daunting, but fun. When John Lasseter and Ed Catmull instituted the new shorts program at Walt Disney Animation Studios, they not only wanted it to emulate Pixar's successful program, but also to reinvigorate the Disney legacy characters in 2D. It was included in the Animation Show of Shows in The format allows each of the characters to have their own personality set pieces. Both versions of the cartoon were released on the first "have a laugh! There's a lot of development. But unlike the old Gong Show days at Disney, Lasseter and Catmull prefer the more artist-friendly approach they've perfected at Pixar, in which you pitch a portfolio of three ideas, meeting initially with the Disney story trust, which consists of top directors and story artists. Otherwise, they look like they're unfocused. I got to meet Art Babbitt way back a few times and he gave Goofy the personality in the beginning. Goofy is so pliable. Voice Cast Bill Farmer - Goofy Trivia The two sports teams are called the Dawgs and the Geefs, both references to two of Goofy's alternate names over the years: Dippy Dawg his earliest incarnation and George Geef his name from his s "everyman" shorts. Instead of animating with pencil on paper, some of the animators, such as Dale Baer, worked on Wacom's cintiq tablets along with Toon Boom Harmony for the animation, while other animators such as Mark Henn and Andreas Deja continued to work in the traditional method with pencil on paper. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
Premiererne Robert Crawford
ley, Ted Kierscey, Dorse A. Lanpher, James L. George, Dick Lucas. Ark: Don Griffith. (Dansk version: Musik: Bent Fabricius-Bjerre) Musik: Artie Butler. Sange: »The Journey«, »Rescue Aid Society«, »Tomorrow Is Another Day« af Carol Connors, Ayn Robbins. »Someone’s Waiting for You« af Sammy Fain, Carol Connors, Ayn Rob bins. Solist: Shelby Filnt. »The U.S. Air Force« af Premiererne Robert Crawford. Medv: (stemmer) Preben Kaas 1.10-31.12.78/ved Claus Hesselberg (Bernard), Susanne Bruun-Koppel (Bianca), Kir sten Rolffes (Medusa), Benny Hansen (Snus), Elin Reimer (Ellie Mae), Olaf Nielsen (Luke), Claus Ryskjær (Albatrossen Orville), Helge Kjæ- ruIff-Schmidt (Rufus), Nicla Ursin (Penny), Bjørn Watt-Boolsen (Chariman), Jess Ingerslev (Kom mentator). Længde: 77 min., 2055 m. Censur: Rød. Udi: Columbia-Fox. Prem: 26.12.78 Metro pol, Ballerup, Rialto II, BIO TRIO. Anm. Kos. 140. Anvendte forkortelser: BETTY BOOP SKANDALER Adapt: = Adaption Komp: = Komponist Betty Boobs Scnadals. USA 1928-1934. Filmene er: 1928: »Koko’s Earth Kontrol« P-selskab: Out Ark: = Filmarkitekt Kost: = Kostumer of the Inkwell. P: Max Fleischer. 1930: »Swing, Arr: = Musikarrangør Medv: = Medvirkende skuespillere You Sinners«. P-selskab: Talkartoon. P: Max As-P: = Associate Producer P: = Producere Fleischer. Instr: Dave Fleischer. 1931: »Bimbo’s Ass: = Assistent P-leder: = Produktionsleder Initiation« P-selskab: Talkartoon. P: Max Fleis Dekor: = Scenedekorationer Prem: = Dansk premiere cher. Instr: Dave Fleischer. 1932: »Minnie the Dir: = Dirigent P-selskab: = Produktionsselskab Moocher«. P-selskab: Talkatoon. Instr: Dave Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Fleischer. Sange: »Minnie the Moocher« og »Tiger Rag« m. Cab Calloway og hans orkester. Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) 1933: »Stoopnocracy«.