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Edito 3 l'environnement.Soit.En ce qui concerne l'économie, un peu chez moi ici, non ? », de faire de son quartier la grève générale permanente avec immobilisation une zone dé-motorisée. L'idée, lancée il y a peu par du pays a un effet non négligeable.Dans le même es- un inconscient, a eu un écho étonnant. De Baille à Li- n°173 prit, on a : piller et mettre le feu au supermarché d'à bération, via La Plaine et Notre Dame du Mont, notre « Mé keskon peu fer ?» « Les hommes politiques sont des méchants et les mé- côté, détruire ou plutôt « démonter » systématique- bande de dangereux activistes (5) a ajouté, lundi soir, dias sont pourris, gnagnagna... » : je commençais à ment les publicités,ne plus rien acheter sauf aux pro- une belle piste cyclable à sa liste de Noël.« Cher Père trouver la ligne éditoriale de ce journal vraiment en- ducteurs régionaux.Bref :un boulot à plein temps.Par Gaudin, je prends ma plus belle bombe de peinture nuyeuse quand un rédacteur,tendu,m'attrapa le bras contre,signalons tout de suite que certaines actions — pour t'écrire. Toi qui est si proche du Saint-Père, par brutalement :« Mé keskon peu fer ? » Sentant que ma écrire dans un journal,manifester temporairement ou nos beaux dessins d'écoliers, vois comme nous aime- blague « voter socialiste, HAhahaha euh.. » ne faisait se réunir pour discuter — n'ont aucun impact, même rions vivre dans un espace de silence, d'oxygène et… plus rire personne, j'ai décidé de me pencher sur la si ça permet de rencontrer plein de filles, motivation et sans bagnoles. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
How Democratic Is Jazz?
Accepted Manuscript Version Version of Record Published in Finding Democracy in Music, ed. Robert Adlington and Esteban Buch (New York: Routledge, 2021), 58–79 How Democratic Is Jazz? BENJAMIN GIVAN uring his 2016 election campaign and early months in office, U.S. President Donald J. Trump was occasionally compared to a jazz musician. 1 His Dnotorious tendency to act without forethought reminded some press commentators of the celebrated African American art form’s characteristic spontaneity.2 This was more than a little odd. Trump? Could this corrupt, capricious, megalomaniacal racist really be the Coltrane of contemporary American politics?3 True, the leader of the free world, if no jazz lover himself, fully appreciated music’s enormous global appeal,4 and had even been known in his youth to express his musical opinions in a manner redolent of great jazz musicians such as Charles Mingus and Miles Davis—with his fists. 5 But didn’t his reckless administration I owe many thanks to Robert Adlington, Ben Bierman, and Dana Gooley for their advice, and to the staffs of the National Museum of American History’s Smithsonian Archives Center and the New York Public Library’s Schomburg Center for Research in Black Culture. Copyright © 2020 by Benjamin Givan. 1 David Hajdu, “Trump the Improviser? This Candidate Operates in a Jazz-Like Fashion, But All He Makes is Unexpected Noise,” The Nation, January 21, 2016 (https://www.thenation.com/article/tr ump-the-improviser/ [accessed May 14, 2019]). 2 Lawrence Rosenthal, “Trump: The Roots of Improvisation,” Huffington Post, September 9, 2016 (https://www.huffpost.com/entry/trump-the-roots-of-improv_b_11739016 [accessed May 14, 2019]); Michael D. -
94 DOWNBEAT JUNE 2019 42Nd ANNUAL
94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Jazz Faculty and Friends
Kennesaw State University Upcoming Music Events Thursday-Sunday, November 5-8 Kennesaw State University Opera Theatre Dean Joseph D. Meeks The Medium dean The Stoned Guest Howard Logan Stillwell Theatre School of Music Tuesday, November 10 Kennesaw State University presents Student Mixed Chamber Ensembles 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 11 Kennesaw State University Jazz Combos Kennesaw State University 8:00 pm • Bailey Performance Center Performance Hall Jazz Faculty and Friends Thursday, November 12 Kennesaw State University Jazz Ensembles 8:00 pm • Bailey Performance Center Performance Hall Sam Skelton, woodwinds Trey Wright, guitar Tuesday, November 17 Wes Funderburk, trombone Kennesaw State University Tyrone Jackson, piano Women’s Choral Day concert 7:30 pm • Bailey Performance Center Performance Hall Marc Miller, bass Justin Varnes, drums Wednesday, November 18 Kennesaw State University Jazz Guitar Ensemble 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 4, 2009 For the most current information, please visit http://www.kennesaw.edu/arts/events/ 8:00 pm Dr. Bobbie Bailey & Family Performance Center We welcome all guests with special needs and offer the following services: accessible seating, easy access, companion restroom locations, assisted listening devices. Please contact an audience services representative to request services Twentieth Concert of the 2009-2010 season Kennesaw State University (Harry Connick, Jr.), Aaron Goldberg (Joshua Redman), Wessell Anderson, School of Music Wycliffe Gordon, Marcus Printup, Steve Kirby (Cyrus Chestnut), Peter Bernstein, and Eric Lewis (Wynton Marsalis). Performance Hall Currently residing in Atlanta, Mr. Varnes performs regularly with the Christian Tamburr Quartet, as well as Bob Reynolds, Kevin Bales, Joe Gransden and Gary Motley. -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
Karya Brian Culbertson
PERANAN HORN SECTION PADA LAGU “GET IT ON” KARYA BRIAN CULBERTSON JURNAL S1 Seni Musik Oleh: Fandry Marbun NIM. 1111771013 Program Studi Seni Musik Jurusan Musik, Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta 2016 UPT Perpustakaan ISI Yogyakarta PERANAN HORN SECTION PADA LAGU “GET IT ON” KARYA BRIAN CULBERTSON Oleh: 1 2 Fandry Marbun, Wahyudi, 1Alumni Jurusan Musik FSP ISI Yogyakarta 2Staf Pengajar Jurusan Musik FSP ISI Yogyakarta 3Staf Pengajar Jurusan Musik FSP ISI Yogyakarta Jurusan Musik, Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta [email protected] ABSTRAK Penelitian ini bertujuan untuk mengetahui peranan dan bentuk komposisi dari horn section pada salah satu karya Brian Culbertson yang berjudul “Get It On”. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskrptif analisis. Hasil penelitian ini menunjukkan bahwa: (1) Peranan horn section pada lagu “Get It On” dengan genre funk cenderung bermain sebagai pengisi/filler, sesekali mengambil tema utama dan juga memainkan bagian improvisasi seperti lagu-lagu jazz pada umumnya, (2) karaketeristik permainan pengisi/filler horn section pada lagu “Get It On” ini cenderung menggunakan not-not sepredelapan, seperenambelas serta banyak bermain di bagian sinkopasi dan tutti, (3) bentuk komposisi lagu “Get It On” terdiri dari tiga bagian , dengan susunan kalimat A- B-C-A’ yang terdiri dari 181 birama : 17 birama bagian introduksi, 8 birama kalimat A, 8 birama kalimat B, 4 birama kalimat C, 8 birama kalimat A’, 7 birama transisi penghantar, 2 birama transisi modulasi, 92 birama bagian improvisasi dan 3 birama kodetta. Kata Kunci: Get It On, Horn Section, Brian Culbertson, Funk. ABSTRACT This Research aims to determine the role and form composition of horn section on one of Brian Culbertson creation entitled “Get It On”. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
All the World's a Song: Shakespeare Series Assembly on Jazz
teacher resource guide assembly series all the world’s a song: shakespeare on jazz An interview with Daniel Kelly about the performance Award-winning composer and pianist Daniel Kelly takes Daniel Kelly, composer and pianist Frederick Johnson, vocalist Sarah Elizabeth Charles, vocalist Shakespeare’s words and moves them into jazz renditions in Award-winning composer and pianist Daniel Kelly’s music has Frederick Johnson has spent the past 35 years presenting Sarah Elizabeth Charles is a rising New York City vocalist/ this amazing performance of jazz vocalists Frederick Johnson been declared “powerfully moving” by Time Out New York. He international concerts seminars on the power of creative composer. She has worked and studied with artists such as and Sarah Elizabeth Charles. Such Shakespearean standards has performed with GRAMMY®-winning jazz legends Michael expression as a tool for personal well-being and healing. An George Cables, Geri Allen, Nicholas Payton, Sheila Jordan, as the “Double, double toil and trouble” verses from Macbeth Brecker and Joe Lovano, hip-hop star Lauryn Hill, modern accomplished vocalist and percussionist, he is recognized Jimmy Owens and Carmen Lundy. Sarah has performed at The (Act 4, Scene 1) and the beautiful poetry “I Do Wander classical giants Bang on a Can All-Stars, and many others. internationally as one of the world’s greatest vocal jazz White House, Carnegie Hall’s Weill Recital Hall, Gillette Stadium Everywhere” from A Midsummer Night’s Dream (Act 2, Scene 1) Kelly toured Southeast Asia and India as a part of the Kennedy improvisers and one of the world’s most passionate and as a National Anthem singer for the New England Patriots, are given new life by being put to jazz. -
Casiopea 1979 Full Album Download
casiopea 1979 full album download IsraBox - Music is Life! Casiopea - Best of Casiopea-Alfa Collection (2009) Artist : Casiopea Title : Best of Casiopea-Alfa Collection Year Of Release : 2009 Label : Alfa Records Genre : Jazz, Jazz Fusion Quality : MP3/320 kbps Total Time : 77:28 Total Size : 183 MB(+3%) Casiopea - Jive Jive (2002) [24bit FLAC] Artist : Casiopea Title : Jive Jive Year Of Release : 1983 / 2002 Label : Village Records / Alfa – ALR 28052 / Vinyl, LP Genre : Jazz-Rock, Jazz- Funk, Smooth Jazz, Fusion Quality : FLAC (tracks+.cue,log scans) / FLAC (tracks) 24bit-192kHz Total Time : 38:18 Total Size : 245 Mb / 1.48 Gb. Casiopea - Dramatic (1993) Artist : Casiopea Title : Dramatic Year Of Release : 1993 Label : Alfa Records Genre : Jazz, Fusion Quality : FLAC (tracks+.cue, log) Total Time : 51:04 Total Size : 351 MB. Casiopea - Answers (1994) Artist : Casiopea Title : Answers Year Of Release : 1994 Label : Alfa Genre : Smooth Jazz, Jazz-Funk, Fusion Quality : FLAC (image+.cue, log, Artwork) Total Time : 54:13 Total Size : 356 MB. Casiopea - Material (1999) CD Rip. Artist : Casiopea Title : Material Year Of Release : 1999 Label : Pony Canyon[PCCR-00304] Genre : Jazz, Fusion Quality : FLAC (tracks + .cue,log,scans) Total Time : 49:15 Total Size : 323 MB(+3%) Casiopea - Down Upbeat (1984) Artist : Casiopea Title : Down Upbeat Year Of Release : 1984 Label : Alfa Records Genre : jazz, funk, fusion Quality : APE (image+.cue,log,scans) Total Time : 38:26 Total Size : 228 MB. Casiopea - Main Gate (2001) Artist : Casiopea Title : Main