Greek Women and Religion, Modern and Ancient: Festivals and Cults Connected with the Female Sphere, a Comparison

Total Page:16

File Type:pdf, Size:1020Kb

Greek Women and Religion, Modern and Ancient: Festivals and Cults Connected with the Female Sphere, a Comparison GREEK WOMEN AND RELIGION, MODERN AND ANCIENT: FESTIVALS AND CULTS CONNECTED WITH THE FEMALE SPHERE, A COMPARISON Evy Johanne Håland Independent researcher (Dr in History), Bergen The following article is mainly based being lascivious occasions, without perspective, which is very similar to the upon studies in non-Cypriot Greek any particular importance. Western male perspective generally culture, modern and ancient, but The following article argues that applied within Greek studies, has to be despite of regional variation, Greece these statements from Western schol- deconstructed. 3 and Cyprus belong to the same Greek ars need to be nuanced. It is impor- and wider Mediterranean cultural tant to change our approach when Women and the female area. Thus, by way of a comparative working with ancient culture. This sphere theoretical approach, the study seeks may be done, by using a compara- In the so-called patriarchal Mediter- to be a contribution to new perspecti- tive anthropological approach. The ranean society, women are associated ves on the material from the Swedish article demonstrates how this may be with practical religion. Fertility-cult, Cyprus Expedition.1 concretised by conducting fi eldwork healing and death-cult are deeply Many studies have been occupied on religious festivals in present-day’s connected with the domestic sphere, with women and religion in ancient Greece. They are compared with where women are the dominating Greece. Even if women were conduct- similar ancient festivals through an power. “The female sphere” is im- ing important religious festivals and analysis of the fertility-cult, which is portant when studying such personal rituals, most researchers claim that important in the festivals. Based on phenomena in life as ideologies and their activities were performed under the importance of this cult, the article mentalities, represented by religion, male dominance, since women were tries to consider the female part of behaviour, values, customs, faith, wor- circumscribed and constrained by society, since women are the central ship, popular beliefs, etc. We discover domesticity. From the archaic period, performers of the actual cult which is that what we usually call “macro-“ and their religious rituals were curbed of focal importance within the offi cial “micro-society”, i.e. the “public” and or “appropriated”. The male control and male value-system, a value-system “domestic spheres”, in fact have dif- of woman was the cornerstone, the which the festivals and the society that ferent meanings to what is generally social and cultural prerequisite for they refl ect, traditionally have been assumed. In Greece, we do not fi nd the construction of civilization, as considered from, and which therefore the “little” society or “only the family” presented in Aeschylus’, the Orestia.2 has to be supplied by a female point at home; rather, this is where we meet The cult of the dying god Adonis of view. By taking account of the so- the “great” society. Therefore, it is im- and Aphrodite was important both called female sphere, which still exists portant to search out to what extent in Greece proper and Cyprus, but in the Mediterranean society generally the offi cial ideology is dependent on according to Marcel Detienne’s (1989, and in Greece and Cyprus particularly, these cults, and thereby the female originally 1972) ideological patriarchal we may also learn a useful way to try sphere to manifest itself. and puritan view, the Adōnia festival to consider the female part of soci- The “male sphere” is usually con- was celebrated mainly by courtesans, ety. But, by so doing the offi cial male nected with the offi cial world, and the Medelhavsmuseet 101 with birth, nurturance and the care for the dead; they are feeding and nourishing mothers, and by these encompassing activities they manage and control the fundamental course of life. Many symbols and rituals in the festivals illustrate this. These sym- bols and rituals are usually regarded as, and are female “domains”. By analysing some of their relevant as- pects, the hope is to grasp further into the meaning and importance of the mentioned customs and values related to fundamental principles, within the “ideological entirety” a festival often is perceived as, as well as male texts, since their interest and theme is the male ideology. Women in Greece have a double Fig. “Female sphere” in public space: the graveyard, a space controlled by women. consciousness about their own exist- (Author’s photograph) ence and about men’s representations of it. Therefore, it is of focal impor- tance to conduct fi eldwork among female with the domestic world, but as circumstances, be blurred. In reality, women and men when working with already stated, this does not imply that the world of the domestic and familial ancient sources, since they with very the female sphere is marginal and the or the world of women, i.e. the female few exceptions are written by men, and other not, as some researchers have sphere, is covering a more extended the goal is to represent a whole and claimed.4 Marginalization is a spatial area and has greater power than gener- not only a limping and partial society. metaphor and depends on where ally assumed. you are standing. This means that the Generally, Greek women and their From the cyclical festivals centre in a Greek village can be both life have been analysed from a West- of the agricultural calendar the central village square, “the man’s ern (male) standard. Based on these world” (cf. Ar. Eccl. 154 f. for a paral- theories, both ancient and modern to fertility-cult lel), and the kitchen hearth or court- Greek women have been categorized The festival is an important means of yard, important spaces that women as unfree, dependent, secluded and communication, an offering or a gift, control. When studying Greek village not living a worthy life. Accounts of most often dedicated to a deceased life, anthropologists have considered women written by men, and many guardian of society, alone or together the two spheres of male and female academic women, may portray them with a god(dess), for instance to the importance in terms of “public” and as passive or subservient. But, if the modern Panagia (the Virgin Mary, cf. “private”, home and outside home, goal is to conduct research from the Fig. 2) or to the ancient goddesses, but there are also public spaces where female sphere in Greece, the picture Demeter (Plut. Mor. 378e–f69, cf. women dominate, one of these is the may change, since Greek women Hymn. Hom. Cer. 273 f.), Athena (Hom. graveyard (Fig. 1). So, when working may have other values. 5 In this way, Il. 2.546–551) or Aphrodite.6 In the with this material, one realizes that the we may get new perspectives on our festivals, we fi nd fertility- and death- division in a male and female sphere ancient texts as well. cult as well as healing (cf. also Håland in Greek society may, under certain In Greece, women are connected 2005 and 2006a). 102 Greek Women and Religion, Modern and Ancient: Festivals and Cults Fig. During the festival celebrating the Dormition of the Panagia on Tinos, on August, her miraculous icon (image) of the Annunciation (Euangelistrias) is carried in procession, and also over the sick and women wanting to conceive. (Photograph by Hartmut Müller-Stauff enbe rg) The analysis of the fertility-cult the fertility of the society through the ensure the harvest. Accordingly, rain- demonstrates how fertility is con- communication with stronger pow- magic dedicated to a heavenly god nected to the deceased and the pow- ers, fi rst and foremost, Mother Earth. is a generally theme in the festivals, ers in the subterranean world where Her importance parallels the woman’s particularly around the most impor- life begins, according to the cyclical who is the central performer of the tant periods during the agricultural symbolism, which is central in Greek cults, which are important in the year: sowing (autumn) and sprouting culture. The deceased mediator also festivals, because they are connected (spring). From this fact follows the receives a blood sacrifi ce, the ritual to the female sphere. The Greeks signifi cance of the Sacred Marriage, slaughter of an animal, which after- conceive the Earth as a woman’s body hieros gamos. As the ploughing is about wards is consumed as a communal and the agricultural year as a woman’s to begin, traditionally a ritualistic meal by the participants of the festi- life. The Earth is also seen as the ploughing takes place accompanied val. The communication is presented female sex organ. But, the Earth rep- or followed by a hieros gamos, the on several levels. The dead receives resents only one of the two parts of purpose of which is to re-enact the the offering in order to provide for the nature, who has to be invoked to union of the Corn Mother or Mother Medelhavsmuseet 103 Earth with her own son, the corn- year’s cycle replaces the male period, tically be reproduced, if we only base seed, in order to make the ground because the woman is looked upon as our research on the male ideological fertile. The connection between birth the productive partner in a relation- sphere and a male value-system. Most and death is also symbolised through ship in the Mediterranean area. The of the scholars working with ancient the annual death and resurrection of mid-winter-festivals are celebrated society present similar male values, the lovers of the Mother Goddesses, around solstice and the fi rst sprouting for example Detienne (1989) and F. such as the vegetation god, Adonis. of the grains.
Recommended publications
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity Permalink https://escholarship.org/uc/item/0vg4w163 Author Zervou, Natalie Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Natalie Zervou June 2015 Dissertation Committee: Dr. Marta Elena Savigliano, Chairperson Dr. Linda J. Tomko Dr. Anthea Kraut Copyright Natalie Zervou 2015 The Dissertation of Natalie Zervou is approved: Committee Chairperson University of California, Riverside Acknowledgments This dissertation is the result of four years of intensive research, even though I have been engaging with this topic and the questions discussed here long before that. Having been born in Greece, and having lived there till my early twenties, it is the place that holds all my childhood memories, my first encounters with dance, my friends, and my family. From a very early age I remember how I always used to say that I wanted to study dance and then move to the US to pursue my dream. Back then I was not sure what that dream was, other than leaving Greece, where I often felt like I did not belong. Being here now, in the US, I think I found it and I must admit that when I first begun my pursuit in graduate studies in dance, I was very hesitant to engage in research concerning Greece.
    [Show full text]
  • The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
    BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27.
    [Show full text]
  • The Odd Thesmophoria of Aristophanes' Thesmophoriazusae Habash, Martha Greek, Roman and Byzantine Studies; Spring 1997; 38, 1; Proquest Pg
    The odd Thesmophoria of Aristophanes' Thesmophoriazusae Habash, Martha Greek, Roman and Byzantine Studies; Spring 1997; 38, 1; ProQuest pg. 19 The Odd Thesmophoria of Aristophanes' Thesmophoriaz usae Martha Habash EXPECTED FROM THE TITLE, Aristophanes' Thesmophoria­ zusae does in fact concern the Thesmophoria, that A:. annual, secret women's festival of Demeter and Kore held thoughout the Greek world. From line 277 the play is set at a Thesmophoria, but a very odd Thesmophoria, in which the poet demonstrates his bold, inventive, and creative genius at work in reshaping this 'festival'.1 Aristophanes employs suf­ ficient elements of the real Thesmophoria to make the pro­ ceedings recognizable, but he also adds as major components several non-Thesmophoric elements, introduced in part for sheer comic effect, and in part, I shall argue, to shape his Thes­ mophoria and his play into a form more arpropriate to the civic and religious purposes and atmosphere 0 the festival in which it was presented, the City Dionysia.2 I For studies of the poet's presentation of genuine Thesmophoric elements and themes, see H. Hansen, U Aristophanes' Thesmophoriazusae: Theme, Struc­ ture, and Production," Philologus 120 (1976) 165-85; A. Bowie, Aristophanes: Myth, Ritual and Comedy (Cambridge 1993); the role of mimesis in this play: F. Zeitlin, uTravesties of Gender and Genre in Aristophanes' Thesmo­ phoriazousae, " in H. Foley, ed., Reflections of Women in Antiquity (New York 1981) 169-217; M. DETIENNE, MThe Violence of Wellborn Ladies: Women in the Thesmophoria," in M. Detienne and J.-P. Vernant. edd., The Cuisine of Sacrifice among the Greeks, tr.
    [Show full text]
  • The Limits of Communication Between Mortals and Immortals in the Homeric Hymns
    Body Language: The Limits of Communication between Mortals and Immortals in the Homeric Hymns. Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bridget Susan Buchholz, M.A. Graduate Program in Greek and Latin The Ohio State University 2009 Dissertation Committee: Sarah Iles Johnston Fritz Graf Carolina López-Ruiz Copyright by Bridget Susan Buchholz 2009 Abstract This project explores issues of communication as represented in the Homeric Hymns. Drawing on a cognitive model, which provides certain parameters and expectations for the representations of the gods, in particular, for the physical representations their bodies, I examine the anthropomorphic representation of the gods. I show how the narratives of the Homeric Hymns represent communication as based upon false assumptions between the mortals and immortals about the body. I argue that two methods are used to create and maintain the commonality between mortal bodies and immortal bodies; the allocation of skills among many gods and the transference of displays of power to tools used by the gods. However, despite these techniques, the texts represent communication based upon assumptions about the body as unsuccessful. Next, I analyze the instances in which the assumed body of the god is recognized by mortals, within a narrative. This recognition is not based upon physical attributes, but upon the spoken self identification by the god. Finally, I demonstrate how successful communication occurs, within the text, after the god has been recognized. Successful communication is represented as occurring in the presence of ritual references.
    [Show full text]
  • Euboea and Athens
    Euboea and Athens Proceedings of a Colloquium in Memory of Malcolm B. Wallace Athens 26-27 June 2009 2011 Publications of the Canadian Institute in Greece Publications de l’Institut canadien en Grèce No. 6 © The Canadian Institute in Greece / L’Institut canadien en Grèce 2011 Library and Archives Canada Cataloguing in Publication Euboea and Athens Colloquium in Memory of Malcolm B. Wallace (2009 : Athens, Greece) Euboea and Athens : proceedings of a colloquium in memory of Malcolm B. Wallace : Athens 26-27 June 2009 / David W. Rupp and Jonathan E. Tomlinson, editors. (Publications of the Canadian Institute in Greece = Publications de l'Institut canadien en Grèce ; no. 6) Includes bibliographical references. ISBN 978-0-9737979-1-6 1. Euboea Island (Greece)--Antiquities. 2. Euboea Island (Greece)--Civilization. 3. Euboea Island (Greece)--History. 4. Athens (Greece)--Antiquities. 5. Athens (Greece)--Civilization. 6. Athens (Greece)--History. I. Wallace, Malcolm B. (Malcolm Barton), 1942-2008 II. Rupp, David W. (David William), 1944- III. Tomlinson, Jonathan E. (Jonathan Edward), 1967- IV. Canadian Institute in Greece V. Title. VI. Series: Publications of the Canadian Institute in Greece ; no. 6. DF261.E9E93 2011 938 C2011-903495-6 The Canadian Institute in Greece Dionysiou Aiginitou 7 GR-115 28 Athens, Greece www.cig-icg.gr THOMAS G. PALAIMA Euboea, Athens, Thebes and Kadmos: The Implications of the Linear B References 1 The Linear B documents contain a good number of references to Thebes, and theories about the status of Thebes among Mycenaean centers have been prominent in Mycenological scholarship over the last twenty years.2 Assumptions about the hegemony of Thebes in the Mycenaean palatial period, whether just in central Greece or over a still wider area, are used as the starting point for interpreting references to: a) Athens: There is only one reference to Athens on a possibly early tablet (Knossos V 52) as a toponym a-ta-na = Ἀθήνη in the singular, as in Hom.
    [Show full text]
  • Few Problems in Herodotus Have Attracted More Scholarly Attention Than the Religious Attidudes He Expresses in Book 2
    Herodotus, Dionysus, and the Greek death taboo. The Homeric Hymn to Demeter and the construction of the “chthonic” in Greek literary tradition. Herodotus’ explicit avoidance of the mentioning of divine names and matters in the second book of the Histories counts in most cases as instances of the Greek taboo concerning the relation of gods to the impurity of death, which the Egyptian death cult of Osiris transgresses in an obvious manner. In 2.171.2–3, Herodotus’ reticence may have concerned Persephone, whose name was taboo for the same reasons. The Homeric Hymn to Demeter, the Theogony, the Eumenides, and other works featuring underwordly deities, construed the Chthonian category of the divine as an attempt to justify and explain the nature of these ancient agricultural gods and rituals in a manner acceptable to the aristocratic religious tendency, which had come to regard death as impure: a tendency which justifiably may be called Olympian and traced its ideological origins back to the Homeric epos.1 One of many contentious problems in Herodotus concerns the religious attitudes expressed, purportedly as his own, in the second book of the Histories, in particular those attitudes which indicate a taboo in operation. On a number of occasions, Herodotus claims that it is forbidden or sacrilegious for him to mention something, usually the name of a god. A couple of times he states that the mention of something of a religious character would be unpleasant or improper. There are also some passages which have been taken as implicit expressions of the same or a similar attitude.
    [Show full text]
  • Greek Centre Evaluation Report
    Research Unit in Public Cultures Faculty of Arts From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne Daniella Trimboli, Tia Di Biase, Barry Burgan and Nikos Papastergiadis 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I EXECUTIVE SUMMARY II Acknowledgements III Research Partners & Evaluation Team 1. Introduction 1.1 Aims 1.2 Research Methodology 1.3 Diaspora Cultures in Globalising Cities 1.3.1 The History of the Greek Community of Melbourne 1.3.2 The Greek Precinct in the City of Melbourne 2. The Greek Centre for Contemporary Culture 2.1 Membership Engagement 2.2 Programming 2.2.1 Education Programme and Language Schools 2.2.2 Seminars 2.2.3 Events – Other 2.3 Entrepreneurship and Social Justice 2.4 Creative Engagement 2.5 Media Engagement 3. Lonsdale Street Greek Festival 3.1 Estimating the Economic Impact of the Lonsdale Street Greek Festival (LSGF) 2017 3.2 Socio-Cultural Impact of the LSGF 2017 3.3 Recommendations for 2018 Festival and Beyond 4. Future Directions for the GCCC 4.1 Socio-Cultural Challenges 4.1.1 Intergenerational Challenges 4.1.2 Sociality and Connection 4.1.3 Cultural Hybridity 4.1.4 Recommendations 4.2 Spatial Challenges 5. Multiculturalism and Melbourne 5.1 Word Cloud Analysis: Policy, Practice, People 6. Conclusion 7. Key Recommendations 8. References 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I Executive Summary The Greek Community of Melbourne (GCM) has developed and Positive Economic Impacts consolidated its presence in the City of Melbourne primarily The economic evaluation focuses on the 2017 Lonsdale Street through the establishment of a new building.
    [Show full text]
  • GREEKS and PRE-GREEKS: Aegean Prehistory and Greek
    GREEKS AND PRE-GREEKS By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multi-disciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek- speaking newcomers and the indigenous population of the land, and that the body of ‘Hellenes’ as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage be- tween heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors respon- sible for the collapse of the Mycenaean civilisation and, finally, the construction of the myth of the Trojan War. margalit finkelberg is Professor of Classics at Tel Aviv University. Her previous publications include The Birth of Literary Fiction in Ancient Greece (1998). GREEKS AND PRE-GREEKS Aegean Prehistory and Greek Heroic Tradition MARGALIT FINKELBERG cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521852166 © Margalit Finkelberg 2005 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
    [Show full text]
  • Not All Were Created Equal
    Portland State University PDXScholar Young Historians Conference 2010-2011 Past Young Historians Conference Winners May 1st, 9:00 AM - 10:00 AM Not All Were Created Equal Sarah Cox Clackamas High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Ancient History, Greek and Roman through Late Antiquity Commons, History of Gender Commons, and the Women's History Commons Let us know how access to this document benefits ou.y Cox, Sarah, "Not All Were Created Equal" (2011). Young Historians Conference. 3. https://pdxscholar.library.pdx.edu/younghistorians/2010-2011/oralpres/3 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Cox 1 Sarah Cox LPB Western Civilization: Fall Paper 9 December 2010 Not All Were Created Equal “The man’s role requires him to be outside – men who stay at home during the day are considered womanish – the woman’s requires her to work at home” (McAuslan 137). In the time-period between 700 and 300 BCE, this was often true for the women of the world, but there was one major exception: Spartan women. In most other parts of ancient Greece, women were expected to be seen and not heard. Spartan women, however, were allowed much more freedom than their contemporaries. They were allowed to own property, could live independently, and were not forced into marriage and motherhood at a young age.
    [Show full text]
  • University College London Department of Mtcient History a Thesis
    MYCENAEAN AND NEAR EASTERN ECONOMIC ARCHIVES by ALEXMDER 1JCHITEL University College london Department of Mtcient History A thesis submitted in accordance with regulations for degree of Doctor of Phi]osophy in the University of London 1985 Moe uaepz Paxce AneKceee Ko3JIo3oI nocBaeTca 0NTEN page Acknowledgments j Summary ii List of Abbreviations I Principles of Comparison i 1. The reasons for comparison i 2. The type of archives ("chancellery" and "economic" archives) 3 3. The types of the texts 6 4. The arrangement of the texts (colophons and headings) 9 5. The dating systems 6. The "emergency situation" 16 Note5 18 II Lists of Personnel 24 1. Women with children 24 2. Lists of men (classification) 3. Lists of men (discussion) 59 a. Records of work-teams 59 b. Quotas of conscripts 84 o. Personnel of the "households" 89 4. Conclusions 92 Notes 94 III Cultic Personnel (ration lists) 107 Notes 122 IV Assignment of Manpower 124. l.An&)7 124 2. An 1281 128 3. Tn 316 132 4.. Conclusions 137 Notes 139 V Agricultural Manpower (land-surveys) 141 Notes 162 page VI DA-MO and IX)-E-R0 (wnclusions) 167 1. cia-mo 167 2. do-e-io 173 3. Conclusions 181 No tes 187 Indices 193 1. Lexical index 194 2. Index of texts 202 Appendix 210 1. Texts 211 2. Plates 226 -I - Acknowledgments I thank all my teachers in London and Jerusalem . Particularly, I am grateful to Dadid Ashen to whom I owe the very idea to initiate this research, to Amlie Kuhrt and James T.
    [Show full text]
  • Cv Palaimathomascola20199
    01_26_2019 Palaima p. 1 Thomas G. PALAIMA red indicates activities & publications 09012018 – 10282019 green 09012016 – 08312018 Robert M. Armstrong Centennial Professor of Classics BIRTH: October 6, 1951 Cleveland, Ohio Director, Program in Aegean Scripts and Prehistory TEL: (512) 471-8837 or 471-5742 CLASSICS E-MAIL: [email protected] University of Texas at Austin FAX: 512 471-4111 WEB: https://sites.utexas.edu/scripts/ 2210 Speedway C3400 profile: http://www.utexas.edu/cola/depts/classics/faculty/palaimat Austin, TX 78712-1738 war and violence Dylanology: https://sites.utexas.edu/tpalaima/ Education/Degrees: University of Uppsala, Ph.D. honoris causa 1994 University of Wisconsin, Ph.D. (Classics) 1980 American School of Classical Studies at Athens, 1976-77, 1979-80 ASCSA Excavation at Ancient Corinth April-July 1977 Boston College, B.A. (Mathematics and Classics) 1973 Goethe Institute, W. Germany 1973 POSITIONS: Raymond F. Dickson Centennial Professor of Classics, UT Austin, 1991-2011 Robert M. Armstrong Centennial Professor of Classics, UT Austin, 2011- Director PASP 1986- Chair, Dept. of Classics, UT Austin, 1994-1998 2017-2018 Cooperating Faculty Center for Middle Eastern Studies Thomas Jefferson Center for the Study of Core Texts and Ideas Center for European Studies Fulbright Professorship, Universidad Autonoma de Barcelona, February-June 2007 Visiting Professor, University of Uppsala April-May 1992, May 1998 visitor 1994, 1999, 2004 Fulbright Gastprofessor, Institut für alte Geschichte, University of Salzburg 1992-93
    [Show full text]
  • Ancient Greek Art Teacher Resource
    Image Essay #2 Beak-Spouted Jug ca. 1425 B.C. Mycenaean Glazed ceramic Height: 10 1/4” WAM Accession Number: 48.2098 LOOKING AT THE OBJECT WITH STUDENTS This terracotta clay jug with a long beak-like spout is decorated in light-colored glaze with a series of nautilus- inspired shell patterns. The abstract design on the belly of the jug alludes to a sea creature’s tentacles spreading across the vase emphasizing the shape and volume of the vessel. A wavy leaf design on the vase’s shoulder fur- ther accentuates the marine-motif, with the curves of the leaves referring to the waves of the sea. Around the han- dle and spout are contour lines rendered in brown glaze. BACKGROUND INFORMATION Long before Classical Greece flourished in the 5th century B.C., two major civilizations dominated the Aegean in the 3rd and 2nd millennia B.C.: the Minoans on Crete and the Mycenaeans on the Greek mainland. The prosper- ous Minoans, named after the legendary King Minos, ruled over the sea and built rich palaces on Crete. Their art is characterized by lively scenes depicting fanciful plants and (sea) animals. By the middle of the 2nd millennium B.C., Mycenaean culture started to dominate the Aegean. It is known for its mighty citadels at Mycenae and else- where, its impressive stone tombs, and its extensive trading throughout the Mediterranean world. Beak-spouted jugs were popular in both the Minoan and Mycenaean cultures. They held wine or water, and were often placed in tombs as gifts to the deceased.
    [Show full text]