Euboea and Athens
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Role-Playing and Self-Actualization in Iphigenia at Aulis the Climactic Change of Mind in Euripides' Iphigenia at Aulis
Role-Playing and Self-Actualization in Iphigenia at Aulis The climactic change of mind in Euripides’ Iphigenia at Aulis (extensively discussed by Gibert 1995: 222-54) is notorious both for representing such an absolute reversal of Iphigenia’s views and for being considerably delayed: her final speech “contains a series of points, virtually all of which could equally well have been made by Iphigeneia fifty lines earlier” (Sansone 1991: 164). This paper addresses both issues by analyzing her reversal as an example of role-playing that is meant to impose one’s own vision on reality; Zeitlin’s important article on Orestes’ role- playing as an attempt to escape from his own myth provides a starting point (cf. Siegel 1980, Luschnig 1988, who speaks of roles in IA, though without much definition). This brand of role- playing appears first in IA in the figures of Clytemnestra and Achilles, who continue to play the roles of mother of the bride and prospective husband even after Iphigenia’s engagement to Achilles has been revealed as a fabrication. When Iphigenia agrees to the sacrifice, she assumes a new role as active heroine of her own story and, like Clytemnestra and Achilles, forces that fiction to become a reality. Her reversal is delayed because her monody and the stichomythic exchange between Clytemnestra and Achilles are needed to illustrate why other possible roles are unsatisfying or untenable. Throughout the play, Iphigenia’s dilemma is framed as a question of whom she should marry: Hades or Achilles. Helene Foley (1985: 68-78) has argued that on the level of ritual marriage is at least as important as sacrifice for negotiating the social tensions explored in the play. -
Visualizing the Byzantine City the Art of Memory
Abstracts Visualizing the Byzantine City Charalambos Bakirtzis Depictions of cities: in the icon “Allegory of Jerusalem on High,” two cities are depicted, one in the foothills and the other at the edge of a rocky mountain. The lengthy inscription of the icon is of interest from a town-planning and architectural standpoint. The imperial Christian city: in the mosaics of the Rotunda in Thessalonike, the city is not shown with walls, but with palaces and other splendid public buildings, declaring the emperor’s authority as the sole ruler and guarantor of the unity of the state and the well-being of cities, which was replaced by the authority of Christ. The appearance of the walled city: all the events shown in the mosaics (seventh century) of the basilica of St. Demetrios are taking place outside the walls of the city, probably beside the roads that lead to it. The city’s chora not only protected the city; it was also protected by it. A description of the city/kastron: John Kameniates lived through the capture of Thessalonike by the Arabs in the summer of 904. At the beginning of the narrative, he prefixes a lengthy description/encomium of Thessalonike. The means of approaching the place indicate that the way the city is described by Kameniates suits a visual description. Visualizing the Late Byzantine city: A. In an icon St. Demetrios is shown astride a horse. In the background, Thessalonike is depicted from above. A fitting comment on this depiction of Thessalonike is offered by John Staurakios because he renders the admiration called forth by the large Late Byzantine capitals in connection with the abandoned countryside. -
An Examination of the Correlation Between the Justification and Glorification of War in Charles Mee's Iphigenia
An Examination of the Correlation Between the Justification and Glorification of War in Charles Mee’s Iphigenia 2.0: A Director’s Approach Caroline Donica Table of Contents Chapter One: Charles Mee and the History Behind Iphigenia 2.0 4 Introduction 4 The Life and Works of Charles Mee 4 Just War 8 Production History and Reception 11 Survey of Literature 13 Conclusion 15 Chapter Two: Play Analysis 16 Introduction 16 Synopsis 16 Given Circumstances 24 Previous Action 26 Dialogue and Imagery 27 Character Analysis 29 Idea and Theme 34 Conclusion 36 Chapter Three: The Design Process 37 Introduction 37 Production Style 37 Director’s Approach 38 Choice of Stage 38 Collaboration with Designers 40 Set Design 44 Costumes 46 Makeup and Hair 50 Properties 52 Lighting 53 Sound 55 Conclusion 56 Chapter Four: The Rehearsal Process 57 Introduction 57 Auditions and Casting 57 Rehearsals and Acting Strategies 60 Technical and Dress Rehearsals 64 Performances 65 Conclusion 67 Chapter Five: Reflection 68 Introduction 68 Design 68 Staging and Timing 72 Acting 73 Self-Analysis 77 Conclusion 80 Appendices 82 A – Photos Featuring the Set Design 83 B – Photos Featuring the Costume Design 86 C – Photos Featuring the Lighting Design 92 D – Photos Featuring the Concept Images 98 Works Consulted 102 Donica 4 Chapter One Charles Mee and the History Behind Iphigenia 2.0 Introduction Charles Mee’s Iphigenia 2.0 is a significant work in recent theatre history. The play was widely recognized and repeatedly produced for its unique take on contemporary issues, popular culture, and current events set within a framework of ancient myths and historical literature. -
The Secret History by Donna Tartt', from NPR Books.Com
Volume 4 Issue 1 May2018 ~ College of Arts and Humanities ~ Department of Classics, Ancient History and Prifysgol Abertawe Egyptology Swansea University This journal is published by the students and staff of Swansea University College of Arts and Humanities Department of Classics, Ancient History and Egyptology The on line version of this journal can be found at: https://projects.swan.ac.uk/ancient-world/?page_id=8 This journal features first class work by Swansea University students. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form or binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent publisher. © Swansea University 2018 Contents About Us 1 Our Contributors 2 List of Illustrations 4 Introduction by Skye Ste(J)art 5 Essays Euripides' Secret History: Ritual and Theme in the Bacchae and Tartt. 7 Shannon Higgi.nson How far does the figure of Herakles, as depicted in the plays you have met, 10 meet the criteria to be called a traditional Greek hero? Aaron David Lowrey Compare and contrast the adoption of the chariot in Bronze Age Egypt with 14 Bronze Age China. Peter Rose Saint Cuthbert and His Community: A Study in Identity. Adam Hendy 18 Could Small Greek States Survive Without Giving Up Their Autonomy? 22 Michael Weeldon Critical Analyses Plato, La(J)s 72ob-e. Rachel Joseph 30 Xenophon Symposium 2.1-2 and 2.11-5.AidanKee 32 Bibliography 34 About Us Clasuron is an online student journal coordinated by a team of students from Swansea University, with the supervision of Dr Stephen Harrison (2018). -
Oracle of Apollo Near Oroviai (Northern Evia Island, Greece) Viewed in Its Geοlogical and Geomorphological Context, Βull
Mariolakos, E., Nicolopoulos, E., Bantekas, I., Palyvos, N., 2010, Oracles on faults: a probable location of a “lost” oracle of Apollo near Oroviai (Northern Evia Island, Greece) viewed in its geοlogical and geomorphological context, Βull. Geol. Soc. of Greece, XLIII (2), 829-844. Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, 2010 Bulletin of the Geological Society of Greece, 2010 Πρακτικά 12ου Διεθνούς Συνεδρίου, Πάτρα, Μάιος 2010 Proceedings of the 12th International Congress, Patras, May, 2010 ORACLES ON FAULTS: A PROBABLE LOCATION OF A “LOST” ORACLE OF APOLLO NEAR OROVIAI (NORTHERN EUBOEA ISLAND, GREECE) VIEWED IN ITS GEOLOGICAL AND GEOMORPHOLOGICAL CONTEXT I. Mariolakos1, V. Nikolopoulos2, I. Bantekas1, N. Palyvos3 1 University of Athens, Faculty of Geology, Dynamic, Tectonic and Applied Geology Department, Panepistimioupolis Zografou, 157 84, Athens, Greece, [email protected], [email protected] 2 Ministry of Culture, 2nd Ephorate of Prehistoric and Classical Antiquities, L. Syggrou 98-100, 117 41 Athens, Greece, [email protected] 3 Harokopio university, Department of Geography, El. Venizelou 70 (part-time) / Freelance Geologist, Navarinou 21, 152 32 Halandri, Athens, Greece, [email protected] Abstract At a newly discovered archaeological site at Aghios Taxiarches in Northern Euboea, two vo- tive inscribed stelae were found in 2001 together with hellenistic pottery next to ancient wall ruins on a steep and high rocky slope. Based on the inscriptions and the geographical location of the site we propose the hypothesis that this is quite probably the spot where the oracle of “Apollo Seli- nountios” (mentioned by Strabo) would stand in antiquity. The wall ruins of the site are found on a very steep bedrock escarpment of an active fault zone, next to a hanging valley, a high waterfall and a cave. -
Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell
STUDY GUIDE Photo of Mark L. Montgomery, Stephanie Andrea Barron, and Sandra Marquez by joe mazza/brave lux, inc Sponsored by Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell SETTING The action takes place in east-central Greece at the port of Aulis, on the Euripus Strait. The time is approximately 1200 BCE. CHARACTERS Agamemnon father of Iphigenia, husband of Clytemnestra and King of Mycenae Menelaus brother of Agamemnon Clytemnestra mother of Iphigenia, wife of Agamemnon Iphigenia daughter of Agamemnon and Clytemnestra Achilles son of Peleus Chorus women of Chalcis who came to Aulis to see the Greek army Old Man servant of Agamemnon, was given as part of Clytemnestra’s dowry Messenger ABOUT THE PLAY Iphigenia in Aulis is the last existing work of the playwright Euripides. Written between 408 and 406 BCE, the year of Euripides’ death, the play was first produced the following year in a trilogy with The Bacchaeand Alcmaeon in Corinth by his son, Euripides the Younger, and won the first place at the Athenian City Dionysia festival. Agamemnon Costume rendering by Jacqueline Firkins. 2 SYNOPSIS At the start of the play, Agamemnon reveals to the Old Man that his army and warships are stranded in Aulis due to a lack of sailing winds. The winds have died because Agamemnon is being punished by the goddess Artemis, whom he offended. The only way to remedy this situation is for Agamemnon to sacrifice his daughter, Iphigenia, to the goddess Artemis. Agamemnon then admits that he has sent for Iphigenia to be brought to Aulis but he has changed his mind. -
Written Follow-Up to Phase 2 Report
Directorate for Financial and Enterprise Affairs GREECE: PHASE 2 FOLLOW - U P R E P O R T O N THE IMPLEMENTATION OF THE PHASE 2 RECOMMENDATIONS APPLICATION OF THE CONVENTION ON COMBATING BRIBERY OF FOREIGN PUBLIC OFFICIALS IN INTERNATIONAL BUSINESS TRANSACTIONS AND THE 1997 REVISED RECOMMENDATION ON COMBATING BRIBERY IN INTERNATIONAL BUSINESS TRANSACTION S This report was approved and adopted by the Working Group on Bribery in International Business Transactions on 12 September 2007. TABLE OF CONTENTS SUMMARY AND CONCLUSIONS BY THE WORKING GROUP ON BRIBERY ............................................. 3 WRITTEN FOLLOW-UP TO PHASE 2 REPORT ................................................................................................ 5 P a g e | 2 SUMMARY AND CONCLUSIONS BY THE WORKING GROUP ON BRIBERY a) Summary of findings 1. Since Phase 2, Greece has introduced an express denial of tax deductibility of bribes. Greece has also taken numerous initiatives to raise the level of awareness of the foreign bribery offences and of the OECD Convention either through public measures or private activities. 2. In particular, the Export Credit Insurance Organisation includes the foreign bribery offence in its presentations as a matter of course. The market authorities, including the Hellenic Capital Markets Commission and the Athens Exchange, have undertaken initiatives on corruption, including foreign bribery. Awareness initiatives have also been undertaken within the Ministries of Finance and Economy, Justice, and the Interior, Public Administration and Decentralisation, and among tax officials. The Hellenic Banks Association in conjunction with all major commercial banks have organised meetings and seminars on the detection of corrupt practices, including money laundering and foreign bribery. However, the Working Group notes that no concrete action has been undertaken by the Hellenic Aid to further raise awareness of the Convention and the foreign bribery offence for its staff. -
& Special Prizes
Αthena International Olive Oil Competition 26 ΧΑΛΚΙΝΑ- 28 March ΜΕΤΑΛΛΙΑ* 2018 OLIVE OIL PRODUCER DELPHIVARIETAL MAKE-UP• PHOCIS REGION COUNTRY WEBSITE ΜEDALS & SPECIAL PRIZES Final Participation and Awards Results For its third edition the Athena International Olive Oil Competition (ATHIOOC) showed a 22% increase in the num- ber of participating samples; 359 extra virgin olive oils from 12 countries were judged by a panel of 20 interna- tional experts from 11 countries. This is the first year that the number of samples from abroad overpassed those from Greece: of the 359 samples tasted, 171 were Greek (48%) and 188 (52%) from other countries. In conjunction with the high number of inter- national judges (2/3 of the tasting panel), this establishes Athena as one of the few truly international extra virgin olive oil competitions in the world ―and one of the fastest growing ones. ATHIOOC 2018 awarded 242 medals in the following categories: 13 Double Gold (scoring 95-100%), 100 Gold (scoring 85-95%), 89 Silver (scoring 75-85%) and 40 Bronze (scoring 65-75%). There were also several special prizes including «Best of Show» which this year goes to Palacio de los Olivos from Andalusia, Spain. There is also a notable increase in the number of cultivars present: 124 this year compared to 92 last year, testify- ing to the amazing diversity of the olive oil world. The awards ceremony will take place in Athens on Saturday, April 28 2018, 18:00, at the Zappeion Megaron Con- ference & Exhibitions Hall in the city center. This event will be preceded by a day-long, stand-up and self-pour tasting of all award-winning olive oils. -
Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia. -
Archaic Eretria
ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia. -
Anacreontic Or Dionysian?
ANACREONTIC OR DIONYSIAN?: ETHNIC AND GENDER AMBIGUITY ON THE ANACREONTIC VASES A Thesis submined to the faculty of San Francisco State University In partial fulfillment of z o r t the requirements for 5 the Degree Master of Arts In Classics by Stephanie Danielle Polos San Francisco, California May 2019 Copyright by Stephanie Danielle Polos 2019 CERTIFICATION OF APPROVAL I certify that I have read ANACREONTIC OR DIONYSIAN?: ETHNIC AND GENDER AMBIGUITY ON THE ANACREONTIC VASES by Stephanie Danielle Polos, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Classics at San Francisco State University. Associate Professor, Classics David Smith, Ph.D. Professor, Classics ANACREONTIC OR DIONYSIAN?: ETHNIC AND GENDER AMBIGUITY ON THE ANACREONTIC VASES Stephanie Danielle Polos San Francisco, California 2 0 1 9 This thesis is an investigation of the “Anacreontic” vases, produced in late-sixth and early-fifth century Athens, with a particular focus on their iconography, background, and whether the men depicted on them are dressing in Eastern or feminine costume. However, the themes of gender and ethnic ambiguity, which are the primary feature of the vases, extends more deeply. I look at the context of the vases particularly related contemporary iconography, aspects of the Greek symposium, and traditions surrounding Dionysus and his cult in order to trace a broader theme of “Anacreontism,” and I conclude that the debate of “Eastern” vs. “feminine” regarding the Anacreontic vases disregards a more complex background for these vases and their iconography. -
Prehistory - Central Balkans Cradle of Aegean Culture
Prehistory - Central Balkans Cradle of Aegean culture By Antonije Shkokljev Slave Nikolovski – Katin Translated from Macedonian to English and edited By Risto Stefov Prehistory - Central Balkans Cradle of Aegean culture Published by: Risto Stefov Publications [email protected] Toronto, Canada All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written consent from the author, except for the inclusion of brief and documented quotations in a review. Copyright 2013 by Antonije Shkokljev, Slave Nikolovski – Katin & Risto Stefov e-book edition 2 Index Index........................................................................................................3 COMMON HISTORY AND FUTURE ..................................................5 I - GEOGRAPHICAL CONFIGURATION OF THE BALKANS.........8 II - ARCHAEOLOGICAL DISCOVERIES .........................................10 III - EPISTEMOLOGY OF THE PANNONIAN ONOMASTICS.......11 IV - DEVELOPMENT OF PALEOGRAPHY IN THE BALKANS....33 V – THRACE ........................................................................................37 VI – PREHISTORIC MACEDONIA....................................................41 VII - THESSALY - PREHISTORIC AEOLIA.....................................62 VIII – EPIRUS – PELASGIAN TESPROTIA......................................69 IX – BOEOTIA – A COLONY OF THE MINI AND THE FLEGI .....71 X – COLONIZATION