Survey Report on Town Barpeta, Part X-B, Series-3, Assam
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The Charismatic Authority of Sankardeva and Routinization of His Charisma: a Weberian Analysis
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 03, MARCH 2020 ISSN 2277-8616 The Charismatic Authority Of Sankardeva And Routinization Of His Charisma: A Weberian Analysis Bedanta Bikash Bora Abstract: The theory of authority is at the heart of the sociology of Max Weber where he focusses on the historical shifts in the exercise of power. The third type of authority explained by Weber is the theory of charismatic authority where he talks about the charismatic powers of different personalities like prophets, heroes in wars, religious leaders etc; by dint of which they are considered superior to the ordinary people. This paper attempts to experiment this celebrated theory in the life and legacy of Sankardeva, a 15th century polymath who founded the vaishnavism in Assam and propounded a reformed version of Hinduism. His eternal charisma on the Assamese society in many ways corresponds to the theory of Weber. The notion of the recognition of validity of charisma, the concept of felt duty, the emancipator and revolutionary spirit of charisma and repudiation of the past- can be very easily attributed to the charismatic personality of Sankardeva. Weber also talks about the routinization of charismatic personality i.e. the demands placed on the charismatic personality while settling the crisis of succession, validation of the positions of authority, social status and the economic priviledges of the subjects, and the demand of giving it an administrative apparatus; which clearly corresponds to the routinization of charisma of Sankardeva after his death in the form of shifting of the authority to his favourite disciple Madhavdeva and in increasing bureaucratization of the Sattra institutes. -
A Critical Review of Saint Madhavadeva's Nam-Ghosa
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A CRITICAL REVIEW OF SAINT MADHAVADEVA’S NAM-GHOSA Bhupen Gogoi Reseach Scholar, Dept. of M.I.L. & L.S., Gauhati University, Assam. India, 781014 Abstract : Nam-Ghosa is the best writing by Madhavadeva. It contains thousand (according to some books of collections thousand and one) verses. Nam-Ghosa has made a remarkable contribution in the context of propagation and spreading of the New Vaishnavism or Ek Sarana Nam Dharma. Nam-Ghosa can be divided into three parts as the gospel of Nam-Dharma or the New Vaishnavism, poetic expression of detached devotional feelings and the appreciation of the qualities of Lord Vishnu and his various names. Madhavadeva got true savour of devotion by the grace of his preceptor Sankardeva. Madhavadeva has offered his honour and devote to Sankardeva for several times in Nam-Ghosa. In this book Madhavadeva has suggested easy way to offer devotion to Lord Krishna or Vishnu. The main philosophy of Nam-Ghosa is based on Vedanta Philosophy. According to Nam-Ghosa people should be devoted to Lord Krishna only when he can be able to come out from selfishness and after that he can be able to reach Krishna Dham - the final destination of a soul. Key words : Madhavadeva, Nam-Ghosa, Devotion, Guru, God, Philosophy. INTRODUCTION : Madhavadeva was an ardent disciple of his preceptor Sankardeva. Sankardeva introduced the new vaishnavism in the 15th century in Assam. For spreading the religion Madhavadeva worked very hard to help his preceptor and he became as a shadow of Sankardeva. -
Cashstrapped Jet Cuts More Domestic Fl
https://t.me/TheHindu_Zone_official EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE THE HINDU COIMBATORE FRIDAY, MARCH 22, 2019 NATION 7 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE Enforcing a ban will not end the menace of stubble burning, say researchers (for straw management) or ing. The Environment Minis about ₹5,000 an acre, as abstain from burning, said ‘Farmers must be enforcing the Stateled ban ters of these States as well as The Hindu has previously Dr. Friedrich. On average, educated on its on the practice — are unlike top officials at the Centre de reported. the input costs of farmers ly to solve the problem. clared a “zero tolerance” who burned straw were monetary costs’ Farmer cooperative policy on the burning of Mixed results about ₹40,000 per acre and JACOB KOSHY groups — a key link between stubble, which has been es However, the success of those who didn’t about NEW DELHI -
Newsletter - Vol : VII, Issue - 1
Newsletter - Vol : VII, Issue - 1 President’s message Principal’s message I am delighted with the schools We feel proud to bring the 7th initiative to publish this volume of newsletter ‘Xtasy’ newsletter covering our various before you. The year 2017-18 academic activities, workshops has witnessed spectacular Board and achievements. I am sure that results of the students. The this issue would give the readers s c h o o l o r g a n i z e d v e r y a fair idea about the various successfully the 1 s t Bina academic and co-curricular Chowdhury Memorial Inter-school Borgeet activities of the students. Finally I congratulate the Competition, National School of Drama (NSD) editorial team in bringing out this newsletter. Summer Workshop, for the first time school has trained a team comprising of 80 students for School Bagpiper Marching Band under the guidance of Commandant of 8 t h Assam Police Battalion, Editor’s message Abhayapuri, Goalpara. It gives me immense pleasure in Keeping in the line progressive academic pursuance, bringing out the VII Volume of opportunities are always given to the students so that ‘ X TA S Y ’ s u c c e s s f u l l y. they can participate and excel in academic and co- Extracting talents, ideas, skills curricular activities. In addition to bring strongly from different fields was a committed teachers to this mission, our faculties are difficult task but we finally made given continuous training programme to enable them it possible. This edition of the to perform more effectively. -
Chapter I Introduction
CHAPTER I INTRODUCTION Religious understandings are a part of culture, just as other understandings are. And the anthropologist’s task is to understand them, not to judge them. Religion may be defined as the “people’s belief in spiritual beings and forces.” The human society is an organization of individuals. The effects of socio religious influence of the beliefs and rituals on the society as a whole as well as on individual member of a community are well perceptible. As such, social functions are related to the needs of the individuals and play a vital role in the society. The needs of man are varied. No doubt, his biological needs, such as- food, clothing and shelter are the fundamental needs. His moral, cultural and religious needs are also not the less important. These fundamental needs derive from their religious functions and rites which give great strength and fulfill mental desire to live on with. Sir James Frazer in his Golden Bough (1890) said that, “By religion it is meant that a propitiation or conciliation of power superior to man which are believed to bend and control the cause of nature and of human life. It is the fact that no man is religious who does not govern his conduct in some measure by the fear or love of God. All over the world the people have various types of Religious beliefs.” All religion consists of a mental attitude regarding the super natural beliefs. The most wide spread manifestation of this attitude is in the shape of beliefs and rituals that are deeply imbedded in all cultures. -
Shreemant Shankar Dev's Bhakti Movement in Indian
SHREEMANT SHANKAR DEV’S BHAKTI MOVEMENT IN INDIAN CULTURE PJAEE, 18 (4) (2021) SHREEMANT SHANKAR DEV’S BHAKTI MOVEMENT IN INDIAN CULTURE Pranjal Kumar Nath Research scholar, Hindi Department Gauhati University, Assam. Pranjal Kumar Nath, SHREEMANT SHANKAR DEV’S BHAKTI MOVEMENT IN INDIAN CULTURE-Palarch’s Journal Of Archaeology Of Egypt/Egyptology 18(4), ISSN 1567-214x Abstract: Assamese culture and literature would be incomplete without Shreemant Shankar Dev. During his time, Assam or the north eastern part was totally unknown to the rest part of India and was considered to be in the swamp of darkness. He introduced a religion named “EK SHARAN NAM DHARM” which catches the eye of many people at that time. Through this medium he tried to bring light to the people of Assam and also to the north eastern part of India. Shreemant Shankar Dev travelled all over India for 12 years and made an effort to connect Indian culture with Assam and also the north-eastern part. By making coordination between religion and arts, in true sense he tried to make human race cleaner and discipline. In consequence of which, he succeeded in making a well- developed and culture rich society. This was an important step in regards to the unity of India. Shreemanta Shankar Dev with his aptitude and literature (writing) established the Indian literature and culture in Assam and in the north eastern part of India. He brought the flow of Bhakti movement which was mainly influenced by Shankaracharya to Assam and north east India. Despite being connected to Adwetwad, Shankaracharya also knew the value of the culture vision. -
International Seminar on Assamese Culture & Heritage
International Seminar on Assamese Culture & Heritage 07th July 2018 Centre for Heritage Studies University of Kelaniya Sri Lanka Editorial Board Prof. Anura Manatunga Ms. Piyumi Embuldeniya Ms. Apeksha Embuldeniya Mr.Aditya Abeysinghe Ms. T. D. H. Darsha Page Layout Ms. Apeksha Embuldeniya Ms. Piyumi Embuldeniya Cover Page Design Ms. T. D. H. Darsha ISBN 978-955-704-079-0 Message from the Vice Chancellor University of Kelaniya It is an honour for me to write these words as the Vice-Chancellor of the University of Kelaniya for the International Seminar on Assamese Culture and Heritage - 2018 of Centre for Heritage Studies, University of Kelaniya. As a leading higher educational institution, University of Kelaniya is organizing National and International Conferences under various themes as we always encourage the exposure to new knowledge. In this context Centre for Heritage Studies plays an important role by organizing an International Conferences, International Seminars, National Workshops, and International and National Lecture Series. This International Seminar provides an impressive opportunity to sharing knowledge on Assamese Culture and Heritage. I wish to congratulate the Director of Centre for Heritage Studies, the Deputy Director of Centre for Heritage Studies and the organizing committee of the International Seminar on Assamese Culture and Heritage - 2018 for their notable efforts towards this event. Professor D. M. Semasinghe Vice Chancellor University of Kelaniya 1 Message from the Deputy Vice Chancellor University of Kelaniya It is indeed a great honor for me to offer this message for the International Seminar on Assamese Culture and Heritage - 2018 organized by the Centre for Heritage Studies, University of Kelaniya. -
Guwahati: Shri Gangapada Choudhury, Pt.Tirtha Nath Sharma Hall, B.K.Barua Road, Nizarpur, Guwahati, Assam-781003
CENTRE FOR CUTURAL RESOURCES AND TRAINING, NEW DELHI CULTURAL TALENT SEARCH SCHOLARSHIP SCHEME Please note that the list of New Candidates to be invited for interview/test at all other venues will be uploaded as and when the venue for the interview/test gets confirmed. Therefore, the candidates are advised to wait for the letter to be sent by Regd. Post as well as on their given email-id and also check the website from time to time. VENUE: GUWAHATI: SHRI GANGAPADA CHOUDHURY, PT.TIRTHA NATH SHARMA HALL, B.K.BARUA ROAD, NIZARPUR, GUWAHATI, ASSAM-781003 Date of Time of S.No Candidate ID DOB Candidate Name Father Name Art Name Candidate State Venue Name Interview interview CAND/2019- RISHI RAJ 1. 16-11-2005 SHRI RAJU MOUT Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02591 MOUT CAND/2019- GORIMA SHRI RAJIB 2. 04-10-2006 Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02592 BHUYAN BHUYAN SASTHI CAND/2019- SHRI MONUJ 3. 22-11-2005 TANAYA Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02593 KALITA KALITA CAND/2019- DIPANITA SHRI BIPLAV 4. 08-07-2007 Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02594 BURA GUHAIN BURA GUHAIN RAJKUMARI SHRI RAJKUMAR CAND/2019- 5. 23-11-2005 MOHASHRETA VEDANTA BIKASH Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02595 GOHAIN GOHAIN CAND/2019- KANTHA MONI SHRI SUNIL 6. 02-04-2007 Folk Songs ASSAM GUWAHATI 19-08-2019 9:30 AM 20/02596 CHETIA CHETIA CAND/2019- ANTARIKSH SHRI MINAKSHYA 7. -
Chapter Vii Socio-Religious Importance of the Satra Institution Ofassam with Special Reference to Barpeta Satra
CHAPTER VII SOCIO-RELIGIOUS IMPORTANCE OF THE SATRA INSTITUTION OFASSAM WITH SPECIAL REFERENCE TO BARPETA SATRA Introduction One of the most important sects of Hinduism is vaisnavism. Evidence of vaisnavism was found in the rock inscriptions of Mahabhuti Barman (554 A.D) which referred to the king as Param Bhagavati. But the neo- vaisnavite movement essentially began with the advent of Sankaradeva. The main emphasis of the neo-vaisnavite movement was on bhakti or devotion (Gait, 1905: 321). The satra is a unique socio-religious and cultural institution of Assam and originated in the medieval times. It is a heritage institution of neo-vaisnavite movement of the state. Almost eight hundred satras are scattered all over Assam. The satra institution in Assam has produced deep impact on the socio-religious life and also the socio- cultural and socio-economic life of the people of Assam. People from different walks of life-scholars, businessmen and traders, peasants and different craftsmen who form the common mass and are linked with the process of production not only listen to the liberal and universal appeal of the neo-vaisnavite religion of Sankardeva, but also come in large number to embrace this religion and become its astute devotees. The appeal of the religion is simple which can be understood even by unlettered people. If one wants salvation from this mundane existence, it is only through bhakti or devotion that he or she can attain it through naam-kirtana. Satras have become the centers where the devotees congregation in large number and join in the prayer to God. -
Unexplored Tourism Industry of Assam: a Study on Satras and Naamghars
Unexplored Tourism Industry of Assam: A Study on Satras and Naamghars Neelakshi Talukdar Research Scholar, Department of Political Science, University of Delhi Abstract—Tourism is the biggest economic drivers in present Naamghars. These are not only religious institutions but day world. Tourism industry of Assam is expanding. Assam is stepping stone of Assamese identity and culture. Assam the home of different religious institutions, spiritualism, is a land of saints and religious gurus. Among them, the ethnicity and most importantly village culture, which has been one who has paved the way for humanity and practiced since time immemorial. Satras and Naamghars are brotherhood through “eka soron naam dharma” is the major parts of the culture of Assam, the back bone of Assamese people, work as a democratic and decentralized Mahapurusha Srimanta Sankardeva. He was not only a institution. This is part and parcel of Neo-Vaishnavaite Culture. religious guru but also a social reformer. If we look back The entire region is the hotspot of tourism but unfortunately to the roots of the culture of Assam, we will find out that Satras and Naamghars are always remained untouched and it is the Neo-Vaishnavaite Movement which is for unexplored. This is because of lack of awareness among the universal fraternity and equal respect to all creatures. communities and lack of promotion from both central and the state government. Among them are Batadrava than of Nagaon Main objective behind taking Satras and Naamghars district of Assam, Barpeta Satra and its Doul Utsab[holi festival] as tourist hotspot is that these are the institutions where and Majuli and its Rakh Mahotsab. -
List of Scholarship Holders Invited for the Renewal Test to Be Held at GUWAHATI
Venue: GUWAHATI: SHRI GANGAPADA CHOUDHURY, PT.TIRTHA NATH SHARMA HALL,B.K.BARUA ROAD,NIZARPUR,GUWAHATI,ASSAM-781003 List of Scholarship Holders invited for the Renewal Test to be held at GUWAHATI . Year 2014-15 S. VENUE Date Time SCHOLAR N ID NO PARENST NAME STATE ART FIELD NAME O PRANJIT GUWAHATI 19-08- 02.00 PM SCHO/2014- SHRI RANJIT 1. KUMAR ASSAM BORGEET 2019 15/00131 KUMAR BHUYAN BHUYAN SCHO/2014- SUBRATA SMT RENU GUWAHATI 19-08- 02.00 PM 2. ASSAM BORGEET 15/00132 GOSWAMI GOSWAMI 2019 SCHO/2014- PRAKRITI SMT. ANURUPA GUWAHATI 19-08- 02.00 PM 3. ASSAM BORGEET 15/00127 DUTTA BHUYAN DUTTA 2019 SCHO/2014- JUGANDHA GUWAHATI 19-08- 02.00 PM 4. SHRI UTPAL DAS ASSAM BORGEET 15/00128 RA DAS 2019 SHRI GUWAHATI SCHO/2014- POLLABI 19-08- 02.00 PM 5. KRISHNARAM ASSAM BORGEET 2019 15/00129 DOLEY HAZARIKA SCHO/2014- JAHNABI SHRI AMARJYOTI GUWAHATI 19-08- 02.00 PM 6. ASSAM BORGEET 15/00590 SONOWAL SONOWAL 2019 SCHO/2014- RAHUL SMT TALUMONI GUWAHATI 19-08- 04.00 PM 7. ASSAM FOLK SONGS 15/00151 BORA BORA 2019 SCHO/2014- SUKANYA SHRI KANAK CH. GUWAHATI 19-08- 04.00 PM 8. ASSAM FOLK SONGS 15/00150 SARMA DEV SARMA 2019 SCHO/2014- MEDOLENU SHRI M. JAMES GUWAHATI 19-08- 04.00 PM 9. NAGALAND FOLK SONGS 15/00604 KHAZO RICHA 2019 SCHO/2014- KETHONGO SHRI M. JAMES GUWAHATI 19-08- 04.00 PM 10. NAGALAND FOLK SONGS 15/00607 NU RICHA 2019 VISWENTS O SCHO/2014- NOSAKHOT SHRI M. JAMES GUWAHATI 19-08- 04.00 PM 11. -
Yojana Magazine Summary for August 2020 Issue
Philosophical Nature of Indian Music • The Indian classical music, be it Hindustani or Carnatic, has essentially got a spiritual component inherent in it. Reasons for the development of spiritual component are: o Temples provided a platform where these arts flourished; o Bhakti or selfless devotion that was the underlying essence; o The artistic principles of Indian classical music are formulated and structured in such a way that it becomes an inward journey for its practitioners so that they get intimately connected with their within. Spiritual Features of Indian Music A. Nadopasana - The Invocation of the Primordial Sound • For a true practitioner of classical music, the approach used to be Nadopdsana – the invocation of the primordial sound. For these practitioners, music became an internal journey for the realisation of the ultimate truth. • Even the selection of the Raga and the composition at the time of a performance was a result of the intuition and the inspiration of the moment. B. The Guru-Shishya and Gharana tradition • It is another crucial feature which is common for all the classical music traditions of India. For centuries, this Guru-shishya transmission has made it possible to carry forward the intense experiences innately embedded in this great tradition of enlightened practitioners of music. • The musical gharanas of north Indian or Hindustani classical music have also contributed to the diversity of their form of music by presenting a distinct style of it. The Origin and Historical Development of Different Forms of Indian Music • The origin of Indian music can be traced back to the chanting of Vedic hymns and mantras.