The Role of Neo-Vaisnavism in Renaissance the Assamese People’S Faith, Culture, Ethics and National Integration: an Analysis

Total Page:16

File Type:pdf, Size:1020Kb

The Role of Neo-Vaisnavism in Renaissance the Assamese People’S Faith, Culture, Ethics and National Integration: an Analysis International Journal of Research in Humanities and Social Studies Volume 4, Issue 12, 2017, PP 22-26 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) The Role of Neo-Vaisnavism in Renaissance the Assamese People’s Faith, Culture, Ethics and National Integration: An Analysis Satyajit Kalita Department of Philosophy, Suren Das College, Hajo, India *Corresponding Author: Satyajit Kalita, Department of Philosophy, Suren Das College, Hajo, India ABSTRACT Sankardeva (1449 -1569), a spiritual emancipator, literary genius and treasure of versatile personality of Assam during the medieval period, needs no introduction to the people of North-East India. He engendered a revolution in the socio-cultural life of the people of Assam through his Neo- Vaisnavite movement i.e. a turning point in the history of religion and philosophy of the Brahmaputra Valley in Assam. His Vaisnavism (surrender to only one God; Vishnu) in resurrection the Assamese people’s faith, culture, conscience and national integration, plays an important role in the society of Assam. It is an important to note to be mentioned here that the Vaisnavism became the faith and culture of Assamese social life under the guidance of Sankardeva and his followers. The productive and versatile contributions of Sankaradeva recommend that he was primarily a philosopher of culture in which religion (Vaisnavism- Eka sarana nama dharma) being an important component, worked as a powerful force. His versatile faculty in the field of religion and philosophy, literature and culture and accomplishment as a singer, dramatist, painter, architect, actor, poet etc attracted, inspired and guided the people of Assam. His comprehensive contributions towards Assamese society have turned him into a National Integrator for the people of Assam. Through this discourse we endeavor to focus the role of Sankardev and his Vaisnavism in resurrection the Assamese people’s faith, culture, conscience and national integration. Keywords: Srimanta Sankardeva, Vaisnavism, faith, Culture, National integration. INTRODUCTION the foundation of a greater Assamese nation. Assam presented a very grim scenario in Pre arayano naam Bulibaro phale Vaisnavite period. Spirituality looked wanting Nistarila Ajamile in religion and socio-political rivalry and opportunist purposes worsened the conditions of Bishnuk chintiya Chaturbhuj Roope the people. This condition is called a low ebb in Boikunthat Arohila. faith society, culture and prospect of a strong future nation. The greater Assam of Su-ka-pha (Kirtan-Ghosa, 188) was a blurred vision. Sankardeva and his neo Sankardeva (1449-1569), an immensely gifted vaisnavite movement provided a new lease of genius, blessed this pristine land of Assam in the life to the people. So, we have made an attempt 15th and 16th Centuries with his theological to call this a resurrection of faith, culture, teachings, blended with various colours of social society and national integrity. To estimate the and cultural elements. However, this valley on daunting task accomplished by Sankardeva first either side of the mighty Brahmaputra was not a the condition of Assam before his advent is set stage for him to let the essence of Bhakti discussed and then how he accomplished it are movement flow smoothly. The people in this discussed. region were curled in the wreaths of Tantraism, illiteracy, lingering amidst caste discriminations AIMS AND OBJECTIVES and socio political segregation and conflicts. This paper Endeavour‟s to focus the role of Faith, culture, society and the prospect of a Sankardev and his Vaisnavism in resurrection future of a greater integrated nation were in a the Assamese people‟s faith, culture, conscience pandemonium. Sankardeva not only spread the and national integration. cult of Bhakti Movement in Assam but also This paper also makes an effort to focal point enriched the people socially, culturally and laid the state of Assam before and after his advent. International Journal of Research in Humanities and Social Studies V4● I12● 2017 22 The Role of Neo-Vaisnavism in Renaissance the Assamese People’s Faith, Culture, Ethics and National Integration: An Analysis FINDINGS AND DISCUSSION On the other hand, the caste-system had become so tyrannical that it had rattled the very The Brahmaputra valley was a land of foundations of the society. The Brahmana amalgamation of both Aryan and Non- Aryan priests and pandits who had managed to attain culture. Hence, the land was having diversity in for themselves in the high seats in the helm of its perennial flow of spirituality and faith. Since power did everything they possibly could to prehistoric time the worship of Lord Shiva have maintain their stranglehold on society. All been the prime cult of religious practice but with people in the Koch kingdom, for instance, were the evolution of time the interest of worshiping required to follow the caste system, perform Lord Shiva was wreathed in the coil of Tantric their functions and observe other customs and practices. The worship of Shakti took an manners, as directed by Siddhanta Vagisa. inhumane turn. The condition of the time is Those who went against it were severely rightly described in these lines of Guru Charit: punished by the king and were boycotted by E dexot purbokale nasila bhakati/ Nana their own people. dharma-karma loke korila samprati/ The great bulk of the population had no light of Nana deva pujoyo karay boli daan/Hax education and there was a conflict of interest saga para kate axankhya pramamn/ between the literate few and the illiterate many. The Tantric way of worship turned into highly This fact was exploited to the hilt by the licentious and bloody affair. The Kamakhya Brahmanas who lost no time in prohibiting the temple in the Nilachal, Kamakhya of Hatimura lower strata from studying (even viewing) the and Tamreswari temple were the centres of religious texts. Thus religion had become shakti worship. Shaktism demanded the offering practically a closed system with the Brahmanas of blood to the deity. The Kalikapurana contains possessing all the 'proprietary' rights over it. a very detail description of sacrificial rituals. Such social disparity exaggerated the political The concept of Bhogi-as it was mentioned in Sir differences between various tribes as well. Edward Gait‟s description of tamreswari Ahoms, Koch, Kachari,Chutia etc ethnic temple-clearly authenticates the practice of differences made a possibility of a greater nation human sacrifice too. A Bhogi was a man a far cry. selected for sacrifice to the God, who was given As a tributary to the Vaisnavite Movement of free access to have sexual contentment with any India, Sankardeva propagated neo vaisnavite female of the society. The Bhogi and the movement in Assam in the 15th and 16th practice of the Devdasi were actually the centuries. His philosophy may be said to have patriarchal approaches to consider women as been influenced by Vedanta philosophy and mere objects for male eroticism. Scriptures such advaitic of Sankaracharya, but with the as kalikapurana, Joginitantra, Kulanav Tantra importance of a personal god who can be authenticate such a nadir in spirituality. Here are achieved by devotion, Sankardeva preached a few lines of Kulanav Tantra: with a self-engineered path of Bhakti. Advaitic Amisava sauravahinang jashya mukhang Sankaracharya believed in „Ahang Brahmami” vabet /prayachitti but Sankardeva didn‟t say “Ahang”.He Sabarjyacha pasureba na sangsaya interpreted the Brahma or Brahman and Atma of Upanishada opting for Saguna Brahman. The Apart from Saktism, a system of later Buddhism term Brahman for Sankardeva was synonymous known as Vajrayana had taken root in Assam. It to god and it is without form. was associated with rituals, sorcery and necromancy. In actual practice, the Vajrayana “Tumi satya brahma/tomat prokaxe jogot system was against religion and morality. It eto ananta defined nirvana as 'mahasukha' and permitted Jogotot matro,tumihe prokaxa/ontorjami indulgence in the five ma-karas. As Dimbeswar vogobonto” Neog said religious rites included madya, (Kirtanghosa, Vedasthuti) mamsa, matsya, mudra, maithuna and it was Sankardeva postulated Him as an impersonal even permitted to have sexual relationship with super-entity being the creator, sustainer and any woman except the mother.1 There was now destroyer of this universe. But common man a combination of the orthodox Nath cult of ascribes form and qualities to him for devotional Hatha yoga and Buddhist tantricism. The purpose. There are three concepts of god in religion was devoid of purity and sacred Sankardeva‟s philosophy are – the absolute spiritual essence. 23 International Journal of Research in Humanities and Social Studies V4● I12● 2017 The Role of Neo-Vaisnavism in Renaissance the Assamese People’s Faith, Culture, Ethics and National Integration: An Analysis (Brahman), the perfect creator, sustainer and because everyone can set Krishna nama in his destroyer and one as a God of flesh and blood heart and consciousness. But it must be mentioned who can be intimate and become source of here that it was not an easy task for Sankardeva inspiration and courage. These three facets are to break down the shackles of a society which the three modes of realizing god. Sankardeva was based on a strong caste system. By accepted the concept of personal god in relation establishing Naamghar he provided an to the world. He described it more or less in opportunity to all sections of people to practice human form. He called this God Narayana, religious discourses together. Naamghar is a Bishnu or Hari. great museum of the nation which put the “xomosto kasthote ogni asonto biyapi temple imposed prohibitions out of our social practice. Sankardeva wanted to liberate the Ghorixona bine tangko nedekhe kodapi marginalised section of the society saying - Xehimote asa Krishna xoware hiyat Bishnu baishnabara kinchiteko nahi vedo. In this Bhokoti bihine koito nuhike xakhyat” 1 manner Sankardeva preached a faith in which Though it has a personality it is beyond the god and men were assimilated into one.
Recommended publications
  • Numbers in Bengali Language
    NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me.
    [Show full text]
  • On the Basis of Celebrated Festivals in Guwahati PJAEE, 17 (7) (2020)
    Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati PJAEE, 17 (7) (2020) Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati Tutumoni Das Department of Assamese, Gauhati University, Guwahati, Assam, India Email: [email protected] Tutumoni Das: Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati -- Palarch’s Journal Of Archaeology Of Egypt/Egyptology 17(7). ISSN 1567- 214x Keywords: Tradition, Transformation, Festival celebrated in Guwahati ABSTRACT Human’s trained and proficient works give birth to a culture. The national image of a nation emerges through culture. In the beginning people used to express their joy of farming by singing and dancing. The ceremony of religious conduct was set up at the ceremony of these. In the course of such festivals that were prevalent among the people, folk cultures were converted into festivals. These folk festivals are traditionally celebrated in the human society. Traditionally celebrated festivals take the national form as soon as they get status of formality. In the same territory, the appearance of the festival sits different from time to time. The various festivals that have traditionally come into being under the controls of change are now seen taking under look. Especially in the city of Guwahati in the state of Assam, various festivals do not have the traditional rituals but are replaced by modernity. As a result, many festivals are celebrated under the concept of to observe. Therefore, our research paper focuses on this issue and tries to analyze in the festival celebrated in Guwahati. 1. Introduction A festival means delight, being gained and an artistic creation.
    [Show full text]
  • Formation of the Heterogeneous Society in Western Assam (Goal Para)
    CHAPTER- III Formation of the Heterogeneous Society in Western Assam (Goal para) Erstwhile Goalpara district of Western Assam has a unique socio-cultural heritage of its own, identified as Goalpariya Society and Culture. The society is a heterogenic in character, composed of diverse racial, ethnic, religious and cultural groups. The medieval society that had developed in Western Assam, particularly in Goalapra region was seriously influenced by the induction of new social elements during the British Rule. It caused the reshaping of the society to a fully heterogenic in character with distinctly emergence of new cultural heritage, inconsequence of the fusion of the diverse elements. Zamindars of Western Assam, as an important social group, played a very important role in the development of new society and cufture. In the course of their zamindary rule, they brought Bengali Hidus from West Bengal for employment in zamindary service, Muslim agricultural labourers from East Bengal for extension of agricultural field, and other Hindusthani people for the purpose of military and other services. Most of them were allowed to settle in their respective estates, resulting in the increase of the population in their estate as well as in Assam. Besides, most of the zamindars entered in the matrimonial relations with the land lords of Bengal. As a result, we find great influence of the Bengali language and culture on this region. In the subsequent year, Bengali cultivators, business community of Bengal and Punjab and workers and labourers from other parts of Indian subcontinent, migrated in large number to Assam and settled down in different places including town, Bazar and waste land and char areas.
    [Show full text]
  • Proposal Under Demand No-07-3054-04-337-0865-21007'District Head Quarter Road for the Year 2019-20 SI
    Proposal under Demand No-07-3054-04-337-0865-21007'District Head Quarter Road for the year 2019-20 SI. Name of the Amount Name of the Work No. (R&B) Division (Rs. In lakh) 1 2 3 4 S/R to New Jagannath Sadak from 0/630 to Q/660km ( Such as providing 1 Puri 4.76 Cement Concrete pavement at Chandanpur Bazar Portion ) S/R to New Jagannath Sadak from 0/665 to 0/695km ( Such as providing 2 Puri 4.91 Cement Concrete pavement at Chandanpur Bazar Portion ) Construction of entry gate on approach to Makara Bridge at ch,23/80km of New 3 Puri 4.23 Jagannath Sadak, Puri S/r ro New Jagannath Sadak from 14/070 to 14/240 Km such as construction of 4 Puri 4.82 Toe-wall & Packing on right side Construction of Retaining wall in U/S of Ratnachira Bridge at 13/290Km of New 5 Puri 4.98 Jagannath Sadak 6 Puri S/R to Jagannath Sadak road {Such as construction of Toe-wall at 2/300 Km) 4.74 Providing temporary Bus parking at Chupuring & approach road to Melana 7 Puri padia Jankia Gadasahi near New Jagannath Sadak for the visit of Hon’ble Chief 2.57 Minister of Odisha on 20.02,2019 Providing temporary Helipad ground Jankia Gadasahi near New Jagannath 8 Puri 3.00 Sadak for the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Providing temporary parking at Jankia Gadasahi near New Jagannath Sadak for 9 Puri 2.41 the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Providing temporary parking at Kanas side & Gadasahi near New Jagannath 10 Puri 4.88 Sadak for the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Repair of road from Hotel Prachi to
    [Show full text]
  • 140926120027 Prospectus 201
    1 C o t t o n College Prospectus Cotton College Prospectus 2 From the Principal As Cotton College moves into its one hundred and fourteenth year, it fondly recollects its contribution towards the field of higher education in North East India. A college that has produced stalwarts in fields ranging from scientific research through music to politics, Cotton College stands today to welcome a new generation of students. The college offers a host of facilities for its students. It has an extremely well stocked library with over one lakh twenty three thousand volumes and a special section for old and rare books-a unique feature for a college library. Besides, each department has its own specialized library catering to the needs of students of particular disciplines. Well equipped laboratories and museums serve every academic need of students. A gymnasium, an indoor stadium, activity hubs, counseling centres for academic, career and emotional counseling and facilities for sports and cultural activities ensure a healthy environment for the all-round development of each and every Cottonian. The college also boasts of an Entrepreneurship Development Cell which, besides providing self-employment avenues, also conducts courses in Mass Communication and Foreign Language. Its audio-visual studios have helped students to produce a number of excellent documentaries, short films, music albums as well as plays for the radio. Over the years Cotton College has provided a platform for a great many academicians, dignitaries, cultural icons and a host of other personalities to interact with its students, thereby exposing them to a larger world of positive human activity.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • Assam - a Study on Bihugeet in Guwahati (GMA), Assam
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment.
    [Show full text]
  • The Divine Name
    THE DIVINE NAME by Raghava Chaitanya Das Published by BHAKTI VIGYAN NITYANANDA BOOK TRUST SRI KRISHNA CHAITANYA MISSION (Regd.) SRI BHAKTI VINOD ASHRAM BERHAMPUR-6(GM) (INDIA) SRI GAUR JAYANTI 24 March 1997 (WWW Edition - Vamana dvadasi 2007) All Rights Reserved By BHAKTI VIGYAN NITYANANDA BOOK TRUST CONTENTS PREFACE........................................................................................................9 DIVINE NAME AND ITS EFFICACIES.................................................................14 DIVINE NAME - THE SWEETEST OF ALL..........................................................................................14 DIVINE NAME - THE SOLE REMEDY FOR ALL ILLS...............................................................................15 DIFFERENT DIVINE DISPENSATIONS..............................................................................................15 DIVINE NAME - THE BEST IN KALI YUGA.......................................................................................16 AGE OF MACHINES................................................................................................................16 AGE OF FREE CONTROVERSY......................................................................................................17 ABODES OF KALI..................................................................................................................17 DIVINE GRACE - ESSENTIAL......................................................................................................18 SELF-SURRENDER - WAY
    [Show full text]
  • FROM the DESK of VCMD from the Editor’S Desk
    Volume 2, Issue 6 Jan 2017 FROM THE DESK OF VCMD From The Editor’s Desk Dear Friends, Dear All, I wish all of you a very successful 2017. To be successful we The beginning of the calen- must first learn to deal with the failures because success dar year is at its heart a fan- would come only after innumerous failures. I want to leave some thoughts on what are stages of failures and how we tasy of newness and clean can deal with them. slates—of the chance to do things differently and with STAGES OF FAILURE YOU MUST KNOW TO ACHIEVE SUCCESS more attention to pur- pose .Last year has seen a lot Success, this is not just a word, but a feeling. It's an emotion that not everyone gets to taste. Suc- of economic changes and we cess is change, it is coping up with the situation, hope for a more stable and it's art. Success doesn't come easily, it doesn't peaceful year ahead. The come when you fail hundreds of times, but it hap- journey with Nishtha has pens when you decide not to quit, no matter how weaker and tougher the situ- been a wonderful experience ation gets. and we are delighted on re- ceiving various feed- Success comes when you decide not to quit, and rise up to the situation. If you back from our readers re- want to achieve success you must need to have patience to survive the inevita- garding our post and articles. ble. Do enjoy the articles and YOU WILL HAVE TO FACE ENORMOUS PAIN.
    [Show full text]
  • The Charismatic Authority of Sankardeva and Routinization of His Charisma: a Weberian Analysis
    INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 03, MARCH 2020 ISSN 2277-8616 The Charismatic Authority Of Sankardeva And Routinization Of His Charisma: A Weberian Analysis Bedanta Bikash Bora Abstract: The theory of authority is at the heart of the sociology of Max Weber where he focusses on the historical shifts in the exercise of power. The third type of authority explained by Weber is the theory of charismatic authority where he talks about the charismatic powers of different personalities like prophets, heroes in wars, religious leaders etc; by dint of which they are considered superior to the ordinary people. This paper attempts to experiment this celebrated theory in the life and legacy of Sankardeva, a 15th century polymath who founded the vaishnavism in Assam and propounded a reformed version of Hinduism. His eternal charisma on the Assamese society in many ways corresponds to the theory of Weber. The notion of the recognition of validity of charisma, the concept of felt duty, the emancipator and revolutionary spirit of charisma and repudiation of the past- can be very easily attributed to the charismatic personality of Sankardeva. Weber also talks about the routinization of charismatic personality i.e. the demands placed on the charismatic personality while settling the crisis of succession, validation of the positions of authority, social status and the economic priviledges of the subjects, and the demand of giving it an administrative apparatus; which clearly corresponds to the routinization of charisma of Sankardeva after his death in the form of shifting of the authority to his favourite disciple Madhavdeva and in increasing bureaucratization of the Sattra institutes.
    [Show full text]
  • Why I Became a Hindu
    Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita
    [Show full text]
  • Cosmopolitan Consciousness of PC Barua
    E-CineIndia: Jan-Mar 2021/ Parthajit Baruah 1 Article Parthajit Baruah The Question of Assameseness: Cosmopolitan Consciousness of P.C. Barua Still from Barua’s film Mukti An extensive discussion has been made on the made Devdas in three Languages - Bengali (1935), biographical sketch and works of Pramathesh Hindi (1936) and Assamese (1937). Likewise, World Chandra Barua, one of the leading pioneers of India Heritage Encyclopedia, cinema. But the aspect that has hardly been found a bollywoodirect.medium.com, amp.blog.shops- space in the writing and discussion at the national net.com and numerous sources carry the same narrative is why Pramathesh, being an ardent lover of incorrect information stating that Assamese Devdas Gauripur, Assam, did not make an Assamese film in made in 1937 was Barua’s last of the three language the span of two decades of his cinematic journey. versions of the film. Wikipedia misleadingly Displeasures across the state of Assam in the 1940s mentions that Bhupen Hazarika was the playback was seen, and many termed Barua as ‘anti nationalist’ singer of the film. It is pertinent to mention here that in Assam. Ibha Barua Datta, scion of the Barua when Jyoti Chitraban film studio was established in family, says that she is disheartened to read the sharp Guwahati and became functional from 1968, Dr. criticism on Pramathesh in the Assamese newspapers Hazarika proposed the Government of Assam to for not making an Assamese film. name the studio’s shooting floor after Pramathesh Ch. Barua. Bhadari by Nip Baruah was the first film, shot Some erroneously claim that Barua made three at Pramathesh Ch.
    [Show full text]