Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Royal Tropical Institute Annual Review 2009

Total Page:16

File Type:pdf, Size:1020Kb

Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Annual Review 2009 Royal Tropical Institute Royal Tropical Institute Annual Review 2009 Preface — 7 KIT Facts – 11 Annual Social Report – 14 General, The Institute in 2009 – 8 KIT Corporate Governance — 12 January — 15 February — 21 March — 27 IMC on its own feet — 16 Value chain financing: beyond Iranian youth microfinance for rural theatre — 28 Automated detection of entrepreneurs — 22 tuberculosis microcolonies — 18 Fela Kalakuta Notes — 29 Smart Toolkit for Evaluating Wayang Superstar, Ki Enthus Information Projects, Boil it, cook it, peel it, Susmono’s world of theatre — 20 Products and Services — 23 or forget it — 29 Supporting agricultural International seminar entrepreneurship — 24 on institutional repositories — 31 Great success Tropenmuseum Junior — 32 July — 47 August — 53 September — 59 Applied clinical research and Digitizing the past, the Culture and renewal, a evidence-based medicine — 48 beginning of a new future — 54 new director for the Tropentheater — 60 Caribbean Carnival from 5 July ‘The maps are in the right place to 6 September — 49 at KIT’— 56 Studying at KIT — 62 2009 audience satisfaction Indian-Dutch Innovation International users of KIT survey — 52 Circle — 58 Library — 64 New policy on contemporary art for the Tropenmuseum — 66 Tropenmuseum in Content 2009 — 66 Health Sustainable Economic & Social Development Culture Information & Education April — 33 May — 37 June — 41 Iranian youth Globalizing KIT Library — 34 Vodou Maternal health at stake: theatre — 28 Exhibition in the policy processes in Vietnam, Trance Festival — 35 Tropenmuseum — 38 India and China — 42 Fela Kalakuta Notes — 29 Dance performance in the Na Bigi Du — 44 Boil it, cook it, peel it, Tropentheater — 39 or forget it — 29 Dewaruci in the Light Evaluating performance-based Hall — 44 International seminar financing for health — 40 on institutional Evaluating a programme repositories — 31 for HIV-affected children in India — 45 Great success Tropenmuseum Junior — 32 October — 67 November — 73 December — 79 Jump into China! — 68 KIT takes part in WHO’s Global Annona — 80 Outbreak Alert and Response United in the battle Network — 74 KIT’s search engine — 82 against TB — 69 Unique exhibition on Maroon Building capacity for gender Platform for Health in culture — 75 and rights in six UNICEF developing countries — 70 offices in West Africa — 84 KIT Publishers’ first novel — 76 Suriname’s Architecture and Dancember — 85 Eva and the Kris — 76 Construction Culture — 71 Amsterdam Museum Night — 77 Boards & Councils — 86 Highly satisfied customers for IMC B.V. — 72 Islam in the Picture — 77 Colophon — 88 NH Tropen Hotel all-in deals — 72 Villa Zapakara — 78 Dr. Jan Donner and Bart de Steenhuijsen Piters in Suriname. Photo: Bart de Steenhuijsen Piters 6 Preface By their very nature, Annual Reviews reflect on the past, While KIT itself experienced healthy development in 2009, and there is of course a great deal to say about 2009. But we cannot ignore the impact of the financial crisis on our 2010 is a particularly special year for the Royal Tropical stakeholders in developing countries. Our involvement with Institute (KIT): it is our centennial, a fitting time for us to smallholders in Mali, Burkina Faso, Ghana and Bolivia look to the future and also reflect on how we can best use confronts us not only with the need for better access to our knowledge and experience to benefit our partners and financial services, but also with ongoing climatic change and many stakeholders worldwide. How can we best apply its effects. And KIT staff based in countries such as Yemen or what we learned in 2009 and earlier years to enhance our on missions in Afghanistan report a need for improved performance in the future? governance and improved access to primary services such In 2009, we introduced a new medium for reporting on our as health, education, sanitation and maternity care. activities. Using short documentaries, or Shortdocs, KIT There will be many events at KIT in 2010, inspired by both a staff in the field report on their work and on KIT’s activities century of experience and an eagerness for the future. Many in Malawi, India, Kenya, Mozambique, the Netherlands and of these will be open to guests from the Netherlands and many other locations. Shortdocs cover everything from abroad and we look forward to welcoming you in great capacity building to organizing a ‘writeshop’, and from numbers. The programme can be found on our special structuring value chains to carrying out an evaluation or centennial website, www.kit.nl/100. providing treatment. Our local partners take a major role in The Royal Tropical Institute flourished in its first century with these documentaries, using them to demonstrate how KIT the support and encouragement of many people. We are complements their own capacities. delighted and grateful to be perceived as an inspiring KIT’s partners and staff all over the globe made great institute with enthusiastic staff. And we are proud to have contributions to the new knowledge we harvested in 2009. been invited to participate in the endeavours of so many In turn, we reached out to ever more students, readers and organizations and institutions, be they public or private, audiences, with a record 58 students enrolling in our multinational or national, from civil society or from the master’s programmes. We had to bid farewell to the academic and business worlds. Our continued focus on Mumbai exhibition at Tropenmuseum Junior after two and poverty alleviation, cultural exchange and sustainable a half years, and the Vodou exhibition in the development in our research, education and capacity makes Tropenmuseum was highly successful. Our historical maps us confident that we are truly fulfilling our mission! are now accessible online and the number of visitors to our website, with its various subsites and portals, is increasing Dr. Jan Donner, President by many thousands each year. We were also honoured with March 2010 several national and international awards, both for our plans to expand our facilities and for various other activities in which KIT is involved. 7 Royal Tropical Institute Preface General – The Institute in 2009 The Royal Tropical Institute (KIT) develops voting audience of co-workers chose the winning effective new products, services and partnerships project, a centre for evidence-based medicine in to stay true to its mission. It generates and shares East Africa. knowledge through practical experience, training, research and postgraduate work, and is engaged Information and Education in the transfer of knowledge on culture and KIT collaborates with local organizations in 40 sustainable development to, from and among developing countries on the strengthening of developing countries. In 2009, KIT continued to information services. KIT Library is Europe’s contribute directly, both in the long term and biggest library on international cooperation. The through individual projects, to the achievement of institute organizes a wide range of training several of the United Nations’ Millennium courses on health and development and on Development Goals (MDGs), such as eradicating intercultural communication. Partner poverty and hunger (MDG 1), promoting gender organizations include the Association of African equality (MDG 3), reducing maternal mortality Universities, the VU University, Elsevier’s Science (MDG 5), combating diseases that Publshers and Swets. disproportionately affect the poor (MDG 6) and • For the academic year 2009–2010, 70 promoting fair trade (MDG 8). international students came to Amsterdam to join a masters programme in health and development, Interdepartmental cooperation and innovation compared to 48 in 2008–2009. received considerable attention in 2009. A new • KIT launched an ePlatform on mobile health in series of interdepartmental projects got underway. developing countries. In Ghana, Mozambique and Departments are working together on subjects Suriname, KIT gave universities training on ICT and ranging from the development of digital access to scientific databases. educational games and e-learning applications, to • KIT Intercultural Management & Communication the development of a virtual cultural centre and (KIT IMC) received a new Cedeo certificate. Only the delivery of health services through mobile training companies scoring 80% or more in phones. The entire staff was involved in a step- customer satisfaction are eligible for this wise process of idea generation and proposal certificate. KIT IMC performed more training and development, which culminated in a festive final advice on cultural diversity for organizations event where five well-prepared teams competed ranging from the Ministry of Education to AZ for the opportunity to launch their project in 2010 Alkmaar football club. by delivering a mixture of lively presentations and musical performances. A professional jury and a Royal Tropical Institute General 8 Sustainable Economic and Social Development • 176,000 people from KIT aims to improve the livelihoods of vulnerable the Netherlands and producers in developing countries. The institute abroad came to see promotes the rights, inclusion and participation of exhibitions in the marginalized groups. For this reason, KIT seeks to Tropenmuseum include poorer households, and especially women, in such as Vodou, Wayang Superstar value chains. Partner organizations include Agri- and The Dono Code. A three-star ProFocus (APF), Cordaid, the Overseas
Recommended publications
  • Royal Tropical Institute Annual Report 2016
    Royal Tropical Institute Annual Report 2016 1 Contents Preface 4 Health 6 SED & Gender 16 Intercultural Professionals 24 Hospitality 30 Real Estate 38 Financial annual report 44 Social annual report 48 Corporate Governance 50 KIT’s Mission Boards & Council 54 Our mission is to enhance the positive impact of agencies, governments and corporations on sustainable development in low- and middle-income countries. For that purpose, we refer to the Sustainable Development Goals (SDG’s) as a general framework for action. We achieve this by generating evidence and applied knowledge for the practical implementation of socio-economic change and global health care, together with our partners. Our knowledge is disseminated through advising, teaching, convening and publishing. Our historical premises Our patron: in Amsterdam serve as a global host and a campus for international knowledge H.M. Queen Máxima exchange, whereby we aspire to promote intercultural cooperation. 2 Preface For KIT, 2016 has been a positive year marked by remarkable progress in all the areas in which we are active. This year we formulated our 2020 strategy, establishing KIT as a cohesive hybrid entity, in which the for-profit business units (KIT Hospitality and KIT Intercultural Professionals) support financially the research and educational programmes of the not-for-profit units (KIT Health and KIT Sustainable Economic Development & Gender). As one KIT, together with our clients and partners, we strive for sustainable impact in the areas of gender, health and economic development, in pursuit of the SDGs. Together, we collaborate under the seven strategic values of inclusion, impact, sustainability, independence, transparency, diversity and equality.
    [Show full text]
  • Carving out a Space for Alternative Voices Through Performing Arts in Contemporary Cambodian Tourism 77
    Carving out a Space for Alternative Voices through Performing Arts in Contemporary Cambodian Tourism 77 Carving out a Space for Alternative Voices through Performing Arts in Contemporary Cambodian Tourism: Transformation, Transgression and Cambodia’s first gay classical dance company Saori HAGAI * Abstract This paper explores the potential for the global phenomenon of tourism to become a platform for performing art practitioners, dancers and artists to carve out a space for alternative voices through their performances and perhaps thereby to stimulate social transformation and even encourage evolutionary social transgression in Cambodia. Drawing on the post-colonial discourses of Geertz(1980)and Vickers(1989), this paper adopts tourism as a cultural arena which contributes to the deconstruction of the landscape of a country through the exposure to the wider global gaze. This is achieved by taking the case study of Prumsodun Ok & NATYARASA in its calculated promotion of social transgression in the classical arts. Prumsodun Ok & NATYARASA is the Cambodia’s first gay classical dance company(hereafter the Company)established in 2015, and sets a manifestation of their continuing commitment to social transformation through artistic dialogue both inside and outside of Cambodia. The increasing resonance of the LGBTQ movement across the world helped the Company to receive more global recognitions especially since the venerable TED Conference and other international art * Associate Professor, Ritsumeikan International, Ritsumeikan University 78 立命館大学人文科学研究所紀要(121号) foundations have chosen Ok as a recipient of various grants and fellowships. In this way the Company hopes to boost the maturity and quality of the dance discourse in a postmodern era that has greater space for airing alternative voices.
    [Show full text]
  • Khmer Dance Project
    KHMER DANCE PROJECT 1 KHMER DANCE PROJECT Royal Khmer Dance robam preah reachea trop Past and Present In 1906, two years after succeeding his half-brother Norodom, King Sisowath of Cambodia, accompanied by the Royal Ballet, embarked on a long trip to Marseilles for the French Colonial Exposition. France responded warmly to the charming dancers and the king’s entourage. The famous sculptor Rodin was so enchanted by the dancers that he traveled with them and drew evocative sketches of their fluid, graceful movements. Lamenting their inevitable departure, Rodin, profoundly moved, confessed: “What emptiness they left me with. I thought they had taken away the beauty of the world. I followed them to Marseilles; I would have followed them as far as Cairo.” Under the Khmer Rouge regime from 1975 to 1979, Royal Khmer dance was banned from the soil of Cambodia. Its artists were executed or died from malnutrition, illness and forced labor. After the regime's collapse in 1979, Royal Khmer dance had almost disappeared; few former dancers had survived. Ever since this brutal period, Royal Khmer dance has slowly 2 and painstakingly struggled to retrieve memories. Former dance masters have tried to revive the gestures, music, and artistry that are part of Khmer classical dance’s heritage. Their long-lasting and devoted efforts were finally recognized and honored when UNESCO proclaimed the Royal Ballet of Cambodia (or Royal Khmer dance) a Masterpiece of Oral and Intangible Heritage of Humanity in 2003. Yet, two years later, the campus of Royal University of Fine Arts which is devoted to the Arts was moved out of the center of the capital Phnom Penh.
    [Show full text]
  • Rules for the Contest BALI – Behind the Scenes with Djoser Travel
    Rules for the contest BALI – Behind the Scenes with Djoser Travel 1. The contest to accompany the exhibition BALI – Behind the scenes runs from Thursday 13th February 2020 from 16.00 through Sunday 10th January 2021 17.00. 2. Only people aged 18 and over are eligible to take part. 3. Each visitor is entitled to take part in the competition by filling out a digital entry form at the competition desk at the Tropenmuseum. Participation is limited to one entry form per person. 4. Only fully-completed forms will be taken into consideration. These digital documents remain the property of the Tropenmuseum. No prints will be issued. 5. To be eligible to participate, people must have visited Amsterdam’s Tropenmuseum during the contest period. The museum, located at Linnaeusstraat 2 in Amsterdam, is part of the Nationaal Museum van Wereldculturen Foundation. 6. The following people are excluded from taking part: employees, interns, voluntary workers, temporary staff, freelancers and all others who have or have had a working relationship of some kind – including a provision of services agreement – with the Nationaal Museum van Wereldculturen Foundation or Djoser during the duration of the contest. 7. The Tropenmuseum retains the right to end the competition before 10th January 2021 without reason and thus to award no prize without having to inform participants. 8. The winner will be named by the Tropenmuseum’s brand manager and online marketeer in the two weeks after the exhibition has finished, by Friday 29th January 2021 at the latest. The competition draw will be executed according to software 3rd party Draw Service by the RANDOM.org website.
    [Show full text]
  • Beyond Empire and Nation (CS6)-2012.Indd 1 11-09-12 16:57 BEYOND EMPIRE and N ATION This Monograph Is a Publication of the Research Programme ‘Indonesia Across Orders
    ISBN 978-90-6718-289-8 ISBN 978-90-6718-289-8 9 789067 182898 9 789067 182898 Beyond empire and nation (CS6)-2012.indd 1 11-09-12 16:57 BEYOND EMPIRE AND N ATION This monograph is a publication of the research programme ‘Indonesia across Orders. The reorganization of Indonesian society.’ The programme was realized by the Netherlands Institute for War Documentation (NIOD) and was supported by the Dutch Ministry of Health, Welfare and Sport. Published in this series by Boom, Amsterdam: - Hans Meijer, with the assistance of Margaret Leidelmeijer, Indische rekening; Indië, Nederland en de backpay-kwestie 1945-2005 (2005) - Peter Keppy, Sporen van vernieling; Oorlogsschade, roof en rechtsherstel in Indonesië 1940-1957 (2006) - Els Bogaerts en Remco Raben (eds), Van Indië tot Indonesië (2007) - Marije Plomp, De gentleman bandiet; Verhalen uit het leven en de literatuur, Nederlands-Indië/ Indonesië 1930-1960 (2008) - Remco Raben, De lange dekolonisatie van Indonesië (forthcoming) Published in this series by KITLV Press, Leiden: - J. Thomas Lindblad, Bridges to new business; The economic decolonization of Indonesia (2008) - Freek Colombijn, with the assistance of Martine Barwegen, Under construction; The politics of urban space and housing during the decolonization of Indonesia, 1930-1960 (2010) - Peter Keppy, The politics of redress; war damage compensation and restitution in Indonesia and the Philippines, 1940-1957 (2010) - J. Thomas Lindblad and Peter Post (eds), Indonesian economic decolonization in regional and international perspective (2009) In the same series will be published: - Robert Bridson Cribb, The origins of massacre in modern Indonesia; Legal orders, states of mind and reservoirs of violence, 1900-1965 - Ratna Saptari en Erwiza Erman (ed.), Menggapai keadilan; Politik dan pengalaman buruh dalam proses dekolonisasi, 1930-1965 - Bambang Purwanto et al.
    [Show full text]
  • Saint Mary's College School of Liberal Arts Department of Performing Arts
    Saint Mary’s College School of Liberal Arts Department of Performing Arts Asian Dance Performing Arts PROFESSORS: Jia Wu OFFICE: LeFevre Theatre 5 OFFICE HOURS: by appointment only (T.TH 11:20 -12:50 pm) PHONE: (925) 631-4299 CLASS HOURS: 1:15-2:50 T TH COURSE DESCRIPTION: Classical dance is a significant symbol for the contemporary Asian nations-state and its diasporas. In this class, we will explore how the category of “classical dance” was defined in 20th and 21st century in Asia and investigate the performative value of the concept—that is, we will look into what the idea of “classical dance” does, how it is deployed, and examine the circumstances of its production and reception. Out of the many established classical and contemporary forms, our focus will be on,wayang wong and shadow puppet in Bali and Java, Kathak and Bharatanatyam in India, Peking Opera, Yangge, Ethnic Dances and “Revolution” Ballet in China and Classical Dance in Cambodia. We will explore the key sources upon which the dances are based; survey the histories of the forms that comprise the classical canon; and situate the revival, reconstruction, and institutionalization of classical dance as a symbol of national identity and heritage in these four nations. We will also look at “folk,” “social,” “popular,” “Bollywood,” “modern,” and “contemporary” dance as categories distinguished from—and which interrogate—classical structures. Throughout, we will critically consider the relationship between dance, colonialism, nationalism, religion, and social history. COURSE LEARNING OUTCOMES: 1. Dance in Bali and Java: students will be able to • Identify the basic characteristics and vocabulary in classical dance • Understand the key concepts and discourses involved in the study of these forms • Develop an awareness of the context and politics of performing as well as viewing these dances.
    [Show full text]
  • View Exhibition Brochure
    1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World.
    [Show full text]
  • The Following Full Text Is a Publisher's Version
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/106793 Please be advised that this information was generated on 2021-10-01 and may be subject to change. The Judge, the Occupier, his Laws, and their Validity: Judicial Review by the Supreme Courts of Occupied Belgium, Norway, and the Netherlands 1940-1945 in the Context of their Professional Conduct and the Consequences for their Public Image Derk Venema 1 Introduction Under the German occupation in World War II, the supreme courts of the Netherlands, Belgium, and Norway were forced to form an opinion on the relation between the occupier’s ordinances on the one hand and domestic and international law on the other. The overall attitudes of these three supreme courts towards the occupier are reflected in this one topic: their positions and decisions concerning judicial review of the occupier’s ordinances. For each court, I will give an outline of its behaviour and its own justifications and discuss the consequences of these for their public image. The three case studies will lead to a tentative conclusion about which were the most important factors leading to a positive or a negative image. The International Law of Belligerent Occupation Central to the legal relation between occupier and occupied territory is Article 43 of the Hague Regulations (HR) of 1907. This article still serves as the basis of the international law of occupation, and is clarified, but essentially unaltered by Article 64 of the 4 th Geneva Convention of 1949 2.
    [Show full text]
  • Colonial Collecting and Its Motivations Vattier Kraane, a Businessman in the Dutch East Indies
    Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Name: Ervée van der Wilk Student number: S0629758 Email address: [email protected] First reader: W. van Damme Second reader: M.A. Leigh Specialization: Arts and culture; museums and collections Academic year: 2014/2015 Date: 24-07-2015 List of contents Introduction.................................................................................................................................1 Chapter 1: The Dutch Colonial Empire......................................................................................7 1.1 The 19th century...................................................................................................................8 1.2 The early 20th century........................................................................................................12 1.3 Changing colonial culture...................................................................................................15 Chapter 2: Dutch Colonial Collecting.......................................................................................16 2.1 The advancement of knowledge.........................................................................................16 2.2 Commercialism...................................................................................................................18 2.3 Expanding the ethnographic frontier...................................................................................20
    [Show full text]
  • List of the 90 Masterpieces of the Oral and Intangible Heritage
    Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005)
    [Show full text]
  • Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis
    Dances inscribed in the UNESCO Intangible Cultural Heritage of Humanity A list compiled by Alkis Raftis www.CID-world.org/Cultural-Heritage/ The International Dance Council CID, being the official organization for dance, presents a list of dances recognized by UNESCO as part of the Cultural Heritage of Humanity. Dances are part of many customs or rituals included either in the Representative List or the Urgent Safeguarding List. I have listed below only cultural manifestations where dance is ​ the central part. ​ For information visit www.CID-world.org/Cultural-Heritage/ ​ Send comments to the CID Secretariat or CID Sections in the respective countries. Representative List & Urgent Safeguarding List 2018 Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan - Azerbaijan Khon, masked dance drama in Thailand - Thailand Mooba dance of the Lenje ethnic group of Central Province of Zambia - Zambia Mwinoghe, joyous dance - Malawi 2017 Zaouli, popular music and dance of the Guro communities in Côte d’Ivoire - Côte d'Ivoire Kushtdepdi rite of singing and dancing - Turkmenistan Kolo, traditional folk dance - Serbia Kochari, traditional group dance - Armenia Rebetiko – Greece Taskiwin, martial dance of the western High Atlas - Morocco 2016 Almezmar, drumming and dancing with sticks - Saudi Arabia Momoeria, New Year's celebration in eight villages of Kozani area, West Macedonia, Greece - Greece Music and dance of the merengue in the Dominican Republic - Dominican Republic Rumba in Cuba, a festive combination of music and dances and all
    [Show full text]
  • Annual Report 2008
    Royal Tropical Institute Annual Report 2008 Royal Tropical Institute Health Annual Report Culture 2008 Information & Education Sustainable Economic & Social Development 5 Foreword by the President Content 6 The Institute at a glance 8 1 Health 11 Responding to HIV/AIDS in Namibia 12 Expert meeting on Evaluating Human Resources for Health Interventions 13 Tools for Diagnosis and Resistance monitoring of malaria 17 Controlling Brucellosis in Peru 20 Infectious Diseases network for Treatment and Research in Africa 22 2 Culture 26 Tropenmuseum overview 2008 27 Exhibitions 29 New acquisitions 30 Projects 32 Tropentheater overview 2008 34 Projects 38 3 Information & Education 43 master of Public Health draws students from around the world 44 Search4Dev: providing access to publications of Dutch development organizations 45 Libraries and capacity strengthening in Ghana 49 Building the capacity of HIV and AIDS practitioners through information 50 Diversity within the ministry of Education, Culture and Science 51 Virtual Action Learning, an Innovative Educational Concept 52 KIT to provide Information services for médicins sans Frontières NL 52 Training for Penitentairy Staff 54 4 Sustainable Economic & Social Development 57 Gender and access to justice in Sub-Saharan Africa 58 Sustainable procurement from Developing Countries 61 Tradehouse Yiriwa SA: improving rural livelihoods for small cotton farmers in mali 62 Trading Up: building cooperation between farmers and traders in Africa 63 Innovative Local Governance practices in Guinea 66 Participatory Action Learning an approach for Strengthening Institutional Learning 68 Holding KIT bv 71 KIT Publishers 72 KIT Hotel bv 73 Annona Sustainable Investment Fund 75 mali Biocarburant 76 Reports 78 Financial Report 82 Annual Social Report 84 Corporate Social Responsibility 86 Boards and Council R Guatamalean girls working in the field Photo: Maurits de Koning Q Jan Donner in Mali Photo: Jan Donner Foreword In 2008 the global debate on the ‘new development architecture’ gathered pace.
    [Show full text]