DOCSLIB.ORG

Statement No. 8 .Xlsx

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

STATEMENT NO. 8( 16 march - 31 march 2015) Principal Accounts Office/ CCA Office Ministry of Culture Department of Culture Telephone No.23389540 Statement of Transfers to PSUs, Autonomous Bodies etc. ( In Crores) Sl.No. Scheme Plan Progressive till 15th (Provisional)# Non-Plan Progressive till 15th (Provisional)# Grant Loan Equity Total Grant Loan Equity Total A PSUs 0 0 0 0 0 0 0 0 Autonomous Bodies B 1 ALLAHABAD MUSEUM 0 0 0 1.74 0.00 0 0 3.95 0 0 0 8.80 0.60 0 0 13.00 2 THE ASIATIC SOCIETY KOLKATA CENTRE FOR CULTURAL 0.50 0 0 18.86 0 0 0 3.94 3 RESOURCES AND TRAINING CENTRAL INSTITUTE OF BUDDHIST STUDIES JAMMU 0 0 0 8.78 0 0 0 7.54 4 LHE CENTRAL INSTITUTE OF 0 0 0 2.67 0.43 0 0 1.89 5 HIMALAYAN CULTURE STUDIES CENTRAL INSTITUTE OF HIGHER TIBETAN STUDIES UTTAR PRADESH / CENTRAL 0 0 0 11.63 0.95 0 0 17.28 UNIVERSITY OF TIBETAN 6 STUDIES UTTAR PRADESH 0 0 0 5.78 1.90 0 0 21.01 7 DELHI PUBLIC LIBRARY (DELHI) GANDHI SMRITI & DARSHAN 0 0 0 6.13 0.17 0 0 4.45 8 SAMITI INDIRA GANDHI NATIONAL 1.20 0 0 39.01 0 0 0 0 9 CENTRE FOR THE ARTS INDIRA GANDHI RASHTRIYA 0 0 0 14.04 0.32 0 0 4.22 MANAV SANGRAHALAYA 10 BHOPAL 11 LALIT KALA AKADEMI 1.00 0 0 10.32 3.00 0 0 12.86 12 INDIAN MUSEUM KOLKATA 1.06 0 0 14.28 0.32 0 0 8.46 1.03 0 0 8.36 0 0 0 6.11 13 KALAKSHETRA FOUNDATION KHUDA BAKSH ORIENTAL 0 0 0 2.26 0 0 0 3.67 14 PUBLIC LIBRARY MAULANA ABUL KALAM AZAD 0.23 0 0 5.72 0.86 0 0 1.68 15 INSTITUTE OF ASIAN STUDIES NATIONAL COUNCIL OF 4.46 0 0 73.09 0.30 0 0 46.89 16 SCIENCE MUSEUM NEHRU MEMORIAL MUSEUM 0 0 0 0 3.50 0 0 17.01 17 LIBRARY 5.54 0 0 43.01 0 0 0 11.41 18 NATIONAL SCHOOL OF DRAMA NAVA NALANDA MAHAVIHARA 2.50 0 0 17.77 0 0 0 4.33 19 BIHAR NATIONAL MUSEUM INSTITUTE OF HISTORY OF ART 0 0 0 17.90 0 0 0 0.26 CONSERVATION & 20 MUSEOLOGY RAJA RAM MOHUN ROY 4.95 0 0 53.74 0 0 0 4.41 21 LIBRARY 0.79 0 0 5.43 0 0 0 2.29 22 RAMPUR RAZA LIBRARY 23 SAHITYA AKADEMI 1.00 0 0 15.88 0 0 0 8.73 SALAR JUNG MUSEUM BOARD 0.50 0 0 14.10 0 0 0 10.99 24 HYDERABAD 10.51 0 0 42.96 0 0 0 11.58 25 SANGEET NATAK AKADEMI VICTORIA MEMORIAL HALL 0 0 0 27.47 0.90 0 0 6.61 26 KOLKATA 27 Zonal Cultural Centre 1.45 0 0 127.14 0 0 0 0 TOTAL 36.72 0 0 596.87 13.25 0 0 234.57 NGO C MAHABODHI MAITRI 1 MANDALA ARUNACHAL 0 0 0 0.21 0 0 0 0 PRAESH ACADEMY OF INDIGENOUS 2 0.03 0 0 0.09 0 0 0 0 MUSIC (AIM) MANIPUR KHURAI KALA BIDYA BHAVAN 3 0 0 0 0.01 0 0 0 0 MANIPUR ALL INDIA MAHAYANA 4 0 0 0 0.03 0 0 0 0 BUDDHIST MHANIPA ASSOCIATION WEST BENGAL DUL DUL NAAG PALING 5 0 0 0 0.01 0 0 0 0 MONASTERY WEST BENGAL ALL LADAKH GONPA 6 0 0 0 0.13 0 0 0 0 ASSOCIATION JAMMU GLENBURN BUDDHIST 7 CHOYLING GUMBA WEST 0 0 0 0.02 0 0 0 0 BENGAL YOUTH ACTION COMMITTEE FOR DEVELOPMENT OF 8 0 0 0 0.02 0 0 0 0 BUDDHIST AND CULTURE HERITAGE UTTARAKHAND HIMALAYAN BOUDHA 9 SANSKRITY UTHAN SAMITI 0 0 0 0.02 0 0 0 0 UTTARAKHAND TRIYANA DHARAMADEEP 10 BHUDDHIST STUDIES CENTRE 0 0 0 0.01 0 0 0 0 WEST BENGAL NAWANG YANGZOM 11 BUDDHIST SEWA SAMITI 0 0 0 0.02 0 0 0 0 UTTARAKHAND RIGZING SAMTEN CHOILING 12 BUDDHSIT MONASTERY WEST 0 0 0 0.01 0 0 0 0 BENGAL 13 THEGSUM CHOILING BUDDHST 0 0 0 0.01 0 0 0 0 MONASTERY WEST BENGAL NGUNG-NEY LHAKHANG 14 BUDDHIST MONASTERY WEST 0 0 0 0.01 0 0 0 0 BENGAL DARJEELING RANGLI BUDDHIST 15 MAHNIPA SANGHA WEST 0 0 0 0.01 0 0 0 0 BENGAL SAPAN FOUNDATION 16 0 0 0 0.14 0 0 0 0 HIMACHAL PRADESH SHINJAN NRITYALAYA WEST 17 0 0 0 0.02 0 0 0 0 BENGAL 18 0 0 0 0.01 0 0 0 0 SONG OF SOUL WEST BENGAL CENTRE FOR INDIAN CLASSICAL 19 0.01 0 0 0.06 0 0 0 0 DANCES DELHI THE FEDERATION OF INDIAN 20 0 0 0 0.03 0 0 0 0 PUBLISHERES NEW DELHI ORISSA MODERN ART GALLERY 21 0 0 0 0.04 0 0 0 0 ODISHA HIMALAYAN INDIAN BUDDHIST 22 0 0 0 0.03 0 0 0 0 STUDENTS WELFARE ASSOCIATION KARANATAKA LADAKH BUDDHIST VIHARA 23 0 0 0 0.01 0 0 0 0 DELHI LOWER KALLEJ VALLEY SANGA 24 CHHOELING BUDDHIST WEST 0 0 0 0.01 0 0 0 0 BENGAL MAITHILI LOK RANG 25 0 0 0 0.16 0 0 0 0 (MAILORANG) DELHI 26 0 0 0 0.25 0 0 0 0 DANCERS GILD WEST BENGAL 27 DELTA BIHAR 0 0 0 0.01 0 0 0 0 28 SRJAN ODISHA 0 0 0 0.08 0 0 0 0 LASYA AKADEMI OF 29 0 0 0 0.04 0 0 0 0 MOHINIYATTAM KERALA 30 BHARATHAM KERALA 0 0 0 0.01 0 0 0 0 31 NATSAMRAT DELHI 0 0 0 0.06 0 0 0 0 32 UMAK NEW DLEHI 0 0 0 0.01 0 0 0 0 THANGDE GATSAL TRUST 33 0 0 0 0.07 0 0 0 0 HIMACHAL PRADESH KOOTHU-P-PATTARAI TRUST 34 0 0 0 0.11 0 0 0 0 TAMIL NADU RISHRA BAUDDHA SAMITY 35 0.01 0 0 0.03 0 0 0 0 WEST BENGAL SANGAM THEATRE GROUP 36 0 0 0 0.02 0 0 0 0 JAMMU AND KASHMIR THE BUDDHIST KHAMPA 37 0 0 0 0.03 0 0 0 0 TRIBAL ASSOCIATION LAL BAHADUR SHASTRI 38 NATIONAL MEMORIAL TRUST 0 0 0 0.07 0 0 0 0.03 NEW DELHI MEITEI INAT KANBA APUNBA 39 0 0 0 0.03 0 0 0 0 LUP (MIKAL) 40 GUNA MONI BORUAH 0 0 0 0.03 0 0 0 0 PAKHANGBA CULTURAL 41 0 0 0 0.02 0 0 0 0 FOUNDATION 42 SIVASAGAR NATYA SAMAJ 0 0 0 0.04 0 0 0 0 GULAPI NATA SANKRITANA 43 0 0 0 0.07 0 0 0 0 ACADEMY LOK JYOTI BODH VIHAR 44 0 0 0 0.04 0 0 0 0 HIMACHAL PRADESH 45 0 0 0 0.42 0 0 0 0 MADRAS CRAFT FOUNDATION 46 KANKADAS T K 0 0 0 0.02 0 0 0 0 47 0 0 0 0.04 0 0 0 0 KALAHANDI KALAKAR SANGHA 48 0 0 0 0.02 0 0 0 0 BAPUJI SEVABHAVI SANSTHA PALLAVI-ODISSI NRITYA 49 0 0 0 0.11 0 0 0 0 SANGEET 50 GAYESHPUR SANGLAP 0 0 0 0.01 0 0 0 0 51 TAMASHA 0 0 0 0.04 0 0 0 0 THEATRE MEDIA CENTRE 52 0 0 0 0.02 0 0 0 0 BUDRETI TRUST MITALI UTSAV NATYA 53 0 0 0 0.06 0 0 0 0 SANSTHA WEST BENGAL 54 DHAGPO SHEDRUPLING 0 0 0 0.10 0 0 0 0 MONASTIC CULTURAL SOCIETY GANPATI SHRIDHAR HEGDE 55 0 0 0 0.04 0 0 0 0 HULIMAN 56 0 0 0 0.07 0 0 0 0 MANTHAN THE ACHIEVEMENT JALPAIGURI SRISTI MIME 57 0 0 0 0.02 0 0 0 0 THEATRE 58 G K ASHWATH HARITHAS 0 0 0 0.02 0 0 0 0 RADHANATH CHOWDHURY 59 ROAD MATRI SOCIAL & 0 0 0 0.01 0 0 0 0 CULTURAL ORIGANISATION 60 B PARASHURAM 0 0 0 0.04 0 0 0 0 61 GUNJAN DANCE ACADEMY 0 0 0 0.03 0 0 0 0 62 NATYA SANKALPAA 0 0 0 0.06 0 0 0 0 THE TINGKYE GONJANG 63 0 0 0 0.15 0 0 0 0 NYINGMA TRUST MANAK INTERNATIONAL 64 INSTITUTE OF BUDDHIST 0 0 0 0.08 0 0 0 0 STUDIES 65 CHETANA 0 0 0 0.13 0 0 0 0 SABARMATI ASHRAM 66 PRESERVATION AND 0.12 0 0 0.22 0 0 0 0 MEMORIAL TRUST 67 TAMANG BUDDHIST 0 0 0 0.02 0 0 0 0 ASSOCIATION WEST BENGAL URGEN SAMTEN CHOILING 68 0 0 0 0.02 0 0 0 0 GUMBA SABARMATI ASHRAM 69 PRESERVATION AND 0 0 0 0.25 0 0 0 0 MEMORIAL TRUST THE INDIA RAMAKRISHNA 70 0 0 0 0.01 0 0 0 0 PILLAI RANGBULL RIGZEN SHERAB 71 0 0 0 0.01 0 0 0 0 CHOELING GONPA 72 LOKRANG U.P 0 0 0 0.01 0 0 0 0 73 GEETA CHANDRAN 0 0 0 0.01 0 0 0 0 SRINIVASA KUCHIPUDI ART 74 0 0 0 0.13 0 0 0 0 ACADEMY 75 KALAKSHETRA MANIPUR 0 0 0 0.27 0 0 0 0 76 LAIHUI IMPHAL 0 0 0 0.12 0 0 0 0 MANIPUR STATE SHUMANG 77 0 0 0 0.02 0 0 0 0 LEELA COUNCIL THE CENTRE FOR YOUTH & 78 0 0 0 0.07 0 0 0 0 CULTURAL ACTIVITES INSTITUTE OF PERORMING 79 0 0 0 0.01 0 0 0 0 ARTS 80 RABINDRA NATYA SANSTHA 0 0 0 0.05 0 0 0 0 RAJIV YUVA JENA SEVA 81 0 0 0 0.01 0 0 0 0 SANGHAM EKTA(ALL INDIA SOCIAL 82 LITERARY AND CULTURAL 0 0 0 0.08 0 0 0 0 ORGINISATION ) 83 NATYARANGA 0 0 0 0.14 0 0 0 0 84 KALLOL BHATTACHARYYA 0 0 0 0.01 0 0 0 0 85 RANGASRAM 0 0 0 0.10 0 0 0 0 86 BRISCHICK NATYA SANSTHA 0 0 0 0.03 0 0 0 0 MANOJKUMAR VINAYAK 87 0 0 0 0.02 0 0 0 0 GHADI 88 GANAPATHI HEGDE 0 0 0 0.01 0 0 0 0 KUCHIPUDI DANCE CENTRE 89 0 0 0 0.18 0 0 0 0 DELHI 90 INDIAN PUPPET THEATRE 0 0 0 0.04 0 0 0 0 BISWA SINGHA ROAD 91 0 0 0 0.02 0 0 0 0 ANUBHAB NATYA SANSTHA 92 BHAGIRAHTI 0 0 0 0.02 0 0 0 0 93 BEHALA NATYALOK 0 0 0 0.04 0 0 0 0 RANGTAL THEATRE WEST 94 0 0 0 0.06 0 0 0 0 BENGAL TAPASYA (A CENTRE FOR 95 0 0 0 0.05 0 0 0 0 PERFORMING ARTS) 96 HULA SINDAMSANG 0 0 0 0.06 0 0 0 0 PANTHOIBI THANG-TA & JAGOI 97 0 0 0 0.13 0 0 0 0 SINDAM SHANGLEN 98 BELGHORIA ETHIC 0 0 0 0.05 0 0 0 0 KALIKA BINDADEEN KATHAK 99 NATWARI LOK NRITYA KALA 0 0 0 0.16 0 0 0 0 KENDRA ASHOK EVAM TRIPURARI MAHARAJ SHIKSHA 100 0 0 0 0.11 0 0 0 0 PARAMPARIK KATHAK NATYA SANSKRITIK KENDRA 101 0 0 0 0.19 0 0 0 0 BANIAN REPERTORY THEADTRE 102 MANIPURI ENSEMBLE 0 0 0 0.15 0 0 0 0 103 ARYAN THEATRE MANIPUR 0 0 0 0.18 0 0 0 0 104 JYOTI NARAYAN NATH 0 0 0 0.03 0 0 0 0 THE MEITEI TRADITIONAL 105 DANCE TEACHING SCHOOL AND 0 0 0 0.08 0 0 0 0 PERFORMING CENTRE 106 PARADISE THEATRE 0 0 0 0.08 0 0 0 0 THE LOYALAM ART AND 107 0 0 0 0.04 0 0 0 0 CULTURE INSTITUTE 108 0 0 0 0.03 0 0 0 0 KONGPAL NUPEE ISHEI MARUP KHENJONGLANG (A CENTRE FOR THEATRE RESEARCH 109 0 0 0 0.12 0 0 0 0 PRODUTION AND COMMUNITY WELFARE ) 110 NT THEATRE 0.02 0 0 0.20 0 0 0 0 111 THE CENTRE FOR SOCIAL AND 0 0 0 0.06 0 0 0 0 CULTURAL DEVELOPMENT 112 ANJI CULTURAL ACADEMY 0 0 0 0.03 0 0 0 0 INTERNATIONAL BUDDHIST 113 0 0 0 2.30 0 0 0 0 CONFEDERATION (IBC) SKALDAN CHISKYOBLING 114 0 0 0 0.10 0 0 0 0 SAMKAR GONPA ZYANGTEER SAMTALING 115 0 0 0 0.01 0 0 0 0 CHOLING GUMBA SHRI MOKSHAGUNDAM 116 VISHWEHSWARAIAH CULTURAL 0 0 0 0.02 0 0 0 0 SOCIETY 117 SAPANDAN 0 0 0 0.01 0 0 0 0 SPIC MACAY (SOCIETY FOR THE 118 PROMOTION OF INDIAN 0 0 0 2.00 0 0 0 0 CLASSICAL MUSIC BUDRETI-THEATRE AND MEDIA 119 0 0 0 0.03 0 0 0 0 CENTRE 120 RINCHIN DROMA 0 0 0 0.02 0 0 0 0 LOKCHHANDA CULTURAL UNIT 121 0 0 0 0.06 0 0 0 0 W.B ATTAKKALARI PUBLIC CHARITABLE TRUST OF 122 0 0 0 0.01 0 0 0 0 CONTEMPORARY PERFORMING ARTS 123 RITWIK WEST BENGAL 0 0 0 0.15 0 0 0 0 SHRIRAM BHARATIYA KALA 124 0 0 0 0.16 0 0 0 0 KENDRA 125 SAMSTAB 0 0 0 0.10 0 0 0 0 126 BIVHAB NATYA ACADEMY 0 0 0 0.05 0 0 0 0 SANDARSAN KATHAKALI 127 0 0 0 0.10 0 0 0 0 VIDYALAYAM 128 KARWAN BHOPAL 0 0 0 0.04 0 0 0 0 129 CHILDERN'S LITTLE THEATRE 0 0 0 0.07 0 0 0 0 DREPUNG GOMANG BUDDHIST 130 CULTURAL ASSOCIATION 0 0 0 0.01 0 0 0 0 KARNATAKA 131 SHYAMBAZAR MUKHOMUKHI 0.02 0 0 0.18 0 0 0 0 WEST BENGAL SAMVEDANA CULTURE & 132 0 0 0 0.16 0 0 0 0 HERITAGE TRUST DELHI 133 USANKAR BALLET TROUPE 0 0 0 0.12 0 0 0 0 NRITYODAYA CHARITABLE 134 0 0 0 0.08 0 0 0 0 TRUST 135 NAVARANG KERALA 0 0 0 0.04 0 0 0 0 136 NAYE NATUA W.
Recommended publications

  • ANNIVERSARY SPECIAL Millenniumpost.In

    ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha.
  • Take Bhalo Lage

    Take Bhalo Lage

    Sujan Mukhopadhyay’S DON…TAKE BHALO LAGE Adaptation & Direction: Sujan Mukhopadhyay Group: Chetana, Kolkata Language: Bengali Duration: 2 hrs 25 mins The Play Renowned poet, theatre director, and actor Subhomoy Dutt, has been arrested for his outrageous comments against the state, and locked in custody with other petty convicts. Subhomoy transforms the jail into a stage and starts performing the story of the ‘Mad Knight’ Don Quixote, with all the jail inmates as performers. The prison cell metamorphoses into a space of eloquent metaphors and bizarre events of Don and his mate, Sancho. Adapted into a modern day situation, this musical carnival emerges with forms like Kirtan, Flamenco, Rabindranath’s song, Rock-N-Roll, Toppa and Western Classical. Director’s Note “To dream, the impossible dream”… has been the quest of Don Quixote, and his squire Sancho Panza. The play begins in a local prison, where a famous playwright, actor and poet, Subhamoy Dutt, is arrested for his illegal step towards the state through his propagandist play. I wish to study today’s terror and ill-tolerance in this “play within the play” through the local jail inmates, who are waiting for their verdict. Designed as an opera, this is a hard hitting musical, questioning our reality, and arguing our existence in the modern socio-cultural situation. The Director & Adapter Sujan Mukhopadhyay has acted in about 30 plays and written several scripts for theatre, television and cinema. He was awarded with Stagecraft award for Ghasiram Kotwal and Popular Viewer’s Choice Award for Don..Take Bhalo Lage. He has performed in Mumbai, Pune, Hyderabad, Nagpur, Chennai and all the other cities of India, and major cities of the USA, Theatre Olympics in Agartala, and Bharat Rang Mahotsav.
  • Odisha Review Dr

    Odisha Review Dr

    Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive ..
  • Hindi Theater Is Not Seen in Any Other Theatre

    Hindi Theater Is Not Seen in Any Other Theatre

    NATYA SHODH SANSTHAN DISCUSSION ON HINDI THEATRE FROM THE COLLECTIONS OF NATYA SHODH SANSTHAN AUDIO LIBRARY THE PRESENT SCENARIO OF HINDI THEATRE IN CALCUTTA ON th 15 May 1983 AT NATYA SHODH SANSTHAN PARTICIPANTS PRATIBHA AGRAWAL, SAMIK BANDYOPADHYAY, SHIV KUMAR JOSHI, SHYAMANAND JALAN, MANAMOHON THAKORE SHEO KUMAR JHUNJHUNWALA, SWRAN CHOWDHURY, TAPAS SEN, BIMAL LATH, GAYANWATI LATH, SURESH DUTT, PRAMOD SHROFF NATYA SHODH SANSTHAN EE 8, SECTOR 2, SALT LAKE, KOLKATA 91 MAIL : [email protected] Phone (033)23217667 1 NATYA SHODH SANSTHAN Pratibha Agrawal We are recording the discussion on “The present scenario of the Hindi Theatre in Calcutta”. The participants include – Kishen Kumar, Shymanand Jalan, Shiv Kumar Joshi, Shiv Kumar Jhunjhunwala, Manamohan Thakore1, Samik Banerjee, Dharani Ghosh, Usha Ganguly2 and Bimal Lath. We welcome all of you on behalf of Natya Shodh Sansthan. For quite some time we, the actors, directors, critics and the members of the audience have been appreciating and at the same time complaining about the plays that are being staged in Calcutta in the languages that are being practiced in Calcutta, be it in Hindi, English, Bangla or any other language. We felt that if we, the practitioners should sit down and talk about the various issues that are bothering us, we may be able to solve some of the problems and several issues may be resolved. Often it so happens that the artists take one side and the critics-audience occupies the other. There is a clear division – one group which creates and the other who criticizes. Many a time this proves to be useful and necessary as well.
  • List of Empanelled Artist

    List of Empanelled Artist

    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
  • A Residential Autonomous College Affiliated to Calcutta University

    A Residential Autonomous College Affiliated to Calcutta University

    A Residential Autonomous College affiliated to Calcutta University Re-accredited by NAAC with ‘Grade A’ College with Potential for Excellence RUSA-funded Institution DST-FIST Awarded College Belur Math, Howrah, West Bengal, PIN : 711202 Website : www.vidyamandira.ac.in Email : [email protected] Phone : 033-26549181, 033-26549632, ; Fax : 033-26541123 Annual Report on Cultural Activities Session 2014-15 Intra-College Competitions: o Total No of Competitions organized : 10 o Names of the Competitions : Extempore Speech, Rabindra Sangeet (Vocal), Devotional Song (Vocal), Tabla Lahara, Drama, Drawing, Debate, Sanskrit Recitation, English Recitation, Quiz, Inter-Bhavan (Hostels) Wall Magazine o Total No of Participants : 190 (approximate) Inter-College Competitions: o Inter-College Debate Competition : The Cultural Sub-committee of the college organized an inter-college Bengali recitation competition to commemorate the 150th birth anniversary of Swami Vivekananda. This competition was held on 22nd November, 2014 and 33 candidates from 18 colleges/ universities participated there. Sayak Misra of our college was awarded the second prize. o Quiz Competition on Swami Vivekananda: Swami Tejasananda memorial Inter-College Quiz Competition was held on 28th September, 2014. 53 Student-teams from different colleges/universities took part in it. Participation and performance of the students in Off-campus Academic and Cultural Competitions : Sstudents of Vidyamandira also took part in various cultural competitions outside the college. Following students distinguished themselves in various inter-college competitions held in 2014-15: Sl Competition Name of student with Organized by No. rank 1. Youth Festival 2014 1. Ranit Paul (UG-II) - 1st ISKCON, Kolkata in Extempore Speech Competition and 2nd in Quiz Competition 2.
  • Badal Sircar

    Badal Sircar

    Badal Sircar Scripting a Movement Shayoni Mitra The ultimate answer [...] is not for a city group to prepare plays for and about the working people. The working people—the factory workers, the peasants, the landless laborers—will have to make and perform their own plays. [...] This process of course, can become widespread only when the socio-economic movement for emancipation of the working class has also spread widely. When that happens the Third Theatre (in the context I have used it) will no longer have a separate function, but will merge with a transformed First Theatre. —Badal Sircar, 23 November 1981 (1982:58) It is impossible to discuss the history of modern Indian theatre and not en- counter the name of Badal Sircar. Yet one seldom hears his current work talked of in the present. How is it that one of the greatest names, associated with an exemplary body of dramatic work, gets so easily lost in a haze of present-day ignorance? While much of his previous work is reverentially can- onized, his present contributions are less well known and seldom acknowl- edged. It was this slippage I set out to examine. I expected to find an ailing man reminiscing of past glories. I was warned that I might find a cynical per- son, an incorrigible skeptic weary of the world. Instead, I encountered an in- domitable spirit walking along his life path looking resolutely ahead. A kind old man who drew me a map to his house and saved tea for me in a thermos. A theatre person extraordinaire recounting his latest workshop in Laos, devis- ing how to return as soon as possible.
  • Brechtian Reading of Usha Ganguli's Play the Journey Within

    Brechtian Reading of Usha Ganguli's Play the Journey Within

    ==================================================================== Language in India www.languageinindia.comISSN 1930-2940 Vol. 19:6 June 2019 ==================================================================== Brechtian Reading of Usha Ganguli’s Play The Journey Within Dr. Rahul Kamble Assistant Professor Department of Indian and World Literatures The English and Foreign Languages University, Hyderabad 500007 [email protected] =================================================================== Abstract Usha Ganguli’s play The Journey Within (2000) is a solo performance in which she narrates experiences of her own life in an “autobiographical introspection” mode (Mukherjee 32). The play lays threadbare the journey of her mind and soul since her childhood. The narrative throws light on her own personality, her involvement in theatre, the recurrent themes in the plays directed or performed by her, and her interest in characters and living persons. It also partially reveals Indian ‘theatre-women’s journey’ and women’s theatre in India since early 1970s. However, at no point does the playwright use restrictive personalized narrative nor does she intend the spectators to identify with her emotions, feelings, or anger. Instead she throws, through her reminiscences and character speeches, situational questions at the audience regarding gender inequality, oppression of women, denial of rights, and adverse living conditions. The questions make the spectators examine their own behaviour in similar circumstances, provoke them to resolve,
  • IBEF Presentataion

    IBEF Presentataion

    WEST BENGAL CULTURALLY ARTISTIC For updated information, please visit www.ibef.org July 2017 Table of Content Executive Summary .…………….….……...3 Advantage State ...………………………….4 Vision 2022 …………..……..…………..…..5 West Bengal – An Introduction …….……....6 Annual Budget 2015-16 ……………………18 Infrastructure Status ..................................19 Business Opportunities ……..…………......42 Doing Business in West Bengal …...……...63 State Acts & Policies ….….………..............68 EXECUTIVE SUMMARY One of the largest state . West Bengal, India’s 6th largest economy, had a gross state domestic product (GSDP) of US$ 140.56 billion economies in 2016-17. The state’s GSDP grew at a CAGR of 10.42% during 2005-16. Kolkata as the next IT . By 2015-16, 8 IT parks located at Barjora, Rajarhat, Asansol, Durgapur Phase II, Bolpur, Siliguri Phase II, Puralia & Kharagpur started operating. Establishment of 7 new IT parks at Haldia, Krishnanagar, Kalyani, hub Bantala, Taratala, Howrah, Malda is expected to start soon in next 5 years. Major producer of . In 2016-17, West Bengal was the 2nd largest producer of potato in India, accounting for about 25.06% of the potato country’s potato output. The state’s potato production stood at 11 million tonnes in 2016-17. West Bengal is the largest producer of rice in India. In 2016-17, rice production in West Bengal totalled to Largest rice producer 16.2 million tonnes, which is expected to cross 17 million tonnes by 2017. West Bengal is the 3rd largest state in India in term of mineral production, accounting for about one-fifth of Coal rich state total mineral production. Coal accounts for 99% of extracted minerals. Source: Statistics of West Bengal, Government of West Bengal 3 WEST BENGAL For updated information, please visit www.ibef.org ADVANTAGE: WEST BENGAL 2014-15 Geographic and cost advantage Rich labour pool 2022-23 T .
  • West Bengal Culturally Artistic

    West Bengal Culturally Artistic

    WEST BENGAL CULTURALLY ARTISTIC DECEMBEROCTOBER 2016 2013 For updated information, please visit www.ibef.org 1 WEST BENGAL CULTURALLY ARTISTIC Executive Summary………………..…… 3 Advantage State……………………..….. 4 Vision 2022………………………….……5 West Bengal – An Introduction…….….. 6 Annual Budget 2015-16…………..……18 Infrastructure Status…………………... 19 Business Opportunities……………….. 42 Doing Business in West Bengal……… 63 State Acts & Policies………………….. 68 DECEMBEROCTOBER 2016 2013 For updated information, please visit www.ibef.org 2 WEST BENGAL CULTURALLY ARTISTIC EXECUTIVE SUMMARY • West Bengal, India’s sixth largest economy, had a gross state domestic product (GSDP) of One of the largest state US$ 132.86 billion in 2014-15. The state’s GSDP grew at a CAGR of 10.57% during 2005- economies 16. • By 2015-16, eight IT parks located at Barjora, Rajarhat, Asansol, Durgapur Phase II, Kolkata as the next IT Bolpur, Siliguri Phase II, Puralia and Kharagpur started operating. Establishment of seven hub new IT parks at Haldia, Krishnanagar, Kalyani, Bantala, Taratala, Howrah, Malda is expected to start soon in next five years. Major producer of • In 2014-15, West Bengal was the second largest producer of potato in India, accounting for about 21.41% of the country’s potato output. The state’s potato production stood at potato 9.03 million tonnes in 2014-15. • West Bengal is the largest producer of rice in India. In 2015-16, rice production in India Largest rice producer totalled to16.10 million tonnes, which is expected to cross 17 million tonnes by 2017. • West Bengal is the third largest state in India in term of mineral production, accounting for Coal rich state about one-fifth of total mineral production.
  • A Tribute to Chetan Datar,Bharangam 13 – All the Plays of B

    A Tribute to Chetan Datar,Bharangam 13 – All the Plays of B

    Snake, Love and Sexuality Ravindra Tripathi’s There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari (directed by Madoka okada) also presents the snake as a charmer and lover of human being. It is story of 10th century Japan. There is a young man, named Toyoo, son of a fisherman. He lives near seashore. A beautiful woman named Manago comes to his home in a rainy night. Toyoo is attracted towards her. He also lends his umbrella and promises to meet her again in near future. After some days he goes to her house on the pretext of going back his umbrella. During that he gets intimate with her. Manago gives him a beautiful sword as a token of their relationship. But after sometime it comes out that the sword was stolen from a shrine. Toyoo is caught by the officials on the charge of theft. He is taken to the house of Manago and there it is discovered that actually Manago is not a woman but a serpent. She transforms herself as a woman to get Toyoo love. Now the question is what will happen of their relationship. Will Toyoo accept Manago, the serpent as his beloved or leave her? Ugetsu monogatari is a play about coexistence of natural and supernatural in human life.
  • Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)

    Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)

    No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.