Central Florida Future, Vol. 26 No. 37, June 29, 1994
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Bio-Sinister.Pdf
Starting in 1989, Sinister was a band arising in the middle of the Death-Metal hype. Mike, André, Aad en Ron were joining forces and the Sinister sound was born. After releasing a demo, a promo tape followed. Sending out the promo to various labels resulted in signing up at Nuclear Blast Records, Germany 1991. Their debut CD 'Cross the Styx' saw the light in early 1992, and sold many copies worldwide. Many live shows all over Europe followed. Touring with bands like Suffocation, Cannibal Corpse and Deicide increased the number of people knowing Sinister. In the years after that, Sinister succeeded in maintaining their popularity by releasing their second and third album 'Diabolical Summoning' (1993) and 'Hate' (1995) and doing many live shows all over Europe and a very successful 55 show-tour through all the USA. At the end of this period, Death-Metal got less popular, lots of Death-Metal fans switched over to Black- Metal, Gothic and other atmospherically music. Sinister never thought about playing other music than their favorite; Death-Metal. Some years passed and the band released their mini-CD 'Bastard Saints' (1996), and played a few live-shows. Several line-up changes followed, and led Sinister to write their most aggressive brutal and intense album so far 'Aggressive Measures' (1998). These time their presence in Death-Metal paid off. Death-Metal is back, where for Sinister it never left. The response from fans and critics where good. Sinister sold lots of albums and played lots of good shows, of which a short US-tour and good festivals like Wacken open air, Milwaukee Metal fest and Czech Dynamo blessed their way. -
Convenient &Always in Good Taste
Bail}}ular Ipri ARTS & FEATURES Thursday, June 23,1994 7A Local Band Avoids Cliche With Debut Ifyou owned a castle high on a hilland The album’s thirdtrack, “Splendor,” is addition, if for no other reason than to had to pick a band to play for you, one an exquisite example of layering guitar as hear one of the best and brightest songs whose eerie sounds echoed from the dun- well as bass, compliments of TonyMiller. again. Plus, there is the benefit of hearing geons to the tallest tower, Psycho Sonic Singer Peace leads offwithrhetorical ques- Millersolo, showing offthe natural talent Cindi should be your choice. tions, “What is my answer?/What does it of this self-taught bassist. The band’s self-titled debut comprises mean?” Afterfour bars ofbass and a few Wingrove explained that the band’s seven songs, all bound by a supernatural more lyrics, the rest of the song is instru- name was the name of a song done by the feel that evokes images of darker forces. mental, keeping an even level of ferocity. group Transvision Vamp in the early ’Bos. The music transcends the typical local On “LadyElaine Fairchild,” drummer “Ijust heard it for the first time last week- sound, particularly through its contrast of Johnny Wall creates a Curesque atmo- end,” he said. “Itsounds like the theme angry energy sphere with his consistent strength. Ab- song for cartoon, GODWIN a actually.” and sorrowful, | IQELLE sent of lyrics, the instrumental forum Wingrove gave some insight on the emotion-laden Music Review evokes images of an evil storm raging on band’s influences, which range from jazz reticence. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Stuttgart-Wangen, LKA/Longhorn Gäste
CANNIBAL CORPSE 05. Juli 2019 | Stuttgart-Wangen, LKA/Longhorn Gäste: Traitor Der Name CANNIBAL CORPSE weckt viele Assoziationen, aber nur ein Wort trifft zu ihrer Beschreibung den Nagel auf den Kopf: unaufhaltsam. Die Death-Metal-Veteranen veröffentlichen 2017 ihr monströses 14. Studioalbum „Red Before Black“. Damit wiederkäuen sie keineswegs Altbekanntes, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem treibt sich die Band immer wieder zu neuen Extremen an, um sicherzugehen, dass ihre jeweils neusten Songs aus ihrem bisherigen Katalog hervorragen. Auch dank der Produktion von Erik Rutan (Hate Eternal, Goatwhore) beweist ‘Red Before Black’, dass die Jungs keineswegs Altbekanntes wiederkäuen, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem hat sich die Band abermals angespornt, um sicherzugehen, dass die Scheibe aus ihrem bisherigen Katalog hervorsticht. "Im Laufe unserer Karriere versuchten wir immer, uns zu verbessern, sowohl in puncto Präzision beim Zusammenspielen, als auch auf produktionstechnischer Seite, ohne an Aggressivität einzubüßen. 'Red Before Black' setzt diese Tradition fort, ist aber vermutlich noch starker auf das Aggressive hin ausgerichtet. Präzise klingt das Album definitiv, zugleich aber auch so roh wie kaum etwas, das wir in jüngerer Zeit gemacht haben", findet Bassist Alex Webster. "wir haben uns ungeheuer angestrengt, um diese Songs auszuarbeiten, zu proben und auf das Niveau zu hieven, das uns vorschwebte, mehr noch als im Rahmen unserer letzten Alben", fügt Drummer Paul Mazurkiewicz hinzu. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected]
Boston College Law Review Volume 59 | Issue 6 Article 2 7-11-2018 Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Edward Lee, Fair Use Avoidance in Music Cases, 59 B.C.L. Rev. 1873 (2018), https://lawdigitalcommons.bc.edu/bclr/vol59/iss6/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. FAIR USE AVOIDANCE IN MUSIC CASES EDWARD LEE INTRODUCTION .......................................................................................................................... 1874 I. FAIR USE’S RELEVANCE TO MUSIC COMPOSITION ................................................................ 1878 A. Fair Use and the “Borrowing” of Copyrighted Content .................................................. 1879 1. Transformative Works ................................................................................................. 1879 2. Examples of Transformative Works ............................................................................ 1885 B. Borrowing in Music Composition ................................................................................... -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
Mcbastard's MAUSOLEUM: DVD Review: the JESUS
McBASTARD'S MAUSOLEUM: DVD Review: THE JESUS ... Page 1 of 46 Share Report Abuse Next Blog » Create Blog Sign In McBASTARD'S MAUSOLEUM the crypt of cult, horror and exploitation cinema TUESDAY, NOVEMBER 22, 2011 CONTRIBUTORS DVD Review: THE JESUS LIZARD: CLUB (2011) Christopher Kahler McBastard Root Rot CONTACT To submit materials for review please email me for the address. I am also willing to accept reviews, articles and other content for the site. email: [email protected] twitter: http://twitter.com/mcbastard2000 facebook: http://www.facebook.com/pages/mcBast ards-mausoleum/169440663073382 tumblr: http://mcbastardsmausoleum.tumblr.co m/ digg: http://digg.com/mcbastard2000 stumbleupon: http://www.stumbleupon.com/stumbler/ McBastard2000/reviews/ THE JESUS LIZARD - CLUB (2011) Label: MVD Visual THE CRYPT Region Code: 0 NTSC Duration: 65 mins ► 2012 (5) Video: 4:3 Fullscreen ▼ 2011 (327) Audio: Dolby Digital 5.1 Surround ► December (26) Director: Mathew Robinson ▼ November (26) Band: David Yow, Duane Dennison, David WM. Sims, Mac McNeily Blu-ray Review: THE EXTERMINATOR (1980) After a decade of inactivity seminal 90's noisemakers THE JESUS LIZARD returned Japanese spine-tingler GUROZUKA to the American stage at the Exit club it Nashville, TN on July 14th 2009. The coming to DVD from... performance captured here features the four members of the classic JL line-up, African zombie film THE DEAD on David Yow (SCRATCH ACID) on vocals, Duane Dennison (TOMAHAWK) on guitar, BD/DVD February 14... David WM. Sims (RAPEMAN) on bass and Mac McNeily (MULE) on the drums. Israel's first horror film RABIES out on DVD Febru.. -
OBSERVER Vol
OBSERVER Vol. 1 No. 1 September 1, 1995 Page 1 Observer to Undergo Major Changes in the Coming Weeks Newspaper aims to change the way the Bard students are informed Pedro Rodriguez New Faculty Members Bring Diversity and Experience Linnea Knollmueller Page 2 Bard Students Commended for Heroic Vermont Rescue Delegates Reflect on Nicaragua Students share in local customs and culture Dead Squirrels Baffle Local Man Page 3 Official Documents Page 4 Entertainment Committee Gears Up for a Productive Semester Joel Hunt Page 5 New Recreation Director Makes Effort to Increase Activities at Bard Dave Hyde and Meeka Bhattacharya Inside the Game Strong Like Bull, Sexy Like Woman Tonya Giarnella Page 6 Is There Any Safety in Numbers? Matt Johnson The Somnambulist We Work Hard for the Money So You Better Treat Us Right Pedro Rodriguez Page 7 No Comment X Marks the Scam Shawnee Barnes Health Services Undergoes Many Changes Over the Summer Break Karen Lee Hansen Page 8 [Calendar of Events] 111111111111 II I I IIIII I I I 111111111111111111111 111111 9 1111 1 II II I Ulllll SPOUTS • P.Ual~ :: Is there a director in the house? What's inside ... Interested in sports and fitness? You Letters to the Editor/ Editorials have might want to get to know the new moved to the front ofthe paper. OBSERVER Check them out on page 2. BARD an gym director. The Observer has Volume 1, Issue 1 September 1, 1995 interview with him inside. Observer to undergo major changes in the coming weeks Newspaper aims to change the way the Bard students are informed Beginning this issue, the paper is Richard Stern. -
Peer Groups May Handle Town Gripes with Students
BreezeJames Nfadison Univeisity THURSDAY APRIL 22,1993 VOL 70, NO. 50 Peer groups may handle town gripes with students by MJ Carscallen senior writer JMU students and Harrisonburg police are devising a plan to improve relations between the off- campus student population and permanent residents of Harrisonburg. The Student Government Association, Commuter Student Council and the Interfraternity Council have proposed a plan to establish student liaisons to assist in settling any complaints town residents make to the Harrisonburg police department about students. "It is important that we as students can deal with our problems ourselves," SGA Administrative Vice President Scott Surovell said. "I thought peer KATHY ALCORN/THE BREEZE pressure would be more effective at stopping [disruptive behavior] rather than always dealing with a paternal figure like the police." Remembering Interfraternity Council President Mike Waite said, Sophomore Christie Faris* and Senior Katherine Archer walk in Monday's "We're trying to improve relations through better Holocaust Remembrance candlelight march from the commons to Wilson Hall. For communication. "If [residents] have a problem there is someone over eight hours, students read the names of Holocaust victims. they can talk to instead of just being pissed off at a particular house," he said. "If [students] know who you are, they will calm down and listen to you because you're not an authority figure." Colonel Donald Harper, chief of the Harrisonburg Zealot returns to help save 'wicked' Police Department said the proposal was respectable. "It shows there is mutual cooperation between two by Drew van Esselstyn reaction, but then I realized he got exactly what he entities," Harper said.