BWTB Sept. 11Th 2016
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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
Super Bowl Singles Sunday 2017
1 TH PLAYLIST FEB. 5 2017 SUPER SINGLES SUNDAY As we feature the Beatles 1 PLUS LP 2 9AM The entire NEW Beatles 1 PLUS (including bonus highlights) The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 3 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - From Me To You - A Collection of Beatles Oldies `66 (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ third single release for EMI’s Parlophone label. -
The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 19.06.20: PAUL McCARTNEY: 2020er FLAMING PIE /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: 2020er ARCHIVE COLLECTION: FLAMING PIE Doppel-CD versenden wir gut verpackt als Brief (mit Deutscher Post), LPs und Boxen mit DHL (Info über Sendeverlauf kommt per E-Mail). Freitag 31. Juli 2020: PAUL McCARTNEYs FLAMING PIE ARCHIVE COLLECTION Kurzübersicht: Produkt 1: 2020er Doppel-Vinyl-LP FLAMING PIE. Produkt 2: 2020er 3er Vinyl-LP FLAMING PIE . Produkt 3: 2020er Doppel-CD FLAMING PIE . Produkt 4: 2020er Box (5 CDs, 2 DVDs) FLAMING PIE. Produkt 5: 2020er Deluxe-Box (4 LPs, 5 CDs, 2 DVDs) FLAMING PIE . Abbildungen: Cover-Vorderseite / Doppel-LP mit Beilagen (verkleinerte Abbildung) Produkt 1: PAUL McCARTNEY: 2020er Doppel-Vinyl-LP FLAMING PIE. 39,95 € MPL - Universal Music 7 06025 086177 1 ?, weltweit. Half-speed master of the remastered main album tracks cut over two lp’s for the first time. Doppel-LP remastered album, Seite 1: Track 1: The Song We Were Singing. / Track 2: The World Tonight. / Track 3: If You Wanna. Doppel-LP remastered album, Seite 2: Track 4: Somedays. / Track 5: Young Boy. / Track 6: Calico Skies. / Track 7: Flaming Pie Doppel-LP remastered album, Seite 3: Track 8: Heaven On A Sunday. / Track 9: Used To Be Bad. / Track 10: Souvenir. Doppel-LP remastered album, Seite 4: Track 11: Little Willow. / Track 12: Really Love You. / Track 13: Beautiful Night. / Track 14: Great Day. ---------------------------------------------------------------------------------------------- Abbildungen: Cover-Vorderseite / 3er LP mit Beilagen (verkleinerte Abbildung) Produkt 2: PAUL McCARTNEY: 2020er 3er Vinyl-LP FLAMING PIE. 74,95 € MPL - Universal Music 7 06025 086177 2 ?, weltweit. -
Was Original Whom He Liked, Though He's Not Too Keen on Originally As Nobody Ever Asked Me to Play Live
HARRY NILSSON r.,I3 ej ictor "We thought it had a sense of humour. I don't know... things that the studio has to offer which you can't do in I guess I'm just bitter about it. I think that sense of g a live situation. I did some TV shows in America a long humour is the single most lacking thing in popular time ago -the Johnny Carson show, the Mike Douglas music. It's also the single most lacking quality in the show -with just me and a piano. people that present popular music to the public. It hurts, "I was once advised to do live shows and appear on TV. because that's what rock'n'roll is all about -fun. I agreed to the TV. 'Everybody's Talkin" had just come out and "'Acting lilce a man on a fuzzy tree. .'It's humour. How serious can you it was a hit, so I went on this TV show. I didn't have a suit to wear so I get about'your baby, my baby'?Lots of musicians take it too seriously and borrowed my manager's suit, which didn't fit. As soon as it was over it's dull and boring, and that's what's killing pop music. I like humour and I realised I was making a mistake and stopped doing it. My reputation I like songs that have humour. That's why I'm arguing with RCA. is now unscathed. "They don't get the joke aboutGod's Greatest Hits.I asked them whether "I've talked about it with the band that I use on the albums but I don't they'd have turned downJesus Christ Superstarfor the same reason. -
Download PDF < Free As a Bird \\ OJKWQAQC87ON
OHFPU4UKH3H6 \ eBook Free as a Bird Free as a Bird Filesize: 8.91 MB Reviews This composed pdf is great. It usually will not cost too much. I am very easily can get a pleasure of reading a composed book. (Luis Klein) DISCLAIMER | DMCA Y11MNZKPITZ7 > Kindle // Free as a Bird FREE AS A BIRD To download Free as a Bird PDF, you should click the web link under and download the ebook or have access to other information that are in conjuction with FREE AS A BIRD book. Alphascript Publishing. Taschenbuch. Book Condition: Neu. Neuware - 'Free as a Bird' is a song performed by The Beatles. The single was released on 4 December 1995, as part of the promotion for the release of The Beatles Anthology video documentary and the band's Anthology 1 compilation album. The song had been written and recorded as a demo by John Lennon in 1977. Paul McCartney asked Lennon's widow Yoko Ono for any unreleased material by Lennon, and 'Free as a Bird' was chosen as being the song all three remaining Beatles could be involved in, as they could finish the arrangement and write extra lyrics. Je Lynne of Electric Light Orchestra was asked to co-produce the record as he had worked with George Harrison as part of The Traveling Wilburys. The music video for 'Free as a Bird' was produced by Vincent Joliet and directed by Joe Pytka (Space Jam) and depicts, from the point of view of a bird in flight, many references to The Beatles songs, such as 'Strawberry Fields Forever,' 'Penny Lane', 'Paperback Writer', 'A Day in the Life', 'Eleanor Rigby', 'Helter Skelter' and many, many more. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Common Course Outline the Community College of Baltimore
Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol. -
Sound Decisions
26' R &R May 2, 1997 SOUND DECISIONS 33. `The World Tonight' has more of an STEVE WONSIEWICZ edge and is something you can hear Rock radio playing. That's important, especially because with the last few albums, we didn't get much reaction from Rock radio. McCartney's 'World' Takes Wieg At Radio - Bill Porricelli Capitol leads with grittier `The World Tonight' in the U.S. The choice of a first single: It's often a delicate issue Perfect Timing generating phones. "It's working as Working The Demos and one that Capitol is releasing receives due attention from labels. But when the single at well as we expected. It has a great an time at On the left coast, Hot AC the decision involves the first new music in years from a opportune radio. Alterna- edge to it. It's perfect for a main- tive is embracing softer, adult-lean- KFMB /San Diego PD Tracy former Beatle, well ... let's just say I would have loved to stream Rock station like KLOS ing tracks. Those hits are crossing Johnson is just as bullish. "I'm have been a fly on the wall during those discussions. and is appealing across demos. excited about the song because to CHR/Pop, Hot AC, and even AC. And the staff really digs it." "World" also fits perfectly at the I'm a huge McCartney fan. I know there is a lot That set -up aside, Capitol offi- great about this album is that growing number of Alternative ACs. Built -In Beatle Base of interest about him as an artist.